Samsung’s Galaxy SmartTag Plus, the souped-up version of the company’s Tile-like SmartTag Bluetooth tracker (which was released earlier this year), now has a release date: it’ll be out on April 16th for $39.99.
That’s a $10 price increase over the standard SmartTag, which runs for $29.99 — but the SmartTag Plus has one notable improvement. It features an ultra-wideband (UWB) radio, allowing users to track it more accurately when it’s nearby than the standard Bluetooth setup. The UWB radio actually enables a new AR mode, which can help show users exactly where their missing tag is.
To use the new UWB mode, you’ll need both a Galaxy SmartTag Plus and a compatible UWB-equipped Galaxy phone, a list that currently includes the Galaxy Note 20 Ultra, Galaxy S21 Plus, Galaxy S21 Ultra, and the Galaxy Z Fold 2.
Aside from the fancy new UWB features, though, the SmartTag Plus still works just like the regular SmartTag, leveraging Samsung’s vast Bluetooth network of Galaxy devices to help track missing objects. It’s similar to Apple’s Find My network, which uses iPhones and iPads to create a Bluetooth network (and, thanks to a recent expansion to third-party devices, will soon offer a Find My-compatible tracker from Chipolo).
The upcoming release of the Galaxy SmartTag Plus means that Samsung — and not Apple’s long-rumored AirTags — will be the first major AR-compatible UWB tracking accessory to hit the market. Apple has been reportedly working on a similar UWB-based AR feature for its upcoming tracker, but despite plenty of leaks and rumors, there’s still no word on a release date.
Intel’s marketing snafus are the gifts that keep on giving. iThinkDifferent reported Wednesday that the company has started advertising “the world’s best processor,” by which it means the Core i7-1185G7, in “a thin and light laptop.” The only problem is that the ad features a MacBook Pro, which doesn’t come with an 11th Gen Core processor.
(Image credit: ChromiumMoon / Intel / Reddit)
Reddit user “ChromiumMoon” shared a picture of the ad in question to the /r/Mac subreddit on Wednesday. Other commentators were quick to point out that the photo also shows an iPhone next to the MacBook Pro, and that the person using the laptop is wearing Beats headphones, so the entire image is filled with Apple products. It is in fact a Getty Images stock photo that also features a Magic Mouse in the uncropped version.
It is unlikely that Apple will be releasing a MacBook Pro with the Core i7-1185G7 in it, because the 13-inch MacBook Pro was one of the first Macs to switch over to Apple’s custom silicon when the M1 chip debuted in November 2020.
It’s not impossible — Apple still offers the MacBook Pro 16″ with Intel processors, and if the company doesn’t have a chip with support for more than just two Thunderbolt 4 ports ready, it could use an 11th Gen Core processor while it works on the M1’s successor.
Two people who regularly predict Apple’s plans, analyst Ming-Chi Kuo and Bloomberg reporter Mark Gurman, have both said the company is looking to release a redesigned MacBook Pro lineup this year. Gurman specifically described them as “Apple’s first high-end laptops to move away from Intel Corp. components.”
So someone at Intel simply grabbed a stock image, slapped the promotional text over it, and sent it off to appear in the company’s marketing without realizing the laptop in the image had nothing to do with their product.
Normally that kind of mistake would hardly be worth mentioning. But it takes on a new light given that Intel has recently used some less-than-honest benchmarks to criticize the M1, extolled the virtues of PCs on social media, and hired Justin Long to go from saying “I’m a Mac” to saying “I’m a Justin” in a series of promotional videos.
In recent years a number of PC makers have introduced small form-factor (SFF) and ultra-compact form-factor (UCFF) computers based on AMD’s latest accelerated processing units (APUs), but none of those systems are as tiny as Intel’s NUCs. Asus is one of a few manufacturers to actually offer its Mini PC PN-series AMD-powered UCFF machines that are just as compact as NUCs and they have just updated them to feature AMD Ryzen 5000 series APUs.
Asus freshly introduced Mini PC PN51 packs AMD’s Ryzen 5000U-series mobile processors with up to eight Zen 3 cores as well as up to Radeon Vega 7 graphics. The APU can be paired with a maximum of 32 GB of DDR4-3200 memory. Storage is via an M.2-2280 SSD with up to 1TB capacity, and a 2.5-inch 1 TB 7200-RPM hard drive. Meanwhile, the system still measures 115×115×49 mm has a 0.62-liter volume.
(Image credit: Asus)
The diminutive size of the Asus Mini PC PN51 does not impact the choice of ports on offer. The desktop computer is equipped with an Intel Wi-Fi 6 + Bluetooth 5.0 module (or a Wi-Fi 5 + BT 4.2), a 2.5 GbE or a GbE connector, three USB 3.2 Gen 1 Type-A ports, two USB 3.2 Gen 2 Type-C receptacles (supporting DisplayPort mode), an HDMI output with CEC support, a 3-in-1 card reader, a configurable port (which can be used for Ethernet, DisplayPort, D-Sub or COM ports), and a combo audio jack.
