You won’t find many true wireless earbuds that come close to matching the all-round brilliance of the Sony WF-1000XM4
For
Clear, detailed bass performance
Wonderful sense of musicality
Comfortable
Class-leading battery life
Against
Missing Sony’s Multipoint feature
Lacking ear tip choices
No aptX HD
How do you improve on arguably the best all-round true wireless earbuds on the market? Sony has gone back to the drawing board and designed a brand new pair that look nothing like their predecessors – and the result is the WF-1000XM4. Is it a brave move? Definitely. Crazy? Quite possibly.
Sony’s WF-1000X range of wireless earbuds has been a dominant force in this category over the last few years, and the last pair to emerge from its stable, the WF-1000XM3, are two-time What Hi-Fi? Award-winners.
But instead of making the odd refinement here and there, Sony’s engineers have gone to town on the WF-1000XM4 with an all-new design, a new charging case and a new audio processor. They have even found time to develop a new eartip material, which here is appearing on a pair of Sony earbuds for the first time. What could possibly go wrong?
Luckily for Sony, very little does. In fact, the WF-1000XM4 are one of the most feature-packed, user-friendly and sonically gifted pair of wireless earbuds we’ve tested.
Pricing
Unsurprisingly, the Sonys sit at the premium end of the market, coming in at £250 ($280, AU$500). That places them right in the firing line of other five-star rivals such as the Sennheiser Momentum True Wireless 2 (£279, $299, AU$499), Bose QuietComfort Earbuds (£249, $280, AU$399) and, of course, the Apple AirPods Pro, which at the time of writing range in price between £199 ($199, AU$300) and £249 ($249, AU$329).
Build
(Image credit: Sony)
Your initial contact with the WF-1000XM4 is a surprising one. Sony has ditched the usual glossy box for recycled packaging made from a special blend of paper. This makes for a more compact box (34 per cent smaller than the WF-1000XM3’s), and one that’s plastic-free. That’s great news for the environment, though it doesn’t really give off the vibe that you’ve just bought a pair of premium noise-cancelling headphones.
Sony WF-1000XM4 tech specs
(Image credit: Sony)
Bluetooth version 5.2
Noise-cancelling Yes
Battery life 8 hours (BT + ANC), 24 hours (total)
Voice control Google Assistant, Amazon Alexa
Finishes x2
Weight 7.3g (x2)
Once you’ve liberated the WF-1000XM4 from their packaging, you’re greeted by a small, black charging case. It’s smaller than the case that comes with the Bose Quiet Comfort Earbuds, and positively tiny (40 per cent smaller) compared with the charging case that comes with their predecessors.
The case charges via USB-C and also introduces wireless charging to the WF-1000X range for the first time – all you need is a compatible Qi charging pad. You can even battery share with compatible smartphones and piggyback off their power supply, too.
You shouldn’t have to worry too much about the battery life. Sony’s new buds might come with a smaller case, but the XM4’s battery life is actually up compared with the XM3. You now get eight hours of play from the earbuds with noise-cancelling and Bluetooth turned on, and Sony claims the case can supply a further 16 hours of charge. That places their battery life from a single charge above all major rivals. The AirPods Pro can only manage five hours, the Sennheiser Momentum True Wireless seven hours and the Bose QuietComfort Earbuds six hours. Turn off noise-cancelling and the Sony’s life is extended to 12 hours from a single charge and 24 hours with the case. A five-minute quick charge is good for one hour of playtime, too.
You can see the life remaining in both the buds and the case through Sony’s Headphones Connect app, which will also give you a reminder when the case drops below 30 per cent charge.
As with all wireless earbuds, battery life can vary due to a number of different factors, such as the quality of files you’re listening to, how hard the internal processor is working, and the volume you’re listening at. During our testing, we found the battery life consistently good enough to get us through a day of mixed use.
Comfort
(Image credit: Sony)
Flip open the magnetic case and you’ll see the all-new earbud design of the WF-1000XM4. Based on a combination of customer feedback about the XM3 and research about the human ear, Sony has settled on a rounder body that sits more inside the ear opening.
The matte finish on each earbud gives the headphones a premium feel, while the small accents around the microphone and sensor holes add a tiny splash of colour. Speaking of colour, the XM4 come in a choice of black or silver.
If you want your XM4 to double as sports or running headphones you’ll be pleased to know they boast an IPX4 rating, making them resistant to “splashing from any angle” – a big improvement on the old model.
Besides the new-look earpieces, the XM4 also have brand new eartips. Made from polyurethane, which feels like a cross between silicone and foam, Sony claims they help secure a tighter, more stable fit. The thousands of tiny bubbles in the tips are also supposed to help reduce and dissipate noise.
The only downside here is that you only get a single set of small, medium and large-sized tips to choose from. Sony says you will get years of use out of one pair, and naturally extra tips should be available to purchase if you need them.
We don’t have any major problems sliding the earbuds in and twisting them into place. If you are struggling for a seal, you can pinch the tips and slide them into your ear canal, until they expand. We find they sit snugly in your ear opening, but they are comfortable over longer listening sessions.
To make sure you have the perfect fit, Sony has introduced a new air-tightness test, accessible through its Headphones Connect app. The app fires out a test tone and reports back on whether or not you need to make any adjustments. It’s worth trying out, especially if you feel the sound is lacking bass or there is outside noise leaking in.
In fact, we’d recommend installing the Headphones Connect app when you first connect the XM4. It gives you direct access to all the key features and functions of the earbuds so you can choose which ones to enable and disable. It also helps you get set up for listening to music in Sony’s 360 Reality Audio format from compatible streaming services such as Tidal and Deezer.
Features
(Image credit: Sony)
The circular outer surface of each earpiece is a touchpad and, by using the Headphones Connect app, you can customise the functionality of each one. They can control volume and playback or switch between noise-cancelling and ambient sound modes through the usual combination of taps, presses and long holds – and the headphones are quick to respond to these actions. Switching between sound modes, changing volume and activating and deactivating features such as Quick Attention (which drops the volume of what you’re listening to, so you can have a quick conversation without having to remove the earbuds from your ears) happen with minimal fuss.
The Sony WF-1000XM4 borrow the Speak-to-Chat function that debuted in the WH-1000XM4 wireless headphones. This feature allows you to talk to someone while the earbuds are still in place and is triggered when you start talking. It works well, although as is the case with the over-ears, it’s only triggered a second or so after you start talking.
This slight delay can be frustrating, as can the tendency for the feature to be triggered by a cough or an impromptu karaoke session while sat at your desk. You can reduce the sensitivity of the feature, or you can turn it off completely and either use Quick Attention or remove an earbud completely (which pauses playback automatically).
On the inside of the XM4 is plenty of new technology. The earbuds feature an improved DAC and analogue amplifier and are powered by a new Integrated Processor V1. Sony claims it provides a clearer sound and even better noise-cancelling than their predecessor. The new model also gets Sony’s DSEE Extreme audio processor with Edge-AI, which we have already experienced in the WH-1000XM4 over-ear headphones, and is designed to upscale low-bitrate music files to near hi-res quality.
The 6mm driver used inside the XM4 is similar in size to the one used in the previous model, but it’s made from a new material and features a bigger magnet, which Sony claims helps improve sound quality and noise-cancelling, especially with certain low frequencies.
There’s no aptX HD support onboard, but the XM4 support Sony’s LDAC file format, which, streamed over Bluetooth from a compatible source, allows hi-res audio files up to 24-bit/96kHz to be transmitted at data rates of up to 990kbps.
(Image credit: Sony)
Sony has also aimed to deliver clearer call quality with new features, including beam-forming and the use of a bone conduction sensor that stops the mics from picking up distracting ambient sounds while you’re talking. There’s even an automatic wind noise reduction mode which attempts to cut out swirls of noise passing through the headset and into your ears.
All of this works with Sony’s Precise Voice Pickup technology, originally introduced in the WH-1000XM4. The net effect is an impressive call quality for a pair of wireless earbuds. The technologies all combine to do a solid job of dampening down outside noise and interference, especially for the person on the other end of the line.
The general level of noise-cancelling is excellent, especially for a pair of wireless earbuds. Not everyone likes that ‘vacuum’ feeling you get when it’s turned on, but it’s extremely effective through the Sonys and you’ll struggle to find better noise cancellation at this level.
Android users will be pleased to hear the Sonys are compatible with Fast Pair so you can get up and running with minimal fuss. You receive a battery notification pop-up on your smartphone when they power up and you can even track their location down using the Google Find My Device app.
Unfortunately, iOS users don’t get any such pairing perks, but all you need to do to start pairing is open the case and take the headphones out. It’s a shame Sony hasn’t carried across the ‘Multipoint’ feature enabled on the WH-1000XM4 over-ears. This allows you to connect the headphones to two different Bluetooth devices simultaneously, which can come in handy if you’re working on a laptop but still want to be connected to your phone. Here’s hoping it can be added at a later date.
In terms of stability, we use an Apple iPhone 12 and Macbook for the bulk of our testing and find the connection to be rock solid with no dropouts, even in more built-up areas.
Sound
(Image credit: Sony)
Before we get to the WF-1000XM4’s immense musicality and expressive dynamics, we should note the way the headphones handle bass. The quality of bass and the clarity of low frequencies is stunning. There’s such a fantastic level of detail on display that it makes rival headphones, such as the Bose QuietComfort Earbuds, sound congested in comparison.
We’re keen to hear how the earbuds handle one of our favourite bass-heavy test tracks, Massive Attack’s Angel – and we’re blown away by the confidence with which the song is dispatched. Every element of that pulsing bassline is precisely deployed and dripping in texture. It’s the clarity around the notes that really grabs you – it allows the WF-1000XM4 to communicate intricacies in the bass notes that other headphones struggle to uncover.
But it’s not a sound that purely favours low frequencies. There’s clarity across the board and a sense of rhythmic precision that allows the Sony’s to switch pace effortlessly. They sound as at home keeping up with, and succeeding in not being tripped up by, Radiohead’s 15 Step as they are dispatching the slow, deliberate swagger of Nina Simone’s Feeling Good.
Simone’s effortless vocal oozes class and sophistication, with every nuance in her delivery laid bare for the listener. Combine the emotion in her voice with the impact of the piano, percussion and wind section and the Sony’s create a captivating sound you can’t help but be swept away by.
If you were wondering whether the WF-1000XM4 would be a step up from the WF-1000XM3, we can confirm that they are. The newer model sounds more informative and uncovers more subtle detail. Bass notes are better defined and the overall sound is better balanced. Even the much-admired Sennheiser Momentum True Wireless 2 struggle to match the Sonys for tonality and refinement.
You can hear that refinement and natural tone shine through as we listen to Ludovico Einaudi’s Experience. From the delicate, deliberate piano strokes at the start to the soaring strings at the song’s climax, the Sonys bring the individual personalities to life and mix them together like the ingredients of a fine cocktail.
Verdict
We’re quite taken by the Sony WF-1000XM4. Given all the design changes and new features in these wireless earbuds, it must have been a real challenge to get them right. But Sony has absolutely nailed it. The headphones deliver a satisfying user experience, class-leading battery life, some of the best noise-cancelling we’ve heard in this category, and absolutely stunning sound quality. Put simply, this is a new benchmark for premium true wireless earbuds.
(Pocket-lint) – There’s no beating around the bush, the Sony WF-1000XM4 true wireless in-ears are exceptional for their price. And, while there are one or two competitors that offer slightly better sound quality, they are usually more expensive and cannot match these for adaptive noise-cancelling (ANC) tech.
Sony has taken an already excellent pair of ANC headphones – the WF-1000XM3 ‘buds, in this case – and improved almost every aspect, resulting in a class-leading product. Sure, some will likely bemoan Sony’s lack of support for Qualcomm’s aptX, but the XF-1000XM4 are still among the best all-round in-ears we’ve had through the test labs. Here’s why.
Design and comfort
Bluetooth 5.2 to each ear
Four NC microphones
Bone conduction sensor
Custom Polyurethane eartips
The first thing that’ll strikes you when unboxing the headphones from Sony’s new totally biodegradable packaging is just how much smaller the charging case is from the previous generation. It is, according to Sony, 40 per cent smaller – and it notices.
To be fair, the last model has one of the biggest charging cases in the business – especially when compared to its near competitors – so the latest brings the XM4s into line. However, its lightness and pocket-sized girth are both very welcome.
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As is the Qi charging and the matte plastic finish. The latter makes it nice to hold in the hand and will disguise minor scratches, we expect. The former wireless charging feature will make it much easier to just plonk the case onto a mat, ready to pick it up again when you are about to leave the house.
The ‘buds themselves are smaller than before – 10 per cent, it is claimed – with a familiar bulbous design, matte finish, some neat design touches such as small gold elements (rose gold on the black version we tested).
There are two noise-cancelling mics on each ‘bud, one behind the (almost) Mod symbol on the front, another behind a little slot facing rearwards. Both are accented by gold.
Three different sized eartips are included in the box, which are made from soft polyurethane rather than the usual silicone. This allows for a more comfortable, secure fit that also aids noise isolation greatly.
You do have to fiddle around with each ‘bud a bit more than with most brands in order to get it into the right position in your ear, but the audio quality merits it. The Sony Headphones Connect app even helps each ‘bud analyse the shape of your ears for even better audio personalisation.
