I finished This is a Robbery, and I won’t spoil the ending but if you’re thinking there will be a huge reveal at the end, well, you might be disappointed. What I found interesting throughout the four-part series was how the storyline relied on the voices of newspaper reporters who have covered the heist —and its aftermath —over the years. Considering the filmmakers are Colin and Nick Barnicle, sons of longtime Boston Globe columnist and current MSNBC contributor Mike Barnicle, it makes sense they’d center journalists in the story. Go watch it, Boston looks absolutely beautiful and the Boston accents are more authentic than anything else you’ll watch this year. Plus, if you can figure out the central mystery of the series there’s a $10 million reward in it for you.
Here are this week’s trailers (which are heavier on the zombie content than usual):
Army of the Dead
We got a teaser a couple of months ago but this is the first official full-length trailer for Zack Snyder’s big-budget heist flick. A group of mercenaries shoot their way into Las Vegas to get $200 million buried underneath the Sunset Strip before the government nukes the entire city. Plot twist: Vegas has been overrun by zombies— not the shambling, mindless creepers from The Walking Dead, mind you; these zombies are organized and smart. And fast, like the World War Z zombies. (Side note: Kenny Rogers’ The Gambler is the perfect music for this trailer: “you got to know when to hold ‘em/Know when to fold ‘em/Know when to walk away/ Know when to run.”)
Dave Bautista plays the zombie war hero who leads the ragtag group into battle. Army of the Dead hits Netflix May 21st.
The Underground Railroad
Based on the Pulitzer Prize-winning novel by Colson Whitehead, The Underground Railroad is set in the novel’s alternate history, making the railroad of the title an actual 19th-century railroad that helps slaves escape the South. Thuso Mbedu plays Cora Randall, who is fleeing a Georgia plantation and being pursued by a bounty hunter (Joel Edgerton). Directed by Barry Jenkins, all episodes of The Underground Railroad— a sure Emmy contender that looks hauntingly beautiful— will premiere on Amazon Prime Video on May 14th.
Fast & Furious 9
This is one of many movies delayed by the coronavirus pandemic (the last trailer was in January 2020 and the movie was supposed to come out last May) but is finally back on the schedule with a new release date. Many familiar faces will return for F9, including (of course) Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Ludacris, John Cena and Helen Mirren. The latest installment in the Furious franchise hits theaters June 25th.
Resident Evil: Infinite Darkness
Don’t you hate when zombies invade the White House and you have to go in and save the day? This teaser trailer gives some more clues into Netflix’s new anime series set two years after the events of Resident Evil 4. While an earlier teaser showed Claire walking around in what appeared to be a haunted house, this latest teaser shows that she and Leon are in the White House for separate reasons, and then: zombies. Resident Evil: Infinite Darkness hits Netflix in July.
Bravia Core is Sony’s high-end movie streaming service. It promises picture quality to rival 4K Blu-ray, the world’s largest selection of IMAX Enhanced movies and the latest box office releases from Sony Pictures. But is it right for you? And how can you get it? Here’s everything you need to know about Bravia Core…
As we reported back in January, Bravia Core claims to offer the highest bitrate of any streaming service currently available. Where Netflix streams 4K video in HDR at up to 17.2 Mbps, and Apple TV+ stretches to 40 Mbps during certain scenes, Bravia CORE claims to go one further with high-quality streaming up to 80 Mpbs.
Impressive. If Sony’s figures are correct, Bravia Core is truly an industry first. It’s not for everyone, though – we’ll explain why below. Read on as we reveal the Bravia Core price, launch date, streaming quality, movie selection and more…
Bravia Core: release date
(Image credit: Sony )
Bravia Core – the ‘Core’ stands for Centre of Real Entertainment – was unveiled at CES in January 2021 and officially launched on 6th April 2021. The service is due to launch in 50 territories in 2021, including the UK, US, Canada, Australia and most of Europe (but not Italy).
The video streaming service aims to serve the latest blockbusters from Sony Pictures Entertainment and also hundreds of the company’s classics in 4K Blu-ray-like HDR quality (provided you have a fast enough internet connection). Some content also supports DTS – but not DTS:X.
Here’s a look back at the Bravia Core launch video…
Bravia Core: price
(Image credit: Sony)
Bravia Core is available for free – but only when you buy a Bravia XR 4K or 8K TV from the 2021 Sony TV line-up. Right now, the Bravia Core app comes pre-loaded on the Master Series Z9J 8K LED and Master Series A90J, as well as other 4K LED models such as the X95J, X90J and X80J (you can find the full list here).
Don’t fancy shelling out for a brand new Bravia XR TV? Unfortunately, there’s no other way to experience Bravia Core just yet.
So will Bravia CORE will be available on older Sony TVs, or other Sony devices such as the PS5, in the future? Sony’s FAQ page seems pretty clear: “No. BRAVIA Core will be available for eligible BRAVIA XR models.”
Lastly, it’s worth noting that the more you spend on a Bravia XR set, the more free Core you get. Splash out on the Z9J or A90J and you get 24 months’ free Bravia Core plus 10 credits to spend on lossless titles that would otherwise be available on pay-per-view basis. Purchase any other Bravia XR models and you get 12 months’ access and five credits.
At this point, you might be wondering what happens when the complimentary period ends? Short answer: nobody knows. Sony has yet to announce long-term pricing but according to Core’s terms and conditions, “you may watch the movies you have redeemed via Bravia Core until February 23, 2026”. That suggests Core could shift to a paid subscription model in years to come… assuming it’s a success.
Bravia Core: free trial
The likes of Disney+, Paramount+, Amazon Prime Video and Apple TV+ all offer new users a free trial, so you might be wondering if Sony offers a Bravia Core free trial. The answer? Sort of.
Sony does offer a ‘free trial’ – a free 12- or 24-month subscription to Bravia Core – but only with the purchase a 2021 Sony Bravia XR TV. No bad thing, since the Bravia XR range could well include some of the best TVs Sony has ever made.
Bravia Core: streaming quality
(Image credit: Sony)
Bravia Core aims to “bring the cinematic experience home” using Sony’s own Pure Stream technology, which offers streaming at 30 – 80 Mbps.
“Pure Stream is the highest streaming picture quality available on Bravia XR television,” commented Bill Baggelaar, EVP and CTO, Technology Development, Sony Pictures Entertainment.
Bravia Core’s main attraction is its collection of 300 new and recent titles that can be purchased or redeemed via Core credits. These are the crème de la crème, quality-wise, and many are available to stream in up to 80Mbps (4K Blu-ray discs tend to be around 82Mbps).
Then there’s ‘Unlimited Streaming’, which offers over 100 titles from the Sony Pictures catalogue in up to 4K HDR quality. Lastly, Sony has thrown in more than 50 ‘IMAX Enhanced’ titles, each of which is remastered using IMAX’s proprietary technology in 4K HDR. Some of these titles boast DTS sound, too.
Of course, the streaming quality you achieve all depends on the speed of your broadband…
Bravia Core: broadband speed
While Netflix recommends a 25 Mbps connection for streaming 4K movies, Sony says Bravia Core “requires a minimum internet speed of 43 Mbps.”
For reference, the average broadband speed in the UK is around 64 Mbps according to regulator Ofcom. That’s nowhere near enough to max out your Core experience – especially if Sony adds 8K content later in the year, as has been hinted.
Indeed, those who want to stream the highest quality lossless movies via Core will need a minimum internet speed of – drumroll, please – 115 Mbps. Sadly, many UK households don’t have access to those kinds of speeds yet.