(Image credit: Asus)
Asus seems to position the Mini PC PN51 as a universal PC suitable for both home and office. The configurable I/O port that can add an Ethernet connector or a COM header is obviously aimed at corporate and business users. In addition, the PC has a TPM module on board. Meanwhile, the system also has an IR receiver (something that many modern UCFF and SFF PCs lost following Apple’s Mac Mini) and a Microsoft Cortana-compatible microphone array that will be particularly beneficial for home users that will use the PN51 as an HTPC.
(Image credit: Asus)
As far as power consumption and noise levels are concerned, the PN51 consumes as little as 9W at idle, produces 21.9 dBA of noise at idle, and 34.7 dBA at full load.
(Image credit: Asus)
The Asus Mini PC PN51 will be available shortly. Pricing will depend on configuration as Asus plans to offer numerous models based on the AMD Ryzen 3 5300U, AMD Ryzen 5 5500U, and AMD Ryzen 7 5700U processors with various memory and storage configurations.
(Pocket-lint) – Electrification is the future. Policy makers as well as car makers have asserted that. So while the revolution’s wheels begin to turn, there’s a good interim point to jump in – a hybrid plug-in, such as this, the Skoda Octavia iV.
The “iV” part of the equation is what tells you this is a plug-in vehicle, as the Octavia is also available in straight petrol or diesel, including a beefier vRS model.
But here it’s all about that plug-in option, which we lived with for a week to see whether it’s worth the circa-£8K price jump, plus whether Skoda’s all-new 2021 interior updates are the future, or feel more a step backwards.
Design & Interior
You can no longer say a Skoda isn’t distinctive – but whether you think that’s in a good way or a bad way is a whole other matter. As we said of the excellent Superb iV Estate, when reviewed back in 2020, it’s to the point where Skoda is extra proud – even spelling out the full name across the rear of each Octavia.
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It’s the front of the Octavia iV that will garner greater attention though, given those slitted headlights, which deliver LED technology as standard (Matrix LED is an extra option and cost). It’s edgy and angular and stands apart from what else you’ll see on the road.
Pop open the door, however, and it’s inside where the 2021 Octavia showcases Skoda’s latest interior. You can choose from black or beige finish options – we’d definitely avoid the latter – and, as a place to sit it’s really rather comfortable.
That’s perhaps the biggest take-away of the Octavia: it’s just effortless to sit in, heated seat cranked up, the upholstery kind of cuddling. Certainly preferable to our freezing cold winter office anyway.
The interior layout adopts what most car-makers are going with too: more touchscreen, fewer physical buttons. Which, in the case of the Octavia, we actually think puts it back a step compared to the last-gen interior.
The Octavia doesn’t have a mechanical gearstick, for example, it’s gone with a little push/pull paddle instead. It functions fine enough, but not all modes are accessed from here. There’s no dedicated EV/Hybrid button to be found, despite there being heaps of space for it, which feels lazy in a car with a focus on electrification.
Instead, you’ll need to find the Mode button on the dash, press that, then select from the on-screen options of E-Mode or Hybrid Mode. The former is pure electric, the latter uses a combination of electric and combustion. By default the E-Mode isn’t activated, so we never had a silent start-up.
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This ‘hiding’ of controls continues elsewhere: the Climate button activates that selection on screen which, again, is difficult to adjust when you’re driving around – and, let’s face it, that’s when you’ll be making adjustments.
Not even the slider control to the south of the main screen is especially intuitive, despite being new. It sometimes gets touched by accident, making adjustments you didn’t know you wanted.
Infotainment & Technology
Those screens do house a lot of technology though. By default the Octavia iV comes with an 8.25-inch main touchscreen, upgradable to 10-inch with that slider control (as per this review) in the correct package options. Beyond the steering wheel there’s the Virtual Cockpit system, another 10.25-inch arrangement, digitally handling various at-a-glance information.
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The screens line-up more than the earlier iterations in Skoda’s range, as the main display has been raised higher towards the dash – meaning its top edge also protrudes, more tablet-like, bringing it into a position of greater focus. Again, we preferred the lower screen position and additional button controls to keep peripheral distractions at bay.
All Skoda Octavia models feature Apple CarPlay and Android Auto (via Mirrorlink) by default, according to the specification, although we never managed to get Android Auto to activate for some reason unknown to us. Maybe an issue with the USB-C to USB-A converter – as there’s two USB-C ports (the smaller ones) up front, next to a handy inductive charging pad (if your phone has wireless charging aboard).
Another comment about the whole tech setup is the speed at which it loads. It just, well, slow. The start-up time lags and navigation is often blank for a number of seconds. Once things get running everything is fine, but from a cold start you’ll be hanging about a bit before entering that post code.
