After launching its paid podcast platform last month, Spotify has announced it has teamed up with audiobook service Storytel to let subscribers listen to books in-app.
This partnership will allow users of both services to link their accounts and access a library of 500,000 titles from within Spotify’s platform. However, listeners will still need to pay for a Storytel subscription to play the additional content.
The move is part of Spotify’s goal to become a singular home for all types of audio, with music, podcasts, live conversations, and audiobooks now all accessible from within its app.
Speaking about the partnership Courtney Holt, Global Head of Studios, Spotify, said: “By utilizing the Spotify Open Access Platform, Storytel will be able to deliver its premium audiobooks offering using Spotify’s best-in-class platform, all while retaining direct control over their relationship to their audience.”
The service will roll out in 25 global markets later this year, but an exact launch date is still tbc.
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Remember the Google Chromecast Audio? It was a little dongle that made any speakers smart – just plug it in, and it would add wi-fi to the party, letting you stream online music through your phone, tablet or computer to your speakers.
Now Belkin has launched a similar device but with Apple AirPlay 2 wireless tech onboard. That means you can stream music from an Apple device to your old speakers that don’t have wireless streaming built-in.
The Belkin Soundform Connect plugs into your speakers using an optical or 3.5mm connection. Then you simply tap the AirPlay icon on your Apple device and your track will start playing from your speaker as if by magic.
AirPlay 2 is adept at multi-room audio, too. So plug Soundform Connect devices into speakers in different rooms and you can fill your house with sweet music. Use Apple’s HomeKit, and you can assign different speakers to different rooms, and create scenes and automations using the Home app.
You can also control playback using Siri voice control, so you can ask what’s playing in each room, adjust the volume, play, pause and more.
To use it, you’ll need an iPhone running iOS 11.4 or later, an iPad with iPadOS 11.4 or later, a Mac running macOS Catalina or later, or an Apple TV running tvOS 11.4 or later.
The Soundform Connect is small enough to fit in a pocket, so you can easily take it with you wherever you go. And it won’t break the bank, with a price tag of £89 ($99).
MORE:
These are the best AirPlay speakers around right now
Find out: What is Google Chromecast? Which speakers and TVs are supported?
Another AirPlay rival: DTS Play-Fi: what is it? What speakers and devices support it?
Talk of a possible Spotify HiFi launch hit the headlines this week, but it seems the music streaming giant wants to focus on a new feature for Google Wear devices: offline listening.
In a keynote speech at the recent Google I/O developer conference, Spotify’s product lead for cars and wearables revealed plans to allow the company’s 350 million users to download music to their Google Wear smartwatch.
YouTube followed up with a similar announcement. The company’s YouTube Music app is also due to get an update that will let some 35 million users download tracks directly to their Wear OS watch.
Apple Watch users have enjoyed offline listening via Apple Music for years but Apple Watch does not currently support offline Spotify playback.
As yet, Spotify hasn’t said when new the offline listening feature will be available – only that the new Spotify app has been “rebuilt from the ground up for Wear”. YouTube Music is due to land on Wear OS devices “later this year”.
The announcements came as part of a major overhaul of Google’s flagging Wear OS. The latest version of the software was developed in partnership with Samsung and claims improved performance (apps open 30 percent faster, apparently) and a sleek user experience based on Samsung’s popular Tizen OS.
MORE:
Spotify HiFi is missing something – but will it matter?
A group of the USA’s biggest dating apps are encouraging users to get vaccinated, just in case the health benefits weren’t reason enough. New features will range from badges for users to show their vaccination status, free premium features for vaccinated users, and links to vaccination resources like the Vaccines.gov website. The apps taking part in the scheme include Match Group’s Tinder, Hinge, Match, OKCupid, BLK, Chispa, and Plenty of Fish services, as well as Bumble and Badoo.
The aim is to encourage users to get vaccinated, with the implied promise of more matches and hence more dates. The announcement cites research from OKCupid suggesting that people who either are, or plan to be, vaccinated get 14 percent more matches. Some apps will even let users filter matches by vaccination status.
A mockup of Hinge’s vaccination indicator.Image: Hinge
Specific features will vary by app. Tinder is giving out free premium features to vaccinated users, adding pro-vaccine profile stickers, and incorporating links to vaccination resources. Bumble and Badoo will offer similar vaccine profile badges, and complimentary premium credits to vaccinated users. Hinge is also giving out normally paid-for features, and is encouraging users to share their vaccination status on their profiles.
What’s unclear at the moment is how the apps plan to verify that users who claim to be vaccinated have actually received a jab. Many of the apps, such as Tinder, already offer verification features, so theoretically they already have systems in place to verify similar information. We’ve reached out to the group for confirmation.
At the time of writing, the vaccine tracker from The New York Times reports that 48 percent of people in the US have received at least one dose of the vaccine, while 38 percent are fully vaccinated. President Biden has set a target of getting 70 percent of adults in the country their first shot by July 4th.
Cambridge’s Award-winning recipe has been refined to include app support and extra sonic clarity and detail
For
Extra ounce of dynamic expression
Great clarity for the level
Slick app support
Against
No noise-cancelling
When Cambridge Audio announced a new model in its inaugural and two-time What Hi-Fi? Award-winning Melomania line-up, we heaved a collective sigh of relief. The Melomania 1 Plus (or Melomania 1+) promise the same look and feel of their decorated older sibling, the original Melomania 1, but with additional app support, customisable EQ settings and the British audio firm’s innovative High-Performance Audio Mode.
