Remember the Google Chromecast Audio? It was a little dongle that made any speakers smart – just plug it in, and it would add wi-fi to the party, letting you stream online music through your phone, tablet or computer to your speakers.
Now Belkin has launched a similar device but with Apple AirPlay 2 wireless tech onboard. That means you can stream music from an Apple device to your old speakers that don’t have wireless streaming built-in.
The Belkin Soundform Connect plugs into your speakers using an optical or 3.5mm connection. Then you simply tap the AirPlay icon on your Apple device and your track will start playing from your speaker as if by magic.
AirPlay 2 is adept at multi-room audio, too. So plug Soundform Connect devices into speakers in different rooms and you can fill your house with sweet music. Use Apple’s HomeKit, and you can assign different speakers to different rooms, and create scenes and automations using the Home app.
You can also control playback using Siri voice control, so you can ask what’s playing in each room, adjust the volume, play, pause and more.
To use it, you’ll need an iPhone running iOS 11.4 or later, an iPad with iPadOS 11.4 or later, a Mac running macOS Catalina or later, or an Apple TV running tvOS 11.4 or later.
The Soundform Connect is small enough to fit in a pocket, so you can easily take it with you wherever you go. And it won’t break the bank, with a price tag of £89 ($99).
MORE:
These are the best AirPlay speakers around right now
Find out: What is Google Chromecast? Which speakers and TVs are supported?
Another AirPlay rival: DTS Play-Fi: what is it? What speakers and devices support it?
Cambridge’s Award-winning recipe has been refined to include app support and extra sonic clarity and detail
For
Extra ounce of dynamic expression
Great clarity for the level
Slick app support
Against
No noise-cancelling
When Cambridge Audio announced a new model in its inaugural and two-time What Hi-Fi? Award-winning Melomania line-up, we heaved a collective sigh of relief. The Melomania 1 Plus (or Melomania 1+) promise the same look and feel of their decorated older sibling, the original Melomania 1, but with additional app support, customisable EQ settings and the British audio firm’s innovative High-Performance Audio Mode.
There’s a new colourway, too – gone is the ‘stone’ grey hue we lovingly dubbed ‘NHS Grey’. Here, the upgrades are hard to spot to the naked eye, but then again, beauty is usually in the detail. The pricing hasn’t changed, with the Melomania 1 Plus launching at the now-traditional £120 ($140, AU$185).
So how good do they sound, and are they worth upgrading to?
Build and comfort
(Image credit: Cambridge Audio)
The fresh white finish of our Melomania 1 Plus charging case sample (also available in black) is a matte affair and a solid upgrade on its predecessor. It feels cool, tactile, more pebble-like and means that fingerprint smudges no longer collect on the perfectly sized case.
Cambridge Audio Melomania 1 Plus tech specs
(Image credit: Cambridge Audio)
Bluetooth version 5.0
Finishes x2
Battery life Up to 45 hours (low power)
Dimensions 2.7 x 1.5cm
Weight 5.6g (each)
The five-strong row of LEDs to indicate battery life remains, just below the snappy flip-top lid. The ‘L’ and ‘R’ on each earpiece, underneath the tiny LED light on each, are now written in electric blue lettering. You now get a USB-C fast charging port, too.
Although multiple ear tips were promised to ensure a secure fit, what Cambridge has done is double up on its standard small, medium and large offerings, so you now get two sets of each rather than one.
There are also two sets of medium and large ‘memory foam’ options, but curiously no small option. The memory foam tips are only supplied in black, too – the regular tips are white – which spoils the ice-white aesthetic somewhat.
The bullet-shaped buds are practically identical in build to the Melomania 1 – each weighs the same 4.6g, boasts IPX5 certification against rain and sweat, houses a 5.8mm graphene-enhanced driver and boasts Bluetooth 5.0 connectivity with aptX and AAC codec support.