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Beyond infotainment, Skoda’s range of driver assist safety features is vast. What you pick should reflect the way in which you will use the car – if it’s just short commutes then some of the assist packages, such as lane keep assist, might not be as useful as for someone who’s going to be up and down the motorway on repeat.
The adaptive cruise control is – if you pay for it – an advanced one, able to keep distance, lane keep, and auto-brake to a stop. In certain scenarios it’ll prove a life-saver – not just literally, but just from a comfort point of view.
Drive & Range
And so to the main reason to be looking at a plug-in car: added efficiency and lower emissions – both of which can save you on fuel costs and tax. The green credentials, at this stage, are fairly minor in the bigger overall picture – but it’s a step in the right direction.
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The Octavia iV has a 13kW battery built-in, delivering over 30 miles of pure electric range – we could get around 32 miles – plus decent efficiency and regeneration when in hybrid mode. Skoda quotes 37 miles in E-mode, based on WLTP standard, so our achieved figure isn’t too bad relative to that.
A number of plug-ins that we’ve driven fail to offer an all-electric option – the Volvo XC40 being one such example – while mild hybrids (without a plug-in solution) tend to offer almost zero potential on electric-only travel. So it’s reassuring to be able to use an Octavia for, say, the school run entirely in electric mode without limitation to your driving.
Recharging is possible via the Type-2 charger to the front left of the car. We plugged in at home and refilled once successfully, but were met by an error message at around the 80 per cent mark on recharge attempt number two. A glitch in the system, it seems, and certainly a surprise.
Apple CarPlay explained: Taking iOS on the road
By Britta O’Boyle
·
A detailed look at how Apple’s CarPlay works, with explanations on using Google Maps, sending messages and playing music, among other functions.
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Should you want to drive with no thought about range, then Sport mode – activated by pulling the drive paddle down a second time into ‘S’ – gives a little extra pep to the drive, but typically regenerates the battery quicker through more applied braking. Not that the Octavia is ‘sporty sporty’, but it’s got enough get up and go thanks to a total combined output of 204bhp from that 1.4l engine and 13kW electric motor combination.
Verdict
The Skoda Octavia iV plug-in hybrid might not be a super exciting car, but it’s got some super aspects about it: it’s roomy, it’s comfortable, there’s a lot of tech options, and the electric-only range is practical.
The new interior sometimes feels like a step backwards, though, given how it ‘hides’ settings within a more touchscreen-focused operation. And, in our use, we had glitches with Android Auto and recharging that couldn’t be explained.
Overall, if you’re looking for a practical family hatchback then Skoda sits well among the VW Group’s price listings. The iV model adds an inevitable premium over the petrol/diesel-only selection, but with genuine practicality added as a result that’ll pay its worth back for the right kind of owner.
The 3rd Generation Fire TV Stick is a capable video streamer, but it drops at an awkward price point
For
Strong app offering
Improved UI
Excellent HDR performance
Against
SDR picture could be more subtle
4K model only costs a little more
What’s grey and sticky? The Amazon Fire TV Stick (3rd Generation), of course. Far from being simply another streaming stick, this third version is the first of Amazon’s media streaming devices to feature the company’s all-new Fire TV Experience user interface, which is intended as a game-changer for streaming service integration.
The Amazon Fire TV Stick (3rd Generation) replaces the 2nd generation of the device that was once called the Amazon Fire TV Stick with Alexa Voice Remote. Back in those simpler days, the first-gen model didn’t have voice control.
Since then, Amazon has added several more branches to the Fire TV Stick family tree. Higher up that tree is the Amazon Fire TV Stick 4K (launched in 2018), and below it, there’s now the Amazon Fire TV Stick Lite, the only other Fire TV device to come pre-loaded with the new UI.
Pricing
The Amazon Fire TV Stick (3rd Generation) costs £40 ($40, AU$79) at the time of writing. That’s £10 ($10, AU$20) cheaper than the Amazon Fire TV Stick 4K that launched in 2018 and, of course, has the added benefit of 4K content.
It’s also £10 ($10, AU$20) more expensive than the simultaneously released Amazon Fire TV Stick Lite, which lacks TV volume control and can only pass-through Dolby Atmos, rather than decode it.
Somewhat confusingly, you’ll find the Amazon Fire TV Stick (3rd Generation) listed as the ‘2020 release’ in the UK, but the ‘2021 release’ in the US and Australia.
Features
(Image credit: Amazon)
From a design perspective, the Fire TV Stick (3rd Gen) is hardly a departure for Amazon. It’s a gunmetal grey rectangular prism with an HDMI plug on the end and a micro-USB power socket halfway up one side. There’s a good chance that the power cable or simply the Stick’s girth will get in the way of your TV’s other HDMI sockets, so, as ever, Amazon has included an HDMI extender to take your stick clear of the rest of the ports.