Bravia Core: catalogue
(Image credit: Sony Pictures)
Sony has yet to release a full list of Bravia Core movies but the Japanese giant has highlighted the following titles:
Venom
Blade Runner 2049
Peter Rabbit
Ghostbusters
Blade Runner 2049
Jumanji: The Next Level
Little Women
A Beautiful Day in the Neighborhood
Bad Boys For Life
Baby Driver
Bloodshot Hotel
Transylvania
Smurfs: The Lost Village
Expect around 450 titles in total, including the premium titles above, popular classics and an extensive selection of IMAX Enhanced film titles. Around 100 of the titles can be streamed as many times as you like, at no cost, in up to 4K HDR quality.
On top of that, there’s exclusive ‘Studio Access’ content, which offers behind-the-scenes extra footage and interviews from Sony Pictures productions.
Bravia Core: early verdict
Bravia Core will almost certainly find itself cast as “the high-end Netflix” but it’s a very different proposition. Firstly, it’s exclusive to selected Sony TVs. Secondly, it’s designed to act as a showcase for Sony’s Pure Stream technology. And thirdly, the current selection of movies is still quite limited when you compare it to some rival services.
If you’re after a next-level, cinematic experience and have a smokin’ broadband connection, Bravia Core could be a fantastic addition to your home cinema. If you don’t, a 4K Blu-ray player could provide just as good picture quality and, we’d imagine, superior sound given the lack of compatibility with high-quality audio formats such as Dolby TrueHD.
Still, there’s no doubting Sony’s ambition and we look forward to putting Bravia Core through its paces when testing compatible Sony TVs.
MORE:
Our pick of the best Sony TVs on the market right now
Our guide to the best TVs you can buy
Take a look at the best streaming services for TV and movies
Bravia Core is Sony’s high-end movie streaming service. It promises picture quality to rival 4K Blu-ray, the world’s largest selection of IMAX Enhanced movies and the latest box office releases from Sony Pictures. But is it right for you? And how can you get it? Here’s everything you need to know about Bravia Core…
As we reported back in January, Bravia Core claims to offer the highest bitrate of any streaming service currently available. Where Netflix streams 4K video in HDR at up to 17.2 Mbps, and Apple TV+ stretches to 40 Mbps during certain scenes, Bravia CORE claims to go one further with high-quality streaming up to 80 Mpbs.
Impressive. If Sony’s figures are correct, Bravia Core is truly an industry first. It’s not for everyone, though – we’ll explain why below. Read on as we reveal the Bravia Core price, launch date, streaming quality, movie selection and more…
Bravia Core: release date
(Image credit: Sony )
Bravia Core – the ‘Core’ stands for Centre of Real Entertainment – was unveiled at CES in January 2021 and officially launched on 6th April 2021. The service is due to launch in 50 territories in 2021, including the UK, US, Canada, Australia and most of Europe (but not Italy).
The video streaming service aims to serve the latest blockbusters from Sony Pictures Entertainment and also hundreds of the company’s classics in 4K Blu-ray-like HDR quality (provided you have a fast enough internet connection). Some content also supports DTS – but not DTS:X.
Here’s a look back at the Bravia Core launch video…
Bravia Core: price
(Image credit: Sony)
Bravia Core is available for free – but only when you buy a Bravia XR 4K or 8K TV from the 2021 Sony TV line-up. Right now, the Bravia Core app comes pre-loaded on the Master Series Z9J 8K LED and Master Series A90J, as well as other 4K LED models such as the X95J, X90J and X80J (you can find the full list here).
Don’t fancy shelling out for a brand new Bravia XR TV? Unfortunately, there’s no other way to experience Bravia Core just yet.
So will Bravia CORE will be available on older Sony TVs, or other Sony devices such as the PS5, in the future? Sony’s FAQ page seems pretty clear: “No. BRAVIA Core will be available for eligible BRAVIA XR models.”
Lastly, it’s worth noting that the more you spend on a Bravia XR set, the more free Core you get. Splash out on the Z9J or A90J and you get 24 months’ free Bravia Core plus 10 credits to spend on lossless titles that would otherwise be available on pay-per-view basis. Purchase any other Bravia XR models and you get 12 months’ access and five credits.
At this point, you might be wondering what happens when the complimentary period ends? Short answer: nobody knows. Sony has yet to announce long-term pricing but according to Core’s terms and conditions, “you may watch the movies you have redeemed via Bravia Core until February 23, 2026”. That suggests Core could shift to a paid subscription model in years to come… assuming it’s a success.
Bravia Core: free trial
The likes of Disney+, Paramount+, Amazon Prime Video and Apple TV+ all offer new users a free trial, so you might be wondering if Sony offers a Bravia Core free trial. The answer? Sort of.
Sony does offer a ‘free trial’ – a free 12- or 24-month subscription to Bravia Core – but only with the purchase a 2021 Sony Bravia XR TV. No bad thing, since the Bravia XR range could well include some of the best TVs Sony has ever made.
Bravia Core: streaming quality
(Image credit: Sony)
Bravia Core aims to “bring the cinematic experience home” using Sony’s own Pure Stream technology, which offers streaming at 30 – 80 Mbps.
“Pure Stream is the highest streaming picture quality available on Bravia XR television,” commented Bill Baggelaar, EVP and CTO, Technology Development, Sony Pictures Entertainment.
Bravia Core’s main attraction is its collection of 300 new and recent titles that can be purchased or redeemed via Core credits. These are the crème de la crème, quality-wise, and many are available to stream in up to 80Mbps (4K Blu-ray discs tend to be around 82Mbps).
Then there’s ‘Unlimited Streaming’, which offers over 100 titles from the Sony Pictures catalogue in up to 4K HDR quality. Lastly, Sony has thrown in more than 50 ‘IMAX Enhanced’ titles, each of which is remastered using IMAX’s proprietary technology in 4K HDR. Some of these titles boast DTS sound, too.
Of course, the streaming quality you achieve all depends on the speed of your broadband…
Bravia Core: broadband speed
While Netflix recommends a 25 Mbps connection for streaming 4K movies, Sony says Bravia CORE “requires a minimum internet speed of 43 Mbps.”
For reference, the average broadband speed in the UK is around 64 Mbps according to regulator Ofcom. That’s nowhere near enough to max out your Core experience – especially if Sony adds 8K content later in the year, as has been hinted.
Indeed, those who want to stream the highest quality lossless movies via Core will need a minimum internet speed of – drumroll, please – 115 Mbps. Sadly, many UK households don’t have access to those kinds of speeds yet.
Bravia Core: catalouge
(Image credit: Sony Pictures)
Sony has yet to release a full list of Bravia Core movies but the Japanese giant has highlighted the following titles:
Venom
Blade Runner 2049
Peter Rabbit
Ghostbusters
Blade Runner 2049
Jumanji: The Next Level
Little Women
A Beautiful Day in the Neighborhood
Bad Boys For Life
Baby Driver
Bloodshot Hotel
Transylvania
Smurfs: The Lost Village
Expect around 450 titles in total, including the premium titles above, popular classics and an extensive selection of IMAX Enhanced film titles. Around 100 of the titles can be streamed as many times as you like, at no cost, in up to 4K HDR quality.
On top of that, there’s exclusive ‘Studio Access’ content, which offers behind-the-scenes extra footage and interviews from Sony Pictures productions.
Bravia Core: early verdict
Bravia Core will almost certainly find itself cast as “the high-end Netflix” but it’s a very different proposition. Firstly, it’s exclusive to selected Sony TVs. Secondly, it’s designed to act as a showcase for Sony’s Pure Stream technology. And thirdly, the current selection of movies is still quite limited when you compare it to some rival services.
