Nielsen, the nearly century-old research firm which produces the eponymous gold standard for television ratings, is taking a more serious look into how much Americans are streaming. The result of its labors: an ominously named rating system it calls The Gauge.
While Nielsen has tried to calculate the popularity of various streaming programs before (through audio analysis), The Gauge seems to hew closer to the ways Nielsen has measured TV viewership in the past: via a device which, according to TheNew York Times, “observes internet traffic that passes through a router.” Presumably, this device is attached directly to the televisions of the roughly 14,000 homes from which The Gauge currently gathers data, as the Times once again reports that the measurement does “not count what is watched on phones or laptops.”
The initial findings for May 2021, perhaps unsurprisingly then, skew in favor of regular old network and cable TV, which Nielsen predicts we spend about 64 percent of our living room screentime watching. Streaming, in total, racked up just 26 percent, with YouTube and Netflix making up 6 percent each, followed by Hulu, Amazon Prime, and Disney Plus with 3, 2, and 1 percent, respectively. But again, this is only measuring TV screen usage — not what’s happening on laptop, desktop, phone, or tablet screens — and even these metrics are difficult to put into perspective.
Image: Nielsen
Without much information on how Nielsen’s device works, it’s impossible to say if The Gauge is counting streams that might come through a streaming set-top box or gaming console that has its own internet connectivity and a physical connection to the TV — or, for that matter, streams from a secondary device that are cast to a TV. (We’ve reached out to Nielsen for additional details.)
Still, streaming services have shown themselves to be guarded where audience metrics are concerned, releasing next to no data on how many eyeballs their in-house shows or the content they pay to license receive. Netflix in particular has a reputation for being extremely selective in which titles it presents audience data for, and even then rarely providing more granular information such as whether viewers actually finished watching the damn thing. In that sense, The Gauge is a welcome change for an industry that’s enjoyed a very long stretch without transparency.
Novak Djokovic can win his second French Open title tomorrow – if he can beat talented Greek pro Stefanos Tsitsipas in the Men’s Singles Final at the Roland-Garros. Both players have aced their way to the finale, but who will win the legendary Grand Slam? UK fans can watch the 2021 French Open Men’s Final free on ITV Hub on Sunday! Make sure you know to watch a Djokovic vs Tsitsipas live stream for free from anywhere.
Played at the Stade Roland-Garros in Paris annually, the French Open attracts the world’s top tennis players. Roger Federer, Novak Djokovic and Rafa Nadal found themselves in the same half of the draw but Federer withdrew at the quarter-final stage to protect his recovering knee injury, leaving the path clear for a Nadal–Djokovic semi-final.
World number three Nadal – the most successful player ever to have competed at the French Open – took a marathon first set but Djokovic levelled the match with the second, took the third set 7-6 and then cruised to victory in the fourth set. Nadal’s dream of 21st major title are now on hold.
Djokovic’s opponent, Stefanos Tsitsipas, faced a tough challenge it the semis. The Greek pro took the first two sets before 24-year-old German Alexander Zverev took the next two to level the match. But, in the end, it was Tsitsipas’ experience that won out as some 5000 Parisian fans cheered a masterful display (not to mention a few baseline zingers).
Djokovic has looked at home throughout this year’s Roland-Garros but can he fully recover from Friday night’s epic semi-final win over Nadal? Or will Tsitsipas win his first ever Grand Slam title? New balls please!
Here’s how to watch a Djokovic vs Tsitsipas live stream for free, and catch the clay court action from anywhere in the world.
Watch Djokovic vs Tsitsipas free in the UK and Ireland
(Image credit: Wikipedia: By Michael Frey (Michael Frey) – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=29456976)
ITV has the rights to air the 2021 French Open in its entirety on ITV4. Provided you have a TV licence, it’s completely free to watch Djokovic vs Tsitsipas and can be accessed by any viewer located in the UK.
Away from UK during the tennis? Simply use a VPN to access ITV Hub from anywhere, without being blocked. We recommend ExpressVPN as it comes with a risk-free 30-day money-back guarantee.
Djokovic vs Tsitsipas will also be shown live on Eurosport which you can watch in both HD (channel 521 and 522) and in 4K HDR on Virgin Media (channel 205 and 999).
Not a Eurosport subscriber? You can watch the 2021 French Open finals for £6.99 per month on Eurosport Player, or grab an annual pass for £39.99. Top tip: subscribe through Amazon Prime Video and get a free 7-day trial.
F1 live stream: how to watch the Formula 1 from anywhere
Watch Djokovic vs Tsitsipas free from anywhere in the world using a VPN
Even if you have subscribed to the relevant Djokovic vs Tsitsipas rights holders, you won’t be able to use them when outside your own country. The service will know your location based on your IP address, and will automatically block your access.
A Virtual Private Network (VPN) helps you get around this obstacle. A VPN creates a private connection between your device and the internet, such that the servers and services you’re accessing aren’t aware of what you’re doing. All the information passing back and forth is entirely encrypted.
There are many VPN providers out there, with some more reliable and safe than others. As a rule, we’d suggest a paid-for service such as ExpressVPN which offers a 100 per cent risk-free money back guarantee. If you’re not happy with the service any time within the first 30-days, then you can cancel with no penalties at all.
French Open 2021 Try ExpressVPN risk-free for 30 days ExpressVPN offers a 30-day money back guarantee with its VPN service. You can use it to watch on your mobile, tablet, laptop, TV, games console and more. There’s 24/7 customer support and three months free when you sign-up. Try it – it’s easier than you think.
Watch a Djokovic vs Tsitsipas live stream in the USA
(Image credit: Wikipedia: By Vladsinger at English Wikipedia, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=2262555)
NBC is broadcasting full live coverage of the 2021 French Open, including the Men’s Final between Novak Djokovic and Stefanos Tsitsipas. You’ll need a cable subscription to NBC Sports, which will also allow you to stream the tennis live, via the NBC Sports app.
Don’t have cable? You can get a Djokovic vs Tsitsipas live stream on Peacock TV, NBC’s streaming service. Peacock costs just $4.99 a month and includes thousands of movies, TV shows, kids content and other live sport.
Going to be away from the States during the tennis? Simply use a VPN to access Peacock TV from anywhere in the world, without being blocked. We recommend ExpressVPN as it comes with a risk-free 30-day money-back guarantee.
Another option for is to watch NBC via a cable-replacement service such as Fubo TV. New subscribers get a 1-week free trial, cancel anytime. After that it’s $65 a month. So, not cheap, but Fubo does get you a ton of premium channels, from ESPN to A&E.
Lastly, US fans also have the option to subscribe to Tennis Channel Plus for $110 per year. This gets you Djokovic vs Tsitsipas live stream plus comprehensive coverage of over 100 ATP & WTA events.
Watch a free Djokovic vs Tsitsipas live stream in Australia
Channel 9’s Wide World of Sport is the place to see the 2021 French Open Men’s Singles Final live and free-to-air. Aussies can also get a Djokovic vs Tsitsipas live stream via the 9now website.