The Stick itself is a little shorter than the 4K model but houses the same 1.7GHz quad-core chip. Bluetooth 5.0 and BLE are onboard for pairing with Bluetooth speakers, headphones or video game controllers, and there’s the standard 8GB of internal storage for your app collection.
The included remote is as handy and compact as ever. It’s the same second-generation Fire TV remote that comes with the 4K Stick. There are volume buttons that will work for your TV, playback controls and general navigation, plus a button at the top that turns the remote into an Alexa microphone for voice search.
Amazon Fire TV Stick (3rd Gen) tech specs
(Image credit: Amazon)
Bluetooth version 5.0
HDR support HDR10, HDR10+, HLG
Max resolution 1080p
Dolby Atmos Yes
Storage 8GB
Finishes x1
Dimensions (hwd) 13 x 30 x 86mm
Weight 32g
Those looking for 4K and Dolby Vision support will have to look elsewhere. The Amazon Fire TV Stick (3rd Generation) maxes out at 1080p HD, but can still process HDR metadata in the shape of HDR10, HLG and even Samsung’s HDR10+. Dolby Vision isn’t supported, though Dolby Atmos is.
The headline addition, though, is the all-new Amazon Fire TV Experience. The reimagined UI design pares everything down to four main screens, Home, Find, Library and Live, for a more holistic approach to your entertainment. The platform pulls in content from other streaming services, including Netflix, Disney+ and iPlayer, and sits those suggestions alongside TV and films available on Prime Video. The end result is less of a shop window for Amazon and a more useful quick hit of recommendations from across the board instead.
It’s pretty well done too. The top row on the Home page is itself a mixture of content from your subscriptions, followed by lines of film and TV suggestions dedicated to what’s on specific services such as Netflix and iPlayer. It’s certainly an improvement on the previous iteration of the Fire TV OS, but still isn’t a match for what Google has done with the Google TV UI on Chromecast.
That first row of content on the new Fire TV experience never seems to be as much of a mix as it could be. It tends to start with too big a burst from a single source, whether that’s a few screens of animated Disney content or a slew of Amazon Originals. It’s also still too Prime Video-heavy as we scroll down the page with the rows dedicated to other services swamped by too much of what’s on Amazon.
The ‘Find’ section of the experience is far better, as it seems to give a more balanced approach, as well as plenty of handy suggestions of genres and sub-genres to drill down into. Fancy comedy horrors, action dramas or trending documentaries? This is the place to look.
If you have the right to watch a piece of content for free, the Fire TV OS will let you know. It also directs you to free versions on apps you might not already own, including those available through free trials. The only thing to watch out for is that the UI still encourages you to buy and rent 4K content, even if the Stick won’t allow you to play it back at UHD resolution.
Like all current Fire TV devices, Alexa is along for the ride and makes an easy way to navigate around the OS. The addition of six user profiles per household – each with its own preferences, apps, permissions, watchlists and settings – is also welcome.
All the major apps are present here, apart from Google Play Movies & TV and Rakuten. There’s HDR available on Netflix, Disney+, Prime Video and Apple TV, but there’s no Dolby Atmos material on Apple and no way of buying new content on Apple TV through the Fire Stick itself. You have to purchase or rent content via your computer or phone, at which point it will be available in the Apple TV library on the Stick.
Picture
(Image credit: Amazon)
Heading straight to the HDR sections of the popular streaming services, we’re delighted to see that this Stick’s performance is excellent. Watching I Care A Lot on Prime Video in HDR, it’s easy to spot how well this device puts that tonal metadata to good use.
The bright scene outside the courthouse in the first episode is full of potential pitfalls. There are textures to render and different blacks to produce all while under the glare of the midday sun that bounces off the pale stone steps and floods the picture with a harsh white light. Despite all this, the Fire TV Stick copes admirably.
Even at the maximum-supported 1080p resolution, we get a decent sense of the stone-washed jeans of a bystander and the layers of clothing material on the black-clad Eiza Gonzalez. The sky is a searing blue and Rosamund Pike’s dress an expensive red, while the nearby trees remain a natural green. It’s an enjoyable picture with an easy-to-watch balance between dynamism and subtlety.
Dropping to SDR content is certainly a different experience, but the picture still pleases. It’s a punchy effort with a lot of brightness and big contrast, which helps to keep that sense of zeal to the on-screen action. Watching the sitcom Flowers on Netflix in Full HD, there’s plenty of impact as Mrs Flowers walks down her ramshackle garden to flirt badly with the tradesmen. What could be quite a flat, overcast sky has a bold, foreboding look and works as a fantastic foil to the dark brown, gnarled trees and the thick, overgrown grass. You can’t fail to get a sense of the way the story is going to play out.