If you’re after a next-level, cinematic experience and have a smokin’ broadband connection, Bravia Core could be a fantastic addition to your home cinema. If you don’t, a 4K Blu-ray player could provide just as good picture quality and, we’d imagine, superior sound given the lack of compatibility with high-quality audio formats such as Dolby TrueHD.
Still, there’s no doubting Sony’s ambition and we look forward to putting Bravia Core through its paces when testing compatible Sony TVs.
MORE:
Our pick of the best Sony TVs on the market right now
Our guide to the best TVs you can buy
Take a look at the best streaming services for TV and movies
Between the excellent operating system and solid all-round performance, this is an impressively complete package at a reasonable price
For
Excellent upscaling
Bold, colourful picture
Superb Roku UI
Against
Sonically lightweight
Colours can be heavy-handed
There are reasons why wine is dated by year. The grapes might come from the same fields, the fermentation process may be identical and the barrels alike, but the taste and quality still vary from season to season. While TV panel production is unlikely to be quite so affected by the weather, the Hisense Roku R50A7200GTUK proves that just because you use the same materials and method as last year’s excellent vintage, it doesn’t mean the results will be the same.
The Hisense Roku R50A7200GTUK is likely to be the cheapest 50in TV we’ll see on sale in the UK this year from a major manufacturer. It promises a good-sized, punchy 4K HDR image and all the major apps and services you could need, without so much as an additional box or stick in sight.
It’s a pledge that Hisense delivered so well in 2020 with its R50B7120UK model that it has decided to leave the recipe pretty much as it was for its 2021 Roku TV. While there are many Roku TVs available in the US, for the UK this Hisense model stands alone.
Pricing
The Hisense Roku R50A7200GTUK is priced at £349, although if last year’s set is anything to go by, that could drop significantly later in the year. The Hisense Roku TV A7200GTUK is also available in 43in, 55in and 65in sizes, though our review sample here is the 50in version. On paper, these other panel variants are identical, apart from that the 43in size comes with a lower-powered, twin 7W speaker system and the top-end size benefits from a two 10W speaker set-up.
These Hisense Roku TVs are only available in the UK and are Argos exclusives.
Features
(Image credit: Future / The Map Of Tiny Perfect Things, Amazon Prime)
The Hisense Roku R50A7200GTUK is simple and unassuming in style and appearance and the chassis is almost the same as the previous model. It’s a little more even on the rear, though the overall thickness remains identical. The feet are matte plastic instead of gloss, but that’s about it.
The one key improvement is on the front, where the bezel has been reduced from a basic-looking 1cm band to something closer to 4mm, giving a more contemporary aesthetic. There’s no change to the usable and fully featured remote control. There are direct shortcuts buttons to Freeview Play, Netflix, Google Play Movies & TV, Spotify and Rakuten, plus some clear navigation and media controls too.
Around the rear of the set are three HDMI 2.0-rated ports which can manage frame rates of up to 60Hz at 4K level. There’s also a USB 2.0 socket, a wired headphones connection, and ARC support for easy connection to a soundbar.
Hisense Roku R50A7200GTUK tech specs
(Image credit: Future / The Map Of Tiny Perfect Things, Amazon Prime)
HDR formats HDR10, HLG
Sound formats Dolby Audio, DTS Studio Sound
Inputs 3x HDMI 2.0 (inc ARC), USB 2.0, headphones out
Freeview Play Yes
Dimensions (hwd) 72 x 113 x 26cm (with stand)
Weight 9kg
The Roku TV smart platform is pretty close to flawless. It covers all the major streaming services as well as thousands of seriously niche ones. You want a channel dedicated to crossbow hunting? It’s there. Fancy gaining more knowledge about the cigar industry? You’ll find that here too, along with plenty of other topics.
The only gaps in its offering are Britbox, Apple Music, Amazon Music and VLC, although it does have its own Roku media app, and Airplay support means you can stream most missing content from Apple devices.
You’ll find 4K HDR content available on all the big players. Since last year’s model was launched, UHD support for Google Play has arrived as has the BT Sport app, which is good news for football fans.
It’s also well worth downloading the Roku Channel, which brings free access to over 10,000 films, TV episodes and documentaries from over 40 content partners. But it’s not just the apps that make Roku great, it’s the ease of use. The menu system is simple and clear and the universal search is excellent. Type in the name of an app, TV show, film, actor or director and it brings up all the information you need. Results pages show all the streaming services where each title is available, with the resolution and price information. That now includes the catch-up services, which is an upgrade on the platform compared to last year’s Roku TV.
To set up voice searching, you’ll need to download the handy Roku TV app allowing you to add new channels, cast content from your mobile or tablet to your TV, or just use it to control playback. We also love the Private Listening mode on the app interface; press that and the TV’s sound is routed through your device. Attach a pair of headphones to your mobile and you have a personal AV experience – perfect for late-night viewing.
For live TV, the Freeview tuner is at the helm, along with the Freeview Play homepage of curated catch-up content. At the heart of the experience is the exact same quad-core processor to do the leg work. It offers more than enough to drive the system with barely a hint of lag or frozen responses at any point. Once again, Roku TV is a pleasure to use from top to bottom, from app to screen.
Picture
(Image credit: Future / The Map Of Tiny Perfect Things, Amazon Prime)
Despite its low price, the Hisense Roku R50A7200GTUK is still a direct-lit LED TV – and it shows. Compared with others at this end of the market, the light levels are fairly even across the panel and, even if there’s a little bit of bleed, the blacks are strong with no off-putting blotchiness. Unlike pcirier direct-lit LED sets, though, there appears not to have been enough left in the budget for any local dimming zones, and that’s probably the most telling absence on the spec sheet.
We watch the opening sequences of Guardians Of The Galaxy Vol.2 on 4K Blu-ray and the Missouri cloudscape is more heavy-handed than we’re used to. The dramatic overtones are still there, with plenty of contrast to handle that, but the lack of close control to individual areas of the backlighting means that it’s missing the subtlety of a more expensive TV set.
However, Hisense seems to know where this TV’s strengths lie. It’s not trying to offer finesse, it’s aiming to land a punch. And it does so successfully. The picture is bright and colourful, and even sharper and richer than its apparently identical predecessor.
This second run of Hisense Roku TVs for the UK really comes into its own once we leave the confines of Earth and head to the Sovereign planet for the Guardians’ battle with the Abilisk and a firework display of colour and fun.
The kaleidoscope of gases spewed by the multi-dimensional, tentacled monster look terrific, and the characters flying around it are bold and well-defined in all their HDR glory. There’s no adjustment for motion processing onboard, but while there’s some judder it isn’t hard to cope with. There’s no blurring and smearing of the action to distract either.
Switching down to standard-definition material with Star Wars: The Force Awakens on Blu-ray, we are reminded of last year’s Roku TV and its brilliance with upscaling from 1080p. Fortunately, that ability remains intact.
The opening scene in the hut is as revealing in terms of shadow detail as we could hope. It’s worth adjusting the brightness slider in the picture settings until you strike the right balance. In terms of starting points, the ‘Normal’ setting gets you closest to the best results, but make sure ‘TV Brightness’ is set to max.
Both the early scenes of Rey’s desert home on Jakku and the lush green forests of Maz’s home planet of Takodana are produced with enthralling colours and so much natural detail that it’s hard to find fault with the picture. Even watching BBC News in SD, the picture is remarkably sharp and stable for a panel this size, even if the colours are more simplistic.