Watch a Djokovic vs Tsitsipas live stream in Europe
Eurosport holds the rights to broadcast the 2021 French Open Men’s Final in continental Europe.
You can get a Djokovic vs Tsitsipas live stream by purchasing a monthly or annual subscription to Eurosport Player here.
In France, you can see Djokovic vs Tsitsipas live on free-to-air channel France TV Sport. The same goes for Servus TV and ORF in Austria.
French Open 2021 schedule
(Image credit: Stade Roland Garros)
May 30th – June 1st: Round 1
June 2nd – 3rd: Round 2
June 4th – 5th: Round 3
June 6th – 7th: Round 4
June 8th -9th: Quarter-Finals
June 10th -11th: Semi-Finals
June 12th: Women’s Singles Final
June 13th: Men’s Singles Final: Djokovic vs Tsitsipas
See Roland-Garros website for latest order of play
(Image credit: The Tokyo Organising Committee of the Olympic and Paralympic Games)
NBCUniversal will air live coverage of the Tokyo Olympics in 4K HDR, a first for a US broadcaster. The NBC Olympics coverage will also be accompanied by Dolby Atmos surround sound.
Events that will be featured in 4K HDR during the rearranged Tokyo ‘2020’ games include track and field, swimming, diving, tennis, beach volleyball, golf, gymnastics and more.
NBCU has yet to announce the schedule, but with the Olympics said to be “100% happening” and the opening ceremony expected to get underway at 12pm BST on Friday 23rd July, the clock is very much ticking.
Accessing high-quality coverage of the world’s best sprinters and swimmers might not be as easy as it sounds, though. NBCUniversal notes that while it will distribute 4K HDR coverage to its partners (i.e. cable and satellite TV networks), it will be up to those partners to decide whether to broadcast the coverage in 4K HDR or step down to a lower quality.
Not a cable subscriber anyway? NBC has confirmed it will stream live coverage of “selected” Olympic events though its Peacock streaming platform, but hasn’t yet said whether any of those streams will be in the 4K HDR format. The Peacock app is available on a long list of devices that now includes most Samsung smart TVs.
Still, with Japan’s borders closed to foreigners, and lingering uncertainty as to the level of athlete participation this year, NBCUniversal’s 4K HDR Atmos coverage could prove to be the best seat in house.
The BBC has the rights to broadcast the Olympics in the UK and has the capability to stream in 4K and HDR via the iPlayer app. Whether it will offer both for live events is yet to be confirmed, and the broadcaster has never offered Dolby Atmos before. There’s a first time for everything, though.
In need of a smarter set for Tokyo 2020? Here’s our guide to the best TVs and the best media streamers on the market. Live in Europe? BBC iPlayer and Eurosport 4K are expected to broadcast coverage of the Tokyo 2020 Olympic Games in 4K HDR.
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Virtual private networks (VPNs) can offer an additional layer of security and privacy for your online activity. Whether you’re working on a public Wi-Fi network and want to escape prying eyes, or you’re worried about privacy in general, a VPN can offer a lot of benefits.
In a nutshell, a VPN establishes a secure, encrypted connection between your device and a private server, hiding your traffic from being seen by others. Of course, the VPN itself can still see your traffic, which is why you should choose a VPN from a company you trust. (A good rule of thumb is to avoid free VPNs, because if they’re not charging you a fee, they may be monetizing in some less desirable way.) In addition, law enforcement can get its hands on your information through the VPN company. However, for the most part, a VPN offers you a way to hide your online activity from others.
Note that getting a VPN is only one of the measures you can take to make your web browsing more secure. Others include enabling two-factor authentication and using a password manager.
In addition to their security benefits, VPNs can be handy when you’re trying to access sensitive information, or if you’re traveling in Europe and want to stream Netflix or Amazon Prime titles only allowed in the US. Some even claim they can allow you to jump firewalls in heavily regulated countries such as China.
At home, you can set up your VPN through your router, which takes a few more steps, but then any devices connected to your router won’t need to be configured individually; this can also slow down all traffic that goes through. However, for this article, we’re going to concentrate on VPN apps that you can load on your laptop or phone so you can use the internet safely while away from your home base.
Most VPN apps these days support the OpenVPN protocol, making setup a simple matter of allowing the app access to configure the settings for you. But whether your device uses macOS, Chrome OS, Windows 10, iOS, or Android, if you’d like a quick overview of what’s involved before selecting a service, or if you prefer to do a manual setup, we’ve broken down the steps into straightforward instructions for you.
Setting up a VPN in Windows 10
The first step is to create a VPN profile, which you’ll fill out with details from your particular VPN service.
Add a VPN profile in Windows 10.
Click on the Windows button, then head into “Settings” > “Network & Internet” > “VPN.” Click on “Add a VPN connection.”
In the fields on the menu, select “Windows (built-in)” for your VPN provider. Give your VPN a name under “Connection name.” Enter the server name or address, the VPN type, and the type of sign-in info, such as a username and password.
Click “Save.”
To connect to your VPN, go back to “Settings” > “Network & Internet” > “VPN.” Click on your VPN name.
If you want, you can select “Advanced Options” to edit the connection properties, clear your sign-in info, or set up a VPN proxy. You can also add a username and password in this section for extra security (optional, but recommended).
Select “Connect” and enter a password if you’ve set one.
Setting up a VPN in Chrome OS
While using a VPN with a Chromebook used to be a problem, these days, there are several (like ExpressVPN or NordVPN) that have versions specifically for Chrome OS. To get started, you can head to the Google Play store and get the VPN app from there, or download one from the VPN’s website. No matter which you choose, after opening your VPN app, it should prompt you with instructions on how to fully set it up.
If you need to do it manually, you can. Chrome has native support for L2TP / IPsec and OpenVPN. To install a VPN that works with one of these formats:
Chrome OS has native support for L2TP / IPsec.
Click on the time in the lower-right corner of your screen, then click on “Settings.”
Click on “Add connection” and then on “OpenVPN / L2TP.” (You may also find the name of your VPN in the “Add connection” list, which will make things easier.)
Add all of the necessary information, which may include server hostname, service name, provider type, pre-shared key, username, and password. You can save your identity and password if you like. When finished, click on “Connect.”
Some VPNs, especially those issued from a workplace, demand a certificate, which you will need to import first. If that’s required:
Enter chrome://settings/certificates into the address bar.
Go to the “Authorities” tab. Find the correct certificate in the list and click “Import.”
Then follow the instructions above for setting up the VPN.
Setting up a VPN in macOS
As with the other formats here, there are apps that automatically guide you through the setup process, but you can also do it yourself manually.
Open the drop-down menu and choose “VPN” so you can enter your VPN’s details.
To start, head into “System Preferences” and then choose “Network.”
From there, the process is straightforward. Click the Plus-symbol button on the bottom left, and use the Interface drop-down menu to choose your VPN. You’ll need the details from your VPN of choice to fill out “VPN Type” and “Service Name.”
Click on “Create.” Fill out the server address, remote ID, and local ID in the appropriate fields. Then click on “Authentication Settings.”
Enter the username and password for your VPN, which you can set through your VPN app.
Click “OK” and then “Connect.”
