Every Friday, The Verge publishes our flagship podcast, The Vergecast, where co-hosts Nilay Patel and Dieter Bohn discuss the week in tech news with the reporters and editors covering the biggest stories.
In this episode, the show is split into three sections. First, Nilay and Dieter talk to Verge senior editor Tom Warren about this week in Microsoft: leaks of the Windows 11 UI, announcements from E3 2021, and Microsoft CEO Satya Nadella doubling as the company’s chairman.
Windows 11 leak reveals new UI, Start menu, and more
Microsoft Teams’ new front row layout arrives later this year
Microsoft CEO Satya Nadella now doubles as the company’s chairman
Microsoft announces Xbox TV app and its own xCloud …
Microsoft is bringing next-gen Xbox games to the Xbox One with xCloud
Even the Xbox app has stories now
The Xbox Series X mini fridge will be available this holiday season
Microsoft Flight Simulator is landing on Xbox Series X / S consoles on July 27th
The best trailers of E3 2021
In section two of the show, Verge politics reporter Makena Kelly returns to explain the continuing push by the US government to enact antitrust legislation on tech monopolies — this week, five new bills were introduced and the Senate confirmed a new commissioner of the FTC.
Tech antitrust pioneer Lina Khan will officially lead the FTC
How Republicans and Democrats are gearing up to fight tech monopolies
House lawmakers introduce five bipartisan bills to unwind tech monopolies
Senate bill would make it easier to cancel a subscription online after a free trial
In part 3, Verge managing editor Alex Cranz joins in to chat about this week in gadgets and Google — the company is adding end-to-end encryption to their Messages app, Sonos officially announced their picture frame speaker, and Telsa’s Model S Plaid made its big debut.
Google’s first retail store opens this week
Google adds E2E RCS encryption to Messages, emoji mashup suggests, and more for Android
Google Workspace and Google Chat are officially available to everybody
Honor confirms Google’s apps will return to its phones with new 50 series
Beats Studio Buds review: big ambition, imperfect execution
Ikea and Sonos announce picture frame speaker, coming July 15th for $199
Watch the debut of Tesla Model S Plaid, the ‘quickest production car ever made’
The Realme GT lays claim to OnePlus’ ‘flagship killer’ mantle
Oppo’s rollable concept phone is pure potential lacking polish
You can listen to the full discussion here or in your preferred podcast player.
Gigabyte has introduced a lineup of motherboards based on AMD’s X570S chipset that use passive cooling systems on their chipset and are therefore quieter than their predecessors. The platforms are aimed at high-end systems and therefore feature advanced voltage regulating modules, plenty of PCIe slots and advanced network connectivity.
Gigabyte’s AMD X570S lineup includes multiple high-end Aorus-branded motherboards equipped with an AM4 socket and a high-performance VRM with 14 or 16 phases with 70A or 90A power stages. The platforms have four DDR4 memory slots, two or three PCIe 4.0 x16 slots for graphics cards or high-end SSDs, two or more M.2-2280 slots for drives featuring a PCIe 4.0 x4 interface, and multiple SATA ports.
As far as connectivity is concerned, all Gigabyte’s Aorus AMD X570S motherboards feature a 2.5 GbE port, USB Type-C front ports, some are also equipped with a Wi-Fi 6 network adapter, and a USB 3.2 Gen 2×2 Type-C port.
All of the company’s AMD X570S-based motherboards feature sophisticated overclocking and performance tuning capabilities to ensure maximum performance for AMD’s latest Ryzen 5000-series CPUs, including Gigabyte’s Active OC Tuner active overclocking technology. Furthermore, they are equipped with coolers for their VRMs and chipsets.
Gigabyte’s Aorus AMD X570S family includes several motherboards: including the flagship X570S Aorus Master, the Aorus Pro AX, and the X570S Aero G. Pricing of the motherboards will depend on exact specifications of the platforms. Eventually Gigabyte will likely launch more consumer-oriented motherboards powered by AMD’s X570S chipset.
According to ComputerBase, graphics card prices have begun to drop as much as 50% in Europe. Availability has also improved significantly, with sales of most GPU models from both AMD and Nvidia doubling month-over-month. This report comes on the heels of ASRock, a GPU maker, noting that GPU pricing is easing as demand from Chinese cryptocurrency miners wanes.
More budget-oriented cards like the Nvidia GeForce RTX 3060 and AMD Radeon RX 6700 XT are seeing the most positive results, with a near 50% drop in price compared to last month. For flagship cards like the RTX 3080 and RX 6800 XT, however, prices haven’t moved as much. They have dipped a respectable 10-15% which is still a very positive change considering the shortage issues plaguing the technology industry.
(Image credit: ComputerBase)
In the United States, GPU pricing is slowly catching up to Europe, but it’s still going down nonetheless. A Redditor named ‘u/xclm’ has created a chart comparing GPU prices of cards sold on eBay with the amount of mining horsepower it’s capable of, over the course of the past month.
He found that prices are dropping reasonably well with a 20% average price drop for all cards this month compared to May, and the higher-performing cards like the RTX 3090 have seen an even higher drop of 32% in price.
(Image credit: Reddit)
This change in market behavior is mostly attributed to China regulating crypto mining, and the big drop in the value of large cryptocurrencies like Ethereum and Bitcoin. The situation has reduced demand from miners and at the same time is forcing miners to sell off large batches of graphics cards. That’s a big difference from the first quarter of the year, when 700,000 GPUs were reportedly shipped to cryptominers.
It appears the graphics card shortage may be seeing the end of its days as Europe and American GPU prices start to drop. Don’t expect a complete restoration anytime soon, but hopefully this means more people will be able to get graphics cards at more reasonable prices.
It isn’t perfect, but the SP11RA is a refined, detailed and room-filling Dolby Atmos system
For
Large, well-spread soundscape
Comprehensive feature set
Detailed top end
Against
Looks don’t match the price tag
Sub feels one dimensional
Lacks a little punch
It seems that LG can do no wrong when it comes to OLED TVs, but its soundbars have proven to be more of a mixed bag. The company is clearly determined to get things right with its 2021 flagship model, the LG SP11RA, despite the two-star bruising we gave its predecessor.
Like the previous model, the SP11RA is a serious investment in terms of both money and space. If your idea of a soundbar is affordable, compact convenience, you may be surprised by the price, size and number of boxes involved here. It’s still a more convenient and less overwhelming undertaking than building a true home cinema system, though, particularly one to match the LG’s 7.1.4 channels of Dolby Atmos action.