There’s a new colourway, too – gone is the ‘stone’ grey hue we lovingly dubbed ‘NHS Grey’. Here, the upgrades are hard to spot to the naked eye, but then again, beauty is usually in the detail. The pricing hasn’t changed, with the Melomania 1 Plus launching at the now-traditional £120 ($140, AU$185).
So how good do they sound, and are they worth upgrading to?
Build and comfort
(Image credit: Cambridge Audio)
The fresh white finish of our Melomania 1 Plus charging case sample (also available in black) is a matte affair and a solid upgrade on its predecessor. It feels cool, tactile, more pebble-like and means that fingerprint smudges no longer collect on the perfectly sized case.
Cambridge Audio Melomania 1 Plus tech specs
(Image credit: Cambridge Audio)
Bluetooth version 5.0
Finishes x2
Battery life Up to 45 hours (low power)
Dimensions 2.7 x 1.5cm
Weight 5.6g (each)
The five-strong row of LEDs to indicate battery life remains, just below the snappy flip-top lid. The ‘L’ and ‘R’ on each earpiece, underneath the tiny LED light on each, are now written in electric blue lettering. You now get a USB-C fast charging port, too.
Although multiple ear tips were promised to ensure a secure fit, what Cambridge has done is double up on its standard small, medium and large offerings, so you now get two sets of each rather than one.
There are also two sets of medium and large ‘memory foam’ options, but curiously no small option. The memory foam tips are only supplied in black, too – the regular tips are white – which spoils the ice-white aesthetic somewhat.
The bullet-shaped buds are practically identical in build to the Melomania 1 – each weighs the same 4.6g, boasts IPX5 certification against rain and sweat, houses a 5.8mm graphene-enhanced driver and boasts Bluetooth 5.0 connectivity with aptX and AAC codec support.
Features
(Image credit: Cambridge Audio)
The Melomania 1 Plus boast up to nine hours of battery life on a single charge plus four extra charges from the case, which adds up to an impressive 45 hours of total playtime when in Low Power mode. In the default High-Performance mode, you’ll get seven hours from a charge or 35 hours in total courtesy of four more blasts from the case, which is still highly competitive.
Pairing is easy using the handy quick start guide. Only one earpiece needs to be paired on your device; the second bud (labelled ‘Handset’) will simply request a connection to it – and that only needs to be done once. During our tests, the connection between both units and our device remains secure and snag-free.
Possibly the biggest upgrade with this new iteration is support for the free Melomania app, which is now considerably more stable than it used to be. With it comes the ability to customise the EQ settings yourself or pick from six presets, check the battery level of each earbud, locate misplaced earbuds on a map, and receive firmware updates.
Touch controls here involve pressing the circular button on each bud and we find these intuitive and useful. Holding down the right one increases volume, while holding down the left lowers it – simple and effective. A single press of either earpiece starts or pauses playback, two skips forward a track (right earbud) or back a song (left earbud), and three presses of the right bud calls up Siri on our iPhone – although note that they can also access the Google Assistant.
These controls are so reliable that we rarely dig out our smartphone when testing them in transit. That should be a given, but it hasn’t always been our experience when testing competing buds at this price.
Cambridge has advised wearers to position the earpieces so that the recessed circle within the circular top surface of the driver housing is at its lowest point so that the MEMS mic in each bud can perform to its fullest. We do so and are able to enjoy clear voice calls.
The good news is that with low power mode deployed, you’ll get a performance that is on a par with the originals.
Sound
(Image credit: Cambridge Audio)
Switching back to High-Performance Audio and with all EQ levels unaltered, we’re treated to an impactful and expansive presentation of Kate Bush’s And Dream Of Sheep (a Tidal Master file). The keys feel three-dimensional in our left ear as Bush’s vocal soars through the frequencies centrally, backed by samples of seagulls, pared-back guitar picking, wind instruments and spoken word. When the brooding storm builds, the Melomania 1 Plus deliver it dutifully and with remarkable clarity for this level. This is a small but definite improvement on their older sibling for layering and detail.
Instruments such as the slinking bass, Wurlitzer and saxophone at the outset of Beck’s Debra are organised with precision and given an extra few yards of space within the mix, too. The low-level, call-to-action vocal before the verse is often lost in muddier bass registers of lesser headphones, but not here. Beck’s distinctive voice is emotive and held masterfully in check even as the intensity builds. Through the mids and treble, we’re aware of the step-up in terms of clarity and refinement over the original Melos.
Through heavier tracks such as Eminem’s Stan, the teeming rain sounds natural at the window as Stan’s scrawl cuts through with clarity, underpinned by an accurate and regimented bassline. There are marginal gains to be had over the originals in terms of the dynamic build too. The leading edges of notes are marginally cleaner in the updated set of in-ears, as demonstrated by the initial synth strings in Dr Dre’s Forget About Dre.
In our review of the five-star Panasonic RZ-S500W, we said that in direct comparison, the Cambridge product suffered marginally for detail. That balance is now redressed with the Melomania 1 Plus. Whether you prefer the Panasonic proposition over the Melomanias will likely come down to the former’s noise-cancelling or teardrop design, neither of which feature in the Cambridges. But for an engaging, detailed, expansive listen, the Melomania 1 Plus are very much back in the running for best at this level.
Verdict
Cambridge’s compact, fuss-free and affordable design was a hit with us the first time around in 2019. The addition of a slicker paint-job, app support for EQ customisation and the step-up in sonic detail and refinement – without the anticipated price hike – only makes us want to heap extra praise upon the new Melomania 1 Plus.
