(Pocket-lint) – A lot has happened in the world since the launch of the iPad Pro 12.9-inch in 2020, yet the need for us to work on the go is still an key factor for many people.
Apple’s 2021 iPad Pro looks to up the ante once again, bringing a new processor, a new screen, 5G connectivity, as well as improvements to the camera and elsewhere.
So, is this the year that the Apple iPad Pro will finally – yes finally – let you ditch the laptop altogether? We’ve been using the iPad Pro 2021 with M1 processor to find out.
Design gets heavier
Same design as 2020 model
Finishes: Silver or Space Grey
Dimensions: 281 x 215 x 6.4mm
Weight: 682g (Wi-Fi), 685g (5G)
Having launched previously with a much squarer design, which has since been adopted by the iPhone, the iPad Pro keeps an almost identical design to its previous offering.
For 2021 the 12.9-inch model is ever so slightly thicker than previous versions, thanks to new Mini LED screen technology, but it will still fit your previous cases (albeit snugly), including the Apple Magic Keyboard that launched in 2020.
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That extra thickness also means it’s a bit heavier, with around 40g extra. While that’s not hugely noticeable over the previous version, it does mean that the Pro is getting heavier and heavier – which is something to bear in mind.
To put it in perspective, though, the 2021 Pro is actually the same weight as the original iPad from way back in 2010. And while no one will begrudge that this iPad is considerably more powerful, it’s interesting that all that tech, and batteries to power it, means that the days of a thin-and-light iPad have come to an end – well, certainly at the top-end of this market.
Why’s that important? Because it is no longer a slip-in-your-bag-and-not-notice-it device any more. Add in the Magic Keyboard – which is another 710g – and you’ve got a device that’s 1.395kg. That’s roughly the same as the company’s M1 13-inch MacBook Pro or many other Windows-based laptops – indeed it’s actually not too difficult to find sub-1kg laptops.
Display gets brighter
12.9-inch ‘Liquid Retina XDR’ Mini LED display
2732 x 2048 resolution (264ppi)
1600-nit peak brightness
120Hz refresh rate
The 2021 iPad Pro gets an updated display technology – called Mini LED – which makes it considerably brighter than older models. It’s a relatively new panel technology that’s only just making its way into the latest TVs.
What is Mini LED? The display technology explained
In the case of this 12.9-inch model that means over 10,000 LEDs are positioned behind the screen to create, at times, a much brighter display that is also more nuanced to what is happening on the screen.
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The enhanced technology is instantly noticeable. The screen is physically brighter for starters, and has the ability to increase that brightness further depending on what is required. Previously the peak brightness was 600 nits, now that can go up to 1600 nits for those high dynamic range (HDR) moments.
While the average user will benefit from watching high-resolution content from their favourite streaming service – even the end credits of a movie look stunning – creatives will certainly enjoy the ability to see all that extra detail in their images or video, especially if they are working within the realms of HDR or Dolby Vision.
Combine that with the Pro’s usual array of screen tech – such as P3 wide colour gamut, ProMotion (120Hz refresh rate), and True Tone – and you won’t find much to complain about when it comes to the screen.
What is Apple’s True Tone display?
Front-facing camera gets more intelligent
Improved front-facing camera: 12-megapixel, 122-degree field of view
New ‘Center Stage’ technology (for subject tracking)
If you’re like us, you’ll have spent a lot of time in 2020 on video calls talking to colleagues, friends, and family. So for 2021, the iPad Pro celebrates video calling by adding a new front-facing TrueDepth Camera.
It’s unique to the iPad (at launch anyway – we suspect that will change in the future) and for the most part you won’t notice that it’s ultra-wide. That’s because of a new feature Apple has introduced specifically for the iPad Pro: Center Stage.
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No doubt inspired by devices like the Facebook Portal and Amazon Echo Show 10, the idea is that the front-facing camera can now follow you as you move about so you’re always “centre stage”.
By cropping into the captured image to deliver the same image crop iPad users are used to, nothing physically moves within the iPad itself. Instead Applehas opted to emulate that movement by digitally cropping in on the image as it follows you.
The feature, which works just as well in Apple FaceTime as it does in Zoom and other video calling apps, can be fun, but it can become jarring.
Anything with a head and shoulders is automatically picked up and the frame will resize to fit them in. Add more people and the feature zooms out to make sure everyone is in the frame. That’s fantastic for a family catch-ups with the kids trying to jostle around the iPad Pro screen, or for ensuring you’re fully in the shot.
The 122-degree viewpoint is wide enough to catch most of you, wide enough to track you around the room, and wide enough to still move if you’ve stepped some distance from the camera (we got to around 5 metres away).
Where things get tricky is if you move around when using it and the iPad Pro is stationary on the desk. Not because it doesn’t follow you, but because of the fluidity to the follow. You move and the camera slowly moves with you.
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The resulting affect is as if Apple has applied a Ken Burns effect to dramatise your video call. Or, as we found when being fairly close to the camera, it looks a bit like being on a boat and bobbing up and down with the tide. It can, at times, be very nauseating.
Best tablet 2021: Top tablets to buy today
By Britta O’Boyle
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However, go hands-free and the technology helps stabilise your movement – making it a much better experience as the tracking is kept to a minimum and less pronounced.
It’s probably why business calls from our desk garnered plenty of complaints, but family calls resulted in much more positive feedback with the grandparents in awe of the technology in action, and a chance to see everyone for the first time without us having to stand miles away from the screen.
Performance: Everything is faster
Apple M1 processor, 8GB/16GB RAM
Options for 128GB to 2TB storage
Apple Pencil support (2nd Gen)
LiDAR sensor on back
Thunderbolt / USB4
With every iteration the iPad Pro gets a faster processor, normally on par with the iPhone. This year, rather than trying to keep pace with the iPhone, the iPad keeps pace with the Mac.
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Because now you’ll find Apple’s new M1 processor instead of an upgraded iPhone processor powering the pro tablet. Yes, the same chip that powers the MacBook Air or iMac or MacBook Pro now powers the 2021 iPad Pro. We’ll let that sink in for a moment.
According to Apple that results in a 50 per cent boost in performance without compromising the battery – so you’ll still get around 10 hours per charge. Although, just like a Mac, the battery life widely varies in performance depending on what you do and how bright that screen is.
Also just like a Mac, there are now RAM options for the first time on the iPad Pro, all the way up to 16GB – although that option is restricted to the 1TB or 2TB storage options (you guessed it, that means pricey pricey), whereas it’s 8GB RAM for the 128GB, 256GB, or 512GB storage capacities (and more reasonable price points).
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The M1 processing power means the iPad Pro whizzes along with any various tasks that you’ll throw at it, just in the same way we find apps on the M1 MacBook Pro perform.
Whether that’s photo editing in Adobe Lightroom, drawing in Procreate, or designing in Affinity Designer, we had no problem loading, importing, editing, or saving large files on any of the ‘pro’ apps we use.
Working with large sound and video files proved little stress to the new 2021 iPad Pro either, while power hungry games like Asphalt 9, Call of Duty, or NBA2K21 loaded almost instantly – and, yes, noticeably faster than on previous iPad Pro models.
And if the M1 isn’t enough to keep that workflow process happy, the iPad Pro 12.9-inch now also comes in a 5G flavour for those who want speedy connectivity on the go. An afternoon hot-spotting via an EE SIM proved just as productive as being on the Wi-Fi in the home office.
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Elsewhere there’s an improved Thunderbolt / USB4 port for transferring files to and from the device even faster – it’s up to 40Gbps, whereas previously it was USB-C and therefore 10Gbps.
You still get the dual camera and LiDAR sensor setup on the back for taking pictures, video, or playing with AR too. It’s the same 12-megapixel main and 10-megapixel wider-angle as on the previous generation.
iPadOS needs to offer more
Software: iPadOS 14.5
Given that the iPad Pro has the same technical power of a MacBook Air but running iPadOS, it can at times feel a little underwhelming in terms of what you can do – especially given the sheer power under the hood.
Apple broke iPadOS away from iOS a number of years ago to be able to offer things like file transfer and track support. But now with the more powerful innards it feels like it needs to do more than just offer a series of app icons on the Home Screen.
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Of course Apple watchers will know that we’re due an announcement for iPadOS 15 at WWDC in June 2021, so we’re hoping that a greater emphasis on multi-tasking, a more useful Home Screen option, and other features will come to the experience later this year. That could be a game-changer.
It’s not that the iPad Pro 2021 isn’t capable – far from it – it’s just at we can feel that there’s something much bigger coming that’s just around the corner to help capitalise on that new found power within.
Verdict
When Steve Jobs first revealed the iPad back in 2010 it was all about casual reading and surfing from the sofa, about access to apps to empower, entertain, and educate us.
More than a decade on and the 2021 iPad Pro still embraces those principles. But for today’s creative types who want more than just basic typing and surfing it’s a more empowering experience – largely thanks to the M1 processor – bringing greater opportunity for both work and play.
For all intents and purposes the 2021 iPad Pro 12.9-inch is like a touchscreen-enabled MacBook Pro with 5G connectivity that runs iPadOS instead of macOS. It’s the closest to a laptop-replacement that Apple has ever taken the iPad.
Yet the iPad Pro is still in transition. It doesn’t completely replace the laptop just yet, because Apple hasn’t quite cracked the software. So if that’s what you’re after then let’s hope iPadOS 15 changes that later in 2021.
