poco-m3-review:-less-than-the-sum-of-its-parts

Poco M3 review: Less than the sum of its parts

(Pocket-lint) – The Poco M3 is all about affordability. By dangling that low-price carrot, along with surprisingly well-specified features, a read-through of its spec rundown certainly sounds appealing.

But is it truly appealing in practice? With stiff competition from established players, such as the Moto G series, there’s plenty more to consider if you’re looking for an outright purchase on a budget. Here’s our verdict after living with the Poco M3 as our main device.

Design & Display

  • Display: 6.53-inch LCD, Full HD+ resolution (1080 x 2340), 19.5:9 aspect ratio
  • Dimensions: 162.3 x 77.3 x 9.6mm / Weight: 198g
  • Finishes: Cool Blue, Poco Yellow, Power Black
  • Side-mounted fingerprint scanner

Poco (or Pocophone as it once was) is an off-shoot of Xiaomi, targeting affordability as its primary focus. As such you’re not going to get ultra-luxe, well, anything. But the balance of build to price found here is fair – ignoring the vibration motor, which is the poorest implementation (complete with accompanying irksome noise) that we’ve seen/heard for some time.

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The M3 certainly wants you to know its a Poco, too. The massive logo emblazoned across the rear camera unit tells you that. We’re not a fan of that look, but each to their own. The rest of the rear is coated in a textured plastic, which looks rather more like a case than it belonging to the phone – sometimes just because of the way lint gets stuck between the camera unit and the main body.

As for the phone itself, it’s fairly large, in part down to the huge battery (it’s a 6,000mAh capacity) tucked away within, in part down to the large-scale display choice. A 6.53-inch panel might not read that massive these days, but it’s actually a smidge wider than you’ll find on many a flagship (the Samsung Galaxy Note 20 Ultra being one such example).

But it’s the screen specification where things get rather interesting. For it offers a Full HD+ resolution. And this is a phone that’s on sale for sub-£/€150. That’s rather unusual, because the Moto G9 Power, as one obvious competitive example, has nothing like that degree of resolution.

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Which sets the M3’s screen in pretty good stead. If the software wasn’t so keen to keep it dimmed so frequently then it’d be a solid panel on which to do your day-to-day tasks. The notch isn’t too distracting. Available brightness is more than good enough, once manually adjusted. And the degree of colour from an LCD panel does a fair job too.

Sadly, however, the touch-response of this panel is really poor. Especially towards the edges. It’s often failed to recognise very purposeful touches, which makes interacting and typing frequently just irritating.

Performance & Battery

  • Qualcomm Snapdragon 662 processor, 4GB RAM
  • 64/128GB storage, microSD expansion, dual SIM
  • MIUI 12.0.5 software (over Google Android 10)
  • 6,000mAh battery capacity, 18W charging

Even the specification, in context of this price point, reads pretty well. But, somehow, despite 4GB RAM and a Qualcomm Snapdragon 662 processor, there’s just a certain lack of cohesion in use.

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Which, we suspect, is down to the MIUI software. We’ve already pointed out the excessive auto-dimming. The user interface is also sluggish to respond, hesitating sometimes to the point that we’ve tried hitting the same close button three times over. The poor screen touch-response could compound that, too, of course.



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At this price point you really need to have a bar of expectation in what you’d like a phone to do. Because while the Poco M3 can certainly run games and apps without too much a bother, it can’t necessarily run them that well. Take our go-to favourtie, South Park: Phone Destroyer, and while it’ll load up fine, there are often stutters in animation and everything feels laggy and slow to the point that it’s taxing to play.

Sure, this is a budget phone, so it’s not going to be a gaming mecca. But with this kind of processor on board – which we’ve seen elsewhere, such as, again, in the Moto G9 Power – we’d actually expect better. Something just isn’t quite communicating quite correctly between hardware and software, delivering a user experience that’s below par.