While the original Melomania 1 can now be had for a significant discount, we’d still point you towards this updated model. There’s no noise-cancelling onboard, but those who don’t need shouldn’t hesitate to add these latest Melomanias to their shortlist.
Amazon is shutting down its standalone Prime Now delivery app, with its speedy two-hour delivery options moving exclusively into the company’s main app and website, the company announced today. Prime Now services have already moved into the main app in India, Japan, and Singapore, while in other countries Amazon is already directing Prime Now users into its main app and website via a pop-up, CNBC notes. The standalone Prime Now app and website will be retired by the end of the year.
Originally launched in 2014, Prime Now was designed to offer deliveries of essential items within hours rather than days for Prime members. The service was initially available in just a small number of cities, but has since expanded to over 5,000 locations around the world, CNBC notes. Writing in a blog post, Amazon’s vice president of grocery Stephenie Landry said shutting down the separate app will “make this experience even more seamless for customers.”
Two-hour delivery options from Amazon Fresh and Whole Foods have been available on the main Amazon site and app in the US since 2019, but the company says third-party partners and local stores around the world will be moved onto its main service by the end of the year. These include local stores like Bartell’s in Seattle, Morrisons in Leeds, or Monoprix in Paris.
Today’s news follows Amazon’s announcement in January that it would be discontinuing its Amazon Pantry service and making those household goods and groceries available through the main Amazon website. It’s also been rebranding its Go Grocery brand as Amazon Fresh, GeekWire reports. Between the moves, Amazon is consolidating and simplifying its sprawling array of grocery delivery services.
Apple’s new App Tracking Transparency feature in iOS 14.5 doesn’t seem to be a difficult concept to grasp; initial estimates suggest as many as 96 percent of US users are leaping at the chance to tell their apps, “No, you can’t track me across the internet.” Now, Apple is taking a victory lap with a full ad campaign, too, one that turns the feature into a selling point for the iPhone and furthers the attempt to pitch itself as the only tech company you can trust. And, if you ask me, its new ad spot “Tracked” is just about perfect.
Just give it a watch above. Who wouldn’t want to Thanos-snap ad trackers into dust? It’s no wonder Google is thinking long and hard about following Apple’s lead with an anti-tracking feature of its own.
Critics claim these moves will make the internet more expensive and potentially harm small businesses, and they are updating their apps to warn you about that — as well as the idea that ads might be less relevant if you opt out. But that’s a tough sell compared to the privacy fears that exist these days, and it’s hard to argue with Apple’s idea that users should get to choose for themselves. The company also launched privacy “nutrition labels” late last year.
Apple tells The Verge that its own ad platform and apps don’t track users and that the App Tracking Transparency prompt applies to its own apps as well.
Slack experienced frustrating issues for many on Thursday, including for some of us here at The Verge. For me, some messages just wouldn’t send. But a little more than an hour after Slack first reported the outage, the company said that the issues were resolved.
“We’ve released a fix for this issue, and Slack is up and running once again,” Slack said in a post on its status site at 2:36PM ET. “If you are still experiencing any trouble, please fully quit your Slack app or browser using Command + Q (Mac) or Ctrl + Q (Windows/Linux), and then reopen it.” Slack first posted about the outage at 1:17PM ET.
The next time there’s a Slack outage, I highly recommend you cruise Twitter to see the ridiculous memes and GIFs that people post. You might not be able to work anyway, right?
Slack also went down in January on the first full work day of the year.
Update May 20th, 2:46PM ET: Slack confirmed that the outage has been fixed.
Snap’s new Spectacles glasses are its most ambitious yet. But there’s a big catch: you can’t buy them.
On Thursday, Snap CEO Evan Spiegel unveiled the company’s first true augmented reality glasses, technology that he and rivals like Facebook think will one day be as ubiquitous as mobile phones. A demo showed virtual butterflies fluttering over colorful plants and landing in Spiegel’s extended hand.
The new Spectacles have dual waveguide displays capable of superimposing AR effects made with Snapchat’s software tools. The frame features four built-in microphones, two stereo speakers, and a built-in touchpad. Front-facing cameras help the glasses detect objects and surfaces you’re looking at so that graphics more naturally interact with the world around you.
These Spectacles, however, aren’t ready for the mass market. Unlike past models, Snap isn’t selling them. Instead, it’s giving them directly to an undisclosed number of AR effects creators through an application program online. (Another indication they aren’t ready for everyday use: the battery only lasts 30 minutes.)
The idea is to encourage a small portion of the 200,000 people who already make AR effects in Snapchat to experiment with creating experiences for the new Spectacles, according to Spiegel. Like the bright yellow vending machines Snap used to sell the first version of Spectacles several years ago, the approach could end up being a clever way to build buzz for the glasses ahead of their wide release. Spiegel has said that AR glasses will take roughly a decade to reach mainstream adoption.
“I don’t believe the phone is going away,” he told The Verge in an interview this week. “I just think that the next generation of Spectacles can help unlock a new way to use AR hands-free, and the ability to really roam around with your eyes looking up at the horizon, out at the world.”
The first two generations of Spectacles, released in 2016 and 2018, looked like sunglasses with a single camera in the corner of the frame. They let you snap videos (and later photos) in a unique, spherical format that could then be transferred to your phone and posted to Snapchat or another social network.
Above: Snap’s new fourth-generation Spectacles. Lower: the Spectacles in their case, and a side-view showing their touch panel. Images: Snap
Snap, which calls itself a camera company, started moving more toward AR in 2019 with the launch of its third-generation Spectacles. That model added a second camera to detect depth in videos, allowing for more advanced effects to be applied afterward. But they lacked displays. You had to shoot a video, import it to Snapchat, and then apply AR effects — which Snap calls Lenses — later.