Best of all, while the SP11RA looks similar to its underwhelming forebear, the feature set and sound quality have been significantly improved. It’s still not perfect and it won’t be for everyone, but for some, it could be just what they’re looking for.
Pricing
The SP11RA launches at £1500 (AU$1849) and supersedes 2020’s SN11RG, which was initially similarly priced but has been heavily discounted since being discontinued.
Its nearest rival is Samsung’s 11.1.4ch package, the Q950A, which currently costs £1600 ($1600, AU$1500), while some of Samsung’s smaller 2021 Dolby Atmos soundbars with wireless subs, such as the Q800A £799 ($700), can be upgraded to surround packages through the addition of the SWA-9500S 2.0.2 wireless rear speaker kit, which costs £249 ($248, AU$395).
Alternatively, the Award-winning, Dolby Atmos-enabled Sonos Arc, which costs £799 ($799, AU$1399) on its own, can be expanded through the addition of two One SL speakers (£358, $358, AU$538) and, if required, a Sub (£699, $699, AU$999). This full system would set you back £1856 ($1856, $2936).
If all this sounds quite costly, bear in mind that the cheapest AVR we recommend that does 7.1.4 amplification, the Denon AVC-X6700H, costs £2299 ($2499, AU$6190) and you’d also need to budget for a full speaker package.
Build
(Image credit: LG)
Size is certainly the most conspicuous physical feature of the SP11RA. At 144cm long, LG suggests pairing with TVs sized 55 inches and above, so you’ll need a substantial cabinet to house it on. Hardware for wall mounting is included but, at 15cm deep, it will protrude noticeably more than your flat screen.
LG SP11RA tech specs
(Image credit: LG)
Connections eARC, 2x HDMI, optical, USB
ARC/eARC eARC
Sound format support Dolby Atmos/ Dolby AudioTM/ DTS:X/ DTS-HD/ PCM
Bluetooth version 5.0
AirPlay 2 Yes
Chromecast Yes
Voice control Google Assistant, Alexa
Dimensions (hwd) 6.3 x 144 x 14.6cm (bar); 39 x 22 x 31cm (sub); 21 x 13 x 19cm (rears)
Weight 7.2kg (bar); 7.8kg (sub); 5.2kg (rears)
The finish seems to have been designed to help camouflage the large surface area and almost succeeds. The front and side faces are wrapped in a tight black mesh grille while the top surface is finished in brushed black metal which, despite its matt finish, reflects a bit of light from the screen directly above.
Size aside, there’s little in the design that indicates the premium price. The styling is rather nondescript, and the individual units don’t feel particularly solid or premium either.
Hidden inside the main bar are the left, centre and right channels, each with a 20mm silk dome tweeter and a 10cm racetrack driver; two ‘surround’ channels with a 10cm racetrack driver unit at either end of the bar; and on the top surface are a pair of 7cm Atmos speakers.
Also on the top exterior is a mic for room calibration and voice control (the SP11RA is compatible with both Alexa and Google Assistant) as well as touch buttons for power, input, volume, play/pause and quick source select options for wi-fi and Bluetooth 5.0.
The front face has a five-character swift scrolling LED display for text feedback as you change settings and otherwise constantly shows the current active input.
At the rear is an HDMI-out port that supports eARC, plus two HDMI 2.1 inputs with 4K Dolby Vision pass-through. There’s also an optical input and a USB port, the latter for connection to a mass storage device.
Relative to the main bar the separate wireless sub (SPP8-W) seems modestly sized, with a front-facing 18cm bass driver and rear port, wrapped on three sides in a soft black fabric.
The two wireless rear speakers house front-facing 76mm units for the surround back left and right channels and angled 63mm drivers on top for the Atmos, with the sides finished in the same brushed black metal as the main bar. While the sub and surrounds are ‘wireless’ in terms of audio signal they still require power and need to be located near a plug socket.
That’s a total of 15 drive units configured for 7.1.4-channels, but syncing this array of boxes is pretty straightforward. The LG Soundbar app quickly finds the main bar and is easy to add onto our network, with the other units of our sample automatically joining after. There’s also a button on the back of each unit for manual pairing and an LED status indicator.
Features
(Image credit: LG)
The SP11RA has a comprehensive list of connectivity options that can be easily accessed via the touch buttons, the minimalist remote control or the app. For streaming, alongside Bluetooth and wi-fi, there’s Chromecast built-in and, if you have access to hi-res content, you’ll be pleased to know the soundbar can handle audio of up to 24-bit/192kHz quality.
The levels of each speaker group can be turned up or down using the remote or the app, and there’s a broad two-band EQ to tweak the high end or low end of the front of the main unit.
As well as a decent ‘Standard’ sound mode, there are a host of other sound profiles, some of which are new for this year, including a ‘Music’ mode that benefits from tuning courtesy of Meridian, with whom LG has collaborated to enhance its audio products since 2018.
The SP11RA also features ‘Meridian Horizon’, an upmixing technology that LG says will provide immersive multichannel audio from two-channel stereo content.
This upmixing is accessed from the ‘Cinema Sound’ mode which, regardless of the original sound format, will output audio from all speakers. The ‘Bass Blast’ profile operates similarly but with added low end. There’s also a ‘Clear Voice’ option, and modes optimised for ‘Sport’ and ‘Gaming’. If you’d rather let the soundbar decide then ‘AI Sound’ mode automatically switches between profiles. On the LG Soundbar app, there’s an added ‘Night-time’ mode that compresses dynamics and reduces bass and can only be accessed manually.
Following the latest trend of brand symbiotic TVs and soundbars, those with a 2021 LG OLED (such as the OLED65CX) have yet more options available and can choose to let their TV handle the processing by choosing ‘TV Sound Mode Share’ in the advanced settings on their TV’s sound menu. However, it’s worth noting that when watching Dolby Atmos content, the sound modes are locked out as this uses its own algorithm.
Sound
(Image credit: LG)
We start by streaming Soul in 5.1 on Disney Plus. Trent Reznor’s ethereal electronic score of the ‘Great Before’ is well projected in both the main bar and rears and the springy reverb effects in the ‘You Seminar’ are nicely realised, adding a feeling of openness and space. The pillowy soundscape feels large and enveloping, and the surrounds pull their weight dynamically, filling in the atmosphere nicely with a smooth, even soundstage.