Features
(Image credit: Cambridge Audio)
The Melomania 1 Plus boast up to nine hours of battery life on a single charge plus four extra charges from the case, which adds up to an impressive 45 hours of total playtime when in Low Power mode. In the default High-Performance mode, you’ll get seven hours from a charge or 35 hours in total courtesy of four more blasts from the case, which is still highly competitive.
Pairing is easy using the handy quick start guide. Only one earpiece needs to be paired on your device; the second bud (labelled ‘Handset’) will simply request a connection to it – and that only needs to be done once. During our tests, the connection between both units and our device remains secure and snag-free.
Possibly the biggest upgrade with this new iteration is support for the free Melomania app, which is now considerably more stable than it used to be. With it comes the ability to customise the EQ settings yourself or pick from six presets, check the battery level of each earbud, locate misplaced earbuds on a map, and receive firmware updates.
Touch controls here involve pressing the circular button on each bud and we find these intuitive and useful. Holding down the right one increases volume, while holding down the left lowers it – simple and effective. A single press of either earpiece starts or pauses playback, two skips forward a track (right earbud) or back a song (left earbud), and three presses of the right bud calls up Siri on our iPhone – although note that they can also access the Google Assistant.
These controls are so reliable that we rarely dig out our smartphone when testing them in transit. That should be a given, but it hasn’t always been our experience when testing competing buds at this price.
Cambridge has advised wearers to position the earpieces so that the recessed circle within the circular top surface of the driver housing is at its lowest point so that the MEMS mic in each bud can perform to its fullest. We do so and are able to enjoy clear voice calls.
The good news is that with low power mode deployed, you’ll get a performance that is on a par with the originals.
Sound
(Image credit: Cambridge Audio)
Switching back to High-Performance Audio and with all EQ levels unaltered, we’re treated to an impactful and expansive presentation of Kate Bush’s And Dream Of Sheep (a Tidal Master file). The keys feel three-dimensional in our left ear as Bush’s vocal soars through the frequencies centrally, backed by samples of seagulls, pared-back guitar picking, wind instruments and spoken word. When the brooding storm builds, the Melomania 1 Plus deliver it dutifully and with remarkable clarity for this level. This is a small but definite improvement on their older sibling for layering and detail.
Instruments such as the slinking bass, Wurlitzer and saxophone at the outset of Beck’s Debra are organised with precision and given an extra few yards of space within the mix, too. The low-level, call-to-action vocal before the verse is often lost in muddier bass registers of lesser headphones, but not here. Beck’s distinctive voice is emotive and held masterfully in check even as the intensity builds. Through the mids and treble, we’re aware of the step-up in terms of clarity and refinement over the original Melos.
Through heavier tracks such as Eminem’s Stan, the teeming rain sounds natural at the window as Stan’s scrawl cuts through with clarity, underpinned by an accurate and regimented bassline. There are marginal gains to be had over the originals in terms of the dynamic build too. The leading edges of notes are marginally cleaner in the updated set of in-ears, as demonstrated by the initial synth strings in Dr Dre’s Forget About Dre.
In our review of the five-star Panasonic RZ-S500W, we said that in direct comparison, the Cambridge product suffered marginally for detail. That balance is now redressed with the Melomania 1 Plus. Whether you prefer the Panasonic proposition over the Melomanias will likely come down to the former’s noise-cancelling or teardrop design, neither of which feature in the Cambridges. But for an engaging, detailed, expansive listen, the Melomania 1 Plus are very much back in the running for best at this level.
Verdict
Cambridge’s compact, fuss-free and affordable design was a hit with us the first time around in 2019. The addition of a slicker paint-job, app support for EQ customisation and the step-up in sonic detail and refinement – without the anticipated price hike – only makes us want to heap extra praise upon the new Melomania 1 Plus.
While the original Melomania 1 can now be had for a significant discount, we’d still point you towards this updated model. There’s no noise-cancelling onboard, but those who don’t need shouldn’t hesitate to add these latest Melomanias to their shortlist.