The new fourth generation of Spectacles come from a secretive hardware division of the company called Snap Lab, which is also working on a camera drone. They weigh 134 grams, more than double the weight of the previous version but far less than Microsoft’s Hololens AR headset. They’re designed to be worn indoors or outdoors with up to 2,000 nits of display brightness, a tradeoff the company clearly made to favor display richness at the expense of battery life.
Two front-facing cameras use the software Snap built for its mobile phone Lenses to automatically detect physical surfaces and place effects in a way that doesn’t obstruct the real world. Two stereo speakers capture audio and allow for the wearer to control them by voice. A touchpad on the side of the frame operates an interface in the displays that Snap calls the Lens Carousel, allowing the wearer to switch AR effects they’re seeing.
Above: two images show AR effects as seen through the new glasses. Lower: the lens carousel interface lets you select different AR effects. Images: Snap
The new Spectacles were announced Thursday at Snap’s virtual Partner Summit for developers, where the company previewed a number of new augmented reality features for Snapchat. Its AR clothing try-on tech can now handle watches and glasses, and businesses will be able to more easily add AR versions of their online catalogs for Snapchat’s 500 million monthly users to try and purchase.
A new feature, called Connected Lenses, allows multiple people to see and interact with the same scene in AR. Snap is also launching an AR “innovation lab” called Ghost and is committing $3.5 million to support creators making effects, with another $1 million in funding with Verizon to fund AR experiences used over 5G.
While Snap is known primarily for the Snapchat app now, these Spectacles indicate how the company’s ambition is to be a major player in the race to build AR glasses. Facebook, Apple, and other tech giants are currently working on their competing devices. Facebook plans to debut its own pair of smart glasses in partnership with RayBan later this year, though they won’t feature AR displays.
According to Spiegel, head-worn devices like these new Spectacles will create a big shift in how we interact with computers. While Snap is betting that millions of people will eventually want to wear Spectacles, the company is content for now to build in public alongside its creators.
“You have to invent a whole new way of interacting with computing when it’s volumetric and integrated with the space around you,” Spiegel said. “So I don’t see Snapchat transitioning to wearables that directly, but one of the things that’s really fun is to think about what the new interaction paradigms can look like.”
Its ambition is to be applauded, but Deezer falls between the two stools of Spotify and Tidal and struggles to justify itself over either
For
Vast catalogue and device support
CD-quality HiFi tier
Envelope-pushing 3D audio
Against
No hi-res streaming
Spotify does discovery better
Tidal does hi-fi better
Deezer appears to be stuck with a bit of an identity crisis. When we first reviewed the music streaming service in 2015, it clearly saw itself as a Spotify rival, bringing a vast library of music to a mainstream audience as efficiently as possible.
By the time of our re-review, in early 2018, Deezer had begun courting the hi-fi crowd with a comprehensive catalogue of CD-quality tracks and murmurings of hi-res MQA support to come.
In 2020, with hi-res yet to appear on the platform, Deezer hopped into bed with Sony and started offering 360 Reality Audio streaming to subscribers to its HiFi tier.
And now here we are in 2021 and 16-bit/44.1kHz FLAC files (ie. CD quality) is still the pinnacle of Deezer’s HiFi offering. Yes, it is a solid step up from the 128kbps MP3 files of “standard streaming services”, but those are now few and far between. As both Apple (with Apple Music Lossless) and Spotify (with Spotify HiFi) become well and truly embroiled in a hi-res music war and Amazon Music quietly drops its premium tier by £5 per month to just £7.99 if you’re a Prime Member, where does that leave Deezer?
Clearly, the French streaming service is trying its best to find a USP, and that’s to be applauded, but the result is that it falls short of matching Spotify’s mainstream appeal and Tidal’s hi-fi credentials.
Features
(Image credit: Apple / Deezer)
While Spotify held on resolutely to its compressed music streams until its 2021 HiFi tier announcement, Deezer has offered ‘CD quality’ tracks in the 16-bit/44.1kHz FLAC format since 2017.
These tracks are available to those who subscribe to the £14.99 ($14.99) per-month HiFi tier – which used to cost £19.99 until roughly a year ago – and while initially you also needed to own one of a handful of specific devices, they can now be enjoyed on almost any device that supports the core Deezer experience. In fact, Deezer now comes pre-loaded in kit such as Mobee-K’s new smart USB-C headphones while Apple’s own HomePod and HomePod Mini support Deezer voice control, and Deezer tracks can be downloaded to enjoy offline on your Apple watch, too.
It once looked likely that Deezer would add hi-res streaming to its repertoire, but the company has since decided to go down the 360 Reality Audio route. Think of this as a Dolby Atmos rival but specifically for streamed music, and you’ve got the idea.
Deezer was the first music streaming service to offer 360 Reality Audio, but it has since been joined by Tidal, Amazon Music HD and nugs.net (for the uninitiated, that is a streaming service dedicated to live concerts). Back to Deezer and the tracks available in the format are included as part of its HiFi subscription. You will need to download a different app, called 360 by Deezer, if you want to listen to them all, but this extra app also gives access to all of the non-360 tracks of the standard app so you don’t have to constantly switch between the two.
The bad news is that 360 by Deezer is only available on iOS and Android devices. There are eight playlists, including ‘New on 360 by Deezer’ that can be enjoyed on a computer or hi-fi via the desktop app as teasers – but not the full package.