Setting up a VPN in iOS
Setting up a VPN on an iOS device is fairly simple. Again, if you download an app from the App Store, select it and it should guide you through configuration. Here’s how to do it manually, though:
Just head into “Settings” and tap on “General.”
Scroll down to select “VPN.” (The iPhone will indicate whether you are currently connected to one or not.)
Tap on “Add VPN Configuration” and then on “Type” to select a security protocol. (Follow the instructions provided by your chosen app.)
Go back to the “Add Configuration” screen, where you will add the VPN’s description, server, remote ID, and local ID.
Enter your username and password. You can also use a proxy if you like.
Tap “Done.” You will then be brought back to the VPN screen. Toggle the “Status” switch to on.
Setting up a VPN in Android
As with iOS, setting up a VPN on an Android device shouldn’t be too difficult. Here’s the manual process if you’re not letting an app automatically configure things for you. (Keep in mind that, because some vendors like Samsung tweak their Android versions, your process may vary slightly.)
Head into “Settings” > “Network & Internet” > “Advanced” > “VPN.” If you don’t see “Network & Internet” in the Settings menu (which may depend on your Android overlay), then do a search within Settings for VPN. Press the “Add” button.
If you happen to be setting this up on a new phone, or if you haven’t yet set a screen lock or password, Google will prompt you to set one for your phone first. Do so.
Now create your VPN profile. Add the VPN name, type, and server address. Click on “Save.”
You’ll be taken back to the VPN screen, where you should now see the name of your VPN. Tap on it, and put in your name and password for the VPN. You can also choose to save your account information, and you can optionally set the VPN to be always on. When finished, tap “Connect.”
Enter the VPN name, type, server address, username, and password.
Then tap “save.” You’re done!
Once you’ve got your VPN up and running, you might notice that web browsing isn’t as fast as it used to be, especially if you’ve configured traffic to go through another country. Stronger encryption, or more users connected to one VPN, can also slow down your internet speeds. Downloads might slow to snail speed, and your League of Legends screen lag might be absurd. But those aren’t big problems compared to the security that you’ve added.
And anyway, now that you know how to set up a VPN, toggling it off is easy in comparison. You just have to remember to do it.
Update June 1st, 2021, 10:20AM ET: This article was originally published on March 1st, 2019, and now features a few updates related to changes in the Windows 10 interface.
Amazon’s midsize Echo Show 8 is the best smart display in its lineup. It is larger and more capable than the diminutive Echo Show 5, while costing far less than the larger Echo Show 10. The Echo Show 8 is handy for watching video, listening to music, getting weather reports, controlling smart home devices, making video calls, and more.
So it’s no surprise that the second-generation model, which sells for $129.99 and is shipping this week, doesn’t rock the boat. It’s largely the same smart display as before but with slightly faster performance and an improved video calling camera. It has the same display, same design, same speaker system, and the same set of features as its predecessor.
Improving the video calling capabilities makes sense, given how much video calling has been done while everyone was (and for large part, still is) stuck at home during the pandemic. The new Echo Show 8 borrows the 13-megapixel camera from the flagship Echo Show 10, replacing the pathetically low-resolution, mediocre 1-megapixel camera that was in the first gen. As before, there’s a mechanical privacy shutter you can slide in front of the camera to both disable it and block its view.
The improvements in video calls are immediately noticeable. You can use the Echo Show for video calls to the Alexa app on phones or other Echo Show devices, or you can join Skype, Zoom, or Amazon’s Chime calls from it. In my testing with Zoom calls, the image is much sharper and more pleasant to look at, with better color and much more detail.
The Echo Show 8 doesn’t have the motorized base on the bigger Echo Show 10, but it still can automatically frame you and follow you around as you move thanks to its high resolution. The autoframing isn’t as good as the new iPad Pro’s Center Stage feature, and it moves much slower and tends to constantly reframe itself, like you’re the star of a Ken Burns documentary. But the Echo Show is a $130 smart display, not an $800 tablet, so it’s hard to complain, so long as you stay relatively still during video calls. If you don’t want the camera to autoframe, you can say “Alexa follow off” to disable it.
You can use the Echo Show 8 for Zoom calls, but it works best for one-on-one calling, not groups
That said, there’s still plenty of room for improvement. The new camera has a much wider-angle lens, which allows it to do those auto-framing tricks. But it can also cause the image to look distorted at times and isn’t always very flattering.
The Echo Show 8’s eight-inch display works fine for one-on-one video calls, but it’s too small to comfortably use for a group call. If you are on a call where someone is sharing a screen, it’s hard to see what’s happening, and while you can view messages posted to a chat, you can’t type any out yourself on the Echo Show’s display. Joining Zoom calls can be done entirely by voice, but it’s much easier to call up the Zoom app on the Echo Show by saying “Alexa, open Zoom” and then typing in a meeting code or starting one yourself from the touchscreen.
I also observed an echo of my own voice in several Zoom calls, both with individuals and group calls, which made it hard to use the Echo Show for anything work related. Other parties on the line also said there was an annoying echo of my voice whenever I unmuted my mic. Amazon says it is looking into this problem and I will update this review if a solution is found.
The new processor in the second-gen Echo Show 8 does make the smart display respond quicker to taps and swipes than its predecessor. It’s not a huge difference, and Amazon’s software still has a long way to go to make it more useful via touch, but when compared side by side, the new one opens menus and screens quicker.
Elsewhere, the changes are either nonexistent or very minor. The wedge-shaped design is exactly the same; you can still get it in the same white or black color options as before. (Annoyingly, both colors come with a white power cord.)
The display has the same 1280 x 800 pixel resolution, but now it can adjust its color and white balance to the lighting in the room. Like the new processor, the difference isn’t huge, but the new model is slightly warmer and more pleasant to look at when the adaptive color setting is enabled. I’m still more impressed by the ability of Google’s Nest Hub to mimic the look of a printed photo by adapting its color to the lighting in the room.
The dual-driver speaker system is unchanged and it’s as loud and full sounding as the first gen. The Echo Show 8 can fill a small room with sound surprisingly well, and its bass response is better than expected. At times, it might even sound too bassy, but you can adjust the EQ in the Alexa app easily enough to compensate for that. Unfortunately, Amazon dropped the 3.5mm output jack on the back of the new model, so it’s not possible to hook it up to a larger speaker system with a wire.
You can watch Amazon Prime Video, Hulu, and Netflix on the Echo Show, but Disney Plus, Peacock, HBO Max, and many other streaming services aren’t available. YouTube is available through the Echo Show’s Silk browser, but it’s not as seamless of an experience as available on Google’s Nest Hub, and you can’t easily cast videos from your phone to the Show’s screen.
The Echo Show 8’s software is the same as what debuted on the Echo Show 10 earlier this year. Amazon is starting to make better use of the display, with split screens that show weather data alongside news, but it still feels very much like a voice-first device. Though the new Echo Show 8 is faster, it’s still a chore to tap through all of the screens to get to the smart home controls, and managing what shows up in the rotating information screens on the display requires a lot of menu diving and trial and error to get what you want. (And even then, you’ll still probably get nagged about new Alexa Skills or other Amazon promotions you don’t care about.)