That dynamic approach isn’t without its drawbacks, though. The focus on punch can leave detail fairly scant without the benefits of HDR. The faces of the characters sometimes come off a little too uniform, missing the same wealth of tone that is available from the Fire TV Stick 4K, given the same source material. The push for high contrast can overpower black depth and white detail too, unless you keep a careful eye on your TV settings. Again, that’s something the more expensive Stick has a better handle on.
Sound
(Image credit: Amazon)
The differences in audio between the Fire TV Stick (3rd Generation) and the 4K model are far less marked than the picture performance. Their overall character is undeniably similar.
Listening to This is Me from The Greatest Showman soundtrack on Tidal, there’s a respectable sense of rhythm to the music in the build towards the first full chorus. The drum rolls are tight enough to pick out the individual beats of the sticks, the reverb on the guitar is clear and controlled, and all of the excellent diction on vocals is nicely clipped.
Switching to the cinema, we head to the freeway crash shoot-out at the beginning of Deadpool on Netflix with its wealth of surround sound action. The audio is just as spacious as we’d expect from a budget streaming stick. Ajax’s motorbike zips neatly from one side to another as he weaves his way through the traffic, and both the movement and detail of sound as the pin flies out from the hand grenade shows what an enjoyable experience this stick can deliver.
At the same time, the 4K model is just a touch better all over for sound. Dynamically, the more expensive model has a noticeable edge that is easy enough to pick up both with music and while watching video content. It’s also a little crisper, which gives it a shade more energy.
Playing This is Me via the third-gen Stick, there isn’t quite the same thrill as the chorus reaches its crescendo. The equivalent for Deadpool is a slight loss of dimension to the sound effects. The bullets are a little less impactful than through the 4K Stick, and it’s noticeable in more incidental noises, such as the opening of the electric car door window before the eponymous hero pops his head out to address the bad guys. There isn’t quite that same satisfaction to its clunk as the glass reaches its limits.
Verdict
The third generation of the original Amazon Fire TV Stick offers the kind of solid performance we’ve come to expect from the Stick family. It also features all of the most important apps and comes with an all-new interface that offers owners a genuine solution to the problem of what to watch next at short notice. HDR viewing is excellent and it’s hard to ask for much more sonically.
The trouble is that more is actually available and for only a little extra. For just a few extra pounds or dollars, you can buy the 4K version of the Fire Stick, which is slightly better performing with the same content and offers all of that 4K future-proofing too. And that leaves our third-generation model, although good, in a slightly sticky spot.
Apple has not been spared the effects of the ongoing global component shortage, according to a new report in Nikkei. The publication says that some production of MacBooks and iPads has been delayed, with “a portion of component orders” pushed back to the second half of 2021.
The issue with MacBooks is said to be related to the ability to mount certain components on circuit boards ahead of the device’s assembly. Delayed iPad production, meanwhile, is apparently because of a shortage of displays and display components. Bloomberg reported earlier this week on how the squeezed supply of display drivers is causing a bottleneck across the entire tech industry.
Nikkei didn’t state which MacBook or iPad models would be affected, nor whether the postponed production was for existing devices or yet-to-be-announced updates. Apple is widely expected to launch new versions of the iPad Pro this year, as well as continuing the transition to deploying its own processors across the entire Mac line. Analyst Ming-chi Kuo recently said that a new 12.9-inch iPad Pro with a Mini LED display would go into mass production this month.
iPhone production is said to be unaffected so far, though two sources described component supply as “quite tight.” Nikkei says the shortage “remains a supply chain issue for Apple and has not yet had an impact on product availability.”
The Amazon Music mobile app is getting a new feature to make it a little bit easier to use while driving. Car Mode is a simplified version of Amazon Music’s interface, featuring larger buttons, suggested playlists and albums, and easy access to Alexa.
Once enabled, Car Mode is divided into two sections. The upper part near the top of your phone is devoted to playback controls like play, pause, and skip, while the bottom section features a collection of music suggestions which you can switch between with a swipe or a tap. If a hands-free experience sounds better (and it probably should if you’re trying to drive safely) you can trigger Alexa in the bottom right corner with a tap or by using an Alexa voice command (“Hey Alexa, play Elton John”).
Car Mode doesn’t add any new functionality to Amazon Music, but its changes to the user interface could make it easier to switch songs or dive into a new playlist without having to take your attention away from the road. Like Spotify’s own take on simplified car controls, Amazon Music can be set to switch to Car Mode as soon as it recognizes your phone connecting to your car’s Bluetooth. For anyone with an older car, Car Mode can also be enabled in settings.
Amazon Music might not be as popular as Spotify or Apple Music — it’s on its way with over 55 million subscribers as of January 2020 — but for a growing service that’s pretty easy to try if you’re already have an Amazon Prime subscription, any new feature has the possibility to help a lot of people. Car Mode is available in Amazon Music now on iOS and Android.