Pricing
(Image credit: Apple / Deezer)
Below Deezer HiFi there are three tiers. Premium (£9.99/$9.99 per month) shares features with HiFi – no ads, unlimited streaming and control on mobile apps, and offline access – but limits sound quality to 320kbps.
Deezer Family (£14.99/$14.99 per month) gets you everything on Premium for up to six profiles. There’s also a free, ad-supported tier with 128kbps streaming and limited mobile app use.
Compatibility
(Image credit: Apple / Deezer)
As well as smartphones and computers, the Deezer app is also available on many other devices: TVs from the likes of Samsung, Sony and LG; wireless speakers by Sonos, Amazon, Bluesound and Bose; and even cars via Android Auto or Apple CarPlay. And that’s far from an exhaustive list.
What’s more, Chromecast and AirPlay allow you to send tunes to yet more devices. Deezer might not quite match Spotify’s ubiquity (it’s missing from Cambridge Audio’s streamers, for example), but it’s close.
Regardless of the device used, subscribers can access a catalogue of over 56 million songs, more than 52 million of which it claims are in the CD-quality FLAC format. It’s an impressive figure, but with all music streaming services making similarly huge claims, the numbers game is rendered a little academic.
What matters is whether the tracks you’re looking for are available and, in our experience, Deezer produces the fewest blanks after Spotify. It’s very rare to find a song in Spotify’s catalogue that isn’t also available in Deezer’s – and usually in that higher-quality format. One nil to Deezer.
We find Deezer stocks pretty much every track of the diverse range we search for, and all in CD quality too. Just be aware that, unlike Apple Music and Tidal, Deezer doesn’t have artist or album window ‘exclusives’, although it does occasionally release its own live sessions with big artists.
Ease of use
(Image credit: Apple / Deezer)
As HiFi subscribers, we mostly use the desktop and iOS mobile apps, and the ability to flick from one to the other is made easy by the fact each platform offers a very similar interface.
Deezer’s appearance is perhaps best described as stripped-back – almost brutally so. The interface is clean and clear, but also a bit bare, particularly on desktop. Music streaming services are generally similar in layout, with a bottom playback bar and a few left-hand side tabs bordering the centralised chunk of content – and Deezer doesn’t stray too far from this template.
Since our last review update, things have been slightly tweaked. ‘Home’ has been replaced by ‘Music’, although it does the same job as before: presenting users with personalised playlists as well as the opportunity to browse music by charts, new releases, popularity and various moods. Radio stations still appear at the bottom of this page, but podcasts now have their own tab.
‘Favorites’ has replaced ‘My music’, but again, the purpose is unchanged: it’s a gateway to your saved playlists and ‘favourite’ tracks, albums and podcasts.
Performance
(Image credit: Apple / Deezer)
We play the What Hi-Fi? January 2021 playlist, and are pleased to hear Deezer HiFi (CD-quality) streams are clear, full-bodied and, perhaps most importantly, an upgrade from the ‘Better’ (320kbps) quality streams. It’s worth noting sound quality can be changed between ‘Standard’ (128kbps), ‘Better’ (320kbps on wi-fi and 128kbps on mobile data), and ‘High Fidelity’ (1411kbps).
The HiFi streams cling more committedly to the textures of the ‘80s-style keys, percussion and synths underpinning Chaka Khan’s Pallion (aka Hot Butterfly), and those of the affected backing track and vocals in Dua Lipa’s Levitating.
However, we find Tidal’s CD-quality streams a little crisper, cleaner and more precise. There’s more fuel driving Tiny Giant’s Draw Me a Line, and greater space around the instrumental and vocal accompaniment. Timing of the drumbeats and underlying cymbal rhythm is noticeably more accurate, too, with Tidal’s version of Donald Fagen’s I.G.Y. springing into life with a touch more bite.
That said, listening through Grado SR325e headphones plugged into a MacBook Air, the differences are admittedly subtle. And it’s only when we up the transparency of our set-up with a Chord Hugo 2 DAC that these discrepancies become really significant, helped by Tidal’s fancy options for taking exclusive control of the DAC and bypassing the MacBook’s audio processing and volume control. Deezer has no such options.
Of course, the ace up Deezer’s sleeve is 360 Reality Audio, which isn’t offered by any other streaming service. 360 Reality Audio offers a 3D sound space by creating multiple virtual speakers and can be listened to via most standard headphones – although the experience has been optimised for Sony’s range.
At its best, it’s really rather impressive, immersing you in the music and surrounding you with spatially distinct instruments in a way not previously experienced. As a technological showcase it’s very effective, and gives you fresh insight into some of your favourite tracks (although the selection is fairly limited at this point).
But whether the 360 version of a track will replace the stereo version in your affections is debatable. For one, even the best tracks sound comparatively lacking in punch and weight when compared to their stereo equivalents, and some other tracks just don’t seem to have made the transition to 3D particularly well, coming across as rather flat and compressed in terms of detail and dynamics.
It’s worth remembering that 360 Reality Audio is still in its infancy and there’s already so much to like. In time it could be absolutely brilliant – it’s just not a hugely persuasive reason to opt for Deezer over Tidal right now.
Verdict
(Image credit: Apple / Deezer)
While we prefer Tidal’s comprehensive layout and slightly superior sound quality, the main chink in Deezer’s armour is its current lack of hi-res audio.