Occasionally, though, that smoothness verges on blandness. When the action returns to earth and ‘22’ experiences the cacophony of New York for the first time, we don’t quite get the sense of overwhelming din from the more guttural sounds such as the pile driver and passing firetruck, which lack a strong leading edge. Jon Batiste’s jazz underscore however feels elegantly presented and lush, skipping along with a secure sense of timing.
Swapping to the opening scene of Unbroken in Dolby Atmos, we’re impressed by the forthright clarity of the high-frequency elements in such a busy, noisy scene – even as the sound of flight goggles being adjusted is crisp against the whir of the engines – and the projection of the dialogue. As wind and engine noise fill the room, the SP11RA makes a fair attempt at rendering height, though not quite as successfully as the class-leading Sonos Arc which, when paired with two Sonos One surrounds, benefits from greater consistency of sound between the main unit and the smaller speakers.
Streaming from Tidal, we try Mariachi El Bronx’s High Tide. It’s a texturally dense song, but the SP11RA manages to control the ornate instrumentation. The vibrato heavy brass is sparkly but not harsh and the strings soar sweetly while lighter rhythmic elements such as the finger-picked acoustic guitar and woodblock sing out amongst it all. In the ‘Music’ mode, the bass and treble are enhanced slightly without sounding synthetic and the separation between instruments is widened.
A bigger undertaking is SBTRKT’s Trials Of The Past where the timing of some of the rapid synth tremolo proves a challenge. We also can’t help but feel that considering that this system has a separate sub it misses its chance to shine. There’s little attack to define the initial thump of the synthesised bass notes and, generally, the low end feels a bit limp and lacking in dimension, which when contrasted with the precision in the top end can result in an unbalanced sound.
Verdict
The SP11RA is a big improvement from last year’s SN11RG. It’s easy to listen to, creating an even, immersive listening experience and, while you may have to give up some space to house it, its connectivity spec is one of the most comprehensive we’ve seen.
Some may find it a little too polite both in terms of the low end and muscularity, especially when compared to other soundbars with a separate sub such as Samsung’s HW-Q800A. Likewise, there are also better Dolby Atmos performers, including the Sonos Arc, which is even more convincing in its handling of 3D audio soundtracks, particularly when partnered by One SL surround speakers, as well as more attacking and engaging in its delivery.
The SP11RA isn’t perfect, then, but it is a good option that boasts a detailed top end, broad, room-filling sound and largely deft handling of music.
As one of the world leaders in digital technology, Samsung pretty much makes any type of electronic device you can think of. Their products are used by millions of people around the world.
Being a leader in DRAM and flash memory production, it comes as no surprise that they are also a huge player in the SSD business. Their EVO and PRO Series SSDs are highly popular among upgraders, system builders, and enthusiasts.
The Samsung 980 non-Pro was announced end of March 2021 and made waves because it is a DRAM-less SSD, a design choice usually reserved for value drives without maximum performance, yet Samsung picked the “980” name, which is used on their flagship “980 Pro.” Under the hood, the Samsung 980 in today’s review uses a relatively new controller called “Pablo,” or S4LR033—a 4-channel PCIe Gen 3 controller design we’ve seen on some external Samsung SSDs before. The flash chips are 128-layer 3D TLC, same as on the Samsung 980 Pro. As mentioned before, a DRAM chip is not present, which is a cost-optimization measure, but has the drawback that random write performance is reduced.
The Samsung 980 comes in capacities of 250 GB ($55), 512 GB ($60), and 1 TB ($140). Endurance for these models is set to 150 TBW, 300 TBW, and 600 TBW respectively. Samsung includes a five-year warranty with the 980 non-Pro SSD.
More than six months after its initial debut, the PlayStation 5 remains as elusive as ever. Sony also expects console shortages to stretch into 2022, however, at 5:15PM ET / 2:15PM PT, both the PS5 and PS5 Digital Edition will be available at Sony’s store. You can head to that site right now, and the page will automatically toss you into the queue to (hopefully) secure a PS5 from the batch being released into the wild today.
Sony says that you don’t need to refresh the page, but make sure that you stick around once the queue begins because it’ll likely ask you at some point to verify that you’re still present, or else you might be booted from the queue. If it’s your first time, welcome to the needless drama involved with buying a PS5.
So, what’s the difference between the two models?
The standard PS5 ($499.99) and the Digital Edition ($399.99) are nearly identical, aside from the obvious. The standard console features a UHD Blu-ray disc drive whereas the latter does not, meaning you’ll need to download or stream anything you want to watch or play. The Digital Edition also features a slimmer, lighter build because of this, however, keep in that the size difference is slight. Both consoles also sport an 825GB SSD.
PlayStation 5
Sony’s flagship next-gen console, which includes a disc drive, allowing you to play both digital and physical games on the PS4 and PS5.
$500
at Sony
If you do manage to purchase a PS5, there are a few games and additional accessories we suggest you pick up, including Sony’s Pulse 3D Headset, the forthcoming midnight black DualSense controller, and the best PS5 exclusive released thus far: Returnal.
In addition to the accessories above, we also recommend buying an annual membership to PlayStation Plus. Doing so gives you access to online multiplayer, a selection of free monthly titles, and the PlayStation Plus Collection, which allows you to play a host of PlayStation 4 classics on your PS5 at no additional cost.
Lenovo’s lineup of ThinkPad workstation laptops are getting more powerful with the launch of the ThinkPad P1, P15 and P17. The notebooks are being bumped up to the latest Intel Core and Xeon mobile CPUs and Nvidia graphics, going up to the enterprise-grade RTA A5000 GPU.
The new laptops are scheduled to launch in July, starting at $2,099 for the P1, $1,749 for the P15 and $1,779 for the P17.