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We were pleased to note that after a decent period of use these ‘buds were just as comfortable as they were at the start. That’s not something we could comparatively say about their predecessors.
They also stay in better during exercise. We haven’t worn them on a full run yet, but have aggressively used an exercise bike and jogged on the spot a few times to make sure they don’t wobble much. They are also IPX4 certified, so are sweat- and water-resistant.
Setting up the WF-1000XM4 earphones is a doddle. They support both Android and Windows’ easy pairing modes, while our iPhone found them instantly in the Bluetooth list. The Sony Headphones Connect app also found them straight away.
It is here that you get to customise just about every nuance, including the ANC modes, touch controls, and sound equaliser (EQ). Sony provides many more options than a lot of rivals we’ve tried, so you can spend a while tweaking all the options to suit you best. However, the defaults are generally decent too, if you don’t want to get bogged down in minutiae.
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The ‘buds themselves have touch options on each ear: noise cancelling/ambient sound controls on the left; play/pause on the right. Touch both at the same time for seven seconds and you can set them back into pairing mode.
These touch options can be changed in the app though, such as adding voice assistant activation or volume. Both Alexa and Google Assistant can be enabled by voice instead – with wake-word support – so you are probably best sticking to the original setup.
You will need to turn on Speak-to-Chat though, if you want to use it. This stops any playback as soon as you talk – handy for speaking to cabin crew on an aircraft, for example. And, you might want to adjust the Bluetooth connection too – if the priority on sound quality is causing too many dropouts.
DSSE Extreme is also available in the app on a slider. This is said to enhance standard audio – MP3/AAC – to a higher bitrate through artificial intelligence.
Sony’s tried and trusted ANCtech is on board too, of course, which is one of the last customisable options. Again, default will be perfect for most as it will assess the best sound mode based on your current location and circumstance – whether you are sitting, travelling, and so forth.
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We did find that we had to go into the app to force ANC on when we wanted to use it in the garden, for example, as it thought the ambience was tranquil enough – and we didn’t.
This generation of in-ears come with a new integrated V1 processor, which better handles ANC duties, you just have to make sure certain options are tuned to your own preferences first.
Sound performance and battery
Up to 24 hour battery life (8hr in buds, 16hrs in case)
Qi wireless charging
New integrated V1 processor
LDAN and Hi-Res Audio Wireless support
There are a number of reasons why the Sony WF-1000XM4 earbuds outperform their predecessors. A new 6mm driver with increased magnet volume, plus enhanced amplifier is one. A high compliance diaphragm is another. The latter is more flexible, so can reduce latency and therefore more accurately reproduce certain frequencies.
In short, these ‘buds sound great. We tested them mainly on an iPhone 12 Pro Max, which means we couldn’t feed them with lossless audio that way. However, we also ran a few lossless tracks over LDAC (which is Sony’s own high-res streaming codec – but nobody has any idea what the acronym means) on a supporting Android handset, so feel we got a good grip on their capabilities.
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The ‘buds are Hi-Res Audio Wireless capable and support LDAC themselves, although they do not come with support for Qualcomm aptX or any of its guises. As we’ve said above, that might irk some, but many handsets are LDAC-enabled these days and we’d imagine these will be used with lower bitrate tracks for the vast majority of the time anyway.
To that end, DSEE Extreme is provided. This is a newer version of Sony’s own AI-driven software. It essentially upscales lower quality audio to around CD quality – filling in the gaps as it imagines. It’s a bit like watching a Blu-ray on a decent 4K TV – it will look better, but don’t expect miracles.
Still, unless you are an audio purist, you will likely love the richness and grunt of these ‘buds. Even basic AAC versions of The Beatles’ She’s Leaving Home and Liam’s Gallagher’s Once exhibited great detail and staging, especially with DSEE Extreme activated. While the thumping bass hits in Elbow’s Dexter & Sinister grab you by the nethers.
That’s in either noise cancelling and ambient sound modes. Speaking of the former, the improvements made to the tech are quite impressive. ANC on in-ears has been somewhat hit-and-miss in the past, but the new implementation here is jaw-dropping at times.
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Considering how the world is right now, flying anywhere to test its prowess, even taking a train have been difficult, but we wore the ‘buds with ANC on while mowing the lawn as part of our tests. We didn’t hear the mower. At all. Some might think that dangerous, but it’s certainly staggering.
What’s more, the Bluetooth connection held up well. We’d like to find out how it would act when thousands of wireless technologies are all bouncing around and competing – on a packed London Tube concourse, say – but that’s not really feasible right now.
Battery life might be tested a little more then too. As it stands, Sony quotes eight hours for the ‘buds, a further 16 in the case, and that seems reasonable based on our experiences – if a little stingy compared to some competitors. We do love that addition of Qi wireless charging though – it makes life so much simpler.
Verdict
Sony has sure hit its stride now, first with the superb WH-1000XM4 over-ears, now followed-up by these exemplary WF-1000XM4 in-ears. There are so many new features in these true wireless earbuds that they’re even worth considering as an upgrade over the last generation – something that we rarely recommend.
Above all it’s the excellent audio performance and, in particular, active noise-cancelling (ANC) talents. Yes, we couldn’t really try them out in as many real-world settings we would usually wear ANC ‘buds in, but in homelife equivalent tests they hold up superbly.
So sony has done it again: it’s truly taken every tiny quibble anybody had with the XM3s, tweaking and improving along the way to make a class-leading pair of in-ears that will take some beating. The WF-1000XM4 are fairly pricey, of course, but we think worth every penny.
Also consider
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Bose QuietComfort Earbuds
A very strong competitor in the active noise-cancelling game, offering similar sound isolation, comfort, and longevity for a very similar price. Talk about battle of the best!
Following the recent announcement of its second-generation 14 and 15 Series amplifiers, Rotel has now taken two of its preamplifiers into their next generation.
The new RC-1590MKII (pictured top) and RC-1572MKII (below) replace the original, 2015- and 2017-released models, elevating the designs with performance upgrades that include “over 75 critical” component changes (between them) and an enhanced acoustic circuit that borrows technologies engineered for the high-end Michi series.
Rotel has chosen to use new coupling capacitors directly in the audio signal path for improved frequency response in the DAC circuits, while resistor and capacitor upgrades have blessed the DAC power supply, volume circuit and XLR balanced circuits.
To that end, there are balanced XLR inputs and outputs, a PC-USB input that supports MQA, a moving magnet phono, plus more analogue and digital connections, the latter of which are fed by a 32-bit/384kHz Texas Instruments DAC. There’s aptX and AAC Bluetooth onboard too and both machines are certified Roon Tested.
(Image credit: Rotel)
The RC-1590MKII is the reference model, its design built around a power supply that features dual in-house manufactured toroidal transformers that are physically and electrically isolated and promise to provide current to the circuits with low distortion and a quiet noise floor. Dual RCA and XLR outputs can accommodate bi-amplification, and a subwoofer output is also on the menu.
Beneath it is the RC-1572MKII, which has a design built around one of Rotel’s in-house manufactured toroidal transformers.
Orders can now be placed for the Rotel RC-1590MKII and RC-1572MKII, which are priced £1695 ($2100) and £1150 ($1400) respectively. Shipping begins in July in the United States and Canada, with the rest of the world to follow shortly thereafter.
MORE:
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Recognising the convenience of Bluetooth and the fact that not every hi-fi system – especially those of the vintage variety – has it integrated, McIntosh has launched a device that brings it onboard any home audio set-up.
The MB20 Bluetooth transceiver is a two-way device that can both receive and transmit audio wirelessly. In receiver mode, the MB20 can accept audio from a phone or any other Bluetooth source for playback through the system it’s connected to. In transmitter mode, the transceiver can send music playing on a system, including from vinyl and CDs, to a pair of Bluetooth headphones or speakers. A back-panel switch changes the device to the required function.
The MB20 supports the latest Bluetooth 5 codec, as well as aptX HD, aptX Low Latency and AAC for higher quality transmission between compatible devices. It can connect to systems via a range of outputs and inputs, which include RCA, XLR, optical and coaxial connections.
(Image credit: McIntosh)
As a receiver, it utilises a 32-bit/192kHz DAC (if used with an external DAC, its output is fixed at 96kHz). And when in transmitter mode, it uses an ADC with a 110dB signal-to-noise ratio.
The Class 1-supporting MB20 can transmit audio within a 150-foot (45.7m) range – 10x greater than a typical Class 2 Bluetooth device – and features an external antenna designed to maximise its range.
The McIntosh MB20 is available to order now, priced £649 ($500), with shipping expected this month for the United States and Canada, and in June for the UK.
MORE:
10 affordable ways to upgrade your hi-fi system
How to add a streamer to your hi-fi system
15 of the best turntable accessories for better vinyl sound
(Pocket-lint) – Make a list of things the world is crying out for. How far up your list does ‘another pair of true wireless in-ear headphones’ come? The answer may well be ‘not very’.
However, at least LG’s Tone Free HBS-FN7 aren’t just another ‘me-too!’ by-the-numbers attempt to steal market share from the likes of Apple’s AirPods Pro.
The HBS-FN7 have a feature or two that sets them apart from the majority, including ultraviolet (UV) cleaning. So while the world is all too familiar with products like this, might it find room in its heart for these LGs?
Design
Black or white finish
Weigh: 5.6g per earbud
Included charging/self-cleaning case
The wireless earbud arrangement pioneered by Apple, whereby a stem drops from the wearer’s ear like some hi-tec jewellery, is a bit of a ‘Marmite’ proposition, isn’t it? So whether you dig it or despise it, that’s the route LG has gone down with the HBS-FN7. The stem is pretty short here, mind you, though that’s counterbalanced (literally) by the fairly bulbous in-ear area of the FN7 design.
Best true wireless earbuds: Wire-free Bluetooth audio bests
At less than 6g per earbud, though, the LG are undeniably easy to get comfortable and to wear – even for hours on end. They’re provided with a selection of hypoallergenic eartips, too, so even the uncommonly sized ear should have no trouble finding a decent fit.
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The options for earbud finish – it’s shiny white or shiny black – look good until they’re dulled by fingerprints. And that happens pretty much immediately.
The brilliantly compact charging case – which is less than 3cm deep, less than 6cm in diameter, and a mere 39g – is in a much more successful (and slightly grippy) matte finish. Fingerprints, therefore, are less of a bother here.
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You won’t be staggered to learn, given that it’s LG we’re discussing here, that build quality is beyond criticism. Keep them safely in their case when you’re not using them and the HBS-FN7 will last a long time.
Features
Bluetooth 5.0
IPX4 splash resistance
Ultraviolet (UV) cleaning
Sound tuned by Meridian
Active noise-cancellation (ANC)
Battery capacity: 390mAh (case), 55mAh (per ‘bud)
Having promised an unusual feature or two, that may as well be where we start – with LG’s UVnano technology. Pop the earbuds into their charging case, close the lid and wait for the little blue LED to illuminate – this indicates the case is scrubbing the earbuds free of bacteria using UV light. And in these ‘hand-sanitiser everywhere you turn’ times, that can only be a good thing, right?
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Elsewhere, it’s business slightly more as usual. The FN7 use Bluetooth 5.0 for wireless connectivity, and are compatible with SBC and AAC codecs. That’s more than good enough to access some hi-res audio from a top-tier streaming service subscription, but it would have been nice to see aptX Low Latency too – after all, we all like to consume a bit of video content on the move, don’t we?
The sound, once it’s on board, is delivered by a couple of 6mm neodymium full-range drivers. And as another differentiator, LG has opted to give the FN7 a bit of hardcore hi-fi credibility by continuing its partnership with UK specialist Meridian. So there are some Meridian-derived equalisation (EQ) settings to be investigated.
There’s active noise-cancellation (ANC) included here too, and while that’s hardly a revolutionary feature it’s not especially common down in lower price brackets. There are a couple of intensities to choose from – ‘high’ and ‘low’, naturally – as well as an ‘ambient sound’ setting that boosts external noise to keep you orientated. Noise-cancelling can be switched off, too.
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Battery life is an OK-we-suppose 5 hours from the earbuds (with noise-cancelling switched on), with another three full charges available from the charging case. So 20 hours, all in, is plenty long enough to go between charges, but there are plenty of alternative earbuds that will go for longer. For recharging there’s USB-C or wireless Qi charging is available.
Interface
Raised touch-surface
Control app
There’s the tiniest little bump at the top of each FN7 stem – it’s a capacitive surface, and it proves extremely responsive. So you can instruct the earbuds to ‘play/pause’, ‘volume up/down’, ‘skip forwards/backwards’, ‘cycle through noise-cancelling options’ and ‘answer/end/reject call’ really easily and with confidence.
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Alternatively, you can always avail yourself of LG’s impressive Tone Free control app. It’s very nicely rendered, is unswervingly stable and reliable, and has quite a breadth of functionality. Rearrange the way the touch-controls respond, explore Meridian’s EQ presets (‘natural’, ‘treble boost’, ‘bass boost’ and ‘immersive’ are pretty self-explanatory), control noise-cancelling intensity, or save a couple of EQ presets you’ve defined yourself.
It’s here where you can update software too, and where you can provoke the earbuds into emitting a piercing chirrup. ‘Find my earbuds’, that last feature is called – and they’d have to be quite a long way away for you to fail to hear them calling to you.