There are of course many, many other things you can do with an Echo Show smart display — far too many to cover in the scope of this review. The things that I find it most useful for are weather reports, managing a grocery shopping list, and viewing the video feed from a doorbell or security camera.
The Echo Show 8’s main competition is the second-gen Nest Hub from Google, which has a slightly smaller seven-inch screen and costs $30 less. The Nest Hub supports more video streaming services, has a more useful touch interface, can track your sleep, and works with the Google Assistant instead of Alexa. But it doesn’t have a camera for video calling, its single speaker is blown away by the Echo Show’s dual speakers, and it’s much slower and laggy to use. Ultimately, the choice comes down to how you want to use the smart display and which smart assistant you prefer.
Facebook’s 10-inch Portal is another option if you plan to use a smart display primarily for video calling, but it loses to the Echo Show 8 in effectively every other aspect.
If you do prefer Alexa, the new Echo Show 8 remains the best smart display to get, as it has a big enough screen to read from across the room, doubles as a great speaker, and comes with a host of camera-related features, including the aforementioned video calling and security camera features. It’s also over $100 less than the motorized Echo Show 10, while still providing many of the same features and capabilities. And given Amazon’s frequent discounts, you’ll likely be able to find the new Echo Show 8 for less than its sticker price quite often.
The new Echo Show 8 doesn’t redefine what a smart display can be, but it’s still a very good virtual assistant with a screen for an attractive price.
(Image credit: Future / The Boy From Medellin, Amazon Prime)
Sony is giving away a £50/€50 PlayStation Store voucher with select Bravia XR TVs.
The promotion is already up and running in seven European countries: UK, France, Germany, Denmark, Norway, Sweden and Finland. All you need to do is pick out a Bravia XR TV (LED or OLED) at a participating retailer between June 1st and July 31st 2021.
According to the official announcement on Sony’s website, you can redeem the £50/€50 gift card for, “anything on PlayStation Store: games, add-ons, subscriptions and more”.
Not familiar with Bravia XR? The range boasts some of the best TVs in the Sony 2021 TV line-up and featues the Japanese giant’s “cognitive intelligence” tech, which aims to optimise every pixel, frame and scene to produce the most lifelike picture possible.
As you’d expect the Bravia XR range is a decent match for a next-gen console such as the PS5. The presence of HDMI 2.1 with support for 4K@120Hz and Variable Refresh Rate (VRR) should help you max out the PS5’s capabilities.
The XR line-up covers Sony’s top-tier models. The 55-inch A80J starts at £1999/€2299 (around $2800, AU$3600) while the A90J Master Series, the firm’s top 4K OLED for 2021 costs from £2699 ($2800, around AU$3700). Not cheap, but recently we called the 55-inch XR-55A90J “simply one of the best TVs we’ve tested”.
The Bravia XR models also come with free access to Bravia CORE, Sony’s high-bitrate video streaming service, which promises lossless Blu-ray-quality “streaming up to 80Mbps.”
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Samsung 2021 TV lineup: everything you need to know
The Samsung and LG-sourced screens for the iPhone 13 are already in production, and there will be support for 120Hz refresh rates. That’s according to Korean news site TheElec.
Production has started a month earlier than last year, suggesting that Apple’s iPhone 13 range will return to its normal launch schedule of September. The iPhone 12 launched a month later last year due to component sourcing issues caused by the Coronavirus pandemic.
The site says Samsung Display started production in the middle of May, with LG Display following “recently”. Samsung is planning on making 80 million OLED screens for the iPhone 13, while LG will make 30 million.
Samsung’s TFT OLEDs (which have a maximum refresh rate of 120Hz) are destined for the top two iPhone 13 models (likely the iPhone 13 Pro and Pro Max), according to the report. LG’s will be used in the lower-end models (iPhone 13 and 13 Mini).
The report doesn’t explicitly say that the iPhone 13 and 13 Mini won’t have 120Hz refresh rates, but it’s implied.
A 120Hz refresh rate would double that of the handsets in the iPhone 12 range. A higher refresh rate should mean less blur – especially noticeable in fast-moving content like sports and games.
So it appears to be full steam ahead for September, although we expect to see plenty more leaks before then – we’ll bring you the most credible as they arrive.
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So tonight is the finale for Mare of Easttown and there are so many threads that need to be tied up that I legitimately don’t know how they’ll answer all the open questions. I have a theory of who the killer is, and I don’t think it’s the same person who fathered Erin’s baby. Will Mare ever find happiness? It seems unlikely, I’m afraid. But maybe she’ll find answers or closure.
I realized that in this week’s trailer roundup that— in addition to a time-traveling theme— we have two movies that feature Sam Richardson, who played Richard Splett, arguably the best supporting character on the late great HBO show Veep. Please cast him in all the things, Hollywood, he’s hilarious.
The Tomorrow War
Chris Pratt is drafted into a war where he has to go into the future and fight aliens that sound and look (from the brief glimpse we get) like the Aliens aliens, because if present-day people don’t help, all human beings will be wiped/disappear “from the face of the Earth” (which we know is Very Serious because two separate characters say so in the trailer). Lots of guns, lots of Pratt wisecracks (which somehow don’t quite land here), and lots of stuff blowing up, plus an Independence Day weekend release date ensure many people will watch this movie. And what a cast: J.K. Simmons, Betty Gilpin, Mary Lynn Rajskub, Yvonne Strahovski, and Sam Richardson all join Pratt, so hopefully they can breathe life into what seems like a movie we’ve seen once or twice before. The Tomorrow War comes to Amazon Prime July 2nd.
Werewolves Within
Based on the Ubisoft VR game of the same name, Werewolves Within takes place in the small town of Beaverfield, and stars Sam Richardson as new-in-town Forest Ranger Finn, who discovers a dead body that may have been the victim of a wolf attack. But not just any wolf! A snowstorm forces a group of the very weird townspeople to hole up in an inn with Finn, and oh yeah one of them is probs a werewolf. Horror/comedy combos aren’t always easy to pull off, but the trailer shows Richardson’s comedy chops are in fine form. Werewolves Within will release in theaters June 25th and on demand July 2nd.
Eternals
As my colleague Chaim Gartenberg noted earlier this week, this trailer doesn’t really tell us much about the plot of Eternals, the latest entry in the Marvel Cinematic Universe. We see how the Eternals, a band of immortal heroes, have helped humans across the centuries. But something is amiss, because as Salma Hayek says in the voiceover “We have watched and guided. We have helped them progress and seen them accomplish wonders. Throughout the years, we have never interfered — until now.” The all-star cast includes Gemma Chan, Angelina Jolie, Kumail Nanjiani, Brian Tyree Henry, Lauren Ridloff, Hayek, Lia McHugh, Don Lee, Richard Madden, and Kit Harington, and it’s directed by Chloé Zhao, whose Nomadland garnered Best Picture and Best Director Oscars. Eternals is set for a November release.