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But without an ultra-powerful processor, the power drain is rather efficient – again, in part, down to software – and as there’s a massive 6,000mAh cell inside the M3 lasts and lasts. And then some.

If you’re looking for longevity then there’s no fear of this phone powering through a couple of days – we’d achieved over 24 hours with over 50 per cent battery remaining (partly due to being averse to wanting to game or use the device as much we might a more capable device).

As an “office in your pocket”, for calls and emails, then, the Poco M3 will last out for an age and is worthy of consideration on that front alone. So long as you can tinker with the software sufficiently – because there are various irks from the MIUI (v12.0.5) software that you’ll need to dig into various menus to tweak to your liking.

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It’s the software that’s holding things back in our view. There are battery saver per-app limitations, permissions limitations arranged in various parts of the settings that need attention, and so forth. It’s a maze to find and open things up, and even when you think you’ve got everything sussed there might be a delay in notifications from certain apps.

Just as we’ve said of so many MIUI devices in recent months, it’s the biggest hurdle that’s often holding back potential (especially in Xiaomi’s Mi 11 flagship). And with Poco Launcher here, there are additional bothers, such as the system-wide dark mode often making fields illegible by hiding them away.

Cameras

  • Triple rear cameras:
    • Main: 48-megapixel, 0.8µm pixel size, f/1.8 aperture

      Macro: 2MP, f/2.4 / Depth: 2MP, f/2.4
  • Front-facing selfie camera:
    • 8-megapixel, 1.12µm pixel size, f/2.1 aperture

Ignore the massive Poco emblazoned on the rear and your eyes will no doubt be drawn to the trio of lenses available. “Ohh, a triple camera,” we hear you say. Not so much, however, as the depth sensor and macro sensor are effectively pointless – the macro doesn’t have any way to activate it that we can see, while the depth sensor (utilised in Portrait mode) just isn’t necessary at all. It’s a classic case of overselling the cameras because “more equals better”.

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With that said, however, the main camera unit isn’t too shabby. So think of it as a budget phone with one simple camera – no ultra-wide, no optical zoom – and it does the job well enough.

That main sensor is 48-megapixels, but using a four-in-one processing methodology means the M3 produces 12-megapixel results by default. Such images are still large in scale, and as so much data has been drawn in to process there’s ample detail.

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However, the camera app is a little slow, navigating the features is over-complex, and the focus in shots wasn’t always on point in our testing – there’s no optical image stabilisation or other such fancy features here to help out.

Verdict

In terms of specification the Poco M3 seems unrivalled for a phone at this price point. Impressive features such as a Full HD+ screen and massive 6,000mAh battery lead its charge.

But somewhere along the line there’s a breakdown in communication. For the decent spec may read well, but it doesn’t function quite well enough. Software irks, poor touch-response from the screen, stutters in both interface and apps, mean it doesn’t add up to be the dream budget experience.

If all you want is an outright affordable purchase for calls and emails then the Poco M3 will last an age and could serve you well. But the quality of even lesser-specified devices out there for a similar price – which run even better – simply means it’s not one to recommend.

Also consider

Pocket-lint

Moto G9 Power

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There’s less resolution, but a far more fluid user experience is what makes this Moto the obvious choice. It’s a little bit pricier as a result, but worth pulling together that little bit of extra cash for the sake of usability.

  • Read our review

Writing by Mike Lowe.

moon-680d

Moon 680D

Our Verdict

Moon’s 680D network streamer couples refined sound quality and fine build with a generous features set

For

  • Refined, well-imaged presentation
  • Articulate and fluid midrange
  • Fine build and finish

Against

  • Needs more sonic punch
  • Bluetooth not aptX HD

If you’re the kind of person who judges hi-fi by its specifications, high-end network streamers present quite a problem. On paper, there’s usually little to separate them from those available at a fraction of their price. The mass-produced budget offerings often lead the way in cutting edge technology, thanks to economies of scale and the sheer buying power of the larger companies that invariably make them.