The first Bluetooth tracker that can work with Apple’s vast Find My Bluetooth network of iPhones, iPads, and Macs is here. But it’s not Apple’s long-anticipated AirTags tracker; it’s the Chipolo One Spot, an updated version of the company’s One tracker that’s designed to exclusively work with Apple’s network.
Chipolo calls the One Spot a “special edition” product. While it has the same 12-month battery life (with replaceable battery), 120dB ring, water resistance, and overall design as the regular One tracker, the One Spot only works with Apple’s Find My network.
That’s potentially an upgrade for anyone who already uses Apple products, given that a Bluetooth tracking tag is only as effective as the number of users who are on the same network. And while Chipolo has been around for a while, it’s still far smaller compared to more established players like Tile or the hundreds of millions of Apple devices around the world.
The One Spot also features some Find My specific functionality, like a “Lost Mode” that allows users to tag an item as missing — which will, in turn, notify other Find My users if it’s found with a short message and a phone number to help you get your stuff back.
It’s a sort of bewildering product, given the context of Apple’s rumored AirTags tracker that’s potentially going to be released later in 2021, and it would similarly be a Find My-exclusive Bluetooth tag for keeping track of lost or missing items. Chipolo’s tracker lacks the rumored Ultra-WideBand radio support that Apple’s tag will reportedly feature for more precise tracking, but that aside, it’s hard to imagine what else Apple’s tag will bring to the table that’s not already available on the One Spot.
Preorders for the Chipolo One Spot will start in May, with shipping planned for the beginning of June. No price has been announced yet.
Apple is officially opening up its Find My tracking network to third-party companies (as it had promised last year.) Now, any hardware manufacturer can add software-side support for Apple’s localized network to track missing items — so long as they play by Apple’s Made for iPhone (MFi) accessory rules.
The first wave of items that can now be tracked starting today include VanMoof’s S3 and X3 e-bikes, Belkin’s SoundForm Freedom True Wireless Earbuds, and the Chipolo One Spot tracking tag — all of which can now rely on Apple’s crowdsourced Bluetooth network (which encompasses millions of iPhones, iPads, and Macs).
Users will be able to add those devices to the updated Find My app starting today and can track them through that app much in the same way that they’d track any missing Apple product.
Chipolo’s Find My-compatible One Spot tracker.
Apple says that third-party devices looking to add support will have to apply through the company’s MFi program for authorized accessories and “adhere to all the privacy protections of the Find My network that Apple customers rely on.” Approved products will sport a new “Works with Apple Find My” badge to let customers know that they’re compatible with Apple’s network.
Additionally, Apple announced that it’d be offering a chipset specification for third-party hardware companies to integrate with the Ultra-Wideband systems in Apple’s more recent phones for even more precise tracking in the future. Apple has also long been rumored to be working on its own AirTags product, which would offer similar UWB-based tracking.
If portable audio has been shaped by anything other than advancing headphones technology in recent years, it’s the arrival of portable DACs – pocketable ‘middleman’ devices that connect between a phone or laptop and a pair of headphones to improve sound quality. We’ve had laptop-friendly AudioQuest DragonFlys and the more versatile Audiolab M-DAC nano, for example, and now THX (yes, that same firm famously behind cinema audio standards) is entering the consumer electronics market with a similar device.
The all-new THX Onyx ($200, €210) is a dongle designed to enhance the performance between your USB source and your headphones or desktop speakers. You can plug it into any PC, Mac or Android device toting a USB or USB-C port, with iOS devices requiring the slim Apple Lightning to USB Camera Adapter to be compatible. At the other end, the Onyx has been designed to drive all manner of headphones – those with impedances from 22ohms to 600 – via its 3.5mm jack, through which desktop speakers can also be connected.
It’s the first DAC of its kind to utilise THX’s AAA-78 amplifier technology, which is the highest-powered configuration within the company’s Achromatic Audio Amplifier design and promises the same power output as a desktop THX AAA DAC amp – just in a much smaller package. THX says this technology can “reduce harmonic, intermodulation, and crossover distortion by up to 40dB”, promising a performance with “infinitesimally low levels” of noise and distortion. It also claims this makes the Onyx up to five times more powerful than other similar USB DACs.
Our pick of the best DACs 2021: USB, portable and desktop DACs
(Image credit: THX)
That AAA technology is bolstered by an ESS ES9281PRO DAC chip, as well as a Master Quality Authenticated (MQA) renderer for playing back MQA hard files and (MQA-encoded) Tidal Masters in their native quality.
The Onyx has an all-metal body, with LED lights to signify the quality of file being played through it – blue denotes 44.1kHz or 48kHz PCM files, yellow signifies sample rates above that, while red and pink display DSD and MQA signals respectively. THX has incorporated cable management into the design so that wires from connected headphones are kept neat and tidy, too.
THX Onyx is now available in the United States and Europe for $200 and €210. Needless to say we look forward to taking it for a spin very soon.