Infinite
Mark Wahlberg stars as a man haunted by memories he doesn’t recognize because surprise! he’s an Infinite, a person who has had multiple past lives and is part of a secret group of warriors who are trying to save humanity from one of their own, played by Chiwetel Ejiofor. This is one of the many movies whose release date was pushed back from last summer by the pandemic, but oddly isn’t getting a theatrical release. Based on the book The Reincarnationist Papers byD. Eric Maikranz, Infinite also stars Sophie Cookson, Jason Mantzoukas, Rupert Friend, Toby Jones, and Dylan O’Brien, and was directed by Antoine Fuqua. It hits Paramount Plus on June 10th.
Old
This is the first official trailer for the latest M. Night Shyamalan flick (we got a teaser during the Super Bowl (and side note, what is the difference between teasers and trailers anymore?). A family (and others) on a beach vacation begins aging rapidly, adding years in a matter of hours. Is it something in the water? We don’t know! Gael Garcia Bernal, Eliza Scanlen, Thomasin McKenzie, Aaron Pierre, Alex Wolff, Vicky Krieps, Abbey Lee, Embeth Davidtz, Rufus Sewell, and Ken Leung star in Old, which comes to theaters July 23rd.
Jungle Cruise
A movie based on a Disneyland ride starring Dwayne Johnson and Emily Blunt. OK sure, why not, we base movies on books, video games, and board games, so this is the next logical step, right? And the second trailer for this movie gives a glimpse of Jesse Plemons, usually a sign that things are headed in the right direction. Jungle Cruise comes to theaters and Disney Plus (with Premier Access) on July 30th.
Binge-watching Netflix on your smartphone just got easier. The streaming service is letting some users of its Android app try ‘Play Something’, a feature that suggests content for you to watch, Engadget reports.
The feature is already live on Netflix’s TV apps but it’s only being tested on select Android users for now, ahead of a wider rollout. If you’ve been selected, you’ll see the Play Something button appear on both adult and child profiles.
Play Something uses your viewing history and algorithms to suggest movies, documentaries, and TV shows that you might like. Hit the Play Something button and you’ll jump right in, no endless scrolling required.
Don’t like what you see? With another click, Netlfix will pick something else – this will either be from your queue, something you haven’t finished watching, or something else new based on your viewing habits.
Given the rise in rival streaming services such as Disney+, Apple TV+ and Amazon Prime Video, Netflix appears to be looking for extra ways to distinguish itself from the competition. What will it think of next?
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Samsung has been growing the number of displays it sells over the last few years, adding professional-grade and gaming monitors to its line-up. Now, Samsung is attempting to add another category to its list – Smart Monitors.
Samsung’s Smart Monitor range is expanding this week, with a new 43-inch 4K M7 model and a smaller, 24-inch M5 model with 1080p resolution. The key thing that sets these monitors apart is the introduction of Smart TV technology, powered by Samsung’s own Tizen processors.
Samsung wants these to be “do-it-all” displays, good for work, gaming and general entertainment, which will be accessible through a Smart TV style UI with support for apps like Netflix and Amazon Prime Video. These Smart Monitors also feature apps for remote desktop connections and productivity apps like Microsoft Office. This functionality essentially turns the monitor into its own all-in-one computer.
Samsung now has Smart Monitors in 43-inch and 32-inch 4K options, as well as 1080p versions from 24-inches up to 32-inches, with prices starting at $229.99.
KitGuru Says: The lines between PC monitors and TVs has been getting blurry over the years. What do you think of Samsung’s ‘Smart Monitors’?
Netflix might be the world’s largest subscription streaming service with more than 180 million paid subscribers worldwide, but it seems it’s not resting on its laurels. Growing evidence – collected by TheVerge – suggests that Netflix itself wants to become the Netflix of games.
The rumours started last Friday when The Informationreported that Netflix was looking to expand beyond film and TV content. The article revealed that the streaming giant was on the hunt for a top executive to oversee a major push into gaming.
Then, on Monday, Axios followed up by quoting an anonymous source who tipped the upcoming service to be “a smaller Apple Arcade” bundle, featuring a mix of Netflix-developed games and indie titles. The source claimed ‘Netflix Arcade’ could launch as soon as 2022.
Other outlets have since suggested that Netflix had already approached several high-flying games industry veterans with a view to offering subscribers both streamed and downloadable games.
If the rumours are true, ‘Netflix Arcade’ will be the company’s second significant foray into button-bashing. Back in 2019, Netflix teamed up with Finnish studio Next Games to create a puzzle role-player based on the hit 80s-themed horror series, Stranger Things.
Netflix is yet to comment, but in the past, in a statement issued to GameSpot, it has hinted that interactive experiences are very much on its radar:
“Members… enjoy engaging more directly with stories they love – through interactive shows like Bandersnatch and You v. Wild, or games based on Stranger Things, La Casa de Papel and To All the Boys. So we’re excited to do more with interactive entertainment.”
In the past 20 years we’ve seen many a video game franchises, from Tomb Raider to Resident Evil, adapted for the big screen. Netflix is currently showing four series of Castlevania, a TV show based on the hit 90s platformer, while Paramount+ is expected to launch its Xbox-inspired Halo TV series in February 2022.
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Its ambition is to be applauded, but Deezer falls between the two stools of Spotify and Tidal and struggles to justify itself over either
For
Vast catalogue and device support
CD-quality HiFi tier
Envelope-pushing 3D audio
Against
No hi-res streaming
Spotify does discovery better
Tidal does hi-fi better
Deezer appears to be stuck with a bit of an identity crisis. When we first reviewed the music streaming service in 2015, it clearly saw itself as a Spotify rival, bringing a vast library of music to a mainstream audience as efficiently as possible.
By the time of our re-review, in early 2018, Deezer had begun courting the hi-fi crowd with a comprehensive catalogue of CD-quality tracks and murmurings of hi-res MQA support to come.
In 2020, with hi-res yet to appear on the platform, Deezer hopped into bed with Sony and started offering 360 Reality Audio streaming to subscribers to its HiFi tier.
And now here we are in 2021 and 16-bit/44.1kHz FLAC files (ie. CD quality) is still the pinnacle of Deezer’s HiFi offering. Yes, it is a solid step up from the 128kbps MP3 files of “standard streaming services”, but those are now few and far between. As both Apple (with Apple Music Lossless) and Spotify (with Spotify HiFi) become well and truly embroiled in a hi-res music war and Amazon Music quietly drops its premium tier by £5 per month to just £7.99 if you’re a Prime Member, where does that leave Deezer?
Clearly, the French streaming service is trying its best to find a USP, and that’s to be applauded, but the result is that it falls short of matching Spotify’s mainstream appeal and Tidal’s hi-fi credentials.
Features
(Image credit: Apple / Deezer)
While Spotify held on resolutely to its compressed music streams until its 2021 HiFi tier announcement, Deezer has offered ‘CD quality’ tracks in the 16-bit/44.1kHz FLAC format since 2017.