Also consider
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iPad Air (2020)
The ‘non-pro’ iPad will be good enough for many. So unless you want the higher storage, ProMotion higher refresh rate, or dual cameras, you’re just as well getting the iPad Air as the iPad Pro 11.
Hot on the heels of Apple announcing Apple Music lossless and Spatial Audio earlier this week, we have a new clue that suggests the previously announced Spotify HiFi lossless tier could be with us soon.
One Reddit user, TheMonarc, has apparently been able to find the Spotify HiFi menu in a song in its iOS app, indicating that Spotify’s long-awaited higher quality offering may launch imminently. So far, the only official word from the green streaming giant is that it’ll arrive sometime this year.
According to the Reddit user, a glitch in the Spotify app for iOS meant that they were able to access the HiFi menu. As first reported by 9to5Mac, the user explains: “I successfully opened the ‘HiFi’ menu by quickly tapping the glitched icon upon app launch.” The tipster shared some screenshots, which feature a small HiFi button in the bottom right of the screen to deploy Spotify HiFi.
Spotify announced in February that it had designs on a CD-quality subscription tier, initially saying the HiFi service would launch later this year as an add-on for Spotify Premium subscribers. However, considering the popular streaming platform has since raised its prices, while arch-rival Apple Music has just announced it’s making lossless – CD quality and 24-bit hi-res – and Spatial Audio listening free to subscribers from June, it’s unclear what Spotify’s current stance on pricing is.
Again, the HiFi icon on Spotify apparently appeared in the lower right corner of the app. Clicking on it led to the advice: “Use wired devices or speakers that are capable of playing lossless audio, 16-bit/44.1kHz quality or higher, to successfully listen to music in HiFi.”
If Spotify HiFi is indeed about to launch, the premium music streaming war will be ready. Amazon just made its HD subscription tier free to all Amazon Music users and Apple Music is not going to charge more for lossless. Tidal, our current favourite service and 2020 Award winner, still charges £20 ($20) per month for its HiFi membership, while Qobuz also asks a significant premium over Amazon and Apple. So, the ball’s in your court, Spotify…
MORE:
Understand why Spotify HiFi is missing something – but will it matter?
And Apple Music’s new service isn’t perfect either… Apple Music lossless: which devices will (and won’t) play lossless and Spatial Audio
Not sure which deserves your subscription fee? See best music streaming services 2021: free streams to hi-res audio
Amazon has extended its moratorium on law enforcement use of its facial recognition software “until further notice,” according to Reuters. The ban was set to expire in June.
As early as 2018, Amazon employees had pushed Amazon to scale back the project, arguing that documented racial bias in facial recognition could exacerbate police violence against minorities. Amazon defended the project until June 2020, when increased pressure from widespread protests led to the company announcing a yearlong moratorium on police clients for the service.
Rekognition is offered as an AWS service, and many of Amazon’s cloud computing competitors have similar technology. Microsoft announced that it would also not be selling its facial recognition services to police the day after Amazon’s pledge, and IBM said that it would stop developing or researching facial recognition tech altogether the same week. Google doesn’t commercially offer its facial recognition technology to anyone.
Amazon didn’t immediately respond to request for comment about why the ban was being extended. In a statement provided when the ban on law enforcement use was first issued, Amazon said it hoped Congress would use the year provided by the moratorium to implement rules surrounding the ethical use of facial recognition technology. Part of its statement read:
We’ve advocated that governments should put in place stronger regulations to govern the ethical use of facial recognition technology, and in recent days, Congress appears ready to take on this challenge. We hope this one-year moratorium might give Congress enough time to implement appropriate rules, and we stand ready to help if requested.
So far, no federal legislation has addressed police use of facial recognition, but a number of state and local measures have passed paring back use of the technology. San Francisco was the first US city to ban government use of facial recognition in May 2019, with Oakland following soon after. The Oregon and Maine cities of Portland also passed legislation around the tech in late 2020. The state of Massachusetts failed to pass a proposed ban in December 2020 but has recently passed a modified bill that adds some restrictions on police use of facial recognition.
There are over 3 billion active Android devices in the wild now. Sameer Samat, VP of product management at Google, announced the news at Google I/O 2021, which is live, but totally online, this year.
Google added over 500 million active Android devices since its last developer’s conference in 2019 and 1 billion devices since 2017. (That was when it hit the 2 billion mark.) The number is taken from the Google Play Store, which doesn’t take into account devices based on Android but that use alternative stores, including Amazon Fire devices and the myriad of Chinese Android-based devices that avoid using Google’s apps altogether. That means the number of active Android devices is likely much higher than what Samat announced on the live stream.
The news feels like a flex against Apple, too. Apple announced over 1 billion active iPhones in the wild earlier this year — a mere third of the number of Android devices. It’s a bold reminder that Apple’s smartphone and tablet dominance is largely limited to the United States and a few other regions. For everywhere else, it’s Android.
Developing… we’re adding more to this post, but you can follow along with our Google I/O 2021 live blog to get the news even faster.
Financial analysts believe that while hard disk drive pricing has spiked in recent weeks due to Chia coin mining and will continue to be higher than usual for a while, average HDD prices will not get considerably higher than they are today as there is extraordinary demand for specific models rather than for all kinds of drives. But there’s a catch.
Demand for nearline hard drives for data centers has consistently grown for years. In contrast, demand for high-capacity HDDs for consumers has increased in recent weeks because of Chia coin cryptocurrency mining. As a result, prices of higher-capacity hard drives increased in recent weeks, whereas range-topping models have sold out.
The market is experiencing a tight supply of HDDs, which is comparable to the situation in 2012 when flooding in Thailand stopped the production of hard drives in the country. Back then, average prices of HDDs increased by roughly 22%, according to Sidney Ho, an analyst with Deutsche Bank. This time, price hikes will not be that high.
“While the use of storage for Chia is relatively small compared to the total industry output, demand for large consumer hard drives has increased significantly due to Chia mania, with drives sold out on many websites and pricing on secondary markets meaningfully higher than usual,” Ho wrote in a note to clients, reports Barron’s.
Our HDD price analysis from earlier this week demonstrated that prices of midrange HDDs featuring a 6TB or 8TB capacity did not change significantly in recent weeks. 10TB hard drives also did not get substantially more expensive. Meanwhile, 12TB, 14TB, 16TB, and 18TB HDDs got dramatically more expensive in just a few weeks (some SKUs gained $100, others doubled).
The vast majority of 14TB – 18TB HDDs are nearline drives, such as Seagate’s Exos and Western Digital’s WD Gold and Ultrastar. Most of those drives are sold directly to companies like Amazon Web Services, Google, and Microsoft at pre-arranged prices and therefore never reach retail.
Joseph Moore, an analyst with Morgan Stanley, says that Seagate sells about 30% of its HDDs via distributors and retailers, whereas Western Digital ships 40% of its products using these channels. As a result, the vast majority of hard drives from Seagate and Western Digital are not sold through retail and therefore cannot get meaningfully more expensive because of the ongoing Chia mania. Still, the manufacturers can naturally increase their prices because of higher demand and the necessity to procure more components.
In general, while high-capacity HDD retail pricing could increase by well over 22%, average HDD prices will not increase tangibly as most HDDs are sold at pre-arranged prices. In contrast, midrange models are not getting more expensive due to modest demand.
“Our view right now is that Seagate and Western Digital will benefit from the incremental volume, pricing and thus gross margin tailwinds in the short-term, but that cloud demand […] remains the primary driver of results,” Ho wrote. “Longer-term, there just remains too much uncertainty […] on the future general acceptance of Chia or most cryptocurrencies to fundamentally adjust our outlooks for the industry. Whatever Chia becomes, though, it is a positive for the industry to see additional potential consumer growth opportunities.”
Apple Music is being upgraded in a big, big way. From June, the music streaming service will support CD-quality and hi-res lossless audio as well as Dolby Atmos-powered Spatial Audio, offering subscribers much higher quality, immersive playback.
Both lossless and Spatial Audio will be available to Apple Music users at no extra cost. Apple describes these two additions as Apple Music’s “biggest advancement ever in sound quality” – which we’d have to agree with. “Excellent news. Well done, Apple!”, we thought upon hearing the news.
But here comes the (rather large) downside.
Apple’s own headphones don’t support lossless audio. None of them. That means even if you’ve spent £549 ($549, AU$899) on a pair of AirPods Max, you can’t listen to Apple Music in the highest quality. Miffed? We don’t blame you.
That’s not the whole story, though, and not the only Apple device not able to take advantage of the new Apple Music features. Let’s take a look at which devices can benefit from hi-res audio, which don’t, and why…
What is Apple Music Lossless?
Essentially, it’s Apple embracing hi-res audio. Apple’s lossless streams use ALAC (Apple Lossless Audio Codec) to offer more detail and information in a recording.
Apple offers three tiers of higher resolution audio: CD quality (16-bit/44.1kHz), Apple Music Lossless (24-bit/48kHz), and Hi-Res Lossless (up to 24-bit/192kHz). You can choose your quality through the Settings > Music > Audio Quality section of Apple Music.
As of next month, all of Apple Music’s 75-million-strong music catalogue will be available in CD quality or Apple Music Lossless. At launch, 20 million will be accessible in the highest quality Hi-Res Lossless format, with the whole catalogue following “by the end of 2021”.
Apple Music isn’t the first service to offer lossless streaming, of course. Tidal, Qobuz and Amazon Music HD all offer CD-quality and hi-res listening, while Deezer offers the former. The Spotify HiFi lossless tier is due to offer CD-quality streams later in the year too.
What is Spatial Audio?