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Astell & Kern AK USB-C Dual DAC cable promises to boost your portable listening
Last week, Apple Arcade received its biggest update since launching back in 2019. More than 30 titles were added to the subscription service, including much-anticipated games like Hironobu Sakaguchi’s roleplaying epic Fantasian. But while the quantity and quality of titles added were impressive, the most important part of the announcement was a change in direction. Among those big-name exclusives were a number of classics, ranging from Monument Valley to chess to Threes, that help round out the service. Apple Arcade has finally matured into something close to a Netflix for mobile games.
Since the beginning, the pitch for Apple Arcade has been entirely centered on quality. While the App Store continues to devolve into a space dominated by free-to-play games, Arcade provided an alternative where some of the most talented developers in the world could create great mobile games without having to worry about monetization. It launched alongside new games from the likes of Zach Gage and Ustwo, and it has continued to add titles on a near-weekly basis. Subscribers get all of those games for a flat monthly fee. It’s been a solid service — but it’s always felt like something was missing.
When you sign up for something like Netflix, it might be because of one of the service’s big exclusive titles like The Witcher or Bridgerton. But that won’t necessarily keep you hooked. Part of what makes Netflix so compelling is everything else, from reality shows to classic sitcoms, that give you something to watch after you’re done with the big tent poles. Frequently, these aren’t traditional exclusives: think of how important Friends and The Office have become in the age of streaming TV.
Those kinds of experiences are something Apple Arcade didn’t really have before this shift. Now, though, when you’re done playing a short narrative game like, say, Creaks or Assemble With Care, there’s a lot more to keep you invested with recent additions like Good Sudoku or Threes.
Wonderbox.
Even better, while many of these games are available on other platforms or through the App Store, the Arcade versions are generally improved because they feature no form of in-app purchases or monetization. You won’t find puzzle or card games saddled with ads or have to open loot boxes in NBA 2K21. There’s even Star Trek: Legends — essentially a character-collecting gacha game — which almost feels strange to play without being prodded to spend money. (This lack of microtransactions makes Arcade a very family-friendly service.)
It’s also important to note that this change in strategy is additive. Apple has introduced two new categories to Arcade — one for older App Store hits, another for classic games like chess or solitaire — but it’s still releasing those big exclusive titles. In addition to Fantasian, last week’s update included Wonderbox (think Minecraft meets Zelda for younger players), World of Demons (the latest action game from PlatinumGames, the team behind Nier: Automata and Bayonetta), and Taiko no Tatsujin: Pop Tap Beat (a new entry in an excellent long-running rhythm game series). It’s a great and diverse lineup of experiences; sometimes scrolling through games on Arcade can feel like heading into an alternate reality version of what mobile gaming could have been if the race to free-to-play never happened.
Obviously, none of this is a guarantee of success. And if previous reports are to be believed, the shift appears to be a result of Arcade’s inability to keep subscribers hooked. While the subscription model is now dominant for the music, film, and television industries, it’s still relatively nascent for games. Outside of Xbox Game Pass, there hasn’t been a major success to date. Apple Arcade arguably faces a greater challenge being on mobile, where users have long been conditioned to expect games for free. The Netflix of games still feels inevitable, even if we’re not there yet — but Arcade feels closer than ever.
Trade-in provider Gazelle exited the online trade-in business back in February, and now the company says it’s changing its mind. Gazelle is back to accepting online trade-ins of iPhones, Samsung phones, Google Pixel devices, and iPads and other tablets on its website, the company confirms to The Verge. The program resumed accepting new offers on April 5th, a Gazelle representative clarified.
“Earlier this year, we announced that we will no longer be offering our trade-in option on Gazelle. After careful consideration, including feedback from customers like you, we have decided to keep Gazelle Trade-In going. Today, we are happy to say, ‘We’re back, baby!’” reads an email Gazelle sent to prospective customers and shared with The Verge. “Gazelle Trade-In is a pioneer of the electronics trade-in space and we are happy to continue building on our legacy by offering a simple process and immediate payouts for those unwanted devices.”
Gazelle emerged as one of the leading trade-in providers of the smartphone era. But its business model didn’t fare as well when the US mobile phone business underwent major shifts away from two-year contracts and outright device purchases and toward phone leasing and carrier and device maker trade-in programs like Apple’s.
Gazelle announced back in December of last year it would end its online phone trade-in program on February 1st, 2021, though the company said at the time it would continue to operate its in-person trade-in kiosks through parent company ecoATM. Gazelle did confirm in the email sent to customers that it will not be bringing back its rewards program. “We will continue to evaluate the market conditions and will inform you if this changes,” the email reads.
Threes designer Asher Vollmer is launching a new studio, Vodeo Games, and announced the company’s first game, a turn-based adventure called Beast Breaker.