These tracks are available to those who subscribe to the £14.99 ($14.99) per-month HiFi tier – which used to cost £19.99 until roughly a year ago – and while initially you also needed to own one of a handful of specific devices, they can now be enjoyed on almost any device that supports the core Deezer experience. In fact, Deezer now comes pre-loaded in kit such as Mobee-K’s new smart USB-C headphones while Apple’s own HomePod and HomePod Mini support Deezer voice control, and Deezer tracks can be downloaded to enjoy offline on your Apple watch, too.
It once looked likely that Deezer would add hi-res streaming to its repertoire, but the company has since decided to go down the 360 Reality Audio route. Think of this as a Dolby Atmos rival but specifically for streamed music, and you’ve got the idea.
Deezer was the first music streaming service to offer 360 Reality Audio, but it has since been joined by Tidal, Amazon Music HD and nugs.net (for the uninitiated, that is a streaming service dedicated to live concerts). Back to Deezer and the tracks available in the format are included as part of its HiFi subscription. You will need to download a different app, called 360 by Deezer, if you want to listen to them all, but this extra app also gives access to all of the non-360 tracks of the standard app so you don’t have to constantly switch between the two.
The bad news is that 360 by Deezer is only available on iOS and Android devices. There are eight playlists, including ‘New on 360 by Deezer’ that can be enjoyed on a computer or hi-fi via the desktop app as teasers – but not the full package.
Pricing
(Image credit: Apple / Deezer)
Below Deezer HiFi there are three tiers. Premium (£9.99/$9.99 per month) shares features with HiFi – no ads, unlimited streaming and control on mobile apps, and offline access – but limits sound quality to 320kbps.
Deezer Family (£14.99/$14.99 per month) gets you everything on Premium for up to six profiles. There’s also a free, ad-supported tier with 128kbps streaming and limited mobile app use.
Compatibility
(Image credit: Apple / Deezer)
As well as smartphones and computers, the Deezer app is also available on many other devices: TVs from the likes of Samsung, Sony and LG; wireless speakers by Sonos, Amazon, Bluesound and Bose; and even cars via Android Auto or Apple CarPlay. And that’s far from an exhaustive list.
What’s more, Chromecast and AirPlay allow you to send tunes to yet more devices. Deezer might not quite match Spotify’s ubiquity (it’s missing from Cambridge Audio’s streamers, for example), but it’s close.
Regardless of the device used, subscribers can access a catalogue of over 56 million songs, more than 52 million of which it claims are in the CD-quality FLAC format. It’s an impressive figure, but with all music streaming services making similarly huge claims, the numbers game is rendered a little academic.
What matters is whether the tracks you’re looking for are available and, in our experience, Deezer produces the fewest blanks after Spotify. It’s very rare to find a song in Spotify’s catalogue that isn’t also available in Deezer’s – and usually in that higher-quality format. One nil to Deezer.
We find Deezer stocks pretty much every track of the diverse range we search for, and all in CD quality too. Just be aware that, unlike Apple Music and Tidal, Deezer doesn’t have artist or album window ‘exclusives’, although it does occasionally release its own live sessions with big artists.
Ease of use
(Image credit: Apple / Deezer)
As HiFi subscribers, we mostly use the desktop and iOS mobile apps, and the ability to flick from one to the other is made easy by the fact each platform offers a very similar interface.
Deezer’s appearance is perhaps best described as stripped-back – almost brutally so. The interface is clean and clear, but also a bit bare, particularly on desktop. Music streaming services are generally similar in layout, with a bottom playback bar and a few left-hand side tabs bordering the centralised chunk of content – and Deezer doesn’t stray too far from this template.
Since our last review update, things have been slightly tweaked. ‘Home’ has been replaced by ‘Music’, although it does the same job as before: presenting users with personalised playlists as well as the opportunity to browse music by charts, new releases, popularity and various moods. Radio stations still appear at the bottom of this page, but podcasts now have their own tab.
‘Favorites’ has replaced ‘My music’, but again, the purpose is unchanged: it’s a gateway to your saved playlists and ‘favourite’ tracks, albums and podcasts.
Performance
(Image credit: Apple / Deezer)
We play the What Hi-Fi? January 2021 playlist, and are pleased to hear Deezer HiFi (CD-quality) streams are clear, full-bodied and, perhaps most importantly, an upgrade from the ‘Better’ (320kbps) quality streams. It’s worth noting sound quality can be changed between ‘Standard’ (128kbps), ‘Better’ (320kbps on wi-fi and 128kbps on mobile data), and ‘High Fidelity’ (1411kbps).
The HiFi streams cling more committedly to the textures of the ‘80s-style keys, percussion and synths underpinning Chaka Khan’s Pallion (aka Hot Butterfly), and those of the affected backing track and vocals in Dua Lipa’s Levitating.
However, we find Tidal’s CD-quality streams a little crisper, cleaner and more precise. There’s more fuel driving Tiny Giant’s Draw Me a Line, and greater space around the instrumental and vocal accompaniment. Timing of the drumbeats and underlying cymbal rhythm is noticeably more accurate, too, with Tidal’s version of Donald Fagen’s I.G.Y. springing into life with a touch more bite.
That said, listening through Grado SR325e headphones plugged into a MacBook Air, the differences are admittedly subtle. And it’s only when we up the transparency of our set-up with a Chord Hugo 2 DAC that these discrepancies become really significant, helped by Tidal’s fancy options for taking exclusive control of the DAC and bypassing the MacBook’s audio processing and volume control. Deezer has no such options.
Of course, the ace up Deezer’s sleeve is 360 Reality Audio, which isn’t offered by any other streaming service. 360 Reality Audio offers a 3D sound space by creating multiple virtual speakers and can be listened to via most standard headphones – although the experience has been optimised for Sony’s range.
At its best, it’s really rather impressive, immersing you in the music and surrounding you with spatially distinct instruments in a way not previously experienced. As a technological showcase it’s very effective, and gives you fresh insight into some of your favourite tracks (although the selection is fairly limited at this point).
But whether the 360 version of a track will replace the stereo version in your affections is debatable. For one, even the best tracks sound comparatively lacking in punch and weight when compared to their stereo equivalents, and some other tracks just don’t seem to have made the transition to 3D particularly well, coming across as rather flat and compressed in terms of detail and dynamics.
It’s worth remembering that 360 Reality Audio is still in its infancy and there’s already so much to like. In time it could be absolutely brilliant – it’s just not a hugely persuasive reason to opt for Deezer over Tidal right now.
Verdict
(Image credit: Apple / Deezer)
While we prefer Tidal’s comprehensive layout and slightly superior sound quality, the main chink in Deezer’s armour is its current lack of hi-res audio.
After all, subscribers to Tidal’s HiFi tier get access to over a million (typically 24-bit/96kHz) hi-res Masters in addition to CD-quality streaming – although they have to pay a little more for it at £19.99 ($19.99) per month – and Amazon Music HD delivers hi-res tracks for £7.99 ($7.99) per month for Prime members and £9.99 ($9.99) per month if you don’t have an Amazon Prime account.
Deezer may still have hi-res in its sights, but all has gone quiet on that front since the announcement of its partnership with MQA back in September 2017. And until it comes as part of a competitive package, it doesn’t shine brightly enough to be the leading light in music streaming.