Another new addition to Apple Music is Spatial Audio, which is an Apple technology designed to provide “multidimensional sound and clarity”; to deliver surround sound and 3D audio via your headphones.
Spatial Audio was initially launched as part of iOS 14 and iPadOS 14, and the newer Spatial Audio with Dolby Atmos feature for Apple Music is coming as part of the iOS 14.6 and iPadOS 14.6 updates that are due in June 2021.
Spatial Audio is a slightly different beast to this new Dolby Atmos-powered Spatial Audio for Apple Music in that it also utilises the sensors in Apple’s own headphones to enable head-tracking. Because the implementation for Apple Music of spatial audio is sound-only, there’s no head-tracking involved.
“Thousands” of Apple Music tracks will be available in Spatial Audio with Dolby Atmos at launch, with more being added regularly.
Which Apple devices work with Apple Music lossless?
(Image credit: Apple)
The big news is that no model of AirPods will support lossless audio. In the case of the AirPods and AirPods Pro, that’s not exactly surprising, seeing as they’re both completely wireless and Apple only supports the AAC (rather than ALAC) codec over Bluetooth – that’s a step up from MP3, but nowhere near the quality of lossless.
The AirPods Max can be wired to an iPhone, so one might hope that that could be a way to get lossless audio. But actually they only work with analogue audio sources in wired listening mode. Which again means no lossless listening.
Its HomePod range of smart speakers also won’t support lossless – that’s the now discontinued HomePod and still-very-much-current HomePod Mini.
Apple’s iPhones (since the iPhone 7) natively support lossless – but only Apple Music Lossless, and not the highest quality Hi-Res Lossless (which delivers up to 24-bit/192kHz). If you want to listen to Apple Music tracks above 24-bit/48kHz on your iPhone, you’ll need to connect an external DAC and use a wired pair of headphones. Check out our guide for how to listen to hi-res audio on an iPhone.
The same is true of the Apple TV and iPad families, which are listed as supporting Apple Lossless, with no mention of Hi-Res Lossless.
Which Apple devices support Spatial Audio?
(Image credit: Apple)
Apple devices are much better represented when it comes to Spatial Audio through Apple Music. Some – like the AirPods Pro and Max – already support it, after all. And it will come to the standard AirPods 2 in due course.
In fact, it will be available on all AirPods and Beats headphones with an H1 or W1 chip. (That’s the AirPods, AirPods Pro, AirPods Max, BeatsX, Beats Solo3 Wireless, Beats Studio3, Powerbeats3 Wireless, Beats Flex, Powerbeats Pro, and Beats Solo Pro.) But you don’t have to line Apple’s pockets to hear the Dolby Atmos tracks: it will also work on any headphones connected to an iPhone or iPad. You just have to enable it manually.
To do so, head to Settings on your iPhone or iPad and then to Music – once the update has landed next month, a new Dolby Atmos option will be available. This will be set to Automatic by default, which means Dolby Atmos tracks will play correctly when you’re listening via any W1- or H1-enabled pair of Apple or Beats headphones, but not when you’re using third-party headphones. However, if you switch this option to Always On, even non-Apple headphones will play back Dolby Atmos tracks in all their sonic glory.
However, this only applies to Dolby Atmos Spatial Audio tracks on Apple Music, and not Spatial Audio content from other apps like TV. (Remember, Spatial Audio in the TV app is a slightly different beast in that it also utilises the sensors in Apple’s own headphones to enable head-tracking.)
The HomePod and HomePod Mini also support Spatial Audio, so you can fill your room with virtual 3D sound from a single device. As do the iPhone 11 onwards and iPad Pro (but not iPad, iPad Mini or iPad Air).
Playing from an Apple TV 4K into a Dolby Atmos soundbar or system will work too.
MORE:
Check out the best wireless headphones around
3D sound from a soundbar: Best Dolby Atmos soundbars
Try 30 Apple Music tips, tricks and features
Need new music? 10 Apple Music playlists to listen to right now
What exactly is lost in translation when TV shows and films are subbed or dubbed into a new language? It’s a hard question to answer, but for the team at AI startup Flawless, it may be one we don’t have to think about in the future. The company claims it has the solution to this particular language barrier; a technical innovation that could help TV shows and films effortlessly reach new markets around the world: deepfake dubs.
We often think of deepfakes as manipulating the entire image of a person or scene, but Flawless’ technology focuses on just a single element: the mouth. Customers feed the company’s software with video from a film or TV show along with dubbed dialogue recorded by humans. Flawless’ machine learning models then create new lip movements that match the translated speech and paste them automatically onto the actor’s head.
“When someone’s watching this dubbed footage, they’re not jolted out of the performance by a jarring word or a mistimed mouth movement,” Flawless’ co-founder Nick Lynes tells The Verge. “It’s all about retaining the performance and retaining the original style.”
The results — despite the company’s name — aren’t 100 percent flawless, but they are pretty good. You can see and hear how they look in the demo reel below, which features a French dub of the classic 1992 legal drama A Few Good Men, starring Jack Nicholson and Tom Cruise. We asked a native French speaker what they made of the footage, and they said it was off in a few places but still a lot smoother than traditional dubbing.
What makes Flawless’ technology particularly interesting is its potential to scale. Flawless’ pitch is that deepfake dubs offer tremendous value for money: they’re cheap and quick to create, especially when compared to the cost of full remakes. And, with the advent of global streaming platforms like Netflix, Disney Plus, and Amazon Prime Video, it’s easier than ever for such dubbed content to reach international markets.
As a recent report in The Wall Street Journal highlighted, demand for streaming services in the US is saturated and companies are now looking abroad for future growth. In the first quarter of 2021, for example, 89 percent of new Netflix users came from outside the US and Canada, while the service’s most watched show, Lupin, is a Parisian thriller.
“What you’re seeing is more and more streamers come online realizing the vast majority of their consumers are going to be outside the US, over time,” Erik Barmack, a former Netflix executive responsible for the company’s international productions, told the WSJ. “The question is how international does your content need to be to be successful.”
As Barmack suggests, there are different ways to answer this demand. You can create shows with local flavor that still entertain domestic viewers. You can do remakes of local hits for new audiences. And you can roll out the subs and dubs. But Flawless is betting that its technology provides a new option that will be particularly enticing for filmmakers.
This is because the company’s deepfake dubs preserve, to some degree, the performance of the original actor, says Lynes. Flawless’ technology is based on research from the Max Planck Institute for Informatics first published in 2019. As you can see in a showcase video below, the dubs it produces are somewhat sensitive to the facial expressions of the performers, retaining their emotion and line delivery.
Flawless has developed these techniques over the past three years, says Lynes, speeding up production time and reducing the amount of input footage. The end results are still a balance of automated dubbing and manual retouching (about 85 percent to 15 percent) but speedy to edit. “If something comes out we don’t particularly like we’ll do a few iterations; resubmit the training data in different forms and get another result,” says Lynes.
The company hopes that preserving the original performance will be appealing to filmmakers who want to retain the magic of their original casting. Lynes gives the example of the 2020 Oscar award-wining Danish film Another Round,which stars Mads Mikkelsen as one of a group of teachers who experiment with low-level alcoholism to see if it improves their lives. After its success at home and on the international award circuit, the film is set to be remade for English-language audiences with Leonardo DiCaprio in the main role.
The news sparked discussion about the value of such remakes. Is the Danish drinking culture that forms the film’s backbone really so alien to American audiences that a remake is required? Is Mikkelsen, an actor who’s appeared in such mainstream fare as Hannibal, Doctor Strange, and Rogue One, such an unknown that he can’t attract viewers in the US? And is the “one-inch barrier” of subtitles (to quote Parasite director Bong Joon Ho) simply too much for audiences to overcome?
From Lynes’ point of view, a deepfake dub would at least be a cheaper way to bring Another Round to English-language audiences while retaining its original flavor. “They’re quoting $60 million to make that movie,” he says. “If we’re offering something that’s two percent the cost of the remake, we only need to be half as appealing to offer 10 times better value.”
Those in charge of the remake will have concerns other than money, of course. No matter how beloved Mikkelsen is, he’s not as bankable as DiCaprio. But Lynes hopes that as deepfake dubs become common it’ll change the calculations for such remakes in future. Much more than that, he says, it’ll could even reshape the international film landscape, allowing actors and directors to reach new audiences with minimal effort.
“I think the pulling power of actors will change globally as a consequence of this technology,” he says. “Different people’s performances and directors’ choices will be better recognized, because a wider audience will be able to see them.”
Perhaps so, but for the moment, Flawless needs to prove that audiences actually want its technology. The company, which launched earlier this month, says it’s already got a first contract with a client it can’t name, but there’s no timeline for when we might see its wares in a commercial TV show or film and that will be the real test. The proof is in the dubbing.
Amazon is launching new lens options today for its Echo Frames smart audio glasses: two types of polarized sunglass lenses for use outside, and blue light-filtering lenses for staring at bright screens. The blue light and blue mirror sunglass options will ship on May 18th, and the “Classic” dark sunglass lenses will arrive later on June 9th. All three varieties will be available in the black version of the Echo Frames for $269.99.
Echo Frames are far simpler in comparison to other smart glasses, like Google Glass. Essentially, they’re a glasses frame with Amazon’s Alexa assistant built-in, along with some microphones and downward firing speakers. In our review of the Frames, we found Alexa’s abilities to be pretty limited (especially on the iPhone) because the assistant defaults to Amazon’s services. Frames are much more compelling as a straightforward audio device, which is where these new lens options seem to come in.