Our only real criticism of the image is at higher resolutions. Occasionally that punchy approach can take things too far; it doesn’t have the same chromatic complexity as more expensive TVs. The result is that every now and then, the colour of a piece of clothing or skin tone misses the mark.
For example, Quill’s overcoat ends up a little too oxblood in the throne room scene in front of Princess Ayesha. There’s also a moment when Gamora’s green face is a little too lurid, but there are relatively few of these mishaps. What this TV does with its limited technical resources is impressive.
Sound
(Image credit: Future)
According to the spec sheet, there’s no difference between the Hisense Roku R50A7200GTUK and its 2020 predecessor, but their two sonic presentations are like chalk and cheese. One favours clarity, the other authority, but ultimately neither one produces particularly better TV sound than the other. It seems there’s only so much life that can be squeezed from this modest two 8W speaker system.
As with the picture adjustments, there are only a few settings to play with – only really the DTS processing mode and a dialogue enhancer. There’s also a TruVolume mode for night-time listening which will limit the peaks and troughs of loudness at any one volume level, so that you can hear the onscreen action without waking your neighbours.
Watching the battle sequence outside Maz’s tavern midway through Star Wars: The Force Awakens, gives an excellent sense of what this speaker system can manage. Given its limited resources, this TV copes pretty well. The sound effects of the laser blasts and the TIE fighters screaming past are crisp and detailed. The battle cries and dialogue of the rebels and troopers are clear and placed effectively in the soundscape. When the X-Wings come to the rescue and chase off the Empire, the rousing score still manages to excite.
Naturally, there’s room for improvement. There’s not enough under the hood here to produce the whole frequency range with quality. Hisense has opted to prize the midrange and upper-mid sounds, which is good for voices but means that there’s not a huge amount of impact to gunshots and explosions. Equally, the sound can feel a little strained and congested in the treble. If you find it borders on being difficult to listen to, switch off the DTS.
That said, to expect much more from a TV at this price would be unrealistic. It never fails to deliver the meaning of the source material, no matter the content. You might wish for a little more fun while watching big action movies, but you’ll be thanking your lucky stars every time you opt for more character driven dramas.
Does it spread the audio all the way round the room? Does it offer height-infused Dolby Atmos sound? No. It’s a TV with small speakers and just enough processing that means you can understand what everyone is saying. Not all soundbars can manage that.
Verdict
The vintage may be different, but this is another great year. We suspect that Hisense and Roku have made the best 50in TV you’ll find for under £350 in 2021. Neither the picture nor the sound are perfect but, combined with a brilliant feature set and an unbeatable content offering, the results are a lot more than the price infers.
It’s like uncorking a £4 bottle and discovering that it’s no cheap plonk. And that’s something we can all drink to.
Logitech has discontinued its Harmony range of universal remotes. No new products will be produced, and once existing inventory is gone, it’s gone. The brand says it will continue to support existing products as long as customers are using them, but to what degree will be interesting to see.
Logitech was one of the biggest names in remote controls. Its products were a neat way to control your TV and AV system with a traditional button layout. But with the explosion in streaming sticks and smart home devices, expanding control through apps and voice assistants, and the likes of Apple, Amazon and Google increasingly bundling their own remote controls with their products, the idea of a ‘universal’ remote became ever more stretched.
With more streaming services such as Netflix and Amazon Prime Video coming as part of smart TVs, and the increase in HDMI-CEC support, which allows devices connected via HDMI to be controlled via a single remote, the popularity of dedicated universal remotes has waned. Indeed, Logitech considered selling off its Harmony division back in 2013. So maybe the big surprise is that it lasted another eight years.
Logitech was one of the few remaining companies making universal remotes. Now it’s left to the likes of Sevenhugs and Caavo to mop up what’s left of the market.
MORE:
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Some Pixel 5 owners are apparently experiencing a bug with Google’s Widevine DRM platform that’s causing their phones to only play back Netflix videos in standard definition, instead of the usual HD and HDR10 quality that they should be.
Google is aware of the issue and is working on a firmware fix, but it still has to test and verify it so it’s not clear when it will be released.
The issue, while not widespread, appears to be causing afflicted Pixel 5 devices to be downgraded to Widevine’s L3 status, instead of the usual Widevine L1 (which is what authenticates to allow for HD and HDR playback for Netflix, among other things). 9to5Google speculates that the issue appears to have been exacerbated by the recent April security update for the phone, although its not clear if the two are actually linked.
Widevine is Google’s DRM service, which is used by a variety of premium streaming companies, including Netflix, Amazon Prime, Disney Plus, and Google Play Movies. Content is secured using a three-level system.
L1 is the most secure and ensures that all content processing and cryptography is handled within a trusted execution environment on the device’s processor. L2 devices only execute cryptography operations within that secure environment, while L3 devices don’t do any content processing or cryptography operations in a secure area of the chipset.
Generally, in order to ensure that streamed content doesn’t get stolen, companies mandate that higher-quality HD, HDR, and 4K versions of movies and shows be limited to the more secure L1 devices. Google’s Pixel phones should be L1-rated devices, but the aforementioned issue seems to be causing them to register as L3 hardware instead.
As a Freeview PVR, the Humax Aura is hard to beat , but its incomplete smart platform requires a pause for thought
For
Excellent recording and playback
Full-bodied, exciting sound
Useful Aura mobile app
Against
No Netflix app
HDR picture could be better
User interface a touch convoluted
Even without an Oxbridge education, the Humax Aura PVR has managed to achieve a double first. It’s the first Freeview set-top box from Humax to use the Android TV operating system and also the first to be 4K HDR-enabled. How could we not be intrigued?
The Humax Aura can be a number of things to different people and it feels as though it has been priced to interest everyone. The most obvious use is as a Freeview Play recorder, with enough internal storage options to capture hours of live Full HD and standard-definition television.
With its Android TV platform, you can also use it as a Chromecast with benefits – a way of adding over 5000 apps and streaming services to feed your television or projector with plenty of 4K fun. With its USB sockets, hi-res audio and 3D home cinema codec support, there’s an option to use it for local film file playback too – it’s quite the box of tricks.
Pricing
The Humax Aura costs £249 for the 1TB model, which can store up to 250 hours of HD (or 500 of SD) programming, and £279 for the 2TB model, which can store up to 500 hours of Full HD (1000 of SD) programming.
If you’re serious enough about live TV to want to record it on a regular basis, then the extra £30 for double the amount of space feels like a no-brainer.
Features
(Image credit: Humax)
Humax has had great success with its What Hi-Fi? Award-winning FVP-5000T set-top box and, four years down the line, a replacement has been long overdue. For both specs and looks, the Aura is the upgrade we’ve been waiting for.
Stand the two next to one another and the sculpted lines of the low slung Aura more easily fit into the category of contemporary industrial design.
The Aura is a tidy 26cm by 20cm box that takes up about the same space as your wi-fi router. Its gloss black body is accented by an LED strip on the underside, which changes from red to blue to violet to orange depending on whether it’s off, on, recording or recording in standby. It’s a useful indicator and reminiscent of K.I.T.T from Knight Rider in standby mode.
But if it’s a party at the front of the Aura, then around the back is the serious business. Here you’ll find the single HDMI 2.1-out along with USB 3.0 and USB 2.0 (Type A) sockets for local media. There’s also an optical audio-out and a LAN connection if you’d rather leave the 2.4/5GHz wi-fi alone.
The Aura remote is fully featured, with dedicated buttons for just about everything you could need, including shortcuts to streaming services, recordings, the guide, the Freeview Play platform and the Android TV homepage too. You’ll need to pair the remote with the Aura box using Bluetooth for the Google Assistant voice system to work.