Sound quality
As far as sound quality is concerned, what the HBS-FN7 do well they do very well indeed. Where they’re found wanting, though, they fall down quite heavily.
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On the plus side, set the EQ to ‘natural’ and the balance of the sound is very nicely judged. The low frequencies have weight but plenty of momentum too – so a chunky tune like The Bug’s Poison Dart hits more than hard enough, but doesn’t get bogged down by its own heft.
The feverish vocal in the midrange of the same tune is detailed, packed with character and enjoys a lot of breathing space too, and as a consequence there are real powers of communication on display here.
And the top of the frequency range has ample crunch but doesn’t get particularly hard, even if you like to listen at oppressive volumes.
The integration of the whole frequency range is smoothly achieved, too, so there’s convincing unity to the sound – nothing is overstated or underplayed. (Of course, mess with the EQs and you can undermine all of this good work. The choice, as always, is yours.)
The soundstage upon which all this happens is properly laid out and coherent. There’s more than enough space available for each individual strand of the recording to be identified, but that’s not at the expense of unity or integration – there’s proper confidence to the way the FN7 stage a song.
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What there isn’t much of, though, is dynamism or attack. The LG just can’t summon the reserve to put much distance between the quietest and the loudest parts of a recording, and neither can these ‘buds shine much of a spotlight on the little harmonic variations that are so important to giving the listener the complete picture. Attack, of which in normal circumstances The Bug is far from short of, is of the mildest, politest type. And anyone who knows this recording knows ‘polite’ isn’t really what it’s aiming for.
The active noise-cancelling is only a qualified success, too. Set to ‘high’ it undoubtedly takes quite a lot of external noise out of the equation – but it introduces a slight-but-definite hiss at the bottom of the noise-floor as it does so. Set it to ‘low’ and it may as well be set to ‘off’.
Verdict
We go out as we came in: by pointing out that you’re spoiled for choice where products of this type are concerned.
The LG HBS-FN7 have some real strengths, no doubt about it – the balance of their audio reproduction, the quality of their construction and the excellence of their control app, for instance, as well as the reassurance of their self-cleaning technology.
But if the reason you’re buying earbuds is to get as complete an account of the music you like as your budget will allow, they come up fractionally short. Still, the UV cleaning technology is undoubtedly a special attraction.
Also consider
Pocket-lint
Sony WF-1000XM3
For a little less than the cost of the LG, Sony will sell you equally adept (and more attacking) sound, much better noise-cancelling and a different, but equally odd, physical form. You’ll have to clean the bacteria off them manually, mind you…
Cambridge’s Award-winning recipe has been refined to include app support and extra sonic clarity and detail
For
Extra ounce of dynamic expression
Great clarity for the level
Slick app support
Against
No noise-cancelling
When Cambridge Audio announced a new model in its inaugural and two-time What Hi-Fi? Award-winning Melomania line-up, we heaved a collective sigh of relief. The Melomania 1 Plus (or Melomania 1+) promise the same look and feel of their decorated older sibling, the original Melomania 1, but with additional app support, customisable EQ settings and the British audio firm’s innovative High-Performance Audio Mode.
There’s a new colourway, too – gone is the ‘stone’ grey hue we lovingly dubbed ‘NHS Grey’. Here, the upgrades are hard to spot to the naked eye, but then again, beauty is usually in the detail. The pricing hasn’t changed, with the Melomania 1 Plus launching at the now-traditional £120 ($140, AU$185).
So how good do they sound, and are they worth upgrading to?
Build and comfort
(Image credit: Cambridge Audio)
The fresh white finish of our Melomania 1 Plus charging case sample (also available in black) is a matte affair and a solid upgrade on its predecessor. It feels cool, tactile, more pebble-like and means that fingerprint smudges no longer collect on the perfectly sized case.
Cambridge Audio Melomania 1 Plus tech specs
(Image credit: Cambridge Audio)
Bluetooth version 5.0
Finishes x2
Battery life Up to 45 hours (low power)
Dimensions 2.7 x 1.5cm
Weight 5.6g (each)
The five-strong row of LEDs to indicate battery life remains, just below the snappy flip-top lid. The ‘L’ and ‘R’ on each earpiece, underneath the tiny LED light on each, are now written in electric blue lettering. You now get a USB-C fast charging port, too.
Although multiple ear tips were promised to ensure a secure fit, what Cambridge has done is double up on its standard small, medium and large offerings, so you now get two sets of each rather than one.
There are also two sets of medium and large ‘memory foam’ options, but curiously no small option. The memory foam tips are only supplied in black, too – the regular tips are white – which spoils the ice-white aesthetic somewhat.
The bullet-shaped buds are practically identical in build to the Melomania 1 – each weighs the same 4.6g, boasts IPX5 certification against rain and sweat, houses a 5.8mm graphene-enhanced driver and boasts Bluetooth 5.0 connectivity with aptX and AAC codec support.
Features
(Image credit: Cambridge Audio)
The Melomania 1 Plus boast up to nine hours of battery life on a single charge plus four extra charges from the case, which adds up to an impressive 45 hours of total playtime when in Low Power mode. In the default High-Performance mode, you’ll get seven hours from a charge or 35 hours in total courtesy of four more blasts from the case, which is still highly competitive.
Pairing is easy using the handy quick start guide. Only one earpiece needs to be paired on your device; the second bud (labelled ‘Handset’) will simply request a connection to it – and that only needs to be done once. During our tests, the connection between both units and our device remains secure and snag-free.
Possibly the biggest upgrade with this new iteration is support for the free Melomania app, which is now considerably more stable than it used to be. With it comes the ability to customise the EQ settings yourself or pick from six presets, check the battery level of each earbud, locate misplaced earbuds on a map, and receive firmware updates.
Touch controls here involve pressing the circular button on each bud and we find these intuitive and useful. Holding down the right one increases volume, while holding down the left lowers it – simple and effective. A single press of either earpiece starts or pauses playback, two skips forward a track (right earbud) or back a song (left earbud), and three presses of the right bud calls up Siri on our iPhone – although note that they can also access the Google Assistant.
These controls are so reliable that we rarely dig out our smartphone when testing them in transit. That should be a given, but it hasn’t always been our experience when testing competing buds at this price.
Cambridge has advised wearers to position the earpieces so that the recessed circle within the circular top surface of the driver housing is at its lowest point so that the MEMS mic in each bud can perform to its fullest. We do so and are able to enjoy clear voice calls.
The good news is that with low power mode deployed, you’ll get a performance that is on a par with the originals.
Sound
(Image credit: Cambridge Audio)
Switching back to High-Performance Audio and with all EQ levels unaltered, we’re treated to an impactful and expansive presentation of Kate Bush’s And Dream Of Sheep (a Tidal Master file). The keys feel three-dimensional in our left ear as Bush’s vocal soars through the frequencies centrally, backed by samples of seagulls, pared-back guitar picking, wind instruments and spoken word. When the brooding storm builds, the Melomania 1 Plus deliver it dutifully and with remarkable clarity for this level. This is a small but definite improvement on their older sibling for layering and detail.
Instruments such as the slinking bass, Wurlitzer and saxophone at the outset of Beck’s Debra are organised with precision and given an extra few yards of space within the mix, too. The low-level, call-to-action vocal before the verse is often lost in muddier bass registers of lesser headphones, but not here. Beck’s distinctive voice is emotive and held masterfully in check even as the intensity builds. Through the mids and treble, we’re aware of the step-up in terms of clarity and refinement over the original Melos.
Through heavier tracks such as Eminem’s Stan, the teeming rain sounds natural at the window as Stan’s scrawl cuts through with clarity, underpinned by an accurate and regimented bassline. There are marginal gains to be had over the originals in terms of the dynamic build too. The leading edges of notes are marginally cleaner in the updated set of in-ears, as demonstrated by the initial synth strings in Dr Dre’s Forget About Dre.
In our review of the five-star Panasonic RZ-S500W, we said that in direct comparison, the Cambridge product suffered marginally for detail. That balance is now redressed with the Melomania 1 Plus. Whether you prefer the Panasonic proposition over the Melomanias will likely come down to the former’s noise-cancelling or teardrop design, neither of which feature in the Cambridges. But for an engaging, detailed, expansive listen, the Melomania 1 Plus are very much back in the running for best at this level.
Verdict
Cambridge’s compact, fuss-free and affordable design was a hit with us the first time around in 2019. The addition of a slicker paint-job, app support for EQ customisation and the step-up in sonic detail and refinement – without the anticipated price hike – only makes us want to heap extra praise upon the new Melomania 1 Plus.
While the original Melomania 1 can now be had for a significant discount, we’d still point you towards this updated model. There’s no noise-cancelling onboard, but those who don’t need shouldn’t hesitate to add these latest Melomanias to their shortlist.
Best Bluetooth speakers Buying Guide: Welcome to What Hi-Fi?’s round-up of the best Bluetooth speakers you can buy in 2021.
Finding the best Bluetooth speaker for your particular needs isn’t the cake walk it might at first seem. It’s nothing to do with shortage of options – every online manufacturer from Apple to Ultimate Ears is vying for a bite of the Bluetooth cherry and by association, your hard-earned cash. The challenge is knowing which model is most worthy of your precious coin. Fret not, for that is where we come in. We’ve done the heavy lifting and rounded-up our pick of the best Bluetooth speakers across all shapes, sizes and prices to ensure you discover a product you’ll be over the moon with.
It may sound obvious, but the key thing when looking for a Bluetooth speaker is to avoid opting for the first model that takes your fancy. Yes, it might be a looker, but is it the best model for you? If you want your love for it to still be strong, after the boys of summer have gone, why not read our independent review of the product – and maybe reviews of competing products in the price category – first? You might discover a few features you didn’t know you could get for the money.
(Image credit: JBL)
1. JBL Flip 5
No frills and fantastic sound quality – this is the Best Bluetooth speaker for value.
SPECIFICATIONS
Dimensions: HxWxD (cm): 7.4 x 18.1 x 6.9 | Power: 20W | Features: Bluetooth v4.2, PartyBoost for multiple connections to PartBoost enabled JBL speakers, IPX7 rated | Connections: USB-C charger
Reasons to Buy
Solid bass and timing
Great sense of acoustics
PartyBoost stereo pairing
Reasons to Avoid
No aux-in or microphone
Not Connect+ compatible
Basic app
A What Hi-Fi? 2020 Awards-winner. If all you want is a portable Bluetooth speaker that sounds as good as you can currently buy for around £100 ($100, AU$119), you’ll be hard-pressed to better the fantastic Flip 5. JBL’s newest offering sounds great for the price and is rugged enough to cope with a day at the pool.
The Flip 5 is waterproof to an IPX7 rating, boasts a 12 hour battery life and has a USB-C charging port, meaning it goes from flat to fully juiced in just 2.5 hours. It’s a pleasure to use and scores highly for portability, with a wrist strap that slips comfortably over our hand. There’s also a PartyBoost button that helps you pair two PartyBoost-enabled speakers to create a stereo pair, or link over 100 PartyBoost-compatible speakers in mono.
Sound is impressively weighty and agile, with a good punch of bass and a real sense of openness and texture. Assuming you don’t mind the lack of an aux-in port or inbuilt microphone (as seen in the Flip 4), you’ll almost certainly be wowed by this speaker’s sonic chops. A superb performer.
Read the full review: JBL Flip 5
(Image credit: Tribit)
2. Tribit Stormbox Micro
A fun and bubbly Bluetooth speaker that’s serious when it comes to sound
SPECIFICATIONS
Dimensions: HxWxD (cm): 9.8 x 9.8 x 3.5cm | Power: 9W | Features: water/dustproof, Bluetooth 5.0, stereo-pairing mode | Connections: 3.5 mm stereo
Reasons to Buy
Mature, musical sound
Surprisingly weighty bass
USB-C charger
It’s hard to imagine a home decor, backpack or personal taste that the Tribit Audio Stormbox Micro couldn’t merge in with happily. It’s the size of a stack of drinks coasters, it’s IP67 rated, there’s a useful rubberised strap across the back of it and you can pair two of them in stereo mode.
You’ll be pleasantly surprised by the bass clout the Tribit is able to deliver. Although a speaker of such dimensions is obviously limited in terms of bass weight, it does remarkably well; close your eyes while listening and you’ll picture a bigger product.
If your budget maxes out at £50 ($60), the Tribit is a splendid option. Similarly, if you only have a small zip compartment in the top of your backpack for a sonic travel companion, this speaker is worthy of that space. Take note, Ultimate Ears: a little-known brand called Tribit Audio just produced a budget belter of a Bluetooth speaker.
Read the full review: Tribit Audio Stormbox Micro
(Image credit: JBL)
3. JBL Charge 5
Updated specs and subtle tweaks for JBL’s fifth-generation Charge
SPECIFICATIONS
Dimensions: HxWxD (cm): 22 x 9.6 x 9.4cm | Power: 30W + 10W tweeter | Features: waterproof, Bluetooth v5.1, power bank, voice assistant integration | Connections: USB-C, USB-A
Reasons to Buy
Clearer and more detailed sound
Wider soundstage
Updated dustproofing
The JBL Charge 5 is even more durable and better sounding than the four Charges before it. Its predecessor carried an IPX7 rating, meaning it could handle being submerged in water to a depth of 1.5m, but the IP67-rated Charge 5 builds on that durability by also being fully dustproof. Want a speaker roughly the dimensions of a bottle of wine that’ll charge your phone and sound great? You’ve found it.