Belkin’s new SoundForm Connect Audio is a $99 dongle that lets you turn any pair of speakers with either a 3.5mm or optical port into an AirPlay 2-compatible setup. In other words, it’s effectively an Apple version of the (now-defunct) Chromecast Audio.
As someone who actually likes AirPlay 2, it’s a very interesting concept, especially if you have older speakers or an audio setup that you’d like to get wired into the rest of an AirPlay system.
Setup is simple: just plug in the SoundForm Connect Audio to power (over USB-C, thankfully), and then plug in a 3.5mm headphone jack or optical cable from your speaker system’s input port.
Image: Belkin
Unfortunately, the SoundForm Connect Audio does come with a pretty hefty price tag for what it does. The Chromecast Audio used to cost $35, which made it a pretty nice option for hooking up an old speaker to your multiroom audio setup. An Echo Dot (which is also a full-fledged smart speaker) can be hooked up to anything with a headphone jack to use with Alexa and costs $40 to $50 — not counting Amazon’s frequent sale.
But the SoundForm Connect Audio costs $99 just to add a speaker to an AirPlay 2 setup. That’s between two to three times as much, or as much as Ikea’s entry-level Symfonisk bookshelf speaker (which also offers AirPlay 2 support).
Still, given that there hasn’t really been a solution for this kind of setup since Apple discontinued the AirPort Express (which offered similar functionality for the original AirPlay standard), the SoundForm Connect Audio is better than nothing. But the relatively high price means it’ll likely only be useful for owners of more expensive speaker setups.
The SoundForm Connect Audio is available to preorder now from Belkin’s website, with orders shipping later in June.
Snap’s new Spectacles glasses are its most ambitious yet. But there’s a big catch: you can’t buy them.
On Thursday, Snap CEO Evan Spiegel unveiled the company’s first true augmented reality glasses, technology that he and rivals like Facebook think will one day be as ubiquitous as mobile phones. A demo showed virtual butterflies fluttering over colorful plants and landing in Spiegel’s extended hand.
The new Spectacles have dual waveguide displays capable of superimposing AR effects made with Snapchat’s software tools. The frame features four built-in microphones, two stereo speakers, and a built-in touchpad. Front-facing cameras help the glasses detect objects and surfaces you’re looking at so that graphics more naturally interact with the world around you.
These Spectacles, however, aren’t ready for the mass market. Unlike past models, Snap isn’t selling them. Instead, it’s giving them directly to an undisclosed number of AR effects creators through an application program online. (Another indication they aren’t ready for everyday use: the battery only lasts 30 minutes.)
The idea is to encourage a small portion of the 200,000 people who already make AR effects in Snapchat to experiment with creating experiences for the new Spectacles, according to Spiegel. Like the bright yellow vending machines Snap used to sell the first version of Spectacles several years ago, the approach could end up being a clever way to build buzz for the glasses ahead of their wide release. Spiegel has said that AR glasses will take roughly a decade to reach mainstream adoption.
“I don’t believe the phone is going away,” he told The Verge in an interview this week. “I just think that the next generation of Spectacles can help unlock a new way to use AR hands-free, and the ability to really roam around with your eyes looking up at the horizon, out at the world.”
The first two generations of Spectacles, released in 2016 and 2018, looked like sunglasses with a single camera in the corner of the frame. They let you snap videos (and later photos) in a unique, spherical format that could then be transferred to your phone and posted to Snapchat or another social network.
Above: Snap’s new fourth-generation Spectacles. Lower: the Spectacles in their case, and a side-view showing their touch panel. Images: Snap
Snap, which calls itself a camera company, started moving more toward AR in 2019 with the launch of its third-generation Spectacles. That model added a second camera to detect depth in videos, allowing for more advanced effects to be applied afterward. But they lacked displays. You had to shoot a video, import it to Snapchat, and then apply AR effects — which Snap calls Lenses — later.