Beast Breaker stars Skipper, a tiny mouse warrior fighting mosaic monsters. The game relies on tactical choices via pinball-like mechanics; players can also craft equipment to assist them on their journey. It’s heading to Nintendo Switch and PC this summer. Vodeo released a brief trailer alongside the news today that shows off the game’s quick gameplay and colorful art style.
On its website, Vodeo says it plans to release small, intimate games “full of complex, interlocking systems that can take years to fully master,” once every year. The studio is already teasing a second one as part of its plan to work on multiple projects.
Since releasing Threes, Vollmer has continued to work on other experimental projects, including low-fi peasant-simulator Royals and Apple Arcade fantasy title Guildlings.
Sony has officially launched Bravia CORE, its 4K lossless video streaming service. The bad news? It’s currently exclusive to those with a Bravia XR TV and a very fast internet connection.
As we reported in January, Bravia CORE uses Pure Stream technology to serve up the latest box office films at bitrates of between 30 Mbps – 80 Mbps, along with immersive DTS sound. In other words, similar or higher quality than that of most 4K Blu-ray discs.
Now, Sony has revealed that the Bravia CORE app will come pre-loaded on all new Bravia XR models including the A90J, Z9J, A80J, X95J and X90J. Lucky owners will get access to over 300 4K lossless titles such as Venom, Ghostbusters, Blade Runner 2049 and Jumanji: The Next Level.
Just how much ‘access’ depends on how much you splurge. Buy a range-topping A90J or Z9J and you’ll get free access to the service for 24 months and 10 credits to spend on lossless CORE titles that are otherwise available on pay-per-view basis. Buy any other Bravia XR model and you’ll get five credits and 12 months free access.
You’ll need a nippy broadband connection, too. While Netflix recommends a 25 Mbps connection for streaming 4K movies, Sony says Bravia CORE “requires a minimum internet speed of 43 Mbps.” In fact, streaming the highest quality lossless movies requires a minimum internet speed of – drumroll, please – 115Mbps. Holy smokes.
The service also claims “the largest IMAX Enhanced movie collection” – over 50 films remastered by IMAX and Sony Pictures to boost the image and sound on Bravia XR TVs. The selection appears to be pretty decent, and includes the likes of Baby Driver, A Beautiful Day in the Neighborhood and Little Women. Sony has also revealed that CORE will provide users access to a “separate library of movies to stream any time and as many times as they like, in up to 4K HDR quality.”
At this point, you might be wondering what happens when the free 24/12 month subscription expires? Will Bravia CORE continue to be free? That’s yet to be confirmed but according to Sony, “you may watch the movies you have redeemed via Bravia CORE until February 23, 2026”.
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The technology and social media we use every day constantly bombard us with things we’ve shared in the past or advertise to us based on who they think we are. Those past posts can be fun to relive, and every once in a while, those targeted ads do actually work. But Wired senior writer (and former Verge staffer) Lauren Goode published a powerful and personal story about how these technologies can also haunt us with memories of times we may want to forget.
In the essay, Goode describes how she called off her wedding in May 2019, and ever since, she has grappled with technology reminding her of her former relationship and the wedding that didn’t happen. Here is just one devastating passage:
Social media and photo apps were by now full-on services, infused with artificial intelligence, facial recognition, and an overwhelming amount of presumption. For months, photos of my ex appeared on the Google Home Hub next to my bed, the widgets on my iPad, and the tiny screen of my Apple Watch. So yeah: My ex’s face sometimes shows up on my wrist. As I write this, Facebook reminds me that nine years ago I visited him in Massachusetts and met his family’s dog.
Goode also writes about how difficult it is to escape these reminders because of the near-impossibility of removing your data from the internet:
I managed to do half the work. But that’s exactly it: It’s work. It’s designed that way. It requires a thankless amount of mental and emotional energy, just like some relationships. And even if you find the time or energy to navigate settings and submenus and customer support forms, you still won’t have ultimate control over the experience. In Apple Photos, you can go to Memories, go through the collage the app has assembled for you, delete a collage, untag a person or group of people, or tell the app you want to see fewer Memories like it. The one thing you can’t do? Opt out of the Memories feature entirely.
But she also shares how this technology and the data we keep can still give us meaning, even if it is from a time that may no longer represent what it once did:
Never mind that I’m wearing a white silk dress in the photo, that there’s a ring on my finger and a hazy row of bridal gowns on racks behind us. I still won’t delete it. I won’t archive photos from the half-marathon I ran with my ex, the one finish line we crossed, because I ran 13.1 miles and I’d prefer to remember how that felt on days when I have nothing left in the tank. I won’t delete the albums I have from half a dozen Christmases, because I need to believe holiday gatherings will happen again. I won’t unfollow our wedding photographer on Instagram, because—even though she never shot our photos—I appreciate her work as a keeper of other people’s memories.
No matter what I write here, I can’t do Goode’s incredible story justice. Just go read it.
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