Thanks in part to a new 10W tweeter and racetrack-shaped driver, the Charge 5 is currently as good a sound as you can get in a portable Bluetooth speaker design for under £200 ($200, AU$300). It boasts marginal improvements, both sonically and aesthetically, over its predecessor, the five-star Charge 4 (below).
One day JBL may produce a Charge that can be outdone by a new and plucky rival, but rest assured, that has not happened with the rather splendid Charge 5.
Read the full review: JBL Charge 5
(Image credit: Bang & Olufsen)
4. Bang & Olufsen Beosound A1 (2nd Gen)
The weightiest and most refined little speaker we’ve heard in a while
SPECIFICATIONS
Dimensions: HxWxD (cm): 4.6 x 13.3 x 13.3cm | Power: 2x30W | Features: Alexa inbuilt, water/dustproof IP67, Bluetooth 5.1, stereo-pairing mode | Connections: USB-C
Reasons to Buy
Expansive sound, weighty bass
Competent Alexa integration
Stunning build and finish
Bang & Olufsen isn’t noted for following the herd. In the Danish electronics specialist’s catalogue you’ll find a wheel-shaped wireless speaker, a TV that opens up like a butterfly, and an 8200-watt monolithic speaker comprising 18 drivers. Its output could reasonably be described as “premium” and “innovative” – and the B&O Beosound A1 (2nd Gen) wireless speaker is no exception.
It boasts similar dimensions to a large floury bap, but that’s where any comparisons with baked goods end. The new A1 supports Qualcomm’s latest aptX Adaptive Bluetooth 5.1 codec, and of course, Alexa is built-in.
It works a treat, too, delivering a pleasingly comfortable yet authoritative performance that you’d be happy listening to all day. Throw in its classy, well made design, easy to use operation and the bonus of Alexa, and you’re looking at a Bluetooth speaker sequel that has very much been worth the wait.
Read the full review: Bang & Olufsen Beosound A1 (2nd Gen)
(Image credit: JBL)
5. JBL Go 3
JBL’s newest soap-sized speaker sounds good – but the finish and battery life won’t wash with today’s class leaders
SPECIFICATIONS
Dimensions: HxWxD (cm): 8.8 x 7.5 x 4.1 | Power: 4W | Features: Water/dustproof IP67, Bluetooth 5.1 | Connections: USB-C
Reasons to Buy
Sensible treble
Fuller bass
More volume
Reasons to Avoid
Poor battery life
Not very durable finish
The diminutive, soap on a rope-styled Go 3 features Bluetooth 5.1 instead of 4.1 plus a maximum power output of 4.2W, up from 3W in the Go 2 (listed below). The one specification that hasn’t changed is the Go 3’s stamina. It takes 2.5 hours to charge fully, and you can still only get five hours of playtime from it from a single charge.
If you can live with this, there’s much to celebrate in the sound department at the level. The extra power and overhauled design have resulted in some solid sonic enhancements, and aesthetically it’s perhaps even cuter than the original. We gave this iteration five stars for sound. Will five hours get you through a day at the beach or a lazy picnic in the park though? Probably best to take a wireless charger.
Read the full review: JBL Go 3
(Image credit: JBL)
6. JBL Charge 4
A fun and bubbly Bluetooth speaker that’s serious when it comes to sound.
SPECIFICATIONS
Dimensions: HxWxD (cm): 22 x 9.5 x 9.3 | Power: 30W | Features: waterproof, Bluetooth v4.2, power bank, voice assistant integration | Connections: 3.5 mm stereo
Reasons to Buy
Rugged and water resistant
USB port for charging
Great sound quality
Reasons to Avoid
Perhaps too subtle for some
The fact that we really like the JBL Charge 4 should come as no surprise to those who read our Charge 3 review. Not only is this one of sweetest-sounding Bluetooth speakers around at this end of the market, it serves up a whopping 20 hours of playback from a single charge. Impressive.
JBL has fine-tuned the sound in this latest iteration to please even pickier ears. Obviously there’s a limit to the bass floor in a speaker of this size, but the low-end is tasteful – and there’s plenty of punch.
You get a nice array of features for the money, too. The IPX7 water resistance means the Charge 4 can handle being submerged in water to a depth of 1.5m. And unlike the Flip 5 (above), you can also use the Charge 4 to juice up your phone – or any other device that will charge over USB from a 5V supply.
The Flip 5 (above) is cheaper and lighter, but the Charge 4’s rugged design, excellent battery life and ‘battery sharing’ make it a near-perfect speaker for camping, beach trips and home use.
Read the full review: JBL Charge 4
(Image credit: Linn)
7. Linn Series 3
One of the best wireless speakers we’ve heard with a premium price tag.
SPECIFICATIONS
Dimensions: HxWxD (cm):25 x 29.6 x 20.6 | Power: : 2x100W | Features: Wireless integrated Linn DSM player, Exakt digital crossover | Connections: Ethernet, USB, HDMI ARC
Reasons to Buy
Wonderfully articulate
Luxury design
HDMI ARC for TV connection
Reasons to Avoid
No analogue inputs
No Tidal Masters support
Let’s address the elephant in the room: the Series 3 is one of the most expensive wireless speakers we have tested. It’s over three times the price of the B&W Formation Wedge. Can such an outlay be justified? Well, yes.
Linn’s gorgeous design aesthetic and proprietary Exakt technology certainly helps. Linn Exakt aims to reduce phase errors by intentionally delaying higher frequencies so they arrive at your ear at the same time as lower frequencies. It also keeps the music signal’s data in the digital domain for as long as possible to avoid any degradation caused by signal processing. We’ve heard Exakt do its thing in many a Linn product before, and here again it contributes to an absorbing performance packed with stunning midrange clarity and a level of insight that sets it apart from more affordable competitors.
As you’d expect, the Series 3 is packed with premium features and Linn’s well established streaming platform, which offers access to networked servers and high-quality music services Tidal and Qobuz via Linn’s app. You even get an HDMI ARC socket, which allows you to connect the speaker to a TV.
At £3000 ($3850, AU$5800), we can hardly describe the Series 3 as a bargain, but we are utterly convinced of its appeal.
Read the full review: Linn Series 3
8. Ultimate Ears Wonderboom 2
An affordable Bluetooth speaker with a weighty sound and good battery life.
SPECIFICATIONS
Connectivity: Bluetooth | Power: Battery | Battery life: 13hrs | Charge time: 2.6hrs **Dimensions (hwd):** 10.4 x 9.5 x 9.5cm | Weight: 420g
Reasons to Buy
Punchy, entertaining sound
Hefty bass
Decent battery life
Reasons to Avoid
No wi-fi or smart assistant built-in
No mic for hands-free calls
Ultimate Ears has really made a splash in the Bluetooth speaker market with a number of colourful, fun-sounding and portable models. One its most biggest hits? The impressive Wonderboom 2.
It’s waterproof, sandproof, dustproof and is also designed to float, so it should withstand the most lively of pool parties. Battery life is 13 hours and a full charge takes just under three.
Sonically, the Wonderboom 2 is an exciting listen. Bass is impressive bass given its small dimensions and there’s plenty of detail and a fine sense of attack. You also get a ‘boost’ button on the underside of the unit. When pressed, it restricts the bass frequencies, allowing the UE to play louder through the midrange, which in turn makes the sound easier to hear when the unit is used outdoors.
There’s no built-in mic or app, but the Wonderboom 2 is easily one of the best sounding Bluetooth speakers you can buy for the money – and a What Hi-Fi? 2019 Award-winner too, y’know.
Read the full review: Ultimate Ears Wonderboom 2
(Image credit: Dynaudio)
9. Dynaudio Music 5
A superb sonic performance from a distinctive speaker.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: 250W (mains powered) | Inputs: analogue audio jack, Toslink optical digital audio | Battery life: N/A | Dimensions (hwd): 20 x 66 x 18.5cm : | Weight: 5.4kg
Reasons to Buy
Expansive, weighty and accurate
Great for larger rooms
Top-notch build
Reasons to Avoid
No AirPlay 2
No Spotify Connect
The Dynaudio Music 5 is the second-largest one-box speaker in the company’s inaugural, four-strong Music series. And love or loathe its angular looks,we can’t help but be won over by how the Dynaudio Music 5 sounds.
It might be a powerful, but the Music 5 has the sonic nous to keeps things refined. While the Award-winning Naim (below) just edges it for both subtlety and a slightly livelier sound, there isn’t much in it – and the Dynaudio Music 5 boasts superiority in other ways. In a larger room, it boasts better weight, scale and authority. Sound is smooth, detail-rich, refined and resoundingly listenable.
Connectivity is excellent, too, with aptX Bluetooth, wi-fi and AirPlay all present. Open up the Dynaudio app and you’ll discover NoiseAdapt, a feature that helps sound cut through a noisy room – useful during loud parties.
Assuming you love its distinctive styling, the Dynaudio Music 5 is a sophisticated performer and a superb buy.
Read the full review: Dynaudio Music 5
10. Audio Pro Addon C3
Portability, multi-room skills and excellent sound quality in an impressive package.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: 3.5mm | Battery life: 15hrs | Dimensions (hwd): 11.5 x 21.5 x 13.5cm | Weight: 2.45kg
Reasons to Buy
Mature, refined sound
Impressive timing
Tight, textured bass
Reasons to Avoid
Control app could be slicker
The Audio Pro Addon C3 isn’t just the best Bluetooth speaker at this price, it’s a stylish, wi-fi connected, multi-room capable centrepiece – plus it’s a What Hi-Fi? 2019 and 2020 Award winner.
Sound is focused yet open and airy, meaning you can fill a decent sized room with immersive, weighty sound. It has an fantastic sense of refinement for such a small speaker, not to mention a rear-firing bass reflex port that delivers plenty of low-end grunt.
This model won’t charge your smartphone but it does feature an ethernet port, giving you the option to hardwire it to your home network. The battery serves up around 15 hours playback (less if you crank the volume up to the max).
The C3 supports streaming services such as Spotify, Tidal, Qobuz and Apple Music, and while there’s no built-in voice assistant, you can control the speaker via the Alexa app.
If you’re after something more rugged and portable, we’d suggest rivals such as the Ultimate Ears Megaboom or JBL Xtreme. But as a sensational-sounding multi-room proposition, this speaker gives Sonos a serious run for its money.
Read the full review: Audio Pro Addon C3
(Image credit: Naim)
11. Naim Mu-so Qb 2nd Generation
Just a few tweaks make for a superb second version of this premium Bluetooth speaker.
SPECIFICATIONS
Dimensions: HxWxD (cm): 21 x 22 x 21 | Power: : 300W | Features: Apple AirPlay 2, Chromecast, Spotify Connect, Tidal, Roon Ready, Hi-res up to 24-bit/384kHz, remote control | Connections: 3.5mm aux, USB, optical S/PDIF, Ethernet
Reasons to Buy
Open, detailed and expressive
Loads of streaming options
Multi-room ready
At What Hi-Fi?, we know full well the value of revisions. Yet still, it was quite the surprise when first we heard about one made by Naim, with its second generation of the Mu-so Qb wireless speaker. The previous iteration was great, earning five stars when it was first reviewed. This version, however, is even better.
You can now choose between an Olive, Terracotta or Peacock grille alongside the standard black, but the best tweaks Naim has made go far deeper. Remove whatever colour grille you’ve gone for and you’ll be rewarded with upgraded and optimised midrange and bass drive units, all powered by a total of 300W of amplification.
You won’t be short of streaming options, thanks to Chromecast Built-in and Apple AirPlay 2 alongside Bluetooth for streaming from a device, as well as Spotify Connect, Roon Ready, internet radio and Tidal. You’ll also be able to access files up to 32-bit/384kHz anywhere on your home network via the updated Naim app
With punchy bass and sparkling and rich tones across the frequencies, we had no hesitation in awarding the Mu-so Qb 2nd Generation our 2020 What Hi-Fi? Award for the best home wireless speaker over £500 – for the second year running.
Read the full review: Naim Mu-so Qb 2nd Generation
12. Amazon Echo Dot (3rd generation)
One of the best and cheapest ways to introduce Alexa to your home.
SPECIFICATIONS
Dimensions: HxWxD (cm): 4.3 x 9.9 x 9.9 | Features: wi-fi, multi-room, Bluetooth V4.0, Alexa voice assistant, Spotify, TuneIn, Amazon Music | Connections: 3.5 mm stereo
Reasons to Buy
Clear, solid sound
Improved Alexa capabilities
Budget price
Reasons to Avoid
Alexa intelligence is limited
Amazon’s ever-expanding collection smart speakers dish up decent sound and a whole load of voice functionality for not a lot of money. The Echo Dot is one of the cheapest in the range – and a great little portable device that’s perfect for the kitchen or bedroom.
The fabric-covered puck features a 4cm driver that pumps out decent enough sound. Alexa sounds loud and clear and, for the money, music sounds rich and full. It’s perfectly acceptable as a background music device, plus you can always wire in other devices via the 3.5mm aux output for better sound.
You need to connect the Echo Dot to power, so it’s not as portable as some options on this list. But on the upside, the Echo Dot can be used to play music, answer questions, read the news, check the weather, set alarms and control compatible smart home devices, from TVs to home cinema amplifiers and speakers.