Echo Frames with blue light filtering lenses.Image: Amazon
Take the sunglasses variety. Echo Frames might not make sense as a smart assistant you interact with all day, but for a bike ride or hike, it could be very helpful to have your sunglasses pull double duty as headphones for music or podcasts.
You could use the same kind of logic for the blue light-filtering lenses. Say you’re going heads down on a long project and you know you’re going to look at screens for an extended period of time. Having a way to listen to music or take calls while still keeping your ears free could be handy. (Keep in mind blue light might not be as damaging or eye-straining as some headlines suggest.)
Echo Frames with mirror blue sunglass lenses.Image: Amazon
The limit on either of these use cases is the battery life of the Echo Frames. When we originally reviewed the Frames we weren’t able to make it through a full day, despite Amazon’s more open-ended battery life claim of 14 hours of “mixed use.” For an afternoon outdoors, it seems like the sunglasses should last, but using blue light glasses inside, listening to music all day, you might have to keep a closer eye on the Frames’ battery.
(Pocket-lint) – Amazon updated its Echo Show 5 and Echo Show 8 in 2021 with a couple of new features.
There aren’t huge differences between the new Echo Show 5 and the older Echo Show 5, but if you’re wondering which to buy, you’ve come to the right place. If you’re looking at whether to buy the Echo Show 5, Show 8 or Show 10, then head to our separate feature. We also have a full Echo devices comparison feature.
Keep reading here if you want to know how the new Echo Show 5 (2021) differs from the old Echo Show 5 (2019) though.
What’s the same?
Design and controls
Features
Speaker hardware
To be honest, almost everything remains the same between the new Echo Show 5 and the old Echo Show 5. Both devices measure 148 x 86 x 73mm and weigh 410g. They also both have a 5.5-inch touchscreen and they both come with the same design and controls.
There’s a camera cover switch at the top of both devices, along with a microhone on/off button and volume buttons. On the rear of the fabric-covered speaker base, there’s a power port, while the top of the display has a front-facing camera within the bezel of the top right corner. Both have the same speaker setup too.
All the features are the same across the second generation Echo Show 5 and first generation Echo Show 5 too, including built in Alexa and everything that comes with Alexa, like smart home control, news and weather reports, games and Alexa calling. Both also have the ability to stream music from various services, or stream your favourite TV shows from the likes of Prime Video and Netflix.
What is Alexa and what can Amazon Echo do?
What’s different between the 2nd gen Echo Show 5 and first gen?
Despite looking identical and offering the same features, there are a couple of differences between the first generation Echo Show 5 and the second generation. Here’s what is different.
Front camera
Though the front camera positioning is the same across the new Echo Show 5 and the old Echo Show 5, the new model has a 2-megapixel camera, while the older model has a 1-megapixel sensor with 720p video recording.
Energy efficiency
The new Echo Show 5 is ‘Climate Pledge Friendly’. It is made from 30 per cent post-consumer recycled plastics, 100 per cent post-consumer recycled fabric and 100 per cent recycled die-cast aluminium. Additionally, 99 per cent of its packaging is made of wood-fibre-based materials.
Colours
The new Echo Show 5 is available in Charcoal, Glacier White and Deep Sea Blue colours, while the old Echo Show 5 only comes in Charcoal and Glacier White.
Price
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The new Echo Show 5 is available to pre-order for £74.99 in the UK. It will be available from 9 June 2021.
The old Echo Show 5 cost the same at launch, but it is now available for £64.99 in the UK.
Conclusion
The second generation Echo Show 5 is identical in design to the first generation model, but it offers a more sustainable build, new colour and a higher resolution front camera.
The new model is more expensive than its predecessor though, and it offers the same processor and features so the older model is still just as capable.
If you want to do your bit for the environment, really like the blue colour option or you want a high resolution front camera for video calls, the 2021 Echo Show is the one you want. If none of those are super important to you, you might find the old Echo Show 5 at a great price and you don’t miss out on much.
We’ve gotten through the expert witnesses of Epic v. Apple, and as a reward, Phil Schiller — currently an “Apple Fellow,” whatever that is, and previously the senior vice president of worldwide marketing — took the stand like a twinkly App Store St. Nick. To hear him tell it, Apple is a wonderful partner to developers, selflessly improving dev tools and responding to their needs. At times the testimony feels like a prolonged ad for iOS.
The goal of the testimony is to paint the App Store as a part of the iPhone that can’t be removed or replaced by a competing alternative. To this end, we heard in exhaustive detail about the improvements made to the iPhone that benefit the developers in the App Store. The chips. The Retina display. The accelerometer. The wireless upgrades. It’s practically an Apple event on the stand.
Among the exhaustive list, Schiller identified Metal, one of the developer tools Apple created. (Metal is a play on “close to the metal,” or writing code that’s close to the computer’s guts.) Apple’s counsel says the lawyer version of “roll tape!” and we’re treated to a 20 second clip of Tim Sweeney on stage at WWDC, praising Metal as a wonderful tool that will allow developers like Epic Games to create the next generation of improvements. Solid burn!
The overall impression I get from the list of improvements is, essentially, that Fortnite absolutely could not have launched on the first generation of iPhones — the hardware and chips couldn’t have handled the game. That is true! Also: Fortnite didn’t exist yet, so that’s a pretty good reason it couldn’t have been on those early iPhones. But there is another reason a time-traveling Fortnite couldn’t have launched on the first iPhones in 2007: the App Store didn’t exist yet, either. This particular fact is somewhat inconvenient for Apple’s argument that the iPhone and the App Store are inseparable.
Schiller’s testimony spends some quality time back in 2007, to explain the origin of the App Store. When the iPhone launched, the only apps on it were Apple’s own; all other apps were web apps. In response, there was a spate of “jailbreaking” — essentially, hacking the iPhone so you could put your own apps on it. This was the genesis of the App Store: Apple realizing that people were going to put their own apps on the iPhone no matter what it did. If it wanted control of the process, it was going to have to create an official route.
From the jump, security was going to be a concern, Schiller said. After all, the point of the phone was that you could carry it around — which involved collecting location data. So iOS was built from the ground up with this in mind, Schiller says. (This line of testimony is a rebuttal to Epic’s argument that MacOS allows side-loading, and it is therefore anticompetitive that iOS does not.) To put a stop to the jailbreaking, Apple did something unusual: rather than showing the world a finished product, it announced it was working on something. That something was the App Store.
The Steve Jobs line that Epic has touted — ”We don’t intend to make money off the App Store” — comes from these early days. At the time of this announcement, Apple didn’t know if it would make money, Schiller testified. He also suggests that the line was not a promise that Apple would not make money. The App Store was a “huge” risk, Schiller said. “We’re taking our hot new product and putting something we’ve never done before on it, and we have no apps yet! So we have no idea how this is going to do.” This is credible. What is less convincing is Schiller’s attempt to redefine what it means to “lock customers into our ecosystem,” a phrase that comes from a Jobs email entered into evidence earlier in the trial.
Look, “locked in” has an accepted meaning, and it’s not a very friendly one: prisoners, for example, are locked in. Schiller gives this the old college try anyhow, telling the court that the idea behind “locked in” was just to make services more attractive, so that customers wouldn’t want to leave. Later in the email, Jobs talks about making the ecosystem even more “sticky,” which is less menacing, but — glue traps are sticky. So are flystrips. When was the last time that being stuck to something was positive for you?
But hey, Schiller’s a marketer. He was Apple’s marketing guy for actual decades! Always be closing, baby. And so if it at times seemed like he presented Apple as though it were a selfless do-gooder, responding to devs’ requests for in-app payments — which was a then-nascent business — by building capability for that into the store, well, that’s his job. Still, presenting one of the most ruthlessly efficient cash machines in tech as a helpful friend of small developers is kind of like painting a whale shark orange and calling it a goldfish who feeds other goldfish.
Despite Schiller’s friendly demeanor, some of his testimony is a stretch. For instance, he says he doesn’t see mobile as a duopoly. He lists Samsung, Microsoft, Google, and Amazon as competition. The Amazon Fire phone was discontinued in 2015, as was the Windows Phone. Perhaps they haunt his dreams, but they certainly don’t haunt the market.
But Schiller mostly does what he needs to do for Apple — as I suppose he has for 30-odd years. He’s cheerful, pleasant to listen to, and at times, very convincing. The question in this case, though, is if marketing to a judge is as easy as marketing to Apple customers.
Amazon is launching a new series of health programs called WorkingWell designed to prevent workplace injuries in the company’s expansive system of warehouses and distribution centers in the US. While the new health program is an attempt to address the 40 percent of work-related injuries Amazon has identified as musculoskeletal disorders (think carpal tunnel syndrome or back pain), it doesn’t come with any changes to the long shifts and demanding working conditions that might cause them.
As part of WorkingWell, workers will have dedicated meetings to watch videos covering health and safety topics, and designated spaces for stretching and meditating at work. Depending on the station and job, some workers will also receive timed video prompts to guide them through stretching and mental wellness exercises (Amazon calls these “Mind and Body Moments”). Amazon also plans to stock more healthy snacks in break rooms to round out the health-focused lifestyle it’s trying to promote.
Outside of the warehouse, Amazon says it’ll offer “Neighborhood Wellness Centers” for some of employees’ primary care needs — covering everything from filling prescriptions and offering vaccines, to ongoing care like physical therapy. Because this is a tech company trying to tackle “health,” there’s also a mobile app that will collect all of Amazon’s educational videos and guided AmaZen meditations (yes, that’s the name) for employees to use at home.