Humax Aura tech specs
(Image credit: Humax)
Tuners x3
Ports HDMI 2.1, USB 3.0, USB 2.0, optical-out
OS Android TV 9
Freeview Play Yes
Storage 1TB/2TB
Dimensions (hwd) 4.3 x 26 x 20cm
Weight 764g
The Humax Aura’s three Freeview Play tuners bring access to over 70 non-subscription live TV channels and over 20,000 hours of on-demand entertainment through the catch-up services, with BBC iPlayer, ITV Hub, All 4 and My5 all present. Those tuners allow you to pause and rewind TV, as well as record up to four channels while watching a fifth one live.
Unlike the older FVP-5000T, there’s no built-in app for streaming live TV or your recordings from the box to other devices around your home, though Humax says the same DLNA support will be added to the Aura in a forthcoming firmware update. The Aura mobile app will detect any DLNA or Chromecast-enabled devices on the same network as your box and allow you to play recordings or live channels to those, sourcing it from the Aura as a server.
For the time being, the Aura mobile app is a handy tool in its own right. It brings a full view of the electronic programme guide (EPG) to your small screen and allows users to schedule recordings, watch recordings and even enjoy live TV on mobile – just the ticket for keeping track of Countdown while you put the kettle on.
The Aura’s big-screen offering is also bolstered by Android TV, and that means another 5000 or so apps from Google Play are at your disposal, with subscription services such as Disney+ and Amazon Prime Video, alongside more UK-specific apps, such as BT Sport and UKTV Play.
(Image credit: Humax)
There are significant gaps, though, including Britbox, Now TV and the Netflix app. Somewhat ironically, Netflix is actually one of the few non-catch-up apps available on the older FVP-5000T. Fortunately, the Aura’s built-in Chromecast functionality allows users to cast these missing apps from mobile, tablet or browser instead, but that solution won’t suit everyone. It’s also worth noting that casting won’t work for either Apple TV or Apple Music, which are also missing from the Aura.
Away from the video side, the hi-res audio support is a welcome addition. It means those connecting the Aura to a decent external speaker system can get a strong performance from locally stored or streamed audio files, even if connecting through the HDMI, which can handle up to 24-bit/192 kHz levels.
You’ll need to download a third-party app such as VLC to play local media and Plex if you want to connect a NAS drive or similar from your home network. The Aura’s support for 4K HDR (HDR10 and HLG) and 3D audio codecs offers the potential to do justice to any high-quality movie files you own.
Thanks to the quad-core 1.8GHz CPU and 3GB RAM combo, the whole experience feels snappy and well put together. From the remote to the on-screen navigation, the user experience will bend to your bidding without complaint.
The twinning of Freeview Play and Android TV 9.0 doesn’t make for the easiest of combinations, though. Each offers its own home page experience, leaving the user unsure as to which one to use. You’ll find some apps on both, but others just on one, and both home pages have their own settings menus. Fortunately, the shortcuts on the remote mean that you can sometimes go straight to whatever it is that you’re looking for, but that doesn’t really excuse the poor integration of the two interfaces.
Each interface is good in its own right, at least. We particularly like Freeview Play’s Kids’ Zone – a brightly coloured area with TV programmes specially selected for younger viewers. Content can be searched according to duration and timeslot, and parents can use this to block certain apps and channels from appearing.
Picture
(Image credit: Humax)
The picture quality through the Freeview Play tuners in both SD and Full HD is every bit as good as that of the FVP-5000T. Watching Put Your Money Where Your Mouth Is on BBC2, we get some inviting shots of a French antiques market on a cloudless summer’s day. The cobbled streets and stalls are bright and colourful, but with a realistic sense of tonality and texture.
The Aura trades a touch of detail for this better blending and, while some might prefer harder edges to stone walls, it feels like a well-judged decision from Humax. There’s a proper sense of complexity to the bright blue TV shelf as one of the bargain hunters haggles over a few Euros. It makes for a more natural aesthetic to the picture and feels believable when upscaled to 4K.
That arrangement is justified even further when switching to SD on the BBC News channel. Low-res content can seem particularly harsh and blocky when upscaled, but the Aura’s slightly softer approach smooths out a few more of those unwanted edges than its predecessor and adds some much-needed subtlety to clothing colours and skin tones.
However, the app platform is not quite as adept. Compared with a budget streaming stick, the Aura’s skill with a 4K HDR app is a little less assured than it might be. We watch The Boys on Prime Video and while the picture is punchy and dynamic, some of the finer detail is lost, particularly at the brightest and darkest extremes of the contrast spectrum. Viewing a scene set in the White House, the backlit silk curtains are missing folds in the material and the Aura doesn’t reveal the number of freckles on ex-CIA Deputy Director Grace Mallory’s skin that we might expect.
The other slight drawback is that not all users will find the dynamic range and refresh rate content matching system easy to use. There are a few options and, without the right ones selected, app TV shows and films are often displayed incorrectly; motion is juddery and streams are often jumpy. It can be fixed using the remote while viewing, but it isn’t easy to do. Quality standalone streamers have options to automatically match the dynamic range and refresh rate of the source material, and the Aura should really have the same.
Sound
(Image credit: Humax)
The Aura’s hi-res music support offers an excellent opportunity to get good quality sound from this box through both locally stored files and streamed music services. Plugging it into our reference system, we fire up the Tidal Masters version of Fortunate Son by Creedence Clearwater Revival and, by the standards of PVRs and video streamers, we’re struck by how well it captures the recording.
There’s a spacious sound to the vocals and guitars that gives a fabulous feel to the acoustics of the room where the recording was made. Compared with other, similarly priced streaming products, there is an added dimension to the track. There’s a good dose of dynamics that brings excitement and character to all of the instruments. We can visualise the drums at the start of the track and every time the first snare of each bar is hit with an accent.
The back and forth between the guitar and the vocals is like listening to a conversation. It’s a cohesive sound from top to bottom and we feel confident that there’s little we’re missing in the music. Some streamers at this level might offer a touch more crispness to the rhythm, but not without some loss of the excitement we get with the Aura.
All of that translates to an enjoyably emotional feel for home cinema as we switch to AV with the Live Aid scene at the end of Bohemian Rhapsody on Prime Video. The thuds of the kick drum are wonderfully solid and offer a genuine sense of timbre and resonance as the pedal first hits the skin at the beginning of the set.
When Brian May plays his solo at the end of the piece, it’s like he’s making his guitar sing. Again, the sense of place is captured brilliantly in a credible rendition of the sound of the old Wembley Stadium full of 72,000 people clapping in time and singing along to Radio Ga Ga.
Sound such as this is a huge leg up for any home cinema device. Whether capturing the atmosphere of a rock concert or the special effects of an action scene, the Aura really delivers on this front.
Verdict
The Humax Aura does its main job well. It’s an excellent Freeview recorder for both Full HD and standard definition with an easy-to-use TV guide, plenty of space and handy remote recording features. The problem is that Humax has offered – and is charging – more this time around and this box doesn’t deliver these extras quite so well.
If you’re going to promise more apps, then the omission of the most popular one of all is an issue. You also need to make sure your handling of streamed TV and film content is up to the same high standards as the competition, and that isn’t quite the case with the Aura. Tacking on the Android TV platform also means that the overall user interface loses a little focus.
While the Aura is spot on for sound, opting for the cheaper but still brilliant Humax FVP-5000T and buying a Google Chromecast with Google TV as well is a better option in terms of overall performance. The experience won’t feel much more split than the Aura already does but, more importantly, the smart offering will be more complete and a little better for picture quality too.