For the money, it’s one of the best cheap portable speakers around.
Read the full review: Amazon Echo Dot (3rd generation)
13. Audio Pro Addon T3
Bigger than some rivals, but still portable enough to give serious consideration.
SPECIFICATIONS
Dimensions: HxWxD (cm): 11.5 x 21.5 x 13.5 | Power: 2x 5W + 15W Digital class D | Features: Bluetooth V4.0 | Connections: 3.5mm stereo, USB
Reasons to Buy
Full sound
Expressive and dynamic
Faultless build
It might be one of the less portable speakers in this list, but the T3 can still be carted around thanks to the carry handle. It’s robust rather than heavy, and boasts a battery life of up to 30 hours. Like bass? You’re in luck – the solid chassis and rear-firing bass port will have you tapping your toe in no time.
There’s no wi-fi (if you want wi-fi, opt of the Addon C3), but the Bluetooth-enabled T3 features a similarly classy design with textured surfaces and a leather embossed handle .
Audio Pro tends to ignore gimmicks in favour of high-quality sound but this speaker does have the facility to charge up your smartphone or tablets via a USB port. You also get an auxiliary input for your TV/MP3 player/record player.
Sound is superb, with plenty of depth and detail throughout the frequencies. If you want something for home and in the garden, this could work nicely – maybe not the one for your carry-on luggage, though.
Read the full review: Audio Pro Addon T3
14. JBL Xtreme 2
One of the best Bluetooth speakers we’ve heard with bags of ability.
SPECIFICATIONS
Connectivity: Bluetooth | Power: Battery | Inputs: 3.5mm | Battery life: 15hrs | Dimensions (hwd): 13.6 x 28.8 x 13.2cm | Weight: 2.39kg
Reasons to Buy
Clean, clear sound
Balanced bass
Robust build
Reasons to Avoid
Hefty design
No wi-fi or multi-room smarts
The JBL Xtreme 2’s boombox design has fun and excitement written all over it. The rugged, IPX7 waterproof exterior, 15 hour battery life and ability to charge your phone from its USB port mean it’s a great option for the beach.
Wireless features have been stripped-back, though. There’s no wi-fi, so you can’t stream from Spotify. And it won’t let you talk to Alexa or Google Assistant, just set a button to activate them in the manner of an earphone’s in-line remote.
JBL Connect+ is the most unusual feature on this otherwise standard Bluetooth speaker. It lets you link up to 100 JBL speakers, to make the equivalent of a nightclub PA in your home.
There’s plenty of boom to the sound, but we’re not talking ridiculous levels. That deep powerful bass is also nicely controlled too. Mids are of a high quality and highs show more clarity than you traditionally get from such a product. For the money, the JBL Xtreme 2 is brilliantly balanced Bluetooth speaker.
Read the full review: JBL Xtreme 2
15. Ultimate Ears Blast
Energetic performance, Alexa onboard and Wi-Fi connectivity.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: N/A | Battery life: 12hrs | Dimensions (hwd): 118.8 x 6.8 x 6.8cm | Weight: 463g
Reasons to Buy
Great portable design
Exciting, dynamic sound
Good detail and punchy timing
Reasons to Avoid
Top end can get excitable at loud volumes
Alexa features not exhaustive
Ultimate Ears has a knack for making Bluetooth speakers that combine the right combination of sound, design and rugged features, and it does so again with the Blast. Its cylindrical 360-degree design means it throws sound evenly around the room, while the tough ‘IP67 waterproof’ exterior means it can can survive in 1m of water for 30 minutes.
It’s crammed with connectivity, too. You get Bluetooth, wi-fi and Alexa smart assistant voice controls, meaning you can turn up the volume or play songs through Amazon Music Unlimited without lifting a finger. Far-field voice recognition is excellent, and there’s a nifty LED strip that glows and blinks when you interact with Alexa.
The lack of 3.5mm audio input might bother some, but we found the Blast to be a real crowd-pleaser. The 360-degree sound and bass output is far better than one might expect for this kind of money; throw in Alexa smarts and you have a fun, energetic speaker that offers plenty of bang for your buck.
Read the full review: UE Blast
(Image credit: Amazon)
16. Amazon Echo Show 5
One of the best Bluetooth speakers we’ve seen with a screen.
SPECIFICATIONS
Dimensions (hwd): 8.6 x 14.8 x 7.3cm | Connectivity: Wi-fi, USB, 3.5mm line-in | Battery life: n/a | Power: 4W
Reasons to Buy
Alexa voice-control
Decent sound and video
Nicely put together
The Echo Show 5 is the latest in a long and fast-moving line of Amazon products intended to get us all invested in its virtual assistant, Alexa. Where much of the Alexa-enabled kit out there is audio based, concentrated on the Bluetooth speaker market in particular, the Echo Show 5 embraces both sound and video in its abilities to communicate. So, as well as playing music or reading out information, you can access video content on the 5.5in LCD touchscreen. There’s also a camera for video calls.
The Echo Show 5 is a diminutive device, and as such cannot possibly offer the scale of sound that some specialist wireless speakers can. But then it offers so much more ability and functionality than a run-of-the-mill Bluetooth speaker. For what it is, we find the sound perfectly acceptable. It runs fairly warm, sonically, which helps voices on radio and the like, and makes for a comfortable listening experience. There are better speakers out there but this is much more than that. It opens up the world of the digital assistant to a whole new audience for both audio and video; and if that’s what you’re after, this is about as good as you’ll get.
Read the full review: Amazon Echo Show 5
17. Dali Katch
This Dali Bluetooth speaker ticks all our boxes.
SPECIFICATIONS
Dimensions (hwd): 13.8 x 26.9 x 4.7cm | Connectivity: aptX Bluetooth, 3.5mm | Battery life: 24hr | Power: 50W
Reasons to Buy
Powerful, full-bodied sound
Great dynamics and timing
Long battery life
If you’re after a premium portable speaker, there’s every chance that the Dali Katch will blow your cashmere socks off. Dali, better known for its traditional hi-fi speakers, has managed to extract a sound that is quite simply incredible for something of the Katch’s stature.
Two tweeters and a pair of aluminium woofers, driven by a Class-D amplifier, make for a total power output of 50W – not to mention an impressive amount of detail and a nice dose of velvety low-end.
The speaker boasts buttons for power, volume and pairing, which is made easier with the option of NFC. There are also two EQ presets: one for freestanding play and one for positioning on a shelf. And let’s not forget the excellent battery life: just two hours of charge will get you around 24 hours of music playback via Bluetooth.
The Katch isn’t cheap, but you do get what you pay for – a weighty, dynamic sound that defies this speaker’s dimensions.
Read the full review: Dali Katch
18. Ultimate Ears Megablast
A lively, entertaining Bluetooth speaker with plenty going for it.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: N/A | Battery life: 16hrs | Dimensions (hwd): 23.7 x 8.8 x 8.8cm | Weight: 1.19kg
Reasons to Buy
Dynamic, detailed sound
Enthusiastic, punchy rhythms
Precise, taut basslines
Reasons to Avoid
Presentation is slightly lean
Not fully featured just yet
The powerful UE Megablast takes the performance of a portable Bluetooth speaker at this price to a new level. If you’re looking for thumping bass, well, let’s just say you’ve come to the right place.
Design-wise, the Megablast is waterproof (IP67 rated), so it will survive being dunked in the pool or exposed to a sudden downpour. Battery life is 16 hours, which is pretty respectable given that it has Alexa voice smarts built-in.
Say the wake word ‘Alexa’ and a white LED strip on top of the Megablast glows in recognition. Features include voice-controlled music playback over wi-fi, through Amazon Music Unlimited and TuneIn radio, plus support for the likes of Spotify, Deezer and Amazon Music. There’s no 3.5mm audio jack, though.
A combination of pounding bass and enthusiastic sense of rhythm make for a hugely enjoyable performance. It might not be the most pocketable speaker around, but few rivals can match the Megablast for bass quality. An absolute treat.
Read the full review: UE Megablast
(Image credit: Sonos)
19. Sonos Roam
A pleasing Bluetooth speaker with a full-bodied sound.
Want a Sonos speaker you can drop in a backpack? Meet the Sonos Roam, the multi-room titan’s first truly portable battery-powered speaker (the 2019 Sonos Move is technically portable but weighs a hefty 3kg to the Roam’s 430g).
The Roam works perfectly well as a standalone Bluetooth speaker but it’s also designed to be immersed in the company’s burgeoning multi-room ecosystem. Features includes support for AirPlay 2, voice controls and Sonos’ Trueplay tech, which uses the built-in mic to tune bass and treble to suit your surroundings.
Headed to the beach or the pool? You’ll be pleased to note the IP67 rating, which gives it complete water and dust resistance. The built-in battery offers a pretty decent 10 hours playback and support for Qi wireless charging.
Sound is confident, bold and better than you might expect from an outdoor/party speaker at this price. Other Bluetooth speakers offer a more expressive and detailed sound but if you’re invested in the world of Sonos, the Roam is a smart buy.
Read the full review: Sonos Roam
20. JBL Go 2
Impressive sound from an impressively small and portable package.
SPECIFICATIONS
Dimensions: HxWxD (cm): 7.1 x 8.6 x 3.2 | Power: 3W | Features: IPX7 waterproof, Bluetooth V4.1 | Connections: micro-USB | Finishes: 12
Reasons to Buy
Tidy design
Balanced sound
Decent bass
Reasons to Avoid
Battery life could be better
The budget JBL Go 2 might be the perfect holiday accessory. It’s a tiny speaker, no bigger than a bar of soap, which makes it small enough to slip into your pocket. There are 12 colours in the range, including the retro-fabulously pearlescent yellow model pictured above.
The Go 2 has a full waterproof IPX7 rating, so it won’t matter if you drop it in the pool by mistake. Features are thin on the ground, but you go get an aux input, plus a noise-cancelling speakerphone and built-in mic for handsfree calls. There’s no wi-fi, though, and the battery life is a little disappointing: 2.5 hours of charging returns a maximum playing time of just five hours.
Despite an output of just 3W, the Go 2 punches above its weight when it comes to sound. For the money, it’s a lively, balanced and cohesive performer. If you’re the sort of person who likes to travel light, we think this is up there with the best Bluetooth speakers of its type.
Read the full review: JBL Go 2
21. Bose SoundLink Mini II
This Bose portable speaker is a decent option for the money.
SPECIFICATIONS
Dimensions: HxWxD (cm): 5.1 x 18 x 5.8 | Features: Bluetooth V3.0 | Connections: 3.5mm stereo, micro-USB
Reasons to Buy
Full-bodied sound
Weighty bass
Portable
Reasons to Avoid
Lows lack precision and agility
If you’re after a portable speaker that doesn’t scrimp on bass weight, the SoundLink Mini II could be just the ticket. The small but hefty design pumps out a big, bassy sound that will get you dancing by the pool.
Bose has kept features to a bare minimum; there are buttons for power, pairing (you can link two devices at a time and switch between them) and volume. You also get an aux input and a USB input for charging. Battery life is 10 hours – pretty good for a speaker of this size.
The big attraction here is the sound quality. While lots of portable speakers offer fuller bass, it’s often boomy or distorted. That’s certainly not the case with the SoundLink Mini II, which sounds taut and expressive. Vocals are exceedingly rich and instruments are given space to breathe. In fact, the sound is as good as anything we’ve heard at this price and stature. Other speakers are better value for money, but this high-quality Bose speaker is still a fantastic buy.
The new Atom’s headline ability is headphone playback, but don’t underestimate its value as a preamplifier. It’s a classy and versatile addition to Naim’s Uniti range.
For
Top-notch streaming
Great headphone stage
Also a great smart preamp
Against
No HDMI ARC input
Sound+Image mag review
(Image credit: Future)
This review originally appeared in Sound+Image magazine, one of What Hi-Fi?’s Australian sister publications. Click here for more information on Sound+Image, including digital editions and details on how you can subscribe.
UK-based Naim Audio became first renowned for its amplification, proving the importance of power quality from the early 1970s. Three decades later Naim was also quick to recognise the future of file-based and streaming music, and today enjoys great success with its Mu-so wireless speakers, while the Uniti range of all-in-one streaming systems deliver simple but definitely hi-fi ‘just-add-speakers’ solutions.
In a way the Uniti players brought together everything Naim has learned – the wireless, multiroom and control elements of the Mu-sos, with the solid hi-fi amplification developed over decades, including more recent trickle-down tech from the developmental fillip of investment made in the company’s no-holds-barred Statement amplifier project.
Now here comes the Uniti Atom Headphone Edition (£2399/$3290/AU$4299), which takes the smallest of the existing Uniti all-in-ones and does something rather unexpected for Naim – it throws out the part on which the company built its reputation, the amplification.
10 of the best British amplifiers of all time
(Image credit: Naim Audio)
Features
Well, that’s not entirely true. There are no amplifiers for loudspeakers, as provided on the other Uniti units (excepting only the Uniti Core, which adds networked hard-drive storage to the range).
But as the ‘HE’ of the new name suggests, it caters instead to headphones. On the front there are headphone outputs for jacks of full-size quarter-inch (6.5mm in new money) and 4.4mm Penteconn balanced connections, while round the back there’s a second balanced connection on 4-pin XLR.