In March, Amazon was criticized for how it uses gamification to increase employee performance, and it’s hard to not see WorkingWell as an extension of that kind of thinking. It arrives after Jeff Bezos told shareholders the company needs to “do a better job for our employees,” but it seems to help make the case that the kinds of structural changes the various Amazon unions are trying to win are far better than anything the company is willing to freely offer.
Amazon plans to offer WorkingWell in all of its US operations network by the end of 2021.
Best Bluetooth speakers Buying Guide: Welcome to What Hi-Fi?’s round-up of the best Bluetooth speakers you can buy in 2021.
Finding the best Bluetooth speaker for your particular needs isn’t the cake walk it might at first seem. It’s nothing to do with shortage of options – every online manufacturer from Apple to Ultimate Ears is vying for a bite of the Bluetooth cherry and by association, your hard-earned cash. The challenge is knowing which model is most worthy of your precious coin. Fret not, for that is where we come in. We’ve done the heavy lifting and rounded-up our pick of the best Bluetooth speakers across all shapes, sizes and prices to ensure you discover a product you’ll be over the moon with.
It may sound obvious, but the key thing when looking for a Bluetooth speaker is to avoid opting for the first model that takes your fancy. Yes, it might be a looker, but is it the best model for you? If you want your love for it to still be strong, after the boys of summer have gone, why not read our independent review of the product – and maybe reviews of competing products in the price category – first? You might discover a few features you didn’t know you could get for the money.
(Image credit: JBL)
1. JBL Flip 5
No frills and fantastic sound quality – this is the Best Bluetooth speaker for value.
SPECIFICATIONS
Dimensions: HxWxD (cm): 7.4 x 18.1 x 6.9 | Power: 20W | Features: Bluetooth v4.2, PartyBoost for multiple connections to PartBoost enabled JBL speakers, IPX7 rated | Connections: USB-C charger
Reasons to Buy
Solid bass and timing
Great sense of acoustics
PartyBoost stereo pairing
Reasons to Avoid
No aux-in or microphone
Not Connect+ compatible
Basic app
A What Hi-Fi? 2020 Awards-winner. If all you want is a portable Bluetooth speaker that sounds as good as you can currently buy for around £100 ($100, AU$119), you’ll be hard-pressed to better the fantastic Flip 5. JBL’s newest offering sounds great for the price and is rugged enough to cope with a day at the pool.
The Flip 5 is waterproof to an IPX7 rating, boasts a 12 hour battery life and has a USB-C charging port, meaning it goes from flat to fully juiced in just 2.5 hours. It’s a pleasure to use and scores highly for portability, with a wrist strap that slips comfortably over our hand. There’s also a PartyBoost button that helps you pair two PartyBoost-enabled speakers to create a stereo pair, or link over 100 PartyBoost-compatible speakers in mono.
Sound is impressively weighty and agile, with a good punch of bass and a real sense of openness and texture. Assuming you don’t mind the lack of an aux-in port or inbuilt microphone (as seen in the Flip 4), you’ll almost certainly be wowed by this speaker’s sonic chops. A superb performer.
Read the full review: JBL Flip 5
(Image credit: Tribit)
2. Tribit Stormbox Micro
A fun and bubbly Bluetooth speaker that’s serious when it comes to sound
SPECIFICATIONS
Dimensions: HxWxD (cm): 9.8 x 9.8 x 3.5cm | Power: 9W | Features: water/dustproof, Bluetooth 5.0, stereo-pairing mode | Connections: 3.5 mm stereo
Reasons to Buy
Mature, musical sound
Surprisingly weighty bass
USB-C charger
It’s hard to imagine a home decor, backpack or personal taste that the Tribit Audio Stormbox Micro couldn’t merge in with happily. It’s the size of a stack of drinks coasters, it’s IP67 rated, there’s a useful rubberised strap across the back of it and you can pair two of them in stereo mode.
You’ll be pleasantly surprised by the bass clout the Tribit is able to deliver. Although a speaker of such dimensions is obviously limited in terms of bass weight, it does remarkably well; close your eyes while listening and you’ll picture a bigger product.
If your budget maxes out at £50 ($60), the Tribit is a splendid option. Similarly, if you only have a small zip compartment in the top of your backpack for a sonic travel companion, this speaker is worthy of that space. Take note, Ultimate Ears: a little-known brand called Tribit Audio just produced a budget belter of a Bluetooth speaker.
Read the full review: Tribit Audio Stormbox Micro
(Image credit: JBL)
3. JBL Charge 5
Updated specs and subtle tweaks for JBL’s fifth-generation Charge
SPECIFICATIONS
Dimensions: HxWxD (cm): 22 x 9.6 x 9.4cm | Power: 30W + 10W tweeter | Features: waterproof, Bluetooth v5.1, power bank, voice assistant integration | Connections: USB-C, USB-A
Reasons to Buy
Clearer and more detailed sound
Wider soundstage
Updated dustproofing
The JBL Charge 5 is even more durable and better sounding than the four Charges before it. Its predecessor carried an IPX7 rating, meaning it could handle being submerged in water to a depth of 1.5m, but the IP67-rated Charge 5 builds on that durability by also being fully dustproof. Want a speaker roughly the dimensions of a bottle of wine that’ll charge your phone and sound great? You’ve found it.
Thanks in part to a new 10W tweeter and racetrack-shaped driver, the Charge 5 is currently as good a sound as you can get in a portable Bluetooth speaker design for under £200 ($200, AU$300). It boasts marginal improvements, both sonically and aesthetically, over its predecessor, the five-star Charge 4 (below).
One day JBL may produce a Charge that can be outdone by a new and plucky rival, but rest assured, that has not happened with the rather splendid Charge 5.
Read the full review: JBL Charge 5
(Image credit: Bang & Olufsen)
4. Bang & Olufsen Beosound A1 (2nd Gen)
The weightiest and most refined little speaker we’ve heard in a while
SPECIFICATIONS
Dimensions: HxWxD (cm): 4.6 x 13.3 x 13.3cm | Power: 2x30W | Features: Alexa inbuilt, water/dustproof IP67, Bluetooth 5.1, stereo-pairing mode | Connections: USB-C
Reasons to Buy
Expansive sound, weighty bass
Competent Alexa integration
Stunning build and finish
Bang & Olufsen isn’t noted for following the herd. In the Danish electronics specialist’s catalogue you’ll find a wheel-shaped wireless speaker, a TV that opens up like a butterfly, and an 8200-watt monolithic speaker comprising 18 drivers. Its output could reasonably be described as “premium” and “innovative” – and the B&O Beosound A1 (2nd Gen) wireless speaker is no exception.
It boasts similar dimensions to a large floury bap, but that’s where any comparisons with baked goods end. The new A1 supports Qualcomm’s latest aptX Adaptive Bluetooth 5.1 codec, and of course, Alexa is built-in.
It works a treat, too, delivering a pleasingly comfortable yet authoritative performance that you’d be happy listening to all day. Throw in its classy, well made design, easy to use operation and the bonus of Alexa, and you’re looking at a Bluetooth speaker sequel that has very much been worth the wait.
Read the full review: Bang & Olufsen Beosound A1 (2nd Gen)
(Image credit: JBL)
5. JBL Go 3
JBL’s newest soap-sized speaker sounds good – but the finish and battery life won’t wash with today’s class leaders
SPECIFICATIONS
Dimensions: HxWxD (cm): 8.8 x 7.5 x 4.1 | Power: 4W | Features: Water/dustproof IP67, Bluetooth 5.1 | Connections: USB-C
Reasons to Buy
Sensible treble
Fuller bass
More volume
Reasons to Avoid
Poor battery life
Not very durable finish
The diminutive, soap on a rope-styled Go 3 features Bluetooth 5.1 instead of 4.1 plus a maximum power output of 4.2W, up from 3W in the Go 2 (listed below). The one specification that hasn’t changed is the Go 3’s stamina. It takes 2.5 hours to charge fully, and you can still only get five hours of playtime from it from a single charge.
If you can live with this, there’s much to celebrate in the sound department at the level. The extra power and overhauled design have resulted in some solid sonic enhancements, and aesthetically it’s perhaps even cuter than the original. We gave this iteration five stars for sound. Will five hours get you through a day at the beach or a lazy picnic in the park though? Probably best to take a wireless charger.
Read the full review: JBL Go 3
(Image credit: JBL)
6. JBL Charge 4
A fun and bubbly Bluetooth speaker that’s serious when it comes to sound.
SPECIFICATIONS
Dimensions: HxWxD (cm): 22 x 9.5 x 9.3 | Power: 30W | Features: waterproof, Bluetooth v4.2, power bank, voice assistant integration | Connections: 3.5 mm stereo
Reasons to Buy
Rugged and water resistant
USB port for charging
Great sound quality
Reasons to Avoid
Perhaps too subtle for some
The fact that we really like the JBL Charge 4 should come as no surprise to those who read our Charge 3 review. Not only is this one of sweetest-sounding Bluetooth speakers around at this end of the market, it serves up a whopping 20 hours of playback from a single charge. Impressive.
JBL has fine-tuned the sound in this latest iteration to please even pickier ears. Obviously there’s a limit to the bass floor in a speaker of this size, but the low-end is tasteful – and there’s plenty of punch.
You get a nice array of features for the money, too. The IPX7 water resistance means the Charge 4 can handle being submerged in water to a depth of 1.5m. And unlike the Flip 5 (above), you can also use the Charge 4 to juice up your phone – or any other device that will charge over USB from a 5V supply.