Specs
Lenovo ThinkPad P1 Gen 4
Lenovo ThinkPad P15 Gen 2
Lenovo ThinkPad P17 Gen 2
CPU
11th Gen Intel Core or Xeon
11th Gen Intel Core or Xeon
11th Gen Intel Core or Xeon
GPU
Up to Nvidia RTX A5000 (16GB) or Nvidia GeForce RTX 3070 (8GB)/RTX 3080 (16GB)
Up to Nvidia RTX A5000 (16GB)
Up to Nvidia RTX A5000 (16GB)
Display
16-inch, 16:10, 3840 x 2400 IPS touch or 2560 x 1600 non-touch
15.6-inch, 3840 x 2160 IPS or OLED touch with Dolby Vision HDR or 1920 x 1080 IPS
17.3-inch 3840 x 2160 IPS or 1920 x 1080 IPS
RAM
Up to 32GB DDR4-3200 ECC/non-ECC
Up to 32GB DDR-3200 ECC/non-ECC
Up to 128GB DDR4 3200 ECC/non-ECC memory
Storage
Up to 4TB M.2 NVMe PCIe Gen 4 SSD
Up to 6TB M.2 NVMe PCIe Gen 4 SSD
Up to 6TB M.2 NVMe PCIe Gen 4 SSD
Battery
90 WHr
94 WHr
94 WHr
Starting Price
$2,009
$1,749
$1,779
Availability
July
July
July
All of the laptops will use up to 11th Gen Intel Core or Xeon processors. The whole line goes up to the Nvidia RTX A5000 GPU, while the P1 also has gaming options with an Nvidia GeForce RTX 3070 or RTX 3080. This is a first for the P1, which is now on its fourth revision.
(Image credit: Lenovo)
The P1, the flagship, has the option for a 16-inch
IPS
display with a 16:10 aspect ratio, 3800 x 2400 resolution and touch. You can also opt for non-touch, 2560 x 1600 resolution, narrow bezels and low-blue light technology. The P15 goes for
4K OLED
or a standard,
1080p
screen, while the P17 has the same options as the P15 but with a larger area.
Both the P1 and P15 go up to 32GB of RAM, while the P17 can be configured with up to 128GB of RAM. You can get
ECC memory
on Xeon versions and non-ECC options with regular Intel Core.
(Image credit: Lenovo)
All three systems are part of the Nvidia Studio program aimed at creatives, and Lenovo claims that “the creative community will have total confidence these workstations will handle their mission-critical workflows without issue “
The P1 does have a few other flagship features, including the option for 5G, top-firing speakers that support Dolby Atmos and a 1080p webcam.
Lenovo is also announcing the ThinkVision P34w-20, a 34-inch ultrawide that will look to compete against the
best computer monitors
with a 3800R curve, 3440 x 1440 resolution and 21:9 aspect ratio. That will launch this fall for $899.
Additionally, the company announced that its new ThinkPad Thunderbolt 4 Workstation Dock will start at $419 this fall.
The Honor 50 series will be able to ship with Google’s apps and services, Honor officially announced today as it launched the Honor 50 and Honor 50 Pro in China. In a statement, Honor says its phones will go through Google’s security review and that “Honor devices will therefore have the option to have Google Mobile Services (“GMS”) preinstalled on compatible devices, in accordance with Google’s licensing and governance models.”
“Consumers will be able to experience Honor smartphones and tablets equipped with GMS,” the company said. A spokesperson confirmed that the “Honor devices” referred to in the statement include the newly announced Honor 50. The device will be available for preorder in China on June 25th and will come to international markets such as France, Malaysia, Mexico, Russia, Saudi Arabia, and the UK at a later date at a price that’s to be announced.
Honor hasn’t been able to ship Google’s apps and services, including the Google Play Store, on its phones since its former parent company Huawei was placed on the US’s entity list, forcing Google to pull its Android license. What’s changed with the 50 series is that Huawei sold off Honor at the end of last year, allowing the company to work with Google once again. Huawei, meanwhile, is still unable to use Google’s software and is positioning its own HarmonyOS as a replacement.
Reports about the return of Google’s software to Honor’s phones emerged last month, after the company’s German Twitter leaked the news in a now-deleted tweet.
Turning to the devices themselves, the most eye-catching thing about the Honor 50 and Honor 50 Pro are their rear cameras, which are arranged into a pair of circular bumps. The phones have four rear cameras in total, including a 100-megapixel main camera, an 8-megapixel wide-angle, a 2-megapixel macro, and a 2-megapixel depth camera. On the front, the Honor 50 Pro has a pair of selfie cameras, combining a 32-megapixel camera with a 12-megapixel ultrawide, while the Honor 50 just has a single 32-megapixel camera.
Both phones have a 120Hz display, though the Honor 50 Pro’s is slightly bigger at 6.72 inches compared to 6.57 for the regular Honor 50. Available colors include silver, bronze, green, and black. Internally, they’re powered by a Qualcomm Snapdragon 778G processor. The 50 Pro has a 4,000mAh battery that can be fast charged at up to 100W, while the regular 50 has a 4,300mAh battery and supports 66W fast charging.
The return of Google’s software to Honor’s phones is unlikely to make much of a difference in China, where phones typically ship without the Play Store. But their absence has made Honor and Huawei’s phones pretty hard to recommend elsewhere. When the Honor 50 eventually releases in the West, that could all change.
In China, the Honor 50 will start at 2,699 yuan (around $422), while the Honor 50 Pro will start at 3,699 yuan (around $578). Alongside the two flagship phones, Honor is also announcing the cheaper Honor 50 SE, which will start at 2,399 yuan (around $375).
Nintendo has announced that Kayuza from the Tekken fighting gameswill be the latest character to join Super Smash Bros. Ultimate at its E3 2021 Nintendo Direct presentation. Additional details are promised at a future presentation on June 28th.
The character marks the latest classic fighting game character to join Nintendo’s flagship fighter, joining characters like Street Fighter’s Ryu or Fatal Fury’s Terry Bogard.
Kayuza is the fifth DLC character to be added to Super Smash Bros. Ultimate’s second Fighters Pass. Previous additions included Min Min from Arms, Minecraft mascots Steve and Alex, Final Fantasy VII villain Sephiroth, andXenoblade Chronicles 2’s Pyra and Mythra (the two count as a single character) released in February.
The Fighters Pass costs $29.99 for six characters, with a final character — who, barring any changes, will be the last fighter added to Smash Bros. Ultimate — who should be announced later this year. Players who don’t want the full collection can also pay $5.99 for each character individually.
Smash Bros. Ultimate also still has its original Fighters Pass, which costs $24.99 and includes five additional characters: Joker from Persona 5, Hero from Dragon Quest, Banjo and Kazooie from Banjo-Kazooie, Terry Bogard from The King of Fighters, and Byleth from Fire Emblem: Three Houses.
(Pocket-lint) – It’s probably no surprise that the Realme GT’s international reveal happened just one day after the OnePlus Nord CE hit the headlines. Because, while the GT isn’t a direct competitor – it’s actually more powerful than OnePlus’ more budget offering – it’s certainly a handset that wants to lead the young brand’s charge on OnePlus’ ongoing dominance in the alt-flagship space.