We’re told that for this product Naim has used an all-new amp implementation designed especially so it delivers the best headphone amplifier experience, including a new transformer design to provide power tailored to the needs of the headphone amplification.
But this is not only a headphone amp. It’s also a preamplifier, and Naim has optimised its preamplifier performance also, “including elements originally used in our flagship Statement Amplifier” it says.
As a preamplifier it offers one analogue input pair on RCA sockets, and then digital inputs: two optical and one coaxial, plus USB-A slots both front and rear. There’s also Bluetooth available, which includes the aptX codec.
What doesn’t it have? It loses from the original Atom the HDMI ARC connection which was handy to play audio from your TV, and there’s still no USB-B connection to play direct from computer.
But its outputs are expanded, its variable preamplifier output available on both unbalanced RCA and balanced XLR outputs to feed your downstream amplification. This could play straight to power amps, since there is full volume control in the Atom HE – either from the remote, from its app, or from the heavenly Naim knob which sits on top, the only disadvantage of this positioning being that it is hidden when the unit goes on a good rack shelf, though its minimal height of 9cm means you should still be able to squeeze your hand in there for a knob spin when the urge presents itself.
(Image credit: Naim Audio)
Streaming
And in addition to physical inputs, this Naim has all the streaming prowess of other Uniti members, and that’s to say as complete a set of protocols as you’ll find anywhere – so many, indeed, that when the range originally launched, it was significantly delayed by the paper trail for all the licensing involved.
So this includes being easily addressed from any Spotify app, free or paid, or using Apple’s AirPlay 2 to stream the output of a Mac or any app on an iOS app, and Chromecast too, for point-to-point streaming from Android devices. Those with music libraries on a PC can use its UPnP ‘server’ function. It’s also Roon Ready, and although the Roon-direct licensing was still going through when it arrived for review, it was nevertheless available in Roon via its Chromecast and AirPlay abilities.
Then there are the services available within the Naim app itself. These include internet radio and podcasts, Tidal, and Qobuz (the latter newly available to Australia). You may note these are services which offer higher-quality subscriptions; Naim emphasises this quality also in its internet radio app, with a section devoted to higher-rate streams than the often grungy desk-compressed pop stations.
And one last batch of capabilities – the Atom HE is multiroom-capable with other Naim equipment including the Mu-so wireless speakers, so you can have music playing in unison (and Uniti) throughout your home. Chromecast and AirPlay 2 offer other paths to multiroom and multi-device playback.
Best music streamers 2021
Setting up
Having previously reviewed the standard Uniti Atom, we found set-up here to be a breeze. You have to pair the remote control by holding it to the full-colour five-inch front-panel panel display while you push ‘Home’ for three seconds. Our Naim app, already installed on an iPad Pro, needed a reinstall before it saw the Atom HE on the network and delivered it a firmware update, losing contact until the update was complete.
Beyond that, we had absolutely zero operational issues, and indeed throughout our testing we were able to generate no criticisms at all – not one – because Naim has honed its highly versatile and potentially complex operation to something near perfection.
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(Image credit: Future)
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(Image credit: Future)
The Naim app presents all its streaming services on one screen, the inputs on a scrolling second screen; if that doesn’t appeal you can use the settings to reorder the inputs to your preference, banishing unused ones to the second screen.
We had connected a Thorens turntable via a phono stage into the analogue input. We connected our computer to an optical input, using a DAC between them as a USB-to-SPDIF converter.
To kick off, we ran the Atom HE’s unbalanced pre-outputs to our resident power amps, always a slightly nervous connection to make when the preamp is digitally controlled and might flick the output to max accidentally. (Once we had Roon connected, we specified a safety level beyond which the volume slider then can’t go.)
We addressed it first from Tidal on the Naim app, then from the Tidal app itself, then from Roon.
Indeed during the Atom’s visit it may have be physically located in one room, but it seemed omnipresent. Wherever we accessed music – on the music room computer, on our Chromebook, the iPhone, a tablet – there was the Naim Atom as a playback device waving at us as if saying ‘Play to me! Play to me!’ There are so many ways to play that surely any current preferred path to playback will fit right in.
(Image credit: Naim Audio)
Listening
We can fully believe Naim’s claim that the preamp of the Atom HE is actually superior to those of the current Uniti range. Even in our initial set-up without the benefit of the balanced connections, all the cues from our favourite tunes poured from power amp and speaker references, dynamically delivered, cleanly resolving the good and the bad.
The effect on Alex the Astronaut’s main vocal for Split the Sky can sound curiously excessive on systems lacking resolution, degenerating into a mush. Here it could be discerned separately, part delay, part reverb. More to the point, the music and the emotion were entirely unchecked. The quite awful subject matter of her remarkable I Like To Dance is chilling; her Triple J cover of Mr Blue Sky – The Go-Betweens’ Lindy Morrison on drums – is sheer joy.
The Tidal stream through the Atom HE easily outperformed Spotify’s relatively softened sound. Naim’s Uniti platform does not support the MQA encoding which Tidal uses to ‘unfold’ its high-res Masters to their high definition – Naim could change this by firmware update, it has said, but is being led by demand.
Whatever you might think of MQA, it may be that uncompressed FLAC high-res streaming as offered by Qobuz and Deezer represents a purer future – after all, with today’s bandwidths defined by streaming 4K video, what need for data compression of high-res music any more?
So with Qobuz newly launched in Australia, we took the opportunity to connect our Roon to Qobuz, and our Roon to the Uniti. Roon’s excellent quality check pop-up box reminded us that Roon via Chromecast dropping the high-res to 48kHz, so we switched to Qobuz direct inside the Naim app. And what a joy that was. Fleetwood Mac’s Go Your Own Way was almost alarmingly crisp; details on Toto’s Africa (the left-channel chuckle on the intro) astoundingly apparent, especially as our usual playback preference for this slice of soft rock is the vinyl 45.
Best music streaming services
(Image credit: Naim Audio)
On Kate Bush’s Running Up That Hill, the continuous rolling drums’n’bass were entirely segregated from the other parts, and the emotional lift of multitracked Kates as we reached the first ‘Come on baby, come on darlin’ was thrilling at an almost tactile level. We began regretting our agreement to return the Atom HE to distributor BusiSoft AV within an unusually brief two weeks; we were barely getting started and we were missing it already.
Headphone playback
Naim Uniti Atom Headphone Edition specs
(Image credit: Naim Audio)
Inputs: 1 x analogue RCA, 2 x optical digital, 1 x coaxial digital, 2x USB-A
Streaming: Apple AirPlay 2, Chromecast, UPnPT, Spotify Connect, TIDAL, Qobuz, Roon Ready, Bluetooth, Internet radio
Also visiting from Naim’s Australian distributor were the Final Audio D8000 Pro headphones, themselves a mere AU$4999 (£3995, US$4299) with their silver-coated cables trailing away to the Atom HE’s full-size headphone jack like weighty twisted tinsel.
The Naim had not the slightest trouble driving these esoteric 60-ohm planar magnetic headphones to their maximum ability, whether delivering a tight and punchy kick drum under the guitar and synthscape of The Triffids’ Wide Open Road, or highlighting the curiously lo-fi elements opening Gotye’s Somebody That I Used To Know.
The Naim and Finals delivered a mind-meltingly zingy portrayal of The Go-Betweens’ Streets of your Town, currently resurrected for advertising purposes by Ampol but here crisply separated to the point where our attention was constantly darting around the soundstage to small sonic elements like the cunning combination of panned rhythm guitars, the tight block hits in the left, each element easily individually selectable by the mind’s ear, yet held together in a finely musical whole.
We also ran more affordable headphone references – open AKGs, closed Sennheisers – and there wasn’t a pair which didn’t display their full abilities or receive more than enough power on tap from the Atom HE – enough, indeed, to achieve quite worrying levels without any hint of congestion or distortion.
The relevant figures are 1.5 watt-per-channel output into 16 ohms (from all headphone outputs), and output impedance of 4.7 ohms. The headphone amp remains in pure Class-A except for lower impedance headphones pushed to the extremes of volume, when a Class-AB circuit is “seamlessly” invoked.
If you like it loud (bearing in mind the dangers of so listening), the Atom HE will at least ensure you get your music with a minimum of damaging distortion.
After a head-pumping serve of Wolfmother’s The Joker and the Thief we wondered if we should take a rest, but Qobuz continued serving such delights that we didn’t, instead diverting to some high-res classical. This confirmed the dynamic reserve of the headphone output and a remarkable ability to stay tonally accurate across different impedance headphones. All this was from the standard unbalanced quarter-inch headphone socket; the balanced outputs could potentially lift the Atom HE’s game still higher.
Best headphones 2021
(Image credit: Naim Audio)
Having an assortment of active stereo speakers in residence for our group test this issue, it occurred to us that the Atom HE’s abilities as a preamp perfectly complemented just such devices. The ELAC Navis, for example, has balanced XLR inputs, to which we connected the Atom HE’s balanced outputs.
The result was wildly successful – a brilliant pair of speakers provided with a perfectly-pitched preamp output backed by physical inputs, streams galore, an app, a physical remote control and Naim’s big knob. Adding good active speakers to the Atom HE makes for a wonderfully compact yet versatile system, boosted by its particular powers to make your headphones sing when privacy is required.
Verdict
The Atom HE is an excellent addition to the Naim Uniti range – something genuinely different in offering a streaming preamplifier with a top-quality headphone amplifier. Use it alone with headphones, with power amps, or with active speakers, and you have a system just as versatile in its streaming abilities as the Mu-so, more versatile in its connections, and far higher in its hi-fi quality. And it comes with the best knob in hi-fi. It’s a big thumbs up from us.
Bluesound has refreshed its excellent Node 2i music streamer and Powernode 2i streaming amplifier. The next generation of the What Hi-Fi? Award-winning devices or now boast new DAC designs, more powerful processors, and touch panel controls with presets. They simply carry the original Node and Powernode monikers.
For the uninitiated, the Node is a music streamer that works either as a source in a hi-fi system or with active (or powered) speakers, like the Award-winning Audiolab 6000N Play. The Powernode, meanwhile, has amplification built in and just requires a pair of speakers, like the Award-winning Marantz PM7000N.
The former has a new DAC that can decode both hi-res 24-bit/192kHz and MQA files and feeds coaxial, optical, USB Type-A and, giving it TV system appeal, HDMI eARC inputs. There’s also RCA inputs and a 3.5mm headphone jack, plenty of music streaming service support courtesy of wi-fi and Apple AirPlay 2, internet radio and aptx HD Bluetooth (which is two-way, meaning it can wirelessly receive Bluetooth files for playback and send whatever it is playing to Bluetooth headphones or speakers). Naturally, the Node can also work in a multi-room environment with other BluOS kit.
As well as having a touch control panel with presets providing shortcuts to your favourite music, the Node can be voice controlled using voice assistants like Apple Siri, Google Assistant and Amazon Alexa.
The Powernode has a very similar skillset to the Node – all the BluOS streaming features, digital connectivity including HDMI eARC, and MQA support, for example – but with the addition of a built-in amplifier. The amp delivers 80 watts per channel, up from 60 watts on the previous model.
The Bluesound Node costs £549 ($549) and the Powernode £849 ($899) – slightly up from the launch prices of the previous-gen models. Both are available to pre-order now for shipping in June.
MORE:
Check out the best multi-room systems
Read our full Bluesound Node 2i and Powernode 2i reviews
Full explainer: Multi-room audio: everything you need to know
(Pocket-lint) – Audiophile brand Bowers & Wilkins has always taken its sweet time in adopting new technologies. It told Pocket-lint in the past that this is intentional – it likes to wait until the market matures and its own high audio quality standards can be met.
It was relatively late to market with a Bluetooth speaker and wireless heaphones. And, it only adopted active or adaptive noise-cancellation when it was sure its tech wouldn’t hamper audio performance.
That’s why it is also late to the party with true wireles in-ears. And, do you know what, we don’t mind. The flagship Bowers & Wilkins PI7 in-ear true wireless headphones are proof positive that a softly softly approach can reap dividends.
In many ways, these ‘buds remind us of the excellent Sony WF-1000XM3 earphones. Except smaller, more confortable, and with even more musicality. That’s the benefit of hindsight in effect right there.
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By Dan Grabham
·
Top headphones capable of handling lossless 48kHz digital audio from Apple devices.
What you get in the box
When you open the box, you see a tasty-looking, small-scale case. It’s a bit larger than an Apple AirPods equivalent but a lot smaller than many we’ve also had through the Pocket-lint testing bed.
Pocket-lint
The case comes with a USB-C port and a couple of buttons, including a Bluetooth pairing button that allows you to connect it to your device without needing to take out the ‘buds.
A USB-C to USB-C cable is included, but you’ll have to provide your own charging plug. That does mean it is capable of being fast charged, though. It can also be charged wirelessly, if you have a Qi mat handy.
The case has a further neat trick up its sleeve too: it can also act as a Bluetooth transmitter. Using an additional included USB-C to 3.5mm mini jack cable, you can plug the case into any source and transmit audio to your PI7s wirelessly.
This feature could be great for listening to in-flight entertainment – rather than buying something such as the RHA Wireless Flight Adapter – for example, or for using with a Nintendo Switch, which doesn’t currently support Bluetooth headphones. The case will also pair with other Bowers & Wilkins wireless headphones – such as the B&W PX7 released in 2020 – so can simultaneously transmit audio to those too.