The Flip 5 (above) is cheaper and lighter, but the Charge 4’s rugged design, excellent battery life and ‘battery sharing’ make it a near-perfect speaker for camping, beach trips and home use.
Read the full review: JBL Charge 4
(Image credit: Linn)
7. Linn Series 3
One of the best wireless speakers we’ve heard with a premium price tag.
SPECIFICATIONS
Dimensions: HxWxD (cm):25 x 29.6 x 20.6 | Power: : 2x100W | Features: Wireless integrated Linn DSM player, Exakt digital crossover | Connections: Ethernet, USB, HDMI ARC
Reasons to Buy
Wonderfully articulate
Luxury design
HDMI ARC for TV connection
Reasons to Avoid
No analogue inputs
No Tidal Masters support
Let’s address the elephant in the room: the Series 3 is one of the most expensive wireless speakers we have tested. It’s over three times the price of the B&W Formation Wedge. Can such an outlay be justified? Well, yes.
Linn’s gorgeous design aesthetic and proprietary Exakt technology certainly helps. Linn Exakt aims to reduce phase errors by intentionally delaying higher frequencies so they arrive at your ear at the same time as lower frequencies. It also keeps the music signal’s data in the digital domain for as long as possible to avoid any degradation caused by signal processing. We’ve heard Exakt do its thing in many a Linn product before, and here again it contributes to an absorbing performance packed with stunning midrange clarity and a level of insight that sets it apart from more affordable competitors.
As you’d expect, the Series 3 is packed with premium features and Linn’s well established streaming platform, which offers access to networked servers and high-quality music services Tidal and Qobuz via Linn’s app. You even get an HDMI ARC socket, which allows you to connect the speaker to a TV.
At £3000 ($3850, AU$5800), we can hardly describe the Series 3 as a bargain, but we are utterly convinced of its appeal.
Read the full review: Linn Series 3
8. Ultimate Ears Wonderboom 2
An affordable Bluetooth speaker with a weighty sound and good battery life.
SPECIFICATIONS
Connectivity: Bluetooth | Power: Battery | Battery life: 13hrs | Charge time: 2.6hrs **Dimensions (hwd):** 10.4 x 9.5 x 9.5cm | Weight: 420g
Reasons to Buy
Punchy, entertaining sound
Hefty bass
Decent battery life
Reasons to Avoid
No wi-fi or smart assistant built-in
No mic for hands-free calls
Ultimate Ears has really made a splash in the Bluetooth speaker market with a number of colourful, fun-sounding and portable models. One its most biggest hits? The impressive Wonderboom 2.
It’s waterproof, sandproof, dustproof and is also designed to float, so it should withstand the most lively of pool parties. Battery life is 13 hours and a full charge takes just under three.
Sonically, the Wonderboom 2 is an exciting listen. Bass is impressive bass given its small dimensions and there’s plenty of detail and a fine sense of attack. You also get a ‘boost’ button on the underside of the unit. When pressed, it restricts the bass frequencies, allowing the UE to play louder through the midrange, which in turn makes the sound easier to hear when the unit is used outdoors.
There’s no built-in mic or app, but the Wonderboom 2 is easily one of the best sounding Bluetooth speakers you can buy for the money – and a What Hi-Fi? 2019 Award-winner too, y’know.
Read the full review: Ultimate Ears Wonderboom 2
(Image credit: Dynaudio)
9. Dynaudio Music 5
A superb sonic performance from a distinctive speaker.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: 250W (mains powered) | Inputs: analogue audio jack, Toslink optical digital audio | Battery life: N/A | Dimensions (hwd): 20 x 66 x 18.5cm : | Weight: 5.4kg
Reasons to Buy
Expansive, weighty and accurate
Great for larger rooms
Top-notch build
Reasons to Avoid
No AirPlay 2
No Spotify Connect
The Dynaudio Music 5 is the second-largest one-box speaker in the company’s inaugural, four-strong Music series. And love or loathe its angular looks,we can’t help but be won over by how the Dynaudio Music 5 sounds.
It might be a powerful, but the Music 5 has the sonic nous to keeps things refined. While the Award-winning Naim (below) just edges it for both subtlety and a slightly livelier sound, there isn’t much in it – and the Dynaudio Music 5 boasts superiority in other ways. In a larger room, it boasts better weight, scale and authority. Sound is smooth, detail-rich, refined and resoundingly listenable.
Connectivity is excellent, too, with aptX Bluetooth, wi-fi and AirPlay all present. Open up the Dynaudio app and you’ll discover NoiseAdapt, a feature that helps sound cut through a noisy room – useful during loud parties.
Assuming you love its distinctive styling, the Dynaudio Music 5 is a sophisticated performer and a superb buy.
Read the full review: Dynaudio Music 5
10. Audio Pro Addon C3
Portability, multi-room skills and excellent sound quality in an impressive package.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: 3.5mm | Battery life: 15hrs | Dimensions (hwd): 11.5 x 21.5 x 13.5cm | Weight: 2.45kg
Reasons to Buy
Mature, refined sound
Impressive timing
Tight, textured bass
Reasons to Avoid
Control app could be slicker
The Audio Pro Addon C3 isn’t just the best Bluetooth speaker at this price, it’s a stylish, wi-fi connected, multi-room capable centrepiece – plus it’s a What Hi-Fi? 2019 and 2020 Award winner.
Sound is focused yet open and airy, meaning you can fill a decent sized room with immersive, weighty sound. It has an fantastic sense of refinement for such a small speaker, not to mention a rear-firing bass reflex port that delivers plenty of low-end grunt.
This model won’t charge your smartphone but it does feature an ethernet port, giving you the option to hardwire it to your home network. The battery serves up around 15 hours playback (less if you crank the volume up to the max).
The C3 supports streaming services such as Spotify, Tidal, Qobuz and Apple Music, and while there’s no built-in voice assistant, you can control the speaker via the Alexa app.
If you’re after something more rugged and portable, we’d suggest rivals such as the Ultimate Ears Megaboom or JBL Xtreme. But as a sensational-sounding multi-room proposition, this speaker gives Sonos a serious run for its money.
Read the full review: Audio Pro Addon C3
(Image credit: Naim)
11. Naim Mu-so Qb 2nd Generation
Just a few tweaks make for a superb second version of this premium Bluetooth speaker.
SPECIFICATIONS
Dimensions: HxWxD (cm): 21 x 22 x 21 | Power: : 300W | Features: Apple AirPlay 2, Chromecast, Spotify Connect, Tidal, Roon Ready, Hi-res up to 24-bit/384kHz, remote control | Connections: 3.5mm aux, USB, optical S/PDIF, Ethernet
Reasons to Buy
Open, detailed and expressive
Loads of streaming options
Multi-room ready
At What Hi-Fi?, we know full well the value of revisions. Yet still, it was quite the surprise when first we heard about one made by Naim, with its second generation of the Mu-so Qb wireless speaker. The previous iteration was great, earning five stars when it was first reviewed. This version, however, is even better.
You can now choose between an Olive, Terracotta or Peacock grille alongside the standard black, but the best tweaks Naim has made go far deeper. Remove whatever colour grille you’ve gone for and you’ll be rewarded with upgraded and optimised midrange and bass drive units, all powered by a total of 300W of amplification.
You won’t be short of streaming options, thanks to Chromecast Built-in and Apple AirPlay 2 alongside Bluetooth for streaming from a device, as well as Spotify Connect, Roon Ready, internet radio and Tidal. You’ll also be able to access files up to 32-bit/384kHz anywhere on your home network via the updated Naim app
With punchy bass and sparkling and rich tones across the frequencies, we had no hesitation in awarding the Mu-so Qb 2nd Generation our 2020 What Hi-Fi? Award for the best home wireless speaker over £500 – for the second year running.
Read the full review: Naim Mu-so Qb 2nd Generation
12. Amazon Echo Dot (3rd generation)
One of the best and cheapest ways to introduce Alexa to your home.
SPECIFICATIONS
Dimensions: HxWxD (cm): 4.3 x 9.9 x 9.9 | Features: wi-fi, multi-room, Bluetooth V4.0, Alexa voice assistant, Spotify, TuneIn, Amazon Music | Connections: 3.5 mm stereo
Reasons to Buy
Clear, solid sound
Improved Alexa capabilities
Budget price
Reasons to Avoid
Alexa intelligence is limited
Amazon’s ever-expanding collection smart speakers dish up decent sound and a whole load of voice functionality for not a lot of money. The Echo Dot is one of the cheapest in the range – and a great little portable device that’s perfect for the kitchen or bedroom.
The fabric-covered puck features a 4cm driver that pumps out decent enough sound. Alexa sounds loud and clear and, for the money, music sounds rich and full. It’s perfectly acceptable as a background music device, plus you can always wire in other devices via the 3.5mm aux output for better sound.
You need to connect the Echo Dot to power, so it’s not as portable as some options on this list. But on the upside, the Echo Dot can be used to play music, answer questions, read the news, check the weather, set alarms and control compatible smart home devices, from TVs to home cinema amplifiers and speakers.
For the money, it’s one of the best cheap portable speakers around.
Read the full review: Amazon Echo Dot (3rd generation)
13. Audio Pro Addon T3
Bigger than some rivals, but still portable enough to give serious consideration.