After all, subscribers to Tidal’s HiFi tier get access to over a million (typically 24-bit/96kHz) hi-res Masters in addition to CD-quality streaming – although they have to pay a little more for it at £19.99 ($19.99) per month – and Amazon Music HD delivers hi-res tracks for £7.99 ($7.99) per month for Prime members and £9.99 ($9.99) per month if you don’t have an Amazon Prime account.
Deezer may still have hi-res in its sights, but all has gone quiet on that front since the announcement of its partnership with MQA back in September 2017. And until it comes as part of a competitive package, it doesn’t shine brightly enough to be the leading light in music streaming.
Its core, non-HiFi subscription, meanwhile, falls just a whisker short of Spotify when it comes to ubiquity, discovery and presentation.
But, while Deezer rather falls between the two pillars of Tidal and Spotify right now, the addition of hi-res streams (and some of the hi-fi-focused features of Tidal) could actually one day see it become the best of both worlds.
SCORES
Performance 4
Features 4
Ease of use 4
MORE:
See the best music streaming services 2021: free streams to hi-res audio
Read our Tidal review
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Tinder’s newest safety feature attempts to reduce the number of hateful messages sent on its platform. The company plans to start rolling out Are You Sure?, a feature that uses artificial intelligence to automatically detect offensive language. If found, the program will ask users if they’re positive they want to send that message, forcing them to pause before doing so.
The company’s been testing the feature and says people who saw the prompt were less likely to be reported for inappropriate messages over the next month, which Tinder takes to mean that they’re adjusting their behavior over the long-term.
Other companies have employed similar technology, including, most notably, Instagram, which rolled out warnings for potentially offensive captions in 2019. The company also automatically hides comments its AI determines are offensive and recently expanded the system to block words that might be purposely misspelled to avoid people’s comment filters. Although Tinder isn’t outright blocking messages, at least not yet, it’s pushing people to reconsider whether their message might be enough to make the app at least somewhat safer and more welcoming.
Apple’s software engineering head Craig Federighi had a tricky task in the Epic v. Apple trial: explaining why the Mac’s security wasn’t good enough for the iPhone.
Mac computers have an official Apple App Store, but they also allow downloading software from the internet or a third-party store. Apple has never opened up iOS this way, but it’s long touted the privacy and security of both platforms. Then Epic Games sued Apple to force its hand, saying that if an open model is good enough for macOS, Apple’s claims about iOS ring hollow. On the stand yesterday, Federighi tried to resolve this problem by portraying iPhones and Macs as dramatically different devices — and in the process, threw macOS under the bus.
Federighi outlined three main differences between iOS and macOS. The first is scale. Far more people use iPhones than Macs, and the more users a platform gets, the more enticing that audience becomes to malware developers. Federighi argued iOS users are also much more casual about downloading software, giving attackers better odds of luring them into a download. “iOS users are just accustomed to getting apps all the time,” he said, citing Apple’s old catchphrase: “There’s an app for that.”
The second difference is data sensitivity. “iPhones are very attractive targets. They are very personal devices that are with you all the time. They have some of your most personal information — of course your contacts, your photos, but also other things,” he said. Mobile devices put a camera, microphone, and GPS tracker in your pocket. “All of these things make access or control of these devices potentially incredibly valuable to an attacker.”
That may undersell private interactions with Macs; Epic’s counsel Yonatan Even noted that many telemedicine calls and other virtual interactions happen on desktop. Still, it’s fair to say phones have become many people’s all-purpose digital lockboxes.
The third difference is more conceptual. Federighi basically says iOS users need to be more protected because the Mac is a specialist tool for people who know how to navigate the complexities of a powerful system, while the iPhone and iPad are — literally — for babies.
As Federighi put it:
The Mac from the beginning has been part of a generation of systems where the expectation is you can get software from wherever — you can hand it to your friend on a floppy disk and run it, that’s part of the expectation. But Mac users also expect a degree of flexibility that is useful to what they do. Some of them are software developers, some of them are pros running their unique tools, and having that power is part of it.
I think of it is as if the Mac is a car — that you can take it off-road if you want, you can drive wherever you want. And that comes with as a driver, you gotta be trained, there’s a certain level of responsibility in doing that, but that’s what you wanted to buy. You wanted to buy a car. With iOS, we were able to create something where children — heck, even infants — can operate an iOS device, and be safe in doing so. So it’s a really different product.
Federighi expanded on the metaphor a little later, when Apple’s counsel asked if macOS was “safe.”
Safe if operated correctly, much like that car. If you know how to operate a car, and you obey the rules of the road and are very cautious, yes. If you’re not — I’ve had a couple of family members who’ve gotten some malware on their Mac. But ultimately, I think the Mac can be operated safely.
I find the mental image of slowly, cautiously “driving” a Mac around the internet hilarious, because cars are deadly two-ton metal boxes that crush obstacles at superhuman speeds, while my MacBook starts losing keys if I type on it too hard.
If you pair these comments with some earlier statements about macOS, though, it’s a bit less funny. Federighi was bluntly critical of macOS security, saying Apple saw “a level of malware on the Mac that we don’t find acceptable.” If you used the Mac’s security model on the iPhone, “with all those devices, all that value, it would get run over to a degree dramatically worse than is already happening on the Mac,” Federighi said. “iOS has established a dramatically higher bar for customer protection. The Mac is not meeting that bar today.” It’s a distinctly negative evaluation of open computing systems, implying onlya relatively small platform could afford that openness without disaster.
Federighi took a far broader view of security than Epic’s own expert witness James Mickens. Mickens testified earlier that iOS wasn’t meaningfully more secure than Android, but he analyzed mostly technical threats to the platforms. Federighi focused on scams, phishing, and other apps that target human psychology instead of computer code — many of which pose serious dangers.