In order for smaller brands such as Moon to compete successfully, they have to look upmarket to price points where obsessive attention to engineering detail is valued and sound quality takes absolute priority.

Don’t take that to mean that this Moon 680D streamer is in any way a stripped-out purist affair. Music streamers from the likes of Linn and Naim have shown that it’s possible to have an extensive features set and still deliver great sound, and this Moon simply reinforces that.

Features

(Image credit: Moon)

You’ll find no shortage of connectivity here. There’s an impressive array of digital inputs taking in USB, AES/EBU, optical, and coax in both RCA and BNC forms. There are nine inputs in total, though number eight is reserved for the built-in streaming module and input nine is for aptX Bluetooth (though we would have hoped for aptX HD in a newly released product at this level).

Moon 680D tech specs

(Image credit: Moon)

AirPlay 2 Yes

Roon ready Yes

Inputs USB, AES/EBU, SPDIF, optical, ethernet, wi-fi, aptX Bluetooth

Frequency response 2Hz – 100kHz

Dimensions (hwd) 10 x 48 x 43cm

Weight 18kg

While Bluetooth invariably falls short of the hard-wired inputs in terms of performance, we’re still happy that Moon has chosen to include it. Such an input makes the 680D a more inclusive device, allowing a quick listen from a friend’s phone or to provide better sound reproduction from a YouTube video.

You can connect the 680D to your home network wirelessly, but we would recommend taking the wired ethernet route – not that there’s anything innately wrong with Moon’s wireless implementation, more that the cable approach is always the most stable way to go.

The analogue outputs are the usual sets of single-ended RCAs and balanced XLRs. In our set-up, which includes a Burmester 088/911 Mk3 amplifier, paired either to the ATC SCM50 or Wilson Benesch Precision P2.0 speakers, the Moon’s balanced outputs sound bolder and more dynamic. We use the Naim ND555/555PS DR music streamer as our digital source with an Apple MacBook Pro (loaded with Audirvana music-playing software and plenty of hi-res music) providing the USB signal and general back up.

Build

(Image credit: Moon)

Look inside the 680D and it’s hard not to be pleased by the build quality on offer. We’re impressed with the care taken over the circuit layout and power supply arrangement. The 680D uses Moon’s MHP (Moon Hybrid Power) power supply module, as used in the company’s even pricier, reference products.

The MHP module mixes both traditional linear and switch mode technologies to deliver a stable, low-noise and power-efficient energy feed to the signal circuitry. The digital and analogue sections are powered by separate outputs from the supply to avoid unwanted interactions and optimise performance.

Those wishing to boost performance further can add an outboard power supply unit in the form of Moon’s 820S, which at £7200 ($8000, AU$14,000) is a pricey upgrade and would almost double your outlay. We don’t have one on hand for our review, but we can’t help thinking that most potential buyers will think that a jump too far. That said, our experiences with Naim, Nagra and others have shown that such power supply upgrades invariably improve sound quality dramatically.

Each of the nine digital inputs feed into an FPGA (Field Programmable Gate Array) that identifies the file type – whether that’s PCM, DSD or MQA – and re-clocks the signal accordingly. We have no complaints regarding the Moon’s file compatibility, which is up to 32-bit/384kHz PCM and DSD256 files and should, therefore, cover pretty much everyone’s music file collection.

The digital heart of the 680D is based around ESS Sabre’s ES9028PRO DAC chipset. The chip packs no fewer than eight DAC chips, configured so that four combine to create the signal for each channel. The output of each chip is carefully calibrated so that none of them are set to work at the same level. Doing this is claimed to reduce the effect of any distortion that may be common at any specific output level.

Great care has been taken with the digital clocking system, too. It is carefully positioned to minimise jitter effects and has a dedicated precision voltage regulator to ensure a stable power feed. Once the digital music stream is converted to analogue, it passes through a fully balanced output stage that, as expected, is packed with high-grade components.