The new fourth generation of Spectacles come from a secretive hardware division of the company called Snap Lab, which is also working on a camera drone. They weigh 134 grams, more than double the weight of the previous version but far less than Microsoft’s Hololens AR headset. They’re designed to be worn indoors or outdoors with up to 2,000 nits of display brightness, a tradeoff the company clearly made to favor display richness at the expense of battery life.
Two front-facing cameras use the software Snap built for its mobile phone Lenses to automatically detect physical surfaces and place effects in a way that doesn’t obstruct the real world. Two stereo speakers capture audio and allow for the wearer to control them by voice. A touchpad on the side of the frame operates an interface in the displays that Snap calls the Lens Carousel, allowing the wearer to switch AR effects they’re seeing.
Above: two images show AR effects as seen through the new glasses. Lower: the lens carousel interface lets you select different AR effects. Images: Snap
The new Spectacles were announced Thursday at Snap’s virtual Partner Summit for developers, where the company previewed a number of new augmented reality features for Snapchat. Its AR clothing try-on tech can now handle watches and glasses, and businesses will be able to more easily add AR versions of their online catalogs for Snapchat’s 500 million monthly users to try and purchase.
A new feature, called Connected Lenses, allows multiple people to see and interact with the same scene in AR. Snap is also launching an AR “innovation lab” called Ghost and is committing $3.5 million to support creators making effects, with another $1 million in funding with Verizon to fund AR experiences used over 5G.
While Snap is known primarily for the Snapchat app now, these Spectacles indicate how the company’s ambition is to be a major player in the race to build AR glasses. Facebook, Apple, and other tech giants are currently working on their competing devices. Facebook plans to debut its own pair of smart glasses in partnership with RayBan later this year, though they won’t feature AR displays.
According to Spiegel, head-worn devices like these new Spectacles will create a big shift in how we interact with computers. While Snap is betting that millions of people will eventually want to wear Spectacles, the company is content for now to build in public alongside its creators.
“You have to invent a whole new way of interacting with computing when it’s volumetric and integrated with the space around you,” Spiegel said. “So I don’t see Snapchat transitioning to wearables that directly, but one of the things that’s really fun is to think about what the new interaction paradigms can look like.”
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Yep, this is a Swift. It has all the features that characterize Acer’s Swift line: a thin body, a lustrous Acer logo, a chassis so light it’s hard to believe you’re holding a laptop and not an empty shell. But the 3X is targeting a slightly different market from the Swift 3 and Swift 5 for one reason alone: it has a discrete GPU.
Intel’s new Iris Xe Max, the company’s new discrete graphics card, is making its first appearance in an Acer laptop. With a starting price of $899.99, the Swift 3X is both one of the lightest and one of the most affordable systems you can buy with discrete graphics. It’s not a system meant for intense gaming, though — the target audience is closer to amateur creators and students who work with photo and video for class. For this specific demographic, the Swift 3X makes sense. For anyone else, the 3X is a bit below its price point in enough other areas that there are likely better options.
That’s kinda blue, right?
The first thing you might notice about the Swift 3X is its interesting color scheme. The model I tested comes in a new “steam blue” color, which is a nice change from the sea of black and gray laptops that you’ll see in any public setting. There’s a bright blue hinge on the back with “Swift” printed across it as well, which will certainly make the device stand out.
Weight, though, is the standout feature. The 3X weighs just 3.02 pounds and is 0.71 inches thick. As devices with discrete GPUs go, it’s an unusually portable machine. I brought the 3X on a weekend trip and could slip it into a packed backpack with no problem. It didn’t weigh me down at all. In terms of ports, you get a USB 3.2 Type-C Gen 2 with Thunderbolt 4 and DisplayPort, two USB 3.2 Gen 1, and an HDMI 2.0, as well as a combination audio jack. There’s a fingerprint reader below the arrow keys on the chassis, which worked well.
The display is another standout feature. It looks great, with excellent colors and sharp details. What’s nice is that its matte finish, combined with Acer’s ComfyView technology, does a really excellent job of eliminating glare. Using the 3X outdoors was a mixed bag, though — I didn’t see my reflection, but the screen still wasn’t quite bright enough to comfortably use. (It maxed out at 274 nits in our testing — you want at least 300 nits to use a device in very bright settings.)