That said, if you have your heart set on a single box solution for your TV recording and video streaming, the Aura is a solid choice.
The Amazon Music mobile app is getting a new feature to make it a little bit easier to use while driving. Car Mode is a simplified version of Amazon Music’s interface, featuring larger buttons, suggested playlists and albums, and easy access to Alexa.
Once enabled, Car Mode is divided into two sections. The upper part near the top of your phone is devoted to playback controls like play, pause, and skip, while the bottom section features a collection of music suggestions which you can switch between with a swipe or a tap. If a hands-free experience sounds better (and it probably should if you’re trying to drive safely) you can trigger Alexa in the bottom right corner with a tap or by using an Alexa voice command (“Hey Alexa, play Elton John”).
Car Mode doesn’t add any new functionality to Amazon Music, but its changes to the user interface could make it easier to switch songs or dive into a new playlist without having to take your attention away from the road. Like Spotify’s own take on simplified car controls, Amazon Music can be set to switch to Car Mode as soon as it recognizes your phone connecting to your car’s Bluetooth. For anyone with an older car, Car Mode can also be enabled in settings.
Amazon Music might not be as popular as Spotify or Apple Music — it’s on its way with over 55 million subscribers as of January 2020 — but for a growing service that’s pretty easy to try if you’re already have an Amazon Prime subscription, any new feature has the possibility to help a lot of people. Car Mode is available in Amazon Music now on iOS and Android.
Best Buy is piloting a new paid membership service that would provide exclusive perks, including concierge-style tech support and exclusive pricing. The subscription service, which will cost $200 a year or $180 if you have a Best Buy credit card, bears similarities with Amazon’s Prime subscription as Best Buy looks to expand its services outside the sale of consumer tech products.
The new membership, called Best Buy Beta, grants members access to a slew of benefits, including free standard shipping, unlimited Geek Squad technical support, exclusive member pricing, and a 60-day extended return window. Best Buy confirmed that Beta members will also have 24/7 access to a concierge team, which they can contact by phone, email, chat, or through the Best Buy mobile app.
Here are a few perks included with the Best Buy membership program. Image: Best Buy
Best Buy already has a $200 membership program called Total Tech Support that provides similar services, but it will be unavailable in the pilot markets. In fact, based on how similar both services are, there’s a possibility that Best Buy will discontinue Total Tech Support.
Best Buy is not the first retail giant to roll out a service to compete with Amazon Prime. Last September, Walmart released its own subscription service for $98 a year, offering minimal benefits such as free delivery on orders over $35 and fuel discounts at select gas stations.
Best Buy is piloting the new Beta membership in three states: Iowa, Pennsylvania, and Oklahoma, but the retailer says it plans to expand the annual subscription to select stores in Minnesota, North Carolina, and Tennessee sometime this month.
Novelty of working from home wearing a little thin? Children climbing the walls? Missing those carefree double-kisses and bear hugs from relatives and acquaintances?
Or are you feeling something else? Whisper it lest she disappear, but might that something actually be the muse descending?
“An artist is always alone – if he’s an artist,” said author Henry Miller. “No, what the artist needs is loneliness.” As if in agreement, the very second lockdown measures kicked in, social media feeds filled up with news that Shakespeare managed to pen King Lear, Macbeth, and most of Antony and Cleopatra in quarantine during a plague outbreak. (No all-new Netflix Originals or Amazon Prime Video documentaries to distract him, eh?)
In 1665, Isaac Newton found himself working from home following the closure of Cambridge University during the Bubonic plague. After sticking blunt needles into his eye (seriously) and watching apples fall from trees for a bit, he managed not only to explain gravity, but also to develop theories on optics and calculus that irrevocably changed our understanding of the universe. Not bad considering all we’ve managed to do today is upload an Instagram story and watch three episodes of Unforgotten on ITV Hub.
So, what of the socially distant musician during this and other periods of solitude? Turns out they too have been busy. What follows is our curated list of bands and solo artists who, owing to a series of unfortunate events, managed to write, record and release superb albums in complete isolation.
And ultimately it means we have no excuse. Do not pass go, do not collect £200 and do not visit Twitter. Read these examples for inspiration, then pick up your instrument. Get to work.
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Cross Road Blues by Robert Johnson (1936)
(Image credit: Robert Johnson)
Robert Johnson died in 1938, aged 27, having recorded only 29 songs of which we know. Of these, 16 were taped alone in room 414 at the Gunter Hotel in San Antonio, on a single-reel Grundig recorder, less than two years before his death.
Nobody knows for sure how Johnson died – theories include poisoning, a gunshot wound, pneumonia, syphilis and stabbing – but his rumoured Faustian pact with the devil at a crossroads (his soul in return for otherworldly guitar powers) is the stuff of music legend.
Johnson’s work was not widely played until at least 25 years after his death. Indeed, Johnson never received any royalties for his songs and was paid in cash by his record label. Yet, according to Eric Clapton and almost any other iconic guitar player you can think of, Robert Johnson is “the most important blues musician who ever lived”.
Clapton released not one but two collections of songs by Johnson: Me and Mr. Johnson and the EP Sessions for Robert J, alongside a TV documentary of the same name aired in 2004 by the BBC.
Johnson simultaneously used elements of Delta blues – fingerpicking, sliding, strumming – while layering his own unique techniques and forms found in flamenco guitar. And then he sang on top. Only Robert Johnson (and the devil himself, if you believe the legend) will ever know exactly how he performed some of the tracks recorded in that hotel room.
Only two photos of Johnson are known to exist, despite musicologists and historians scouring the globe for more. What we do have is his music – and most of it was recorded in glorious solitude, in a hotel now owned by Sheraton.
“Who is the other guy playing with him?” Keith Richards asked fellow Rolling Stone Brian Jones on first hearing a Robert Johnson song, “I was hearing two guitars – it took a long time to actually realise he was doing it all by himself.”
Richards later said, “His playing was like Bach.”
Listen to Robert Johnson’s Complete Recordings on Tidal
Nebraska by Bruce Springsteen (1982)
(Image credit: Bruce Springsteen)
What does Bruce Springsteen do after his fifth studio album – a double LP featuring stone cold bangers Hungry Heart and Cadillac Ranch alongside the full force of the raucous E-Street Band?
He buys a Teac four-track cassette recorder and lays down 15 songs alone, in his house, through the night on 3rd January 1982. He sings, plays guitar, and uses the other two tracks to add a harmony vocal or an alternative guitar.
He thinks he’s going to teach the songs to the rest of the band when they get into the recording studio. He carries that demo cassette around in his pocket, without a case, for “a couple of weeks”. Then, after a bit more thought, The Boss decides to release the demo as is, without the band – the songs are a little too personal to be altered.
Owing to the recording process, it was apparently hard to release the thing as a record (the needle wouldn’t track in the wax properly because of the distortion it picked up) to the point that the label nearly released it as a cassette-only affair.
Springsteen named the album after one of the songs, Nebraska (the birthplace of Kool-Aid, but hardly America’s most exciting State) and never toured to promote it.
And still, Nebraska is one of the most highly-regarded albums in Springsteen’s substantial back catalogue.
Even one of the tracks that Springsteen recorded for the album, then shelved, (eventually giving it the E-Street Band treatment and releasing it in 1984) isn’t bad – it’s called Born in the USA.
Listen to Bruce Springsteen’s Nebraska on Tidal
Exile on Main Street by The Rolling Stones (1972)
(Image credit: The Rolling Stones)
Rolling stones gather no moss, but they do rack up ridiculously high tax bills. And so it was that, after becoming quite successful in the late 1960s, The Rolling Stones found themselves at a villa called Nellcôte in the south of France in 1972.