Sound

(Image credit: Moon)

The Moon 680D sounds pretty good from cold but improves considerably over a few weeks of use. Given time, it becomes clearer and more transparent, gaining an appreciable amount of openness in the process.

We start with the digital inputs, which prove remarkably consistent. In our experience, many high-end companies struggle to make their USB inputs sound as good as the others. We suspect that has something to do with the fact that the USB receiver module tends to be a ready-made unit bought from third-party suppliers that may not match up to the standards of the rest of the DAC circuitry. We’re pleased to report that Moon avoids any such issues.

Regardless of the input chosen, the sonic signature is familiar enough. The company’s products have always been smooth and refined performers and this one is no different. It’s a friendly and accommodating balance – one that isn’t easily provoked by bright or aggressive recordings.

That doesn’t mean the 680D isn’t revealing – this is a wonderfully detailed-sounding product – but rather that its easy-going nature means it doesn’t tend to get ruffled easily. We play Hans Zimmer’s The Dark Knight Rises OST (24-bit/192kHz) and the Moon delivers a large-scale and sumptuous sound.

There’s also a trace of extra warmth to the sound compared with hard-line neutral alternatives, such as the pricier dCS Bartók. That warmth isn’t overdone; it simply adds an attractive bloom to the sound, making it less demanding to listen to over longer listening sessions.

Instrumental textures come through convincingly and it’s easy enough to follow subtle musical strands in the dense production. We’re pleased with the Moon’s composure when pushed hard, as well as its ability to organise all that information into a cohesive and musical whole.

It’s rare to hear a network streamer render such an expansive and layered soundstage while populating it with such tightly focused instruments. Everything stays stable even when the music becomes busy – which, as you’ll know if you’ve heard this recording, is saying something, as Zimmer doesn’t hold back on his trademark bombast.

(Image credit: Moon)

But here, the Moon starts to split opinion. While loving its civilised approach to music making, we can’t help but wish for more muscularity when it comes to expressing dynamic contrasts and punching out crescendos. It’s not that the Moon can’t do these things, more that it sounds a little restrained while doing them.

Restraint is something that shouldn’t suit Kanye West’s Yeezus, yet the Moon’s agility and articulation make listening to this album a pleasure. Sure, a little more directness and rhythmic drive would be nice, but there’s no denying that the Moon can entertain. It conveys the attitude of the music well and there’s never any doubt as to what West wants the listener to feel.

We switch to the onboard streaming module and find it to be a slick performer.  There’s a dedicated app, and it works well. Moon has been making streaming products for a number of years now and that experience tells in the consistency and stability of operation.

Over our test period, everything operates as it should, without issue. Alongside the ability to stream music files from a NAS drive on your network, the app also provides access to Tidal Masters, Qobuz Sublime+ and Deezer Hi-Fi. The 680D is AirPlay 2 and Roon-ready too. There really is little to complain about on the features front here.

Sonically, the balance matches what we hear through the digital inputs. There’s the same grace under duress and the kind of sophisticated and cultured delivery that works well across a range of recordings and genres. It’s an engaging listen, though given the expectations of the price point we still have questions over its dynamic punch and ability to communicate the momentum in a piece of music. These shortcomings are more obvious here than when using other digital sources (bar through Bluetooth, of course).

Verdict

The streaming module is essentially the same as that used in the company’s Mind 2 network streamer, which is available for £1950 ($1950, AU$3199) and looks like a good performer for the money. Whether it’s a good enough source to make the most of such an ambitious DAC design is open to question.

Regardless, there’s no denying that the 680D remains a strong performer overall. It’s slick in use, nicely made and built with care. We have no complaints about file compatibility, and we’re huge fans of its refined and articulate sonic nature. At the very least it deserves a place on the shortlist.

SCORES

  • Sound 4
  • Features 5
  • Build 5

MORE:

Read our guide to the best music streamers

Here’s how to add a streamer to your hi-fi system

Read our dCS Bartók review