That said, build quality is one area where the Swift 3X doesn’t quite measure up to competitors. Most of the chassis is aluminum, but it has a bit of a flimsy and plasticky feel. There’s noticeable flex in the keyboard and screen, which I don’t love to see in laptops over $1,000. And it’ll look like a bit of a clunker next to more expensive fare like Acer’s own Swift 5 — a big reason is that the bezels aren’t tiny (Acer claims an 84 percent screen-to-body ratio) and are visibly plastic. It also feels like a step down from some similarly priced devices like the Asus Zenbook 14.
The keyboard and touchpad are functional but not my favorites. They’re a bit shallower and stiffer, respectively, than the best input devices you can find at this price. The touchpad is spacious enough but had significant trouble with palm rejection — my cursor bounced all over the place often while my palm was on the pad, and it sometimes interfered with my typing.
Finally, this isn’t a machine I’d recommend for peripheral-free videoconferencing. While the microphones didn’t have any trouble picking my voice up, the webcam and speakers leave a lot to be desired. The 720p webcam is grainy and didn’t do well in low-light settings. (It doesn’t support Windows Hello facial login, either, though that’s not a crime at this price.) The audio is adequate for Zoom meetings, but I heard some distortion at maximum volume and had to turn the thing down. And I’d recommend an external speaker for anything more. When a friend and I tried to watch a YouTube video on the device, we had to lean in to hear the words clearly. Music has clear vocals, but bass is weak.
The Swift comes loaded with DTS Audio Processing, which allows you to swap between presets for music, movies, and games, but there’s no preset for videoconferencing. I actually preferred listening to music on the movie preset, which seemed to have the best balance overall.
Backlit keyboard and a precision touchpad.
These are all compromises you’re making for the Swift 3X’s main attraction, which is its performance. In addition to the Intel graphics, my review unit is powered by Intel’s Core i7-1165G7. This quad-core chip powers many of the best ultraportable laptops on the market and should be capable of doing whatever general office tasks you need to do. It also enables a number of modern amenities, including support for dual-band Wi-Fi 6, Bluetooth 5.1, and Thunderbolt 4.
My test configuration, which also includes 16GB of RAM and 1TB of storage, costs $1,199.99. The $899.99 base model has a Core i5-1135G7, 8GB of RAM, and 512GB of storage. I imagine that most people in the Swift 3X’s target audience will want the more expensive model (for the extra storage if nothing else) unless they’re on quite a tight budget. But note here that you’re paying a premium for the GPU — an Acer Swift 3 with identical specs to my test model (which is basically this machine without the GPU) costs $999.99, while an Acer Swift 5 (with no GPU, but a step up in build quality and a chassis that’s over half a pound lighter) is just $100 more at $1,299.
The system does deliver, though. I used the Swift 3X to edit a number of photos with multiple other apps and tasks running in the background, and the device breezed through it without any slowdown or lag.
I never felt much heat, even when I was bouncing between over two dozen Chrome tabs — the bottom of the chassis got slightly warm, but that was the extent of it. I only occasionally heard the fans spin up during my daily work. The fold-under hinge creates some extra ventilation space, as do the dual copper heat pipes. You can swap to Performance and Silent fan profiles as well, though I didn’t find the Silent profile necessary given how quiet the Swift was on default settings. I did hear some annoying coil whine on Silent once or twice.
The Iris Xe Max GPU delivers entry-level graphic performance. The Swift 3X scored a 313 on PugetBench for Premiere Pro, which measures a device’s performance on a number of Premiere Pro tasks. That means it’s a step above integrated graphics — it beats the LG Gram 17 and the XPS 13, with the same RAM and processor, and it trounces both the AMD-powered and Intel-powered Surface Laptop 4. But it doesn’t beat the M1 integrated graphics in Apple’s MacBook Air, and it’s still a step down from midrange Nvidia graphics cards: the Dell XPS 15 with a GTX 1650 Ti scored well above a 400.