Sometimes, though, the protectiveness felt patronizing. When Federighi explained Apple’s restrictions on cloud gaming, he focused partly on tangible security issues, like how to grant device permissions for different titles on a single gaming app. But he slipped seamlessly into discussing how the concept would be simply too confusing — that iPhone and iPad owners would be befuddled by the notion of launching a separate game catalog. Apple wants iOS devices to feel trustworthy, but at times like that, it seems more like Apple just doesn’t trust its own users.
(Pocket-lint) – The last Apple TV 4K launched in 2017. At the time it coincided with the start of the movement to embrace the growing trend of 4K content from the likes of Netflix and Amazon Prime.
In 2021 watching TV hasn’t changed that much, but we are doing a lot more of it. Subscription services have boomed, we’ve now got more choice – including Apple’s own TV+ service – and therefore even more content to watch.
But does the 2021 Apple TV 4K set-top box embrace current viewing habits enough to be worth the upgrade – or even a purchase in the first place – especially given the crowded marketplace dominated by a host of other, cheaper options from Amazon, Roku, Google and the likes?
Everything feels the same
Puck-style box design, measures 98 x 98 x 35mm
Supports: 4K HDR, Dolby Vision, Dolby Atmos
32GB / 64GB storage variants available
Bluetooth 5.0 connectivity, AirPlay
The design of the Apple TV box itself hasn’t changed at all for the 2021 model. It’s a squarish box that’s certainly larger than the competition. It features just three inputs on the back: Ethernet, HDMI, and power.
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You’ll still need a shelf or a wall-mount to put it on, and if you were hoping for a miniaturised stick to put straight into a spare HDMI socket on your telly then, well, you’re out of luck.
As has always been the case there are no buttons on the box itself, so everything is controlled via the included remote. Or you can use your iPhone, iPad, or voice control via Siri.
The Apple TV 4K’s interface hasn’t changed either, so the focus is about giving you access to all the relevant streaming services – as long as they have a supporting app.
The continued push into a central place to discover more content from supporting streaming services, rather than silo-ing everything in their respective apps, does help you discover content that’s available. However, it’s hard at times to differentiate whether that content is going to cost you above and beyond your current subscriptions. And it’s still missing Netflix within those content recommendations – which is a glaring omission.
As with the 2017 model, you get 4K resolution, high dynamic range (HDR), including Dolby Atmos object-based audio and Dolby Vision HDR support – which is great stuff if your TV and/or AV setup supports it (Apple’s AirPods Pro or AirPods Max still don’t with the Apple TV but do for the iPhone and iPad, for example).
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The ability to connect game controllers (sold separately) via Bluetooth 5.0 means you can grab one of those spare Xbox or PlayStation controllers to jump in too.
Best Xbox controllers: Get the edge with these third-party and official pads
Best PlayStation controller: Pick up an extra PS4 or PS5 game pad
Apple hasn’t increased the storage options for the 2021 model either. It still comes in 32GB and 64GB capacities, but that’s not really an issue as everything is streamed these days anyway.
New, new, new
High Frame Rate (HFR) support up to 60fps
Apple A12 Bionic processor
Updated Siri remote
HDMI 2.1 port
There are some changes of course. Internally the 4K TV box now comes with a much faster processor – the one previously found in the iPhone XS – and that helps on the gaming side of things via Apple Arcade.
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Why only the iPhone XS processor and not the iPhone 12 processor or the iPad Pro’s M1? It’s likely to come down to cost and need. After all, this isn’t a Mac mini nor a fully-fledged games console. Most Apple Arcade games are designed to work nicely on the provided processor – we didn’t have any trouble running NBA2K21 or other games, but the loading times could be improved.
The new box also gets better connectivity. There’s Wi-Fi 6 (ax), allowing it to better connect to your Wi-Fi in dual-band (2.4GHz/5GHz) for those high bandwidth streams you’ll be planning. There’s also HDMI 2.1 support to enable a new High Frame Rate mode that allows you to play content up to 60 frames per second (supported by the iPhone 12 Pro, for example) and any future benefits that will come from that port over time.
Apple has also added support for Thread. This fairly new smart home connectivity technology is backed by Apple, Amazon, and Google. Again, you might not find a use for it out of the box on day one, but it’s likely to become much more important in our smart home futures, so having some level of future-proofing is welcomed.
There’s a new colour-balancing mode that’s not exclusive to this model, which uses your iPhone to help ensure the Apple TV is optimised for the best colour balance in your room. It’s clever, but for us made very little difference.
A new, much needed remote
Remote measures: 136 x 35 x 9.25mm
Although you can buy the new remote on its own – which is a way to easily ‘upgrade’ the older box – the new one included in the this box is the biggest and most visible change for the 2021 Apple TV 4K. It’s one feature that removes a lot of the pain barriers (first-world problems, we know) to using the Apple set-top box on a daily basis.
The new remote is considerably bigger than its predecessor, doesn’t sport a design you’ll get the wrong way up, nor a Siri button that you’ll accidentally press by mistake all of the time.
The Menu button has been ditched, there’s a new mute button, and Apple has thankfully shifted the Siri button to the side to emulate other remotes and match the same experience found on the iPhone, iPad, and even Apple Watch.
Swiping is still available, but it’s now via a circular physical touch button d-pad with a dedicated scroll option for scrubbing through shows – reminiscent of using an iPod from days gone by. That said, you can ignore that and still swipe left to right too – which can cause some muddled responses.