SPECIFICATIONS
Dimensions: HxWxD (cm): 11.5 x 21.5 x 13.5 | Power: 2x 5W + 15W Digital class D | Features: Bluetooth V4.0 | Connections: 3.5mm stereo, USB
Reasons to Buy
Full sound
Expressive and dynamic
Faultless build
It might be one of the less portable speakers in this list, but the T3 can still be carted around thanks to the carry handle. It’s robust rather than heavy, and boasts a battery life of up to 30 hours. Like bass? You’re in luck – the solid chassis and rear-firing bass port will have you tapping your toe in no time.
There’s no wi-fi (if you want wi-fi, opt of the Addon C3), but the Bluetooth-enabled T3 features a similarly classy design with textured surfaces and a leather embossed handle .
Audio Pro tends to ignore gimmicks in favour of high-quality sound but this speaker does have the facility to charge up your smartphone or tablets via a USB port. You also get an auxiliary input for your TV/MP3 player/record player.
Sound is superb, with plenty of depth and detail throughout the frequencies. If you want something for home and in the garden, this could work nicely – maybe not the one for your carry-on luggage, though.
Read the full review: Audio Pro Addon T3
14. JBL Xtreme 2
One of the best Bluetooth speakers we’ve heard with bags of ability.
SPECIFICATIONS
Connectivity: Bluetooth | Power: Battery | Inputs: 3.5mm | Battery life: 15hrs | Dimensions (hwd): 13.6 x 28.8 x 13.2cm | Weight: 2.39kg
Reasons to Buy
Clean, clear sound
Balanced bass
Robust build
Reasons to Avoid
Hefty design
No wi-fi or multi-room smarts
The JBL Xtreme 2’s boombox design has fun and excitement written all over it. The rugged, IPX7 waterproof exterior, 15 hour battery life and ability to charge your phone from its USB port mean it’s a great option for the beach.
Wireless features have been stripped-back, though. There’s no wi-fi, so you can’t stream from Spotify. And it won’t let you talk to Alexa or Google Assistant, just set a button to activate them in the manner of an earphone’s in-line remote.
JBL Connect+ is the most unusual feature on this otherwise standard Bluetooth speaker. It lets you link up to 100 JBL speakers, to make the equivalent of a nightclub PA in your home.
There’s plenty of boom to the sound, but we’re not talking ridiculous levels. That deep powerful bass is also nicely controlled too. Mids are of a high quality and highs show more clarity than you traditionally get from such a product. For the money, the JBL Xtreme 2 is brilliantly balanced Bluetooth speaker.
Read the full review: JBL Xtreme 2
15. Ultimate Ears Blast
Energetic performance, Alexa onboard and Wi-Fi connectivity.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: N/A | Battery life: 12hrs | Dimensions (hwd): 118.8 x 6.8 x 6.8cm | Weight: 463g
Reasons to Buy
Great portable design
Exciting, dynamic sound
Good detail and punchy timing
Reasons to Avoid
Top end can get excitable at loud volumes
Alexa features not exhaustive
Ultimate Ears has a knack for making Bluetooth speakers that combine the right combination of sound, design and rugged features, and it does so again with the Blast. Its cylindrical 360-degree design means it throws sound evenly around the room, while the tough ‘IP67 waterproof’ exterior means it can can survive in 1m of water for 30 minutes.
It’s crammed with connectivity, too. You get Bluetooth, wi-fi and Alexa smart assistant voice controls, meaning you can turn up the volume or play songs through Amazon Music Unlimited without lifting a finger. Far-field voice recognition is excellent, and there’s a nifty LED strip that glows and blinks when you interact with Alexa.
The lack of 3.5mm audio input might bother some, but we found the Blast to be a real crowd-pleaser. The 360-degree sound and bass output is far better than one might expect for this kind of money; throw in Alexa smarts and you have a fun, energetic speaker that offers plenty of bang for your buck.
Read the full review: UE Blast
(Image credit: Amazon)
16. Amazon Echo Show 5
One of the best Bluetooth speakers we’ve seen with a screen.
SPECIFICATIONS
Dimensions (hwd): 8.6 x 14.8 x 7.3cm | Connectivity: Wi-fi, USB, 3.5mm line-in | Battery life: n/a | Power: 4W
Reasons to Buy
Alexa voice-control
Decent sound and video
Nicely put together
The Echo Show 5 is the latest in a long and fast-moving line of Amazon products intended to get us all invested in its virtual assistant, Alexa. Where much of the Alexa-enabled kit out there is audio based, concentrated on the Bluetooth speaker market in particular, the Echo Show 5 embraces both sound and video in its abilities to communicate. So, as well as playing music or reading out information, you can access video content on the 5.5in LCD touchscreen. There’s also a camera for video calls.
The Echo Show 5 is a diminutive device, and as such cannot possibly offer the scale of sound that some specialist wireless speakers can. But then it offers so much more ability and functionality than a run-of-the-mill Bluetooth speaker. For what it is, we find the sound perfectly acceptable. It runs fairly warm, sonically, which helps voices on radio and the like, and makes for a comfortable listening experience. There are better speakers out there but this is much more than that. It opens up the world of the digital assistant to a whole new audience for both audio and video; and if that’s what you’re after, this is about as good as you’ll get.
Read the full review: Amazon Echo Show 5
17. Dali Katch
This Dali Bluetooth speaker ticks all our boxes.
SPECIFICATIONS
Dimensions (hwd): 13.8 x 26.9 x 4.7cm | Connectivity: aptX Bluetooth, 3.5mm | Battery life: 24hr | Power: 50W
Reasons to Buy
Powerful, full-bodied sound
Great dynamics and timing
Long battery life
If you’re after a premium portable speaker, there’s every chance that the Dali Katch will blow your cashmere socks off. Dali, better known for its traditional hi-fi speakers, has managed to extract a sound that is quite simply incredible for something of the Katch’s stature.
Two tweeters and a pair of aluminium woofers, driven by a Class-D amplifier, make for a total power output of 50W – not to mention an impressive amount of detail and a nice dose of velvety low-end.
The speaker boasts buttons for power, volume and pairing, which is made easier with the option of NFC. There are also two EQ presets: one for freestanding play and one for positioning on a shelf. And let’s not forget the excellent battery life: just two hours of charge will get you around 24 hours of music playback via Bluetooth.
The Katch isn’t cheap, but you do get what you pay for – a weighty, dynamic sound that defies this speaker’s dimensions.
Read the full review: Dali Katch
18. Ultimate Ears Megablast
A lively, entertaining Bluetooth speaker with plenty going for it.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: N/A | Battery life: 16hrs | Dimensions (hwd): 23.7 x 8.8 x 8.8cm | Weight: 1.19kg
Reasons to Buy
Dynamic, detailed sound
Enthusiastic, punchy rhythms
Precise, taut basslines
Reasons to Avoid
Presentation is slightly lean
Not fully featured just yet
The powerful UE Megablast takes the performance of a portable Bluetooth speaker at this price to a new level. If you’re looking for thumping bass, well, let’s just say you’ve come to the right place.
Design-wise, the Megablast is waterproof (IP67 rated), so it will survive being dunked in the pool or exposed to a sudden downpour. Battery life is 16 hours, which is pretty respectable given that it has Alexa voice smarts built-in.
Say the wake word ‘Alexa’ and a white LED strip on top of the Megablast glows in recognition. Features include voice-controlled music playback over wi-fi, through Amazon Music Unlimited and TuneIn radio, plus support for the likes of Spotify, Deezer and Amazon Music. There’s no 3.5mm audio jack, though.
A combination of pounding bass and enthusiastic sense of rhythm make for a hugely enjoyable performance. It might not be the most pocketable speaker around, but few rivals can match the Megablast for bass quality. An absolute treat.
Read the full review: UE Megablast
(Image credit: Sonos)
19. Sonos Roam
A pleasing Bluetooth speaker with a full-bodied sound.
Want a Sonos speaker you can drop in a backpack? Meet the Sonos Roam, the multi-room titan’s first truly portable battery-powered speaker (the 2019 Sonos Move is technically portable but weighs a hefty 3kg to the Roam’s 430g).
The Roam works perfectly well as a standalone Bluetooth speaker but it’s also designed to be immersed in the company’s burgeoning multi-room ecosystem. Features includes support for AirPlay 2, voice controls and Sonos’ Trueplay tech, which uses the built-in mic to tune bass and treble to suit your surroundings.
Headed to the beach or the pool? You’ll be pleased to note the IP67 rating, which gives it complete water and dust resistance. The built-in battery offers a pretty decent 10 hours playback and support for Qi wireless charging.
Sound is confident, bold and better than you might expect from an outdoor/party speaker at this price. Other Bluetooth speakers offer a more expressive and detailed sound but if you’re invested in the world of Sonos, the Roam is a smart buy.
Read the full review: Sonos Roam
20. JBL Go 2
Impressive sound from an impressively small and portable package.
SPECIFICATIONS
Dimensions: HxWxD (cm): 7.1 x 8.6 x 3.2 | Power: 3W | Features: IPX7 waterproof, Bluetooth V4.1 | Connections: micro-USB | Finishes: 12
Reasons to Buy
Tidy design
Balanced sound
Decent bass
Reasons to Avoid
Battery life could be better
The budget JBL Go 2 might be the perfect holiday accessory. It’s a tiny speaker, no bigger than a bar of soap, which makes it small enough to slip into your pocket. There are 12 colours in the range, including the retro-fabulously pearlescent yellow model pictured above.