Keith Richards rented the house, where the band lived as tax exiles and sheltered their earnings in a Netherlands holding company.
Exile on Main Street was the band’s tenth album. The Stones were already well versed on recording nowhere near a proper studio – much of the recording of their prior album, Sticky Fingers, had been done at Mick Jagger’s country-pile Hampshire home using a mobile recording studio. The same mobile studio was simply transferred to Nellcôte and set up in the basement of the villa.
Keith Richards lived upstairs and the band had frequent house guests – so not self-isolation as we’ve become accustomed to, recently, but still.
Often, other musician friends would amble down to the studio to jam with Keith, or stay to record tracks with the whole band. Such daily recording sessions went on through the night. Without formal studio rules, there’s a delightfully bohemian, laissez-faire feel to the whole album.
Listen to The Rolling Stones’ Exile on Main Street on Tidal
Original Pirate Material by The Streets (2001)
(Image credit: The Streets)
Recorded mostly within the confines of his Brixton home over the course of about a year, Skinner’s debut album as The Streets is an inventive collage of beats and lazily delivered lines about life among Britain’s working class that proves there is worth in music recording now being at every person’s fingertips.
In his autobiography, The Story Of The Streets, Skinner discusses how he cleared out a wardrobe to create a vocal booth, deadening its sound with duvets, pillows and mattresses.
The album got to number 12 in the UK Album Charts in 2002, but got another lease of life and peaked at number 10 in 2004 – after the release of The Streets’ chart-topping second album A Grand Don’t Come For Free.
The sobering cover artwork (main photo) is a night-time shot of the south face of the Kestrel House tower block on City Road, London, taken in 1995 by German photographer Rut Blees Luxemburg.
Listen to Original Pirate Material on Tidal
Greystone Chapel by Glen Sherley/Johnny Cash (1968)
(Image credit: Johnny Cash)
Although Greystone Chapel was the song that made Glen Sherley the most famous prison inmate and country-music singer/songwriter alive, Sherley wrote many songs in lock-up and even recorded an entire album in his cell.
Sherley was in and out of several prisons throughout the 1950s and ’60s. When Johnny Cash discovered him in 1968, Sherley was doing a bit for armed robbery in Folsom.
In a 1994 interview with Life Magazine, Johnny Cash said: “The night before I was going to record at Folsom Prison, I got to the motel and a preacher friend of mine brought me a tape of a song called Greystone Chapel. He said a convict had written it about the chapel at Folsom.
“I listened to it one time and I said: ‘I’ve got to do this in the show tomorrow.’ So I stayed up and learned it, and the next day the preacher had him in the front row. I announced: ‘This song was written by Glen Sherley.’ It was a terrible, terrible thing to point him out among all those cons, but I didn’t think about that then. Everybody just had a fit, screaming and carrying on.”
Greystone Chapel was recorded live, along with the rest of Cash’s At Folsom Prison album, on 13th January 1968 and released in May of that year.
After Greystone Chapel, country singer Eddy Arnold sniffed out Sherley’s music and recorded another Sherley song in 1971, Portrait Of My Woman. It became the title track of Arnold’s next album.
Sherley was given the permission by prison officials to record a live album, Glen Sherley, while still in jail. The album was released by Mega Records and was a big success.
When Sherley was released from Prison in 1971, Cash met him at the gates. Sadly though, the story doesn’t end well. In May 1978, two days after shooting someone, Sherley put a gun to his own head. He was 42. The funeral was paid for by Cash.
Listen to Glen Sherley on Tidal or Spotify
how i’m feeling now by Charli XCX (2020)
(Image credit: Charli XCX)
Charli XCX’s fourth album really is a product of the pandemic: conceived during the initial COVID-19 lockdown, made in collaboration with her fans over the following 39 days and released on 15th May 2020, thus elegantly encapsulating the confusion, loneliness and boredom of our first long stint at home.
On 6th April 2020, Charli XCX announced in a public Zoom call with fans that she would be working on a new album in self-isolation, stating, “The nature of this album is going to be very indicative of the times just because I’m only going to be able to use the tools I have at my fingertips to create all music, artwork, videos everything.”
Although the result will undoubtedly (and rightly) be used as a kind of sonic photograph in the years to come – owing both to its subject matter and how Charlotte Aitchison used social media to workshop the tracks – how i’m feeling now is a timeless triumph.
The Cambridge-born songwriter’s knack of finding an absorbing melody or phrase can’t be ignored. The first track, Pink Diamond, came to Aitchison during an At Home With Apple Music interview between herself, Dua Lipa and and Jennifer Lopez, after J. Lo recounted talking to Barbara Streisand about Ben Affleck’s gift of that iconic rock. The compelling DIY electronics should also be celebrated, whether or not we’re able to dance, mingle and talk freely again soon.
Listen to Charlie XCX’s how i’m feeling now on Tidal
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OK Computer by Radiohead (1997)
(Image credit: Radiohead)
Radiohead recorded and self-produced OK Computer in a 16th-century, Grade I listed Tudor Mansion called St. Catherine’s Court in Bath, owned by actress Jane Seymour. She rented the house to the band on the condition that they feed her cat in her absence.
Almost every song on this third Radiohead album (the studio-recorded 1995 Lucky is the exception)was laid down in that house.
If ever a song perfectly captured dystopian, apocalyptic self-isolation, it’s Climbing Up the Walls. There’s nothing quite like that guttural scream at the end for the cabin feverish.
As if to emphasise its socially distanced rhetoric, Thom Yorke has compared the acoustic guitar-heavy opening of the song Exit Music (For a Film), to Johnny Cash’s At Folsom Prison (listed, above).
Listen to Radiohead’s OK Computer on Tidal
For Emma, Forever Ago by Bon Iver (2008)
(Image credit: Bon Iver)
Justin Vernon wrote, recorded and self-released his debut breakthrough Bon Iver
album, For Emma, Forever Ago, in his dad’s hunting cabin in the woods of Wisconsin.
Vernon, frustrated with trying to write songs and somehow pay the bills while working in a sandwich shop, left his place in Raleigh, North Carolina, and drove for 18 hours to the remote hunting cabin – set in 80 acres of land an hour northwest of his hometown, Eau Claire in Wisonsin – hoping for some time alone.
He recorded the entire album in the cabin, on an old Mac with ProTools, throughout the winter of 2006 into early 2007 – when he wasn’t hunting for food. He apparently killed two deer during his three month residence in the cabin and had one scary encounter with a bear, which was enticed by the smell of his cooking.
The album is focused on a break-up he’d struggled to get over.
“I had nothing but the sound of my own thoughts, and they were really loud when that’s all that was going on,” Vernon later said on his near-complete isolation. We’ve all been there.
Though he hadn’t intended to make an album, encouragement from friends did the trick and he self-released For Emma, Forever Ago – after a little help with mastering – in July 2007. He was signed to the independent label Jagjaguwar later that year and the rest, as they say, is history.
Listen to Bon Iver’s For Emma, Forever Ago on Tidal
461 Ocean Boulevard by Eric Clapton (1974)
(Image credit: Eric Clapton)
This was the album that gave Eric Clapton his first US number one LP and single – his cover of Bob Marley and the Wailers’ I Shot the Sheriff. It also marked Clapton’s return to recording after recovering from a three-year addiction to heroin. The album topped various international charts and sold more than two million copies.