It’s even pulled the same old-hat promotional tagline – “flagship killer” – which is rather cheeky. But that gives Realme a platform upon which to stand. It is a bit cheeky. It has previously released phones with eye-slapping phrases plastered on them – we lambasted the Realme 8 Pro for its ‘Dare To Leap’ slogan. It’s that bit different, that bit of fun.
With the Realme GT the company is looking to enter the fast lane – the ‘Grand Tourer’ name reference name says it all really – for this alt-flagship has top-tier Qualcomm processing power, a more grown-up looking vegan leather finish than earlier Realme devices, and arrives at a price point that could make you pay attention to this brand over better-established products such as, say, a Moto G100 or Xiaomi Mi 11 Lite.
Design & Display
6.43-inch AMOLED panel, 1080 x 2400 resolution, 120Hz refresh rate
Colours: Racing Yellow, Dashing Silver, Dashing Blue
Dimensions: 156 x 73 x 9.1mm / Weight: 186g
Finishes: Vegan leather or glass back
In-display fingerprint scanner
With phones often gigantic slabs these days, it’s rather refreshing to hold onto the Realme GT – because it’s sensibly proportioned, not too thick even in its vegan leather finish, and is on the right side the 200g weight barrier (a limit that we’ve pretty much decided to impose having handled the all too heavy Xiaomi Mi 11 Ultra).
Motorola’s new Moto G9 Plus is a stunner of a phone – find out why, right here
By Pocket-lint Promotion
·
Pocket-lint
That the volume control buttons are on the opposite side to the Realme GT’s power button – a rarity in most Android phones – is something you might not immediately love, but we stuck with it and it’s actually a sensible layout. Taking one-handed screengrabs is easier, as one beneficial example.
But it’s not the layout that’ll first catch your attention. It is, but of course, that bright yellow rear – which Realme calls ‘Racing Yellow’, keeping in theme with that GT name. It’s a bold, bright finish, almost like an exemplary Pantone shade card for what a true yellow should represent.
That it’s vegan leather is another standout point, but less for its apparent environmental kudos – although there’s an argument that processes for this material aren’t actually Thunberg pleasing – and more for its tactile quality. It’s nice and grippy. It doesn’t become smeared in heaps of fingerprints. It looks consistent – and the black stripe down from the integrated cameras panel helps to soften the look.
Pocket-lint
Why, then, Realme has decided to (literally) stick its logo onto the rear is a big question. This silvered stick-on will inevitably fall off over time – not that we’ve actively been picking at it. Maybe that’d be for the better though – we’re not fans of any brand sticking big logos onto its phones. Motorola used to, before realising it looks much better to be subtle. Still, Realme ought to deboss or emboss for added chic.
Flip the phone over to its front and the Realme GT houses a 6.43-inch AMOLED panel, delivering a screen that’s capable of deep blacks and strong colours. Sadly, however, its auto-brightness adjustment is so shy that you’ll often end up squinting at the dulled screen trying to find the manual brightness slider. At maximum brightness it can remain visible in outdoor sunlight though. At lowest brightness there’s some ‘black crush’ to visuals, which is fairly common – an issue other Oppo phones present (Realme is effectively under the same umbrella as that brand).
Pocket-lint
Interestingly this panel has some top-end features, such as a 120Hz refresh rate, to keep visuals extra smooth and easy on the eyes. You needn’t have the 120 refreshes per second active for the sake of battery life, though, as a 60Hz option is found within the menus – which is on by default anyway. In terms of resolution the Full HD+ span of pixels over the 20:9 aspect ratio panel delivers ample detail – these days you don’t really want or need much more, as it rarely enhances apps and mostly just squeezes the battery life.
Performance & Battery
Qualcomm Snapdragon 888 platform, 8GB/12GB RAM
Realme UI (v2.0) software over Google Android 11 OS
4,500mAh battery capacity, 65W fast-charging
Stainless steel cooling system
5G connectivity
That the Realme GT can cope with a 120Hz refresh rate is no surprise given its top-end hardware under the hood. There’s a Qualcomm Snapdragon 888 processor, paired with 8GB or 12GB RAM (there are two variants, we have the lower spec 8GB model in for review).
Pocket-lint
It’s this “my processing power’s bigger than yours” angle that will garner the GT a lot of attention – especially for its asking price. And so it should, for this Realme performs really well whether you’re casually navigating between pages and apps, or digging deep into a gaming session.
Other than when recharging it doesn’t overheat either, which is impressive in the context of a faux leather-backed device with such a strong performance engine running things. The stainless steel cooling system designed within must be part of the reason for the apparent well-managed heat dissipation.
With mixed use we’ve found the GT’s battery life to be perfectly acceptable. Long days will see you finish close to the 20 per cent mark, after around 18 hours, but that includes some gaming so we think that’s pretty good innings. Besides, with a 65W fast-charging capability – no wireless to be found here – topping it up is speedy. It can even learn your typical charging pattern as to not refill the battery too quickly, which will help with long-term battery health.
We suspect the GT could last longer if various settings were activated to throttle the experience. But we’re glad that’s not the case. So often we hit a wall with, say, a Xiaomi phone because its software default controls the way in which apps respond – often causing notification issues or delays. Realme doesn’t have that issue; its Realme UI (version 2.0 here) is effectively a rework of Oppo’s ColorOS, which we’ve found in recent iterations to be generally pleasing.
Cameras
Triple rear camera system:
Main (26mm): 64-megapixel, f/1.8 aperture, Sony IMX682 sensor, 0.8µm pixel size
Given the phone’s price point its camera setup is the one area to expect some compromise. Realme has gone down the “triple camera” route – but, really, it’s a main camera paired with ultra-wide that show their worth, while the low-resolution close-up macro camera isn’t even worth including in our view. It’s a trap so many makers have fallen into – to oversell their cameras.
Anyway, that’s not to say expect bad things all across the board. As a straightforward point-and-shoot camera the main 64-megapixel sensor – which uses six-in-one processing to deliver 12-megapixel results by default – is capable enough. For sharing snaps on socials and so forth it’ll deliver the goods.
That said, however, it’s not the most refined in terms of processing. Where detail lacks – subject edges such as buildings, or busier areas such as trees and shrubs – there’s oversharpening, often to the detriment of realism. Colour also can look as though it’s been washed over with a blue filter, while contrast is a bit punchier than needed.