The Go 2 has a full waterproof IPX7 rating, so it won’t matter if you drop it in the pool by mistake. Features are thin on the ground, but you go get an aux input, plus a noise-cancelling speakerphone and built-in mic for handsfree calls. There’s no wi-fi, though, and the battery life is a little disappointing: 2.5 hours of charging returns a maximum playing time of just five hours.
Despite an output of just 3W, the Go 2 punches above its weight when it comes to sound. For the money, it’s a lively, balanced and cohesive performer. If you’re the sort of person who likes to travel light, we think this is up there with the best Bluetooth speakers of its type.
Read the full review: JBL Go 2
21. Bose SoundLink Mini II
This Bose portable speaker is a decent option for the money.
SPECIFICATIONS
Dimensions: HxWxD (cm): 5.1 x 18 x 5.8 | Features: Bluetooth V3.0 | Connections: 3.5mm stereo, micro-USB
Reasons to Buy
Full-bodied sound
Weighty bass
Portable
Reasons to Avoid
Lows lack precision and agility
If you’re after a portable speaker that doesn’t scrimp on bass weight, the SoundLink Mini II could be just the ticket. The small but hefty design pumps out a big, bassy sound that will get you dancing by the pool.
Bose has kept features to a bare minimum; there are buttons for power, pairing (you can link two devices at a time and switch between them) and volume. You also get an aux input and a USB input for charging. Battery life is 10 hours – pretty good for a speaker of this size.
The big attraction here is the sound quality. While lots of portable speakers offer fuller bass, it’s often boomy or distorted. That’s certainly not the case with the SoundLink Mini II, which sounds taut and expressive. Vocals are exceedingly rich and instruments are given space to breathe. In fact, the sound is as good as anything we’ve heard at this price and stature. Other speakers are better value for money, but this high-quality Bose speaker is still a fantastic buy.
As has been rumoured for the past week or so, Apple Music is adding support for lossless audio, as well as and Dolby Atmos-powered 3D audio (aka Apple’s Spatial Audio).
The service’s 75 million-strong catalogue will be available in CD quality (16-bit/44.1kHz) or hi-res (24-bit/48-192kHz). There will be 20 million songs in lossless audio at launch, with the full 75 million available by the end of the year.
Meanwhile, “thousands” of tracks will be available in Apple’s Spatial Audio tech (as previously featured in its AirPods Pro and AirPods Max headphones). Spatial Audio adds “multidimensional sound and clarity”, making the audio sound much more immersive.
Both features will launch in June and won’t cost Apple Music subscribers any extra money. The monthly subscription cost remains £10 ($10, AU$10).
Apple has described the new features as Apple Music’s “biggest advancement ever in sound quality” – which we’d have to agree with.
Read all about: Spatial Audio, Dolby Atmos and hi-res audio
It’s not the first streaming service to support lossless, of course – Tidal, Qobuz, Deezer and Amazon Music HD all offer lossless listening. But it has pipped Spotify to the post, with the green giant not launching its own lossless tier, Spotify HiFi, until later in the year.
As expected, Apple’s lossless streams use ALAC (Apple Lossless Audio Codec) to offer more detail and informationion in a recording. That should mean higher audio quality, albeit also bigger file sizes – estimates put it at around 36MB of data for a three-minute track.
There are three tiers of lossless audio to accommodate different files sizes and situations in which you can play them: CD quality (16-bit/44.1kHz), 24-bit/48kHz, and 24-bit/192kHz. You can choose which quality you would to stream or download in through the Settings > Music > Audio Quality section of Apple Music. While music up to 24-bit/48kHz can be played natively on Apple devices, playing anything above that – 24-bit/96kHz or 24-bit/192kHz streams, for example – requires connecting an external DAC. Apple is calling these highest-quality streams ‘Hi-Resolution Lossless’.
Apple’s Spatial Audio, meanwhile, is enabled by Dolby Atmos for Apple Music. By default, Apple Music will automatically play Dolby Atmos tracks on all AirPods and Beats headphones with an H1 or W1 chip*, as well as the built-in speakers in the latest versions of the iPhone, iPad and Mac. Compatible devices, therefore, include the iPhone 12 family, AirPods 2 and Beats Powerbeats Pro. Playing from an Apple TV 4K into a Dolby Atmos device will work too.
What’s more, Apple’s Buddy Judge has now confirmed to us that Spatial Audio with Dolby Atmos will also work with all headphones. If you’re using non-Apple headphones you’ll simply have to switch the new Dolby Atmos setting to ‘Always On’ rather than the default ‘Automatic’.
At launch, there will be “thousands” of tracks available in Spatial Audio, and Apple says it will be adding new tracks “constantly”. It will also put together a set of Atmos playlists so you can easily find something to listen to. Albums available in Dolby Atmos will sport a badge on the detail page to make them easy to spot.
Apple says it’s working with artists and levels to produce more songs in Spatial Audio.
Now all we need is the heavily rumoured, suspiciously imminent AirPods 3 to drop this week…
One seemingly obvious use for Apple’s new $29 AirTag tracker is for pets. As a new dog owner, I wanted to add an AirTag to my dog’s existing leather collar, but the options currently available are lousy.
AirTags are small, but they’re not that small. Most AirTag holders currently available from Apple and its partners assume I’m okay with dangling a 0.39-ounce (11-gram) pendant off my medium-sized beagle’s neck. I’m not, which is how I came up with the idea for a DIY neoprene sleeve that keeps the IP67 water- and dust-resistant AirTag snuggly attached to Hank’s existing collar.
I’m not going to suggest that AirTags are the best way to track your pets — they’re not. But they’re relatively cheap, unlike dedicated GPS / GSM pet trackers that require monthly subscriptions. Apple’s Find My network coverage is also more limited. Nevertheless, an AirTag is better than nothing, especially in populated areas where any nearby iPhone can alert you to your missing pet’s location.
A sewn version of the AirTag sleeve and the dog collar it was designed for.
Why not buy?
A few companies have already announced AirTag accessories designed specifically for pets. The problem is that none of them are currently shipping, and most are downright expensive.
There’s the $29.95 Nomad Rugged Pet Tag case, which can be engraved with your phone number for an extra $19.95. But it’s still just a pendant and doesn’t ship until August. There’s the €19.95AUD Studio Proper DogTag that fits snuggly to existing collars but doesn’t ship until the end of July. And finally, there’s the expensive $47.95 FollowPaw collar with built-in AirTag pocket, which doesn’t ship until June.
One day, I’ll probably buy a dedicated AirTag holder for my dog — one that fits snuggly to his existing collar and comes engraved with his name and my phone number so that I can remove his redundant dog tag. Until then, DIY seems like the best solution.
You’ll need scissors, neoprene fabric, and either neoprene glue (easy!) or the ability to sew (easy for some!).
Materials needed
My AirTag sleeve is built from neoprene, a durable and stretchy material that’s easy to find. I’d suggest buying it from a local crafts or fabric store so you can check out the colors, thicknesses, and stretchiness in person. You might even be able to haggle for a few free scraps instead of buying in bulk as required by most Amazon sellers. The neoprene I used is 2mm thick and lacks any additional waterproofing, allowing it to be soft and stretchy.
If sewing isn’t an option, then you’ll need some neoprene glue. As an avid surfer, I had easy access to scraps of neoprene, which I could assemble into a tube with the neoprene glue in my wetsuit repair kit. For everyone else, you can expect the glue and neoprene to cost no more than $10 in total.
Steps
Cut the neoprene into a rectangle about 2 to 3 inches (5.1 to 7.6 cm) in length and wide enough to wrap snugly around your pet’s existing collar with enough overlapping material to either glue or sew it into place. A longer tube might help prevent the AirTag from popping out over time.
Hold in place until glue dries (or snip threads if sewn).
Or better yet, put a heavy box on top of it (grab a coffee if sewing).
Voila… AirTag sleeve.
Shape into a tube that just fits the width of the pet collar and then glue or sew the neoprene into shape.
First insert the collar into the sleeve then work the AirTag into one end.
The neoprene will snap back into position once inserted.
Move the AirTag sleeve to the desired position on the collar.
Slide the collar through the tube, then slowly work the AirTag into one end of the neoprene sleeve until it is centered. It helps to rotate the AirTag as you go.
Faced with new competition from Apple, Amazon today announced that it will no longer charge an added fee for the “HD” tier of Amazon Music that lets customers stream audio at CD quality and above. From now on, lossless audio will be available to all Amazon Music Unlimited subscribers at no extra charge. Billboard was first to report the development.
This makes Amazon the first company to offer lossless music at the industry’s standard $9.99 subscription rate. Amazon Music Unlimited is even cheaper ($7.99 per month) for Prime customers. And yes, the high-quality audio will also now be available for customers paying that price. Family plans are eligible for Amazon Music HD at no added cost, but student plans are exempt. Before Amazon entered the picture, the going rate for a lossless music subscription was $19.99; that’s what Tidal continues to charge.
What’s making this change possible? Well, as Billboard points out, with all the music streaming heavyweights now going in on lossless audio, music labels care more about pushing up subscriber count totals across these services than the higher subscription premiums that they previously demanded for hi-res audio.
The price drop for Amazon Music HD comes on the very same day Apple announced the launch of lossless audio on Apple Music. Apple teased significant news over the weekend after rumors began swirling late last week about the possibility. The company’s Apple Music Android app spilled the details a bit early and signaled that an announcement could be imminent.
Amazon Music HD has been performing strongly for Amazon. A previous Billboard report said the service is up 100 percent year over year. The service offers over 70 million songs in CD quality, with over 7 million exceeding that and available in “ultra HD” quality.
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