Its core, non-HiFi subscription, meanwhile, falls just a whisker short of Spotify when it comes to ubiquity, discovery and presentation.
But, while Deezer rather falls between the two pillars of Tidal and Spotify right now, the addition of hi-res streams (and some of the hi-fi-focused features of Tidal) could actually one day see it become the best of both worlds.
SCORES
Performance 4
Features 4
Ease of use 4
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(Pocket-lint) – The last Apple TV 4K launched in 2017. At the time it coincided with the start of the movement to embrace the growing trend of 4K content from the likes of Netflix and Amazon Prime.
In 2021 watching TV hasn’t changed that much, but we are doing a lot more of it. Subscription services have boomed, we’ve now got more choice – including Apple’s own TV+ service – and therefore even more content to watch.
But does the 2021 Apple TV 4K set-top box embrace current viewing habits enough to be worth the upgrade – or even a purchase in the first place – especially given the crowded marketplace dominated by a host of other, cheaper options from Amazon, Roku, Google and the likes?
Everything feels the same
Puck-style box design, measures 98 x 98 x 35mm
Supports: 4K HDR, Dolby Vision, Dolby Atmos
32GB / 64GB storage variants available
Bluetooth 5.0 connectivity, AirPlay
The design of the Apple TV box itself hasn’t changed at all for the 2021 model. It’s a squarish box that’s certainly larger than the competition. It features just three inputs on the back: Ethernet, HDMI, and power.
Pocket-lint
You’ll still need a shelf or a wall-mount to put it on, and if you were hoping for a miniaturised stick to put straight into a spare HDMI socket on your telly then, well, you’re out of luck.
As has always been the case there are no buttons on the box itself, so everything is controlled via the included remote. Or you can use your iPhone, iPad, or voice control via Siri.
The Apple TV 4K’s interface hasn’t changed either, so the focus is about giving you access to all the relevant streaming services – as long as they have a supporting app.
The continued push into a central place to discover more content from supporting streaming services, rather than silo-ing everything in their respective apps, does help you discover content that’s available. However, it’s hard at times to differentiate whether that content is going to cost you above and beyond your current subscriptions. And it’s still missing Netflix within those content recommendations – which is a glaring omission.
As with the 2017 model, you get 4K resolution, high dynamic range (HDR), including Dolby Atmos object-based audio and Dolby Vision HDR support – which is great stuff if your TV and/or AV setup supports it (Apple’s AirPods Pro or AirPods Max still don’t with the Apple TV but do for the iPhone and iPad, for example).
Pocket-lint
The ability to connect game controllers (sold separately) via Bluetooth 5.0 means you can grab one of those spare Xbox or PlayStation controllers to jump in too.
Best Xbox controllers: Get the edge with these third-party and official pads
Best PlayStation controller: Pick up an extra PS4 or PS5 game pad
Apple hasn’t increased the storage options for the 2021 model either. It still comes in 32GB and 64GB capacities, but that’s not really an issue as everything is streamed these days anyway.
New, new, new
High Frame Rate (HFR) support up to 60fps
Apple A12 Bionic processor
Updated Siri remote
HDMI 2.1 port
There are some changes of course. Internally the 4K TV box now comes with a much faster processor – the one previously found in the iPhone XS – and that helps on the gaming side of things via Apple Arcade.
Pocket-lint
Why only the iPhone XS processor and not the iPhone 12 processor or the iPad Pro’s M1? It’s likely to come down to cost and need. After all, this isn’t a Mac mini nor a fully-fledged games console. Most Apple Arcade games are designed to work nicely on the provided processor – we didn’t have any trouble running NBA2K21 or other games, but the loading times could be improved.
The new box also gets better connectivity. There’s Wi-Fi 6 (ax), allowing it to better connect to your Wi-Fi in dual-band (2.4GHz/5GHz) for those high bandwidth streams you’ll be planning. There’s also HDMI 2.1 support to enable a new High Frame Rate mode that allows you to play content up to 60 frames per second (supported by the iPhone 12 Pro, for example) and any future benefits that will come from that port over time.
Apple has also added support for Thread. This fairly new smart home connectivity technology is backed by Apple, Amazon, and Google. Again, you might not find a use for it out of the box on day one, but it’s likely to become much more important in our smart home futures, so having some level of future-proofing is welcomed.
There’s a new colour-balancing mode that’s not exclusive to this model, which uses your iPhone to help ensure the Apple TV is optimised for the best colour balance in your room. It’s clever, but for us made very little difference.
A new, much needed remote
Remote measures: 136 x 35 x 9.25mm
Although you can buy the new remote on its own – which is a way to easily ‘upgrade’ the older box – the new one included in the this box is the biggest and most visible change for the 2021 Apple TV 4K. It’s one feature that removes a lot of the pain barriers (first-world problems, we know) to using the Apple set-top box on a daily basis.
The new remote is considerably bigger than its predecessor, doesn’t sport a design you’ll get the wrong way up, nor a Siri button that you’ll accidentally press by mistake all of the time.
The Menu button has been ditched, there’s a new mute button, and Apple has thankfully shifted the Siri button to the side to emulate other remotes and match the same experience found on the iPhone, iPad, and even Apple Watch.
Swiping is still available, but it’s now via a circular physical touch button d-pad with a dedicated scroll option for scrubbing through shows – reminiscent of using an iPod from days gone by. That said, you can ignore that and still swipe left to right too – which can cause some muddled responses.
Pocket-lint
There’s even a new ‘power’ button that can not only turn off your Apple TV 4K, but also your TV and AV kit. Handy.
What is a surprising omission, however, especially given the recent launch of AirTags, is that the remote doesn’t have a finding option to help you find it down the back of the sofa when lost. No Find My Support, no ‘play a sound’ option. It’s another glaring own goal.
The ecosystem shines through, but you have to pay for it
Third-party app support, including Disney+, Amazon Prime, Netflix, more
Apple TV+, Apple Fitness+, Apple Music, Apple Arcade
Support for catch-up services (including BBC iPlayer)
Against the competition the Apple TV 4K does deliver, but it can also be seen as very expensive for what you get – it’s almost four times as much as the Roku Streaming Stick+, for example. That’s a big premium to pay for just watching movies and getting access to the Apple TV store – something which you might already have if you’ve got the right TV.
Pocket-lint
Where Apple is hoping to convince you though is that the benefits to be found in being part of the Apple ecosystem. Getting started is incredibly easy thanks to a simple setup process using your iPhone. Apple Fitness+ users benefit with connectivity to the Apple Watch, and Apple Arcade subscribers get a wealth of games to play too – but that’s a lot of extra cash for features that not everyone might want or have the need to use.
Verdict
There is no denying that the 2021 Apple TV 4K delivers what it sets out to do: packaging streaming services and Apple services all in the one place. It’s the extras like Apple Arcade and Apple Fitness+ that make this a nicely rounded package that will cater for the TV viewer as well as the casual gamer and fitness fan.
Despite this, we can’t help feeling that there are better and cheaper ways to get streaming content like Disney+, Netflix, or even Apple TV+ on your television from the likes of Roku and others.