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There’s even a new ‘power’ button that can not only turn off your Apple TV 4K, but also your TV and AV kit. Handy.
What is a surprising omission, however, especially given the recent launch of AirTags, is that the remote doesn’t have a finding option to help you find it down the back of the sofa when lost. No Find My Support, no ‘play a sound’ option. It’s another glaring own goal.
The ecosystem shines through, but you have to pay for it
Third-party app support, including Disney+, Amazon Prime, Netflix, more
Apple TV+, Apple Fitness+, Apple Music, Apple Arcade
Support for catch-up services (including BBC iPlayer)
Against the competition the Apple TV 4K does deliver, but it can also be seen as very expensive for what you get – it’s almost four times as much as the Roku Streaming Stick+, for example. That’s a big premium to pay for just watching movies and getting access to the Apple TV store – something which you might already have if you’ve got the right TV.
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Where Apple is hoping to convince you though is that the benefits to be found in being part of the Apple ecosystem. Getting started is incredibly easy thanks to a simple setup process using your iPhone. Apple Fitness+ users benefit with connectivity to the Apple Watch, and Apple Arcade subscribers get a wealth of games to play too – but that’s a lot of extra cash for features that not everyone might want or have the need to use.
Verdict
There is no denying that the 2021 Apple TV 4K delivers what it sets out to do: packaging streaming services and Apple services all in the one place. It’s the extras like Apple Arcade and Apple Fitness+ that make this a nicely rounded package that will cater for the TV viewer as well as the casual gamer and fitness fan.
Despite this, we can’t help feeling that there are better and cheaper ways to get streaming content like Disney+, Netflix, or even Apple TV+ on your television from the likes of Roku and others.
The Apple TV has always come at a premium, but the 2021 model doesn’t move things on enough to justify either an upgrade or a recommendation over the competition – unless you really believe you’ll be able to maximise on all the additional Apple services and features it offers. And if you’re a current Apple TV 4K owner then you can simply buy the updated Siri remote on its own.
If you’re looking for an inclusive package that has potential to grow over the coming years and possibly adapt to how you use your TV or enjoy content in the home, then that’s one angle. The trouble for many with the 2021 box is that you’ll have to take the hit and pay for all that potential up front – whether it’s ever fully realised or not.
Also consider
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Roku Streaming Stick+
Roku is s big name in streaming, offering access to all the major services in a slim device that supports the latest 4K HDR formats. A simple remote makes it easy to control, while its asking price undercuts the majority of the competition.
Read our review
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Amazon Fire Stick 4K
Amazon’s media streamers keep getting smaller and more affordable, with features like Alexa voice control via the remote making it a no-brainer for many. Although it leans towards Amazon’s content, it does also cover all services – including Netflix – and supports 4K HDR formats and Dolby Atmos object-based audio too.
Three years after Chrome OS first started offering support for Linux apps, the feature is leaving beta, the search giant announced during a Google I/O 2021 developer session. It’s happening in Chrome OS’s “next release,” which Android Central notes is version 91, due to enter the stable channel in the next couple of weeks.
Chrome OS as an operating system has always been based on Linux, but since 2018 its Linux development environment has offered access to a Linux terminal, which developers can use to run command line tools. The feature also allows full-fledged Linux apps to be installed and launched alongside your other apps. In addition to Linux apps, Chrome OS also supports Android apps.
As well as announcing the end of the beta, Google developer advocate Emilie Roberts touted a number of improvements Google has made to the Linux functionality in Chrome OS over the past year. These include a new terminal app, a faster update process that updates the Linux container at the same time as Chrome OS itself, as well as better support for USB devices.
Google’s announcement came exactly a year after Microsoft announced support for Linux GUI apps in Windows 10. Microsoft recently started testing Linux GUI apps on Windows, and the feature is expected to launch to all users later this year. It’s part of an initiative to better support developers that Microsoft kicked off in 2016.
As well as announcing that its Linux development environment is coming out of beta, Google shared a couple of additional updates about Chrome OS. It’s rolling out Android 11 to more machines, which will bring new features like better Android app optimization and a new dark theme. Fifty new Chromebooks are due to launch later this year, Google added.
You can now download Deezer playlists to your Apple Watch. That means you can leave your iPhone 12 at home while you go for a run without missing out on your favourite tunes.
The new feature comes as part of an update to the Apple Watch app. It lets you download all playlist content to your timepiece – that includes your favourite tracks playlists, editorial playlists, and any personal playlists you have created.
To get your Deezer playlists onto your Apple Watch, you’ll have to use your mobile network or the same wi-fi network as your phone or tablet.
If your phone is nearby, your mobile network will automatically handle the download and transfer the data to your watch via Bluetooth or wi-fi. If it isn’t, or it’s in airplane mode or turned off, your Apple Watch can handle the download itself providing it’s connected to wi-fi, or it has a mobile connection of its own.
According to Deezer, you can store “several gigabytes” of tracks on your Apple Watch, though that will depend on which Apple Watch model you have and how much space it has free.
To use the new feature, you’ll need an Apple Watch Series 3 (or newer) running at least Watch OS6.
The update gives the app a new look and feel. Plus it lets Deezer Free customers listen to tracks, albums, and playlists in shuffle mode and access their Queue list, all from their Apple Watch.
This is a shot across the bow of arch-rival Spotify, which currently doesn’t let you download playlists to the Apple Watch. Earlier this month, Deezer added support for Apple’s Siri voice assistant to the HomePod and HomePod Mini smart speakers.
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