Pocket-lint
: Main cameraMain camera
Then there’s the wide-angle camera. Results from this aren’t consistent with the main lens – the colour looks different, for example – while detail lacks, and optically speaking it’s not particularly great. The benefit of having the wide camera is, of course, that it’s wide; that you can fit more into a shot, even if the edges are blurred and the contrast pushes image noise into greater visibility. You can compare the main camera and the wide camera – including 100 per cent zoom-in for each shot – in the gallery above.
The Realme GT might have wide-angle covered, but it doesn’t really cater for zoom. Well, it depends how you look at it. The camera app does offer 2x and 5x as part of the controls, but we’d strongly suggest avoiding using these as it’s nothing more than digital zoom. Given that the main sensor is 64-megapixels, however, the 2x ought to be better than it is. The 5x really pushes beyond what’s acceptable, with soft and unimpressive results. You can see the zoom stages from wide to main to 2x to 5x in the gallery below:
Pocket-lint
: Ultra-wide (16mm)Ultra-wide (16mm)
So while the zoom is one to avoid and the wide-angle isn’t great, the GT’s main camera is passable. It recognises backlighting to boost high dynamic range (HDR). It’s managed pretty well in low-light conditions, too, so if you’re shooting indoors at night then it can still focus and present enough detail – as we found out in a basement distillery at Edinburgh Gin.
That’s the long and the short of it: there’s not really much that’s “GT” about this Realme’s cameras. A “Pro” version might be able to rectify that – but it’d also come at cost, given the list price of camera components. And, really, that’s not the point of this phone. The GT is all about flagship performance for the day to day, not top-tier cameras – if you want that then you’ll have to pay out a lot more cash elsewhere.
Verdict
From its striking yellow-colour vegan leather finish, to its impressive performance thanks to Qualcomm’s Snapdragon 888 platform, the Realme GT is an impressive alt-flagship – but one that will depend on its eye-catching asking price to lure in a fan base.
As we said up top, this Realme has arrived at a time when OnePlus is no longer, well, “being OnePlus” – i.e. delivering flagship devices for considerably less cash. In that sense, then, the GT slots into the space that OnePlus once occupied in its earlier days, a tactic that’s as measured as it is a bit cheeky.
No, the GT doesn’t offer the greatest of cameras, its auto-brightness is shy to activate, and as a brand name it might not yet resonate with the masses.
But it’s hard to not see the GT’s specification for what it is: more powerful than a Motorola equivalent, such as the G100; and more software consistent than a Xiaomi device, such as the Mi 11 Lite.
In that sense, then, the Realme GT sure does enter the alt-flagship fast lane, overtaking some of the big competition that are also jostling for pole position.
Also consider
Pocket-lint
Xiaomi Mi 11 Lite 5G
We love the Xiaomi’s colour finish and slender build – it’s a great alternative to the current glut of massive flagship phones. That said, it’s less powerful and the software brings its share of irks.
Read our review
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Pocket-lint
Moto G100
It’s about the same price, but with a slightly lower-spec processor, equally so-so cameras, but a more established brand name and near flawless software.
With Euro 2020 now in full swing, a lot of us are thinking that our ageing, grubby TVs could do with an upgrade. If that’s you, you might want to check out Hisense’s 2021 TV range, which will be hitting UK shops imminently.
It’s headed up by the flagship U9GQ (£3299), a Mini-LED model whose 10,000+ pcs backlight unit and Full Array Local Dimming Pro produces a peak brightness of 3,000 nits. Hisense’s Quantum Dot Colour claims to give you more than 1 billion colours, and the 75in screen should make the footy action more immersive than ever. It features HDR10+ and Dolby Vision, a high refresh rate of 120Hz, and MEMC technology to do help eliminate the dreaded soap opera effect.
That’s not the only big-screen offering from Hisense. It also has a couple of laser TVs in its line-up, although the press release we were sent didn’t have the specific range name. We do know they are available in 88in and 100in sizes, while their ultra-short-throw laser engine promises stunning picture detail and precise colours. Their ambient light-rejecting screens supposedly give a more natural viewing experience with low blue light content.
Lower down the pecking order is the A9G line. This OLED TV range boasts 55in and 65in models, with HDR technologies (HDR10+ and Dolby Vision) onboard. IMAX Enhanced support should make compatible content more cinematic too.
Taking another step down, you find the U8GQ (available in 55in and 65in). This 4K set features Quantum Dot Colour, Full Array Local Dimming Pro and a peak brightness of 1,000 nits. Also onboard are Hisense’s Game mode, IMAX Enhanced support.
There are three mid-range models available too: the A7GQ, E76GQ and A4G. The first two offer Quantum Dot tech, 4K HDR, Dolby Vision and Dolby Atmos along with a 60Hz MEMC. The A4G, meanwhile, has DTS:Virtual:X and the VIDAA U5 Smart OS.
Rounding out the range are the A6G and A4G. Spanning screen sizes from 43in all the way up to 75in, the A6G is a 4K model with 60Hz MEMC. The A4G only comes in 32in and 40in sizes and is HD resolution.
Here’s the full list of model numbers, sizes and prices.
Razer announced its first AMD-based gaming laptop, the Razer Blade 14, during its E3 keynote. Until now, Razer had been the last major laptop manufacturer that had stuck exclusively with Intel.
Razer is calling the new Blade “the most powerful 14-inch gaming laptop.” And with an AMD Ryzen 9 5900HX processor and GPU options ranging from an Nvidia GeForce RTX 3060 up to an RTX 3080 with 8GB of VRAM and a 100W TGP, it could be a strong contender for our
best gaming laptops
list. But admittedly, 14-inches isn’t a very popular size for gaming laptops, which are often 15-inches or larger.
Razer Blade 14
Price
$1,799
$2,199
$2,799
CPU
AMD Ryzen 9 5900HX
AMD Ryzen 9 5900HX
AMD Ryzen 9 5900HX
GPU
Nvidia GeForce RTX 3060
Nvidia GeForce RTX 3070
Nvidia GeForce RTX 3080 (8GB)
Display
1920 x 1080, 144 Hz, AMD FreeSync Premium
2560 x 1440p, 165 Hz, AMD FreeSync Premium
2560 x 1440p, 165 Hz, AMD FreeSync Premium
Memory
16GB DDR4-3200 (soldered)
16GB DDR4-3200 (soldered)
16GB DDR4-3200 (soldered)
Storage
1TB PCIe SSD
1TB PCIe SSD
1TB PCIe SSD
Battery
61.6 WHr
61.6 WHr
61.6 WHr
Dimensions
12.59 x 8.66 x 0.66 inches / 319.7 x 220 x 16.8 mm
12.59 x 8.66 x 0.66 inches / 319.7 x 220 x 16.8 mm
12.59 x 8.66 x 0.66 inches / 319.7 x 220 x 16.8 mm
The company is claiming that, at 16.8 mm (0.66 inches) thin, it is the “thinnest 14-inch gaming laptop.” Like Razer’s other notebooks, the Blade 14 is milled from CNC aluminum with an anodized finish.