The Apple TV has always come at a premium, but the 2021 model doesn’t move things on enough to justify either an upgrade or a recommendation over the competition – unless you really believe you’ll be able to maximise on all the additional Apple services and features it offers. And if you’re a current Apple TV 4K owner then you can simply buy the updated Siri remote on its own.
If you’re looking for an inclusive package that has potential to grow over the coming years and possibly adapt to how you use your TV or enjoy content in the home, then that’s one angle. The trouble for many with the 2021 box is that you’ll have to take the hit and pay for all that potential up front – whether it’s ever fully realised or not.
Also consider
Pocket-lint
Roku Streaming Stick+
Roku is s big name in streaming, offering access to all the major services in a slim device that supports the latest 4K HDR formats. A simple remote makes it easy to control, while its asking price undercuts the majority of the competition.
Read our review
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Pocket-lint
Amazon Fire Stick 4K
Amazon’s media streamers keep getting smaller and more affordable, with features like Alexa voice control via the remote making it a no-brainer for many. Although it leans towards Amazon’s content, it does also cover all services – including Netflix – and supports 4K HDR formats and Dolby Atmos object-based audio too.
What exactly is lost in translation when TV shows and films are subbed or dubbed into a new language? It’s a hard question to answer, but for the team at AI startup Flawless, it may be one we don’t have to think about in the future. The company claims it has the solution to this particular language barrier; a technical innovation that could help TV shows and films effortlessly reach new markets around the world: deepfake dubs.
We often think of deepfakes as manipulating the entire image of a person or scene, but Flawless’ technology focuses on just a single element: the mouth. Customers feed the company’s software with video from a film or TV show along with dubbed dialogue recorded by humans. Flawless’ machine learning models then create new lip movements that match the translated speech and paste them automatically onto the actor’s head.
“When someone’s watching this dubbed footage, they’re not jolted out of the performance by a jarring word or a mistimed mouth movement,” Flawless’ co-founder Nick Lynes tells The Verge. “It’s all about retaining the performance and retaining the original style.”
The results — despite the company’s name — aren’t 100 percent flawless, but they are pretty good. You can see and hear how they look in the demo reel below, which features a French dub of the classic 1992 legal drama A Few Good Men, starring Jack Nicholson and Tom Cruise. We asked a native French speaker what they made of the footage, and they said it was off in a few places but still a lot smoother than traditional dubbing.
What makes Flawless’ technology particularly interesting is its potential to scale. Flawless’ pitch is that deepfake dubs offer tremendous value for money: they’re cheap and quick to create, especially when compared to the cost of full remakes. And, with the advent of global streaming platforms like Netflix, Disney Plus, and Amazon Prime Video, it’s easier than ever for such dubbed content to reach international markets.
As a recent report in The Wall Street Journal highlighted, demand for streaming services in the US is saturated and companies are now looking abroad for future growth. In the first quarter of 2021, for example, 89 percent of new Netflix users came from outside the US and Canada, while the service’s most watched show, Lupin, is a Parisian thriller.
“What you’re seeing is more and more streamers come online realizing the vast majority of their consumers are going to be outside the US, over time,” Erik Barmack, a former Netflix executive responsible for the company’s international productions, told the WSJ. “The question is how international does your content need to be to be successful.”
As Barmack suggests, there are different ways to answer this demand. You can create shows with local flavor that still entertain domestic viewers. You can do remakes of local hits for new audiences. And you can roll out the subs and dubs. But Flawless is betting that its technology provides a new option that will be particularly enticing for filmmakers.
This is because the company’s deepfake dubs preserve, to some degree, the performance of the original actor, says Lynes. Flawless’ technology is based on research from the Max Planck Institute for Informatics first published in 2019. As you can see in a showcase video below, the dubs it produces are somewhat sensitive to the facial expressions of the performers, retaining their emotion and line delivery.
Flawless has developed these techniques over the past three years, says Lynes, speeding up production time and reducing the amount of input footage. The end results are still a balance of automated dubbing and manual retouching (about 85 percent to 15 percent) but speedy to edit. “If something comes out we don’t particularly like we’ll do a few iterations; resubmit the training data in different forms and get another result,” says Lynes.
The company hopes that preserving the original performance will be appealing to filmmakers who want to retain the magic of their original casting. Lynes gives the example of the 2020 Oscar award-wining Danish film Another Round,which stars Mads Mikkelsen as one of a group of teachers who experiment with low-level alcoholism to see if it improves their lives. After its success at home and on the international award circuit, the film is set to be remade for English-language audiences with Leonardo DiCaprio in the main role.
The news sparked discussion about the value of such remakes. Is the Danish drinking culture that forms the film’s backbone really so alien to American audiences that a remake is required? Is Mikkelsen, an actor who’s appeared in such mainstream fare as Hannibal, Doctor Strange, and Rogue One, such an unknown that he can’t attract viewers in the US? And is the “one-inch barrier” of subtitles (to quote Parasite director Bong Joon Ho) simply too much for audiences to overcome?
From Lynes’ point of view, a deepfake dub would at least be a cheaper way to bring Another Round to English-language audiences while retaining its original flavor. “They’re quoting $60 million to make that movie,” he says. “If we’re offering something that’s two percent the cost of the remake, we only need to be half as appealing to offer 10 times better value.”
Those in charge of the remake will have concerns other than money, of course. No matter how beloved Mikkelsen is, he’s not as bankable as DiCaprio. But Lynes hopes that as deepfake dubs become common it’ll change the calculations for such remakes in future. Much more than that, he says, it’ll could even reshape the international film landscape, allowing actors and directors to reach new audiences with minimal effort.
“I think the pulling power of actors will change globally as a consequence of this technology,” he says. “Different people’s performances and directors’ choices will be better recognized, because a wider audience will be able to see them.”
Perhaps so, but for the moment, Flawless needs to prove that audiences actually want its technology. The company, which launched earlier this month, says it’s already got a first contract with a client it can’t name, but there’s no timeline for when we might see its wares in a commercial TV show or film and that will be the real test. The proof is in the dubbing.
Amazon has launched an ad-supported, free video streaming service called MiniTV within the Amazon India app, TechCrunch reports. It’s a different offering than its separate Amazon Prime Video service, as MiniTV is contained within Amazon’s traditional shopping app, rather than its own standalone app.
Only available to users in India, MiniTV’s catalog includes mostly older content which its content partners made originally for YouTube and other platforms. The lineup includes beauty and fashion content, tech news, and cooking shows, and Amazon’s partners for the channel include Indian web content studios Pocket Aces and TVF, and list of well-known Indian comedians.
The company says it’s planning “new and exclusive videos” in the coming months, but didn’t provide a timetable.
As TechCrunch notes, the channel should serve as a competitor to Flipkart Video, the free streaming service launched in 2019 by Walmart-owned Flipkart, one of Amazon’s biggest rivals in India.
Amazon is still marketing its Prime Video to consumers in India as it competes with Netflix, which has plans to launch more than three dozen new movies and shows in India this year. The free MiniTV will help Amazon test whether streaming content can drive sales on its shopping app.
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