Intel’s Deep Link technology provides better AI performance, per the company.
To get an idea of how these numbers translate to real-world tasks, we ran a five-minute, 33-second 4K video export. When comparing this machine to good ultraportables with Intel integrated graphics, you’re looking at a two- to three-minute improvement in export time with the Xe Max. The Swift 3X completed the task in eight minutes flat; the Gram 17 and the XPS 13 both took over 10 and a half minutes, while the AMD Surface Laptop 4 took 16:33. The Swift 3X was even 15 seconds faster than the MacBook Air, though the MacBook Pro finished the task in 7:39. Again, though, the Swift 3X is closer in performance to all of the Intel machines than to anything with a decent GPU — the XPS 15 took just 4:23.
Battery life was also a pleasant surprise, given the discrete GPU. I averaged seven hours and 51 minutes of continuous multitasking at around 200 nits of brightness. That’s comparable to the life span I got from the Swift with the same workload and better than what I got from the cheaper Swift 3. An unfortunately large amount of bloatware also comes preloaded onto this device (ExpressVPN, Norton Security Ultra, other various promotional stuff) so you may see better battery life if you take a few minutes to clean all that out.
Buy it for the GPU.
The Acer Swift 3X offers more powerful specs than most laptops you’ll be able to find at its price point, with a standout display and battery life, and it manages to do so while being quite light and portable. It’s a step above machines with Intel’s integrated graphics, and a step below anything with a half-decent Nvidia GPU. That’s the clearest case in its favor — and if that sort of laptop is what you’re looking for, you may be uniquely suited to the 3X. The major competitor at this weight and price point I can think of is the Asus ZenBook 14, which can come with an entry-level Nvidia GPU, but the chips in it are a generation old now, so we wouldn’t expect the same performance.
With that said, most other aspects of the chassis (the touchpad, the keyboard, the webcam, the speakers, the general build) aren’t quite up to par with other devices you can find at the $1,199 price point. I think you have to really want the GPU. If you don’t, but you’re shopping at this price point and are a fan of the Swift line, the Swift 5 offers better build quality, a thinner and lighter chassis, and a better keyboard and touchpad for just $100 more, with integrated graphics that are still pretty dang good.
(Pocket-lint) – Your computer’s internal speakers aren’t really supposed to perform very well. They’re the thing that always gets pushed aside to make way for better processors, more efficient fans, and sleeker designs. So if you’re often watching videos or listening to music on your computer, it’s a great idea to go for some external speakers.
The sound will be so much bigger so you’ll actually be able to understand what people are saying. No, people really don’t sound so tinny in real life.
As with most other speaker systems, there’s a wide variety to choose from in terms of cost and design. You can get the classic two speaker pod design that fits nicely on either side of your computer. Then there’s the soundbar design that works well with desktops unless you have an alternative space for them around your laptop. For that full bass sound, you can go for a subwoofer too.
Our guide to the best computer speakers to buy today
Creative
Creative Pebble 2.0 USB-Powered Desktop Speakers
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We really like the subtle styling of the Creative Pebble 2.0 USB-Powered Desktop Speakers. The black rounded casing and exposed copper driver make a nice distinction from the standard rectangle and mesh speakers you so often get.
It’s USB-powered, so no long cables looking for a wall socket needed. And it’s simple. You just have a volume knob and no complicated adjustments to get good sound.
ELEGIANT
ELEGIANT 10W RGB Desktop Speakers
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Computers can be quite drab, so for those that want to brighten up their desks, the ELEGIANT 10W RGB Desktop Speakers can provide that colour.
It’s got both wired and Bluetooth compatibility, and two 5W drivers pushing out a peak of 200W. That makes for a decent sound for sure. There’s a focus on bringing through both the highs and lows, so you get a nice, deep bass rumble.