Design and fit
The Bowers & Wilkins PI7 in-ears are beautifully designed. We are testing the white version – they are also available in charcoal.
They are extremely comfortable and light, with a matte finish to the plastic and neat metallic element on the outer tips. It’s meant to be a gold finish but, depending on the light, can look gunmetal grey at times.
The eartips are silicone, with the medium sized tips on the earbuds as default. You get a couple of extra silicone tips in the box, in small and large.
Pocket-lint
In our ears, they fit very well indeed and are extremely comfortable. We wouldn’t imagine getting earache from these over long periods, unlike some competitors (although these first impressions are based on having the PI7s for a few days, so a full, in-depth test is yet to follow).
What we will say though, is that as the larger plastic section needs to fit inside the bowl of your ear, some with smaller ears may struggle to place it successfully.
The ‘buds are water- and dust-proof, which is great for indoor workouts. But, we’re not sure they’re secure enough for running outdoors. Very few non-sport TWS in-ears are, to be honest.
There are touch controls on each of the earphones. You can tap to take a call, pause, play and rewind music, and adjust noise-cancelling and activate your chosen voice assistant. There are also wear sensors on each, so when you remove either, the music stops. It plays automatically when you put them back in.
Set-up and battery life
Setting up the Bowers & Wilkins PI7 in-ears is a doddle. For iPhone users, you just need to head to your Bluetooth settings screen and press the button inside the case for a couple of seconds. The headphones should appear in your list for connection.
Pocket-lint
It’s even easier on Android devices with Google Fast Pair enabled. Just place the case nearby and open the case lid. Then follow the instructions on your phone.
You also need to download the Bowers & Wilkins Headphones app to control a couple of the features and/or update the PI7s or their case. Once paired via Bluetooth, you can search for your in-ears through the app – this will bring up a dedicated settings section.
The app will also show you the battery status of each earbud and the case. It gives you control over the adaptive noise-cancellation tech (switching it on or off, or choosing whether to have it automatically adjust depending on your surroundings). You can also change the strength of the noise-cancelling effect via a transparency slider.
Battery life is claimed to be up to 4 hours of playback for each ‘bud, with a further 16 hours from the case. We are yet to test that fully.
Audio performance
We’ve been hugely impressed by the audio performance and signature in our listening tests so far.
The B&W PI7 headphones support Qualcomm’s aptX Adaptive lossless wireless tech, although we’re yet to give that a thorough workout. We have, though, streamed plenty of Tidal Masters tracks via an iPhone 12 Pro Max.
Naturally, this isn’t the best we could get but it’s close to what we expect most users will acheive.
Pocket-lint
Led Zeppelin’s Bring it on Home (remastered) sounded deep, involving, and with excellent separation. As too did The Kink’s Shangri-La (the stereo mix). While it is weird writing about the imperfections in a recording, they are often what makes a certain version so good, and every squeaky guitar slide is picked out by these headphones.
Bass is impressive too. Each earbud has its own amplifier, supporting a custom 9.2mm drive unit. This works greatly across all fequencies, but bass certainly benefits.
Aside from obvious hip-hop examples, the opening bars of the 2019 remix of Come Together by The Beatles are throaty and tangible. All from tiny in-ears with no cable attached. Amazing.
First Impressions
We want to investigate further before we give our full opinion, but so far, it seems like Bowers & Wilkins is onto a winner with the PI7 wireless in-ears.
These earbuds are extremely high quality and look tasty to match. Their musicality is right up there, but then so is the price, so you would expect as much.
That’s probably our only quibble for now – the B&Ws are almost twice the price of Apple’s AirPods Pro equivalents. Indeed, there are few high-end alternatives priced quite so highly.
Bowers & Wilkins does counter that with the less expensive PI5 – released at the same time – but we haven’t heard those yet to give you a decent comparison, and they don’t come with the Hi-Res Audio specifications.
Still, we’d imagine there are plenty willing to pay a premium price for premium performance. We’ll soon follow up with a full review to let you know if it’s justified. So far, so good, however.
Flagship features and a big, clear screen make this mid-priced mobile a good option for your pocket
For
Good for gaming
Detailed picture performance
Decent built-in speakers
Against
Screen could be subtler
Flat audio performance
Alec Baldwin may be the best known, and arguably most talented, of his siblings but as Trey Parker and Matt Stone once wrote: you know what sucks about being a Baldwin? Nothing! Thankfully for Billy, Daniel, Stephen and the OnePlus 9 smartphone, life always has room for a little brother.
With only two members of the OnePlus 9 family, finding a niche as the more affordable smaller sibling should be no problem at all. The OnePlus 9 is still a big phone and its 6.55-inch display means it can bring some serious scale to your portable viewing.
Not only does the OnePlus 9 have an HDR10+-supporting, 120Hz AMOLED screen, it also has a Hasselblad camera set-up on board too. And it charges so quickly that by the time you remember that you plugged it in, it’s probably full and ready to go.
Granted, there are a few nips and tucks to the specs compared with the OnePlus 9 Pro but, with around a quarter off the Pro’s price tag, this Android handset has the tempting promise of a flagship phone at a mid-range price.
Pricing
The OnePlus 9 is priced at £629 for the Astral Black and Arctic Sky versions, which come with 128GB of storage space and 8GB of RAM in the UK and Europe. The Winter Mist OnePlus 9 is £729 and comes with 256GB of storage and 12GB of RAM.
In the US, only the Astral Black and Winter Mist finishes are available, but both come with 8GB RAM and 128GB of storage. The US OnePlus 9 is priced at $729.
Features
(Image credit: OnePlus)
A phone with a 6.55-inch screen is just about small enough to carry out most of your operations one-handed without fear of dropping it, although swiping from the top and bottom without adjusting your grip makes for some pretty intensive thumb yoga. Laid next to the OnePlus 9 Pro, the standard OnePlus 9 is just 4mm shorter at 160mm long and a little thinner at 8.7mm rather than 9mm, but has the same 74mm width.
Despite its fibreglass polymer frame, the finish still feels premium for a non-metal phone. The three-way sliding switch for the silent, vibrate and ring profiles is a particularly nice touch. Underneath that, there is the power button, on the opposite side is the volume rocker with the USB-C port and SIM tray on the bottom edge. Sadly, there’s no 3.5mm headphone socket.
OnePlus 9 tech specs
(Image credit: OnePlus)
Screen 6.55in AMOLED
Resolution 2400 x 1080 (402ppi)
Rear camera 48MP, 50MP, 2MP
Front camera 16MP
Dolby Atmos Yes
Finishes x3
Dimensions (hwd) 16 x 7.4 x 0.9cm
Weight 192g
For wireless audio, there’s Bluetooth 5.2 with aptX and aptX HD included as well as LDAC technology, which allows hi-res audio streaming over Bluetooth at up to 24-bit/96 kHz.
As for that screen, it’s a 2400 x 1080 AMOLED panel with a fixed 120Hz refresh rate and a pixel density of 402ppi. Compared with the 9 Pro (525ppi), it’s a little less sharp and slightly dimmer too, with a peak brightness of 1100nits rather than the 1300nit display on the Pro. On top is a flat piece of Gorilla Glass, under which is a hidden fingerprint reader, though you can also unlock the phone using face recognition.
Those looking to dive into some on-the-go TV and film watching will appreciate the HDR10+ and HDR10 support with plenty of HDR compatibility to be found on Netflix and others. You can play locally stored MKV, MOV, MP4, H.265 (HEVC), AVI and other video file formats. The display proportions offer a maximum possible 20:9 aspect ratio, but while most content is edged by a pair of black bars, premium gaming titles use the whole screen width.
Game Mode Pro is a handy feature of Oxygen OS – an otherwise light skin on top of Android 11. It shuts off notifications from popping up on your screen, restricts background app use to divert as much processing power to your gaming as possible and prioritises your network use for game data. We also like the way it brings quick access to options such as WhatsApp messaging, Instagram and screen recording with a small, pull-down menu at your thumb.
(Image credit: OnePlus)
The gameplay itself is well handled. The fast refresh rate of the display helps your gaming feel lag-free, both on and off-line. OnePlus has installed its Cool Play vapour cooling system, but even after one round of PUBG Mobile, the handset still feels pretty warm.
Despite that, and the fixed 120Hz rate, the 4500mAh battery takes us well beyond a day of heavy use. Should you need to recharge more regularly, you’ll be pleased to note that the Warp 65T charger included in the box takes just under 30 minutes to fill your phone.
As with the OnePlus 9 Pro, owners of this handset benefit from a Hasselblad-calibrated camera array. Here, it is a three-lens set-up, with a main 48MP camera, a 50MP ultrawide and a monochrome shooter, but no telephoto. There is 12-bit colour depth stills imaging available in Pro Mode for RAW files and you can capture 8K video at 30fps and 4K video at 60fps.
Telephoto aside, the performance of the camera is right up there with that of the 9 Pro’s. The optical image stabilisation works a treat for the handheld tracking shots around our test facilities. The results look almost as if they were shot using a camera dolly and there’s the odd jump only with fast pans. The colours are bright and rich, if not quite as real-world accurate as the best smartphones.
As with its bigger brother, the Qualcomm Snapdragon 888 chip orchestrates the action with great aplomb. There’s barely a glitch or stutter in our time with the phone and we’d expect it to stay that way with regular updates and fixes to the OS, the UI and third-party apps.
Screen
(Image credit: OnePlus)
If you’re expecting the performance of the OnePlus 9 to match that of the OnePlus 9 Pro, think again – that extra spend goes on more than just an aluminium frame and some curved glass. But there is a lot to like about the OnePlus 9’s picture performance.
It’s easy to lose ourselves in the story of The Witcher in HDR on Netflix. It’s a bright and engaging image with a decent degree of punch and no wanting for detail in light and dark areas of the screen. The opening shots across the shaded interior of a barn reveal lots of detail in the shadows without doing much damage to the black depth. Even when the frame becomes split between that darkness and the bright daylight on the faces of the young lovers outside the barn, the overall exposure levels remain well pitched.
We’re just as pleased with how the OnePlus 9 handles SDR. The Display P3 mode brings a good blend between the natural look of the Missouri countryside and the exciting colours of sci-fi space as we watch Guardians Of The Galaxy 2 in Full HD. If you’d rather not get your hands dirty in the settings, pull the colour temperature towards ‘cold’ or use the Natural preset.
As with the OnePlus 9 Pro, though, there’s room for improvement. The very best handsets maintain a slightly inkier black depth and add a bit more of a dynamic HDR feel, while some displays are a touch more careful with shading. It’s most apparent when looking at faces – the skin complexion of the lovers in The Witcher episode, for example, are fairly uniform in their production, when colour and lighting could be handled a little better.
But these performance compromises are in line with the 9 Pro, which also favours dark detail over black depth. The 9 Pro is sharper, a little brighter and the colours go a touch further before starting to look artificial but, given the difference in price, this is to be expected. The OnePlus 9 still makes for some worthy big-screen viewing at this point in the market.
Sound
(Image credit: OnePlus)
But while the screen can be classed as ‘good’, the audio performance of the OnePlus 9 is firmly in the average category. It plays your favourite tracks faithfully enough but is never going to thrill you. That doesn’t mean that it’s not without its charms, though.
OnePlus’s ‘Dual stereo speaker’ set-up is fine for listening to music or watching a film without headphones. Dialogue is clear and sound effects are identifiable, while music is balanced and not without a sense of presence. We’d recommend listening without the Dolby Atmos music processing, but both ‘Film’ and ‘Music’ modes come across well.
Listening to Biffy Clyro’s Many Of Horror, the OnePlus 9 conveys that powerful sense of emotion. There’s definition and clarity to the vocals and the squeaky slides up the guitar strings of the intro, even if it’s not the most detailed delivery we’ve heard. The volume on the device doesn’t go particularly high but reaches the top with hardly any distortion.
For headphones listening, it’s best to axe the processing and set the OnePlus 9 to ‘None’ under ‘Style Preference’ in the sound settings. It doesn’t do much to make up for this phone’s underwhelming dynamics but keeps music as rhythmic as possible. We play Blue Monday by New Order and the impact of the electro beats and synth sounds is in line with the OnePlus 9 Pro’s performance. The more expensive model has a better stab at organising the sounds but, paired with a decent set of headphones, there’s still plenty to enjoy here.
But with busier tracks, there’s more of a sense of what could have been, sonically. We hit play on Black Hole Sun by Soundgarden, hoping for a taste of moody grunge. But while all the instruments are there and tonally in balance, Chris Cornell’s voice comes across flat and expressionless. Nor is there a change of gear when the drum fills announce the chorus. Ultimately, this phone plugs the music gap while we’re out and about, but not an awful lot more.
Verdict
There aren’t many smartphones that offer so much screen real estate at this price. The fact that it’s such an involving picture performance is a compelling reason to buy the OnePlus 9.
Our doubts are mostly on the audio side, as some rival phones make music on the go a more exciting affair. If you use a dedicated music player or are looking for a mobile phone primarily for its video performance, then don’t let its sonic drawbacks put you off. Between the high-performing chipset, the lag-free gaming, the Hasselblad camera and the scale and quality of the screen, there are plenty of reasons why the OnePlus 9 is a good idea.