To cool those components, Razer is using vapor chamber cooling and what it calls “touchpoint thermal engineering” to keep commonly-touched surfaces, like the WASD keys, from getting too hot.
There are two display options: a
1920 x 1080
screen with a 144 Hz refresh rate, or a 2560 x 1550p panel with a 165 Hz refresh rate. Both use
AMD FreeSync
Premium to eliminate tearing.
For $1,799, you get an RTX 3060 and the FHD display. $2,199 nets you an RTX 3070 with the
QHD
screen, and for $2,799, Razer offers the RTX 3080 with the QHD panel. In every version, you get the same Ryzen 9 5900HX, 16GB of soldered RAM and a 1TB PCie SSD.
(Image credit: Razer)
Ports include two USB Type-C 3.2 Gen 2 ports, HDMI 2.1, a single USB 3.2 Gen 2 Type-A port and a 3.5 mm headphone jack. Other features include Wi-Fi 6E support, Bluetooth 5.2, an IR camera to log in with Windows Hello, of course, per-key RGB lighting. The design also includes top-firing speakers tuned by THX, which Razer owns.
As of right now, the Blade 14 will be the only laptop in Razer’s lineup with an AMD processor. The Blade 15, which still exclusively uses Intel chips, remains the flagship notebook. It’s unclear if Razer intends to add the choice of either chip at any point in the future.
Razer is also using E3 to get into the laptop charger market. It announced the Razer USB-C 130W GaN Charger (GaN is short for Gallium Nitride) with two USB-C ports at 100W and two USB-A ports at 12W. It weighs just 349 grams (0.77 pounds) and measures 3,2 x 7.7 x 6.2 mm. It will compete with the best USB-C laptop chargers.
(Image credit: Razer)
The device can charge four devices at a time, including a laptop, though it wouldn’t be enough to power the Blade 14 while gaming. The charger also comes with adapters for global travel. It’s $179.99 and available for pre-order from Razer.com, Razer stores and other retailers. It’s scheduled to ship within 30 days.
A powerful, striking and truly one-of-a-kind wireless speaker, but not the most entertaining one at this level
For
Big, broad, room-filling sound
Heart-in-your-mouth bass
Striking aesthetic
Against
Lacks transparency and subtlety
App isn’t a UPnP controller
In-app multi-room flakiness
Despite having welcomed many Devialet Phantom wireless speakers into our test rooms over the past few years, we still find ourselves struck by the beauty and bass reproduction of the latest iteration.
This new flagship Phantom I brings with it a simplification and expansion of the iconic, brand-defining line: the compact Phantom Reactor is now ‘Phantom II’ (in 95dB, 98dB and special-edition Opéra de Paris models), above which sits the ‘Phantom I’ (in 103dB, 108dB and Opéra de Paris variants).
Devialet has now introduced a £349 ($350) Arch configurable connectivity hub for Phantom too, giving owners the option to add sources (including a turntable) either via its built-in phono stage and RCA line-level inputs, or alternatively two coaxial digital inputs.
Features
(Image credit: Devialet)
Without that accessory, the Phantom I is reliant upon a network, with support for AirPlay 2, Spotify Connect, UPnP and Roon (both up to 24-bit/96KHz) over ethernet or wi-fi, although there is Bluetooth onboard, as well as an optical input (up to 24-bit/96KHz) at the rear.
Devialet Phantom I 108dB tech specs
(Image credit: Devialet)
Power output 1100W
Airplay 2 Yes
Spotify Connect Yes
Bluetooth Yes
Roon Ready Yes
Dimensions (hwd) 25.5 x 25.2 x 34.2cm
Weight 11.4kg
The decibel ratings attached to the names represent their maximum sound pressure level at one metre – something that sets Devialet Phantoms apart not only from one another but most of their competition, considering they can go between the approximate relative loudness of a lawnmower and a chainsaw.
The sample on test here is the Phantom I 108 dB, which is available in dark chrome or white/gold finishes and covers a claimed frequency range of 14Hz to 27kHz. The Phantom I 103 dB, meanwhile, comes in light chrome or matte black and encompasses a slightly narrower bandwidth (16Hz to 25kHz).
Many of Devialet’s patented technologies are present in the new Phantom I, including its ADH (Analog Digital Hybrid) amplification, designed to combine the benefits of Class A analogue (high performance) and Class D (high efficiency and power) designs.
At the risk of using too many acronyms, HBI (Heart Bass Implosion) represents Devialet’s efforts to produce deep, impactful bass from the compact enclosure; its ACE (Active Cospherical Engine) design takes care of outputting sound evenly in various directions from the spherical chassis; and Speaker Active Matching (SAM) processing works to optimise the signal and performance in real-time.
Such patented technologies have been part of the Phantom line-up from the start, but the new Phantom I aims to take performance further with a next-generation system-on-chip and improved thermal dissipation (it’s four times more energy-efficient than the previous model).
Build
(Image credit: Devialet)
The Phantom’s iconic, visually striking spherical design, which we’ve likened to an ‘Alien bug’ and ‘Storm Trooper’s lunchbox’ lives on, but not totally unchanged. It’s now like a miniature jet engine, with a matte finish, new signature side panels and LED status lights at the rear – it’s eye-catching in the best way possible.
The Phantom I comes with a new puck-like remote that’s as other-worldly and premium as the speaker aesthetic and price deserves, too. We like how you rotate the whole outer ring to change volume (you can also play/pause and skip tracks with the central touchpad), although ergonomically it doesn’t feel all that natural in the hand to do so.
The alternative is Devialet’s dedicated app, which provides similar playback functions, as well as settings such as ‘AV sync’ for reducing latency if you’re using the Phantom I with your TV via its optical input, and ‘Night mode’ for sucking some of the bass out of the performance (which it does effectively, too).