The title of the record refers to a house in the small town of Golden Beach, Miami – the house that Clapton’s manager at the time, Robert Stigwood, paid for him to live in so that he might, perhaps, write and record new music. After overcoming his substance addiction, Clapton confessed that he’d wasted three years of his life, barely managing to do anything except watch TV and get out of shape.
Clapton worked on a farm for a little while, listening to music from artists such as Robert Johnson (featured above), and even lending his guitar skills to the rock opera Tommy – which you can read about in our 10 best musical theatre soundtracks to test your speakers feature.
He was given a demo tape by former Derek and the Dominos bassist, Carl Radle, which contained collaborations between Radle, keyboardist Dick Sims and drummer Jamie Oldaker. Clapton felt inspired and ready to write new material.
The whole album was recorded from April to May 1974. Although Clapton did venture into the Criteria studios in Miami to record, he wrote, practiced, recuperated and sang alone with Blackie, his Fender, in the Floridian rented house pictured on the album sleeve.
Listen to Eric Clapton’s 461 Ocean Boulevard on Tidal
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One of Sky Q’s greatest strengths these days is its aggregation of content from third-party apps such as Netflix, Amazon Prime Video and Disney+. There is a downside, though: it can take longer to get to the content you want.
That’s an issue that Sky is constantly looking to address and is taking another step towards solving with its latest update, which integrates Disney+ content into voice search. Simply say, for example, “WandaVision” into your remote and you’ll be taken to the WandaVision Show Centre as seen in the picture above.
(Image credit: Sky)
That’s not the only new feature coming in the latest Sky Q update, which has started rolling out today and will apparently be with all Sky Q users by the end of April.
The new Voice Guidance option, seen in the image above, is designed to make Sky Q more accessible for the visually impaired through the addition of spoken descriptions of menus and available options, and audio instructions to easily get you to specific shows and movies. Voice Guidance can be enabled in the Settings menu or simply by saying “Voice Guidance on” into the remote control.
Sky Go is also getting some tweaks over the next month, including a new ‘Continue Watching’ rail that makes it easier to pick up a show or film where you left off, and ‘Sky Channels’ and ‘Browse by Category’ rails are also being added.
MORE:
Read our full Sky Q review
Then check out our Disney+ review
Looking for a new TV? Here are the best TVs you can currently buy
Amazon is coming out with a third generation of its Alexa Voice Remote, and it includes some unwelcome new buttons that will take you to the Amazon Prime, Netflix, Disney Plus, and Hulu apps. If you’re one of the people who subscribes to and regularly uses all of those exact streaming services, this remote could be a nice upgrade. But for everyone else, the buttons will only add friction and annoyance to the Fire TV control experience.
We here at The Verge have talked about why we don’t like these buttons before. They turn your remote into a canvas for permanent advertising for services you may not even use, and they take up space that could be used for buttons that take you to services you do use. If you, say, don’t subscribe to Disney Plus or Hulu, then the buttons are, at best, useless to you and, at worst, waiting to be accidentally pressed, leaving you to back out of an app that’s begging you to subscribe.
The obvious alternative is to make the buttons mappable to the services you use and not put permanent branding on them. If the remote instead came with four buttons you could use to open your preferred streaming services, this would be a very different story. Alas, it is not. But hey, now the voice control button is an Alexa button for even more branding! (I will concede that this isn’t that bad, given that it was already called the Alexa Voice remote.)
The previous generation of the remote (which is still for sale), minus the branded buttons. Image: Amazon
I don’t want to make it sound like a few annoying buttons (that could actually be useful to some people) are the end of the world or that this new remote has no redeeming qualities. There’s actually one more new button that takes you to a “guide” showing you a cable-esque timeline of all the content available from the live providers you have, such as Sling, Hulu, or YouTube TV.
Unlike the branded ones, it’s small and not brightly colored, so it’s easy to ignore if you don’t need it (and it won’t be as prone to accidental presses). I just wish remote manufacturers would let us choose the functions we want on our remotes, especially since the streaming service landscape is ever-changing, and people have taken to subscribing to one service for a few months then switching to another.
You might think this week is pretty nondescript, just another stop on the way to Easter. But there’s a big promotion going on across loads of big-name digital movie services that sees 4K flicks selling for just £2.99.
It’s called Unforgettable Entertainment, and it’s part of a push by Digital Entertainment Group Europe (DEGE) and the British Association for Screen Entertainment (BASE) to promote digital entertainment. It’s been running since 2019, and was previously called Mega Movie Week.
So who’s taking part? Pretty much everyone, including Rakuten, Chili, Sky Store, Google Play Movies & Film, Amazon Prime Video, and BT.
And it’s not just films that are on offer. Here’s a selection of what’s available.
Sky Store
His Dark Materials S1: was £16.99 now £3.99
Joker: was £13.99 now £4.99
Avengers End Game: was £13.99 now £4.99
Hard Kill: was £5.99 now £2.99
Microsoft Store
Bad Boys For Life: was £7.99 now £4.99
Charlie’s Angels: was £7.99 now £3.99
Get Out: was £8.99 now £2.99
Men In Black: was £7.99 now £2.99
Rakuten TV
Knives Out: was £10.99 now £4.99
Dirty Dancing: was £7.99 now £2.99
Trolls World Tour: was £9.99 now £5.99
Once Upon A Time In Hollywood: was £10.99 now £4.99
CHILI
Spider-Man: Homecoming: was £6.99 now £5.99
They Shall Not Grow Old: was £7.99 now £2.99
Bridesmaids: was £9.99 now £2.99
Interstellar: was £7.99 now £4.99
As you can see, there’s everything from classics to new releases in 4K HDR and HD as well.
The promotion lasts until 21st March – that’s Sunday. So don’t delay, get watching this weekend.
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Many Raspberry Pis are pressed into service as home media devices. They are a natural fit given their price, power and size. But one facet of media consumption where the Raspberry Pi needed a little help was streaming content from services such as Netflix, Amazon Prime, Hulu which use Widevine DRM to deliver protected streaming media. In a recent update, Ventz at vpetkov.net has announced that an official Widevine package is now available for the Raspberry Pi 4 and 400.
Ventz is well known in the community for Chromium Media Edition, essentially the same Chromium executable but using a custom launcher and user agent that tricked sites such as Netflix, Hulu and Spotify to work with the Raspberry Pi. With the release of an official package for the Raspberry Pi we can now install the Widevine support for the provided Chromium browser.
Installation is a breeze, using just three lines of code, the first two to ensure our Pi is up to date before finally running the Widevine package installation.
We tested the installation on a spare Raspberry Pi 4GB connected via Ethernet. Initially Netflix playback was a little choppy, but after a few seconds everything was in sync and playback was certainly comfortable.
Adding Netflix, Amazon Prime, Disney+ to your home media center just got a little easier thanks to Ventz and the Raspberry Pi.
Amazon Prime Video has added a shuffle feature that lets you watch a show’s episodes in a non-linear order. Hit it, and the order will be randomised, instead of following the logical narrative.
Why would you want to do that? A lot of shows (like sitcoms) don’t have overarching narratives – rather they are self-contained stories that don’t rely on context. Hit Shuffle and you can dip into one without having to trawl through loads of episodes to try and pick one.
The feature is coming via an update to the Android app, according to Android Police, but presumably will roll out to other versions of the Prime Video app soon. However, at the moment, it only lets you shuffle episodes from within a single season, so you still have to decide whether you want one from the pre- or post-new-Aunt-Viv era of The Fresh Prince of Bel-Air.
Netflix is working on a similar feature, although its version picks a show based on your viewing history. A global rollout is planned “soon”.
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Find out: Amazon Prime Video vs Netflix – which is better?
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