Bowers and Wilkins’ debut pair of noise cancelling true wireless earbuds, the PI7, fix one of the key annoyances with the form-factor — it’s usable with in-flight entertainment systems because the case doubles as an audio transmitter. Plug the case into an audio source using an included 3.5mm to USB-C cable and it will retransmit the audio wirelessly to the earbuds. Alongside it, Bowers and Wilkins has also announced the cheaper PI5 true wireless headphones, which also offer noise-cancellation.
Bowers and Wilkins claims the PI7’s transmitting case is an industry first, and it’s certainly the first time we’ve heard of such a feature. In contrast, trying to use other popular true wireless earbuds like the AirPods Pro with a plane’s built-in entertainment system requires a third-party dongle. Of course, the PI7’s transmitting case should also work with any other non-Bluetooth devices you own, like an old iPod.
Beyond the PI7’s fancy case, it offers a fairly standard set of features for a pair of true wireless headphones. The earbuds are noise cancelling, and are equipped with six microphones in total for calls or using voice assistants. It uses the AptX Adaptive standard, which should allow it to dynamically compress audio to maintain a stable connection, and its case can be charged wirelessly. The earbuds themselves have a modest battery life of 4 hours (compared to 4.5 for the AirPods Pro), while the case offers 16 hours more. The buds have an IP54 dust and water resistance rating, so they should survive light splashes and limited amounts of dust.
The cheaper PI5 earbuds also offer noise cancellation and come with a case that can be charged wirelessly, but they only have four microphones total. There’s also no mention of AptX Adaptive — just regular AptX — and there’s no sign of the PI7’s audio retransmission case. Battery life for the PI5 appears to be slightly better than the more expensive PI7 however, with the earbuds offering 4.5 hours of playback on a single charge. The case offers 20 hours more. The PI5 also have a dust and water resistance rating of IP54.
Both earbuds are available starting today. The PI7 cost $399 / £349 / €399, while the PI5 cost $249 / £199 / €249.
Bowers & Wilkins isn’t always first to the party but, when it does arrive, it certainly likes to make an entrance. Today, the company launches not one but two debut sets of true wireless headphones, the PI5 and PI7.
The latter are the more premium of the pair, with a six-microphone active noise-cancelling system. The built-in mics will work for voice calls, as well as smart functionality (Siri and Google Assistant are both supported).
Each earbud features a two-driver arrangement to offer what Bowers refers to as sound “comparable to loudspeakers”. The two sides have a balanced armature tweeter for the top notes and a set of 9.2mm drive units for the mid/bass, all with their own dedicated amplifier.
The true wireless stereo transmission comes in through Bluetooth aptX Adaptive, allowing for 24-bit hi-res audio streams (when connected to a compatible source). Bowers has worked to provide a reliable and tightly synced connection between the left and right earbuds.
There’s more to the PI7’s charging case than just storage and battery life, too. Uniquely, it has USB and 3.5mm ports, allowing you to connect it direct to an audio source. The case sends that music to your ears wirelessly using AptX Low Latency. The idea behind it, according to Bowers, is to allow users to hook up to an inflight entertainment system without the need of trailing cables to their ears.
The B&W PI5 true wireless headphones, meanwhile, are a slight step down but still very much from the same stables. They’re missing the dual-driver arrangement and instead come with a single 9.2mm Bowers-developed unit. TWS+ technology is used instead for the transmission of the audio from source to both buds simultaneously. There are also just the two microphones on each side for noise-cancelling and no inputs on the case.
(Image credit: Bowers & Wilkins PI5)
The PI5 and PI7 have an earbuds battery life of 4.5 hours and 4 hours respectively, but the charging case stores four more full cycles, offering a reasonable (but not class-leasing) total of 22.5 hours or 20 hours from a single charge.
Bowers says it has championed driver technology and wireless transmission over battery life for a better audio experience. Explaining the company’s late entry into true wireless, Bowers & Wilkins Director of Product Marketing, Andy Kerr, said: “We don’t pride ourself on being first but being the best. In each case we waited and watched the market. We chose to stay out of the market until we felt we could make a difference.”
Both sets of Bowers & Wilkins true wireless headphones are available from today in a choice of white or charcoal. The B&W PI7 cost £349 (AU$699, €399, $399) – one of the most premium price tags we’ve seen attached to a pair of true wireless earbuds – while the PI5 are priced at a more democratic £199 (AU$369, €249, $249).
MORE:
Our pick of the best true wireless earbuds on the market
Take a look at our choice of the very best noise-cancelling earbuds
Rotel has announced sequels to some of its 14 and 15 Series integrated amplifiers. The A14MKII, RA-1572MKII and RA-1592MKII are second-generation models that leverage design elements from the brand’s high-end Michi Series, benefitting from upgraded circuitry and components.
The A14MKII (£1195, $1600) – the successor to the A14 – is the flagship integrated model in Rotel’s 14 Series, building upon its predecessor with a new 32-bit/384kHz-supporting Texas Instruments DAC. Rotel says it has made 25 component changes in the DAC output filters alone. That’s complemented by changes in the power supply, spurred by Rotel’s Tribute models. The new A14MKII is a well-equipped machine, too, featuring analogue and digital connections (including USB-type B and MM phono sockets), aptX Bluetooth, MQA decoding and rendering, and support for Roon. All of the MKII models feature Ethernet and RS232 connections for control system integration.
Moving over to Rotel’s 15 Series we have the all-new flagship RA-1592MKII (£2295, $3200), delivering 200 watts of Class AB power into 8 ohms and benefitting from “upgrades to all critical circuits”. The 32-bit/384kHz Texas Instruments DAC utilises 12 new coupling capacitors with improved frequency response and higher component tolerances, while other component changes include upgraded capacitors.
(Image credit: Rotel)
Connectivity expands upon the A14MKII’s with XLR balanced and front-panel USB (for iOS device) socketry, too.
Below that is the new RA-1572MKII (£1595, $2100), which too benefits from component changes – 33 this time! – in acoustic and filter capacitors and the power supply. The RA-1572 too has a comprehensive analogue- and digital-friendly connectivity list featuring aptX Bluetooth, USB and MM phono.
The Rotel A14MKII, RA-1572MKII and RA-1592MKII integrated amps are available to order now, with shipping expected to begin in May in the United States and Canada, with the rest of the world to follow.
MORE:
Rotel launches three new high-end Michi amplifiers
Best stereo amplifiers 2021: best integrated amps for every budget
HiFi Rose debuts in the UK with a pair of premium music streamers
Cowon has added Bluetooth, a volume wheel and a dual DAC to its bijou player – and produced another class leader
For
Detailed presentation across frequencies
Bluetooth connectivity
Classy build and finish
Against
Screen looks a little dated
Remember matchbook quotes, those little sayings written on complimentary matchbooks you could pick up in high-end bars or hotel lobbies? Should the Cowon Plenue D3, a matchbox-sized portable music player, have come adorned with its own saying, it might have read, ‘Be cautious of people whose actions don’t match their words’.
The third-generation Plenue D player arrives with no boastful fanfare, despite both its previous iterations gaining five-star reviews and even What Hi-Fi? Awards. The demure black packaging divulges little about this machine, apart from the fact that there’s now a Cirrus Logic CS43131 dual DAC on board, whereas the last generation used just one.
There’s also Bluetooth support, so you can pair your wireless headphones or speaker, and a new rotary volume wheel. Regardless of its decorated lineage and all these useful extras, the D3 is only slightly pricier than its predecessor, the Plenue D2.
Build
(Image credit: Cowon)
As we’ve come to expect from this line of miniature portable music players, the PD3’s build is minimalist and chic, with a black mirror finish on the front and back, a matte finish for the sides, and a silver metallic panel across the top of the player. It’s also available in a gold finish.
Cowon’s isometric edge design – where two faces meet, each edge has been cut with precise calculation – creates clean lines and proves that beauty really is in the detail.
The new Plenue D3 is a few millimetres longer and thicker than the original Plenue D, but unless you place the two side by side it is almost impossible to tell. The extra depth is down to a cracking new volume dial on the top right of the player, where the power button used to sit.
This glorious rotary wheel seems like an homage to Astell & Kern and feels just as premium as its pricier competition. As with the A&K Kann Alpha, a recessed light also shines out from beneath the dial. Here, it periodically flashes blue when playing, or glows red when charging or loading music, but you can turn it off in the settings menu if you prefer.
The power button has been relocated to the top right side of the player and, because there’s no need for volume buttons here anymore, the three other little circular controls for play/pause, skip forward and skip back are now even easier to locate and use in your pocket. And the player still weighs just 103g.
The touchscreen is the same 2.8in wide-angle LCD (240 x 230) display as on the previous model. If you think one interface looks a little dated, you can choose between three different ‘skins’ and also alter the text font.
The PD3 responds well, displays album artwork and offers easy navigation and grouping of your music. Considering the challenging amount of screen real estate it has to work with, that’s no mean feat. Once you get used to hopping through the settings and back to your music, the Plenue D3 is a joy to use.
Features
(Image credit: Cowon)
The PD3 boasts a battery life of up to 45 hours if you’re playing MP3 files, or a solid 30 hours when listening to hi-res files at ‘normal’ volume. There is support for 24-bit/192kHz WAV, FLAC, ALAC and AIFF files and 64GB of built-in storage, which is expandable to 192GB with the addition of a 128GB microSD card. The PD3 boasts DSD128 file compatibility too – and that support is native, so DSD files aren’t converted to PCM during playback. Again, there’s balanced 2.5mm and unbalanced 3.5mm headphone jacks.
So why should you upgrade to the PD3? If the new volume wheel doesn’t tempt you, Bluetooth 3.0 (with support for SBC and aptX codecs) might. We go into the PD3’s Settings menu, hit the Bluetooth tab and select our Earfun Air Pro wireless headphones, and later our Tribit Audio Stormbox Micro Bluetooth speaker, to pair. Both connect – and automatically re-pair – with ease.
If you’re going away for the weekend and want a tiny sound system for your room that is both ultra-portable and leaves your phone free for actual calls, this is a top solution. Go to the JetEffects tab in Settings and you can stream your music with effects such as ‘X-Bass’, or ever-more creative profiles such as ‘Feel the wind’ or ‘Reverb cathedral’, according to your room or tastes.
There are 48 of these JetEffects in total, including 44 named presets, four user presets you can create with a five-band equaliser and nine special ‘reverb’ modes. Want to hear a track up to 50 per cent slower or at 1.5 times its original speed? The PD3 can oblige here too. Although DSD files can’t be played over Bluetooth or with JetEffect sound profiles, most of your music will work with all of these functions.
The PD3 charges via USB-C and takes around 3.5 hours to fully charge. Loading tracks via the same port is a breeze. We hook it up to our MacBook Pro, find it under our ‘devices’ tab and drag and drop files into the ‘music’ folder – no third-party apps required. You still need to physically connect the PD3 to your source to add music, but when adding files is this easy it genuinely feels like the best way to do things.
Sound
(Image credit: Cowon)
We enjoy toying with the PD3’s Bluetooth connectivity and JetEffect features, but the bulk of our testing is done with the wired Grado SR325e headphones (with a 6.3mm to 3.5mm adaptor) and with sound profiles set to ‘Normal’. But in the Audio Output tab here, you can select between in-ear ‘earphones’ or harder-to-drive ‘headphones’, just to optimise the performance.
We cue up Queen’s Greatest Hits (16-bit/44.1kHz FLAC) and there’s a glorious amount of separation on offer from the outset of Fat Bottomed Girls as the band sings the anthemic chorus. Freddie Mercury’s vocal is central, but the instruments shine too – a detailed drum fill towards the raucous end of the track, vocal trills, guitar ideas – proving there’s an extra level of detail on offer here that some players can’t access. The album continues to Bicycle Race and the character of the vocals and the playful bass completes an exciting, zealous and transparent listen.
The bicycle bells towards the end of the track are sparkling, separate and distinguished through the treble. This is a talented player that’s sonically similar in character to its older siblings, but there are small upgrades to be had in terms of rhythm, timing, detail and musicality.
From the start of Michael Jackson’s Wanna Be Startin’ Somethin’ (24-bit/192kHz FLAC) the bass riff is notably deep and agile in our left ear and the central melody is zealous and remarkably energetic for such a tiny box of tricks. The layers of vocals are handled with precision so that each is impactful across the frequencies.
Switching to Hans Zimmer’s Gotham’s Reckoning (24-bit/192kHz FLAC) from The Dark Knight Rises original soundtrack, the pensive and fast-paced percussion builds to a full-bodied snap of thunder within a brooding and expansive mix, brimming with emotion and forceful low-end punch.
Verdict
When considering the Cowon Plenue D3, it’s important to note that wi-fi streaming is still off the menu – so you will have to go without on-the-go streaming of Tidal, Deezer and others.
But if you have the files and like the idea of pairing your portable music player either to a wireless speaker or pair of headphones for one of the smallest wireless systems you’ve seen, there’s no better shout currently on the market for the money.
The Plenue D3 keeps things simple: it plays your hi-res music – and it does that very well indeed.
SCORES
Sound 5
Features 5
Build 5
MORE:
Read our guide to the best portable music players
Read our Astell & Kern Kann Alpha review
Read our Cowon Plenue D2 review
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