Razer
Razer Nommo Chroma Computer Speakers
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These are such cool looking speakers that pack way more of a punch than you’d expect. The Razer Nommo Chroma Computer Speakers are made to bring out the clarity and breadth of the sound of games and movies.
The Custom 3-inch Woven Glass Fiber Drivers and rear-facing bass ports are the sources of all that great sound. And they even have LED lights under their bases for that dash of colour.
Cyber Acoustics
Cyber Acoustics CA-3602FFP 2.1 Speaker Sound System
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Sometimes you just need to feel that bass rumble at your feet, you know? And nothing will deliver that like a dedicated subwoofer. So bring back the noughties, because this three-piece Cyber Acoustics CA-3602FFP 2.1 Speaker Sound System hits hard.
Each speaker has two 2-inch drivers and combined with the 5.25-inch subwoofer, you get 62 watts peak power and 30 watts RMS. And there’s a neat Desktop Control Pod with the controls and a couple of extra AUX inputs.
Sanyun
Sanyun SW102 Computer Speakers
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For a small, unintrusive speaker set, check out the Sanyun SW102 Computer Speakers.
Two 5W drivers power these little cones, and they’re positioned to deliver 3D sound, so don’t worry about which direction they’re pointed.
You’re going to have to like blue lights though because they don’t change colour.
BeBom
BeBomBasics SP20 USB Powered Multimedia Small Desktop Speaker
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The BeBomBasics SP20 USB Powered Multimedia Small Desktop Speakers are something you don’t need to feel precious about.
There are plenty of other super fancy speakers out there that need all the attention just to work properly. but these cheap and cheerful little speakers are a plug-and-play item that requires no thought to use.
TaoTronics
TaoTronics Computer Speakers
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If you don’t want to mess about with individual speakers, then a soundbar design is perfect for you. The TaoTronics Computer Speakers comes in at a very attractive price.
It’s USB powered and has the obligatory AUX headphone jacks, so if you need to stick your headphones on for a while, it’s easy.
The large knob on the side is convenient too – you won’t be searching for it, that’s for sure.
Maboo
Maboo 3.5mm Jack PC Speakers Wired with Subwoofer
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The Maboo 3.5mm Jack PC Speakers Wired with Subwoofer presents a 2.1 speaker system at a very reasonable price. There are two 3W speakers combined with a 2.5W subwoofer to make sure the bass keeps pace.
It’s a straightforward design, and we like the white on black contrast. They’re not large either, so won’t be taking up all the space on your desk.
ZETIY
ZETIY USB Computer Speaker
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The ZETIY USB Computer Speaker is as basic as you get. And that’s a good thing.
It’s USB powered, so no extra cables going into the wall. The USB even takes place of the aux cable too.
And the single speaker means less fuss and space taken up. You can take it wherever you go because it’s small and there’s no worry about cables getting tangled.
Logitech
Logitech Z200 PC Speakers
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We like brands who always deliver the goods while keeping the price in check. Logitech is just one of those brands, and their Z200 PC Speakers are exactly one of those products.
They’re small, but pack a punch, perfect if you don’t have much desk space but want to increase your computer’s audio. Their no-nonsense design is refreshing too.
Writing by Claudio Rebuzzi. Editing by Dan Grabham.
Its ambition is to be applauded, but Deezer falls between the two stools of Spotify and Tidal and struggles to justify itself over either
For
Vast catalogue and device support
CD-quality HiFi tier
Envelope-pushing 3D audio
Against
No hi-res streaming
Spotify does discovery better
Tidal does hi-fi better
Deezer appears to be stuck with a bit of an identity crisis. When we first reviewed the music streaming service in 2015, it clearly saw itself as a Spotify rival, bringing a vast library of music to a mainstream audience as efficiently as possible.
By the time of our re-review, in early 2018, Deezer had begun courting the hi-fi crowd with a comprehensive catalogue of CD-quality tracks and murmurings of hi-res MQA support to come.
In 2020, with hi-res yet to appear on the platform, Deezer hopped into bed with Sony and started offering 360 Reality Audio streaming to subscribers to its HiFi tier.