Somewhat disappointingly, the app doesn’t also serve as a UPnP streaming controller, so those wanting to access local or networked files or music services will need to use the paid-for Roon platform (the Phantom I is Roon Ready), or download another third-party UPnP app such as BubbleUPnP (Android) and mconnect Player (Android, iOS), both of which are perfectly usable free apps.
We’re also a little let down by the app’s imperfect multi-room and stereo pairing experience, which in our testing proves occasionally flaky by not displaying the connection, or doing so but not initiating through the speakers. If you’ve spent several thousands on a multi-room wireless speaker set-up, you are perhaps entitled to expect seamlessness.
Sound
(Image credit: Devialet)
You also expect a ‘wow’ performance, which in some areas the Phantom I delivers. This is one of the clearest, most bassy and broadest-sounding single-chassis wireless speakers we’ve come across since the previous full-sized Phantom we tested.
For a wireless speaker of its size, Devialet’s latest can, like the iterations before it, excavate a bass line. The jaunty electro-funk lows underpinning Childish Gambino’s 19:10 are deep and impactful – and visually represented by the enthusiastically pumping side-firing drivers. Play something denser such as 65daysofstatic’s Retreat! Retreat!, and it’s not afraid to get down and dirty with the cacophony of drums and electrics while ensuring they don’t bog down the whole presentation.
The Phantom I produces a broad, open soundstage that far belies its compactness. If you’re looking for the biggest sonic footprint from a small physical one, a single Phantom I can output more than is necessary to fill most living rooms. But, while one of the Devialet’s unique selling points is its spectacular power output, the presentation ultimately becomes harsh and, consequently, less listenable when really pushed.
Such is the Devialet’s midrange clarity that upon hearing it for the first time, you’ll want to queue up songs by your favourite vocalists. We find ourselves doing just this; Nina Simone, Aretha Franklin, Bob Dylan, ANOHNI, and The Tallest Man on Earth’s Kristian Matsson come through with purity and polish. But it isn’t long before we realise that such tangibility isn’t complemented by the levels of transparency we’d expect at this price – and especially from a Phantom.
While the Phantom I can distinguish between a soprano and a piano, it’s only able to draw the silhouette of a vocal or instrument rather than reveal any of its colour or shading. It doesn’t rise and fall with Simone’s dynamic delivery, nor does it get under Matsson’s subtle inflections.
We play Ludovico Einaudi’s piano-led Oltremare, and while the notes float across a soundstage that, if you closed your eyes, could pass for one from stereo speakers placed close together, there isn’t the dynamic insight or finesse necessary for you to thoroughly appreciate the variation in his masterstrokes.
We find ourselves creeping the volume up in an effort to feel more involved in the piece – a sign of a performance that falls short of captivating. For the Devialet’s not insignificant asking price, we expect more in the way of sonic sophistication.
Verdict
Devialet’s original Phantom arrived at a time where wireless speakers were slowly but surely maturing into the high-end market. Today, that premium space is more competitive, and with it, the level of performance has improved too.
You’ll struggle to find another that can fill a room or dig up a bass line quite like the Phantom I, but your search for a wireless solution – single-box or otherwise – capable of more insight for the money will be easier. The Phantom I remains a one-of-a-kind option with undisputed talents, but overall its performance leaves us a little cold.
LG is offering an extended 5-year warranty on its 4K G1 OLED in the US, covering any problems that develop with its panel after the standard one-year warranty. In the UK the company says the extended warranty also applies to its Z1 8K OLED. It’s unclear in how many other countries LG is offering the extended warranty, and the company did not immediately respond to The Verge’s questions.
The extended warranty appears to be an attempt to upsell customers from LG’s popular lower-end sets like the C1 to its more premium G1 model. But it should also allay any fears that the new brighter Evo OLED panel LG is using in the G1 won’t last as long as its previous OLED panels. Or, as LG said in a statement given to TechRadar, “The warranty is designed to offer peace of mind to customers purchasing our flagship, more expensive OLED models.”
Of course, the big question is whether the extended warranty covers permanent image retention, aka “burn-in,” where parts of an image can remain visible after being displayed for an extended period. In response to Engadget’s question about this, LG gave this evasive response:
“LG’s five-year limited warranty program is in line with the company’s consistent communication regarding the low risk of image retention on LG OLED TVs, when used in normal viewing conditions… As with any self-emitting display, OLED TVs may experience temporary image retention under certain conditions, but permanent image retention, or burn-in, is rare under normal viewing conditions. Image retention is not a product defect.”
The implication seems to be that temporary image retention is normal and is nothing to worry about, but all LG will say about permanent image retention is that it’s “rare.” Meanwhile, in a statement given to HDTVTest the company said the warranty covers “any image issues,” so long as the display is being used normally, and not in a commercial setting where static images might be left onscreen for far longer (the famous example of this is a South Korean airport which had to swap out the OLED TVs it was using to show departure times). We’ve contacted LG to try and get a simple yes or no answer.
Like other warranties, LG’s also comes with various exceptions, such as damage caused by power surges, acts of nature, or improper installation. But LG’s warranty should still provide some assurance that you’ll get a decent few years of use if you splash out on one of its more expensive TVs.
Samsung has downplayed a report that claimed the company has suspended production of an upcoming phone called the Galaxy S21 FE. Korean publication ETNews alleged over the weekend that production of the unannounced phone had stopped because of a shortage of semiconductors, and that Qualcomm processors had been reallocated to foldable devices.
The report has since been deleted, and Samsung now says it hasn’t made a decision on whether to halt production. In a statement texted to Bloomberg, the company says “While we cannot discuss details of the unreleased product, nothing has been determined regarding the alleged production suspension.”
The Galaxy S21 FE — the FE stands for Fan Edition — was expected to be a cut-down, more affordable version of the regular S21. Last year Dieter Bohn gave the Galaxy S20 FE a positive review, noting that it had “a few high-quality components that will delight while the cheaper parts don’t hurt the experience too much.”
The S21 FE hadn’t been formally announced, but Samsung did say at an event last year that it planned to release Fan Editions of flagship phones going forward. OnLeaks posted alleged renders of the S21 FE back in April, showing a similar design to the well-received Galaxy S21.
While it’s noteworthy that Samsung didn’t deny ETNews’ report outright, it may take some time before the truth emerges. The S20 FE wasn’t announced until September last year and got a release in October, so even if Samsung is experiencing supply chain issues with its successor right now, a launch wasn’t necessarily imminent.
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