And now here we are in 2021 and 16-bit/44.1kHz FLAC files (ie. CD quality) is still the pinnacle of Deezer’s HiFi offering. Yes, it is a solid step up from the 128kbps MP3 files of “standard streaming services”, but those are now few and far between. As both Apple (with Apple Music Lossless) and Spotify (with Spotify HiFi) become well and truly embroiled in a hi-res music war and Amazon Music quietly drops its premium tier by £5 per month to just £7.99 if you’re a Prime Member, where does that leave Deezer?
Clearly, the French streaming service is trying its best to find a USP, and that’s to be applauded, but the result is that it falls short of matching Spotify’s mainstream appeal and Tidal’s hi-fi credentials.
Features
(Image credit: Apple / Deezer)
While Spotify held on resolutely to its compressed music streams until its 2021 HiFi tier announcement, Deezer has offered ‘CD quality’ tracks in the 16-bit/44.1kHz FLAC format since 2017.
These tracks are available to those who subscribe to the £14.99 ($14.99) per-month HiFi tier – which used to cost £19.99 until roughly a year ago – and while initially you also needed to own one of a handful of specific devices, they can now be enjoyed on almost any device that supports the core Deezer experience. In fact, Deezer now comes pre-loaded in kit such as Mobee-K’s new smart USB-C headphones while Apple’s own HomePod and HomePod Mini support Deezer voice control, and Deezer tracks can be downloaded to enjoy offline on your Apple watch, too.
It once looked likely that Deezer would add hi-res streaming to its repertoire, but the company has since decided to go down the 360 Reality Audio route. Think of this as a Dolby Atmos rival but specifically for streamed music, and you’ve got the idea.
Deezer was the first music streaming service to offer 360 Reality Audio, but it has since been joined by Tidal, Amazon Music HD and nugs.net (for the uninitiated, that is a streaming service dedicated to live concerts). Back to Deezer and the tracks available in the format are included as part of its HiFi subscription. You will need to download a different app, called 360 by Deezer, if you want to listen to them all, but this extra app also gives access to all of the non-360 tracks of the standard app so you don’t have to constantly switch between the two.
The bad news is that 360 by Deezer is only available on iOS and Android devices. There are eight playlists, including ‘New on 360 by Deezer’ that can be enjoyed on a computer or hi-fi via the desktop app as teasers – but not the full package.
Pricing
(Image credit: Apple / Deezer)
Below Deezer HiFi there are three tiers. Premium (£9.99/$9.99 per month) shares features with HiFi – no ads, unlimited streaming and control on mobile apps, and offline access – but limits sound quality to 320kbps.
Deezer Family (£14.99/$14.99 per month) gets you everything on Premium for up to six profiles. There’s also a free, ad-supported tier with 128kbps streaming and limited mobile app use.
Compatibility
(Image credit: Apple / Deezer)
As well as smartphones and computers, the Deezer app is also available on many other devices: TVs from the likes of Samsung, Sony and LG; wireless speakers by Sonos, Amazon, Bluesound and Bose; and even cars via Android Auto or Apple CarPlay. And that’s far from an exhaustive list.
What’s more, Chromecast and AirPlay allow you to send tunes to yet more devices. Deezer might not quite match Spotify’s ubiquity (it’s missing from Cambridge Audio’s streamers, for example), but it’s close.
Regardless of the device used, subscribers can access a catalogue of over 56 million songs, more than 52 million of which it claims are in the CD-quality FLAC format. It’s an impressive figure, but with all music streaming services making similarly huge claims, the numbers game is rendered a little academic.
What matters is whether the tracks you’re looking for are available and, in our experience, Deezer produces the fewest blanks after Spotify. It’s very rare to find a song in Spotify’s catalogue that isn’t also available in Deezer’s – and usually in that higher-quality format. One nil to Deezer.
We find Deezer stocks pretty much every track of the diverse range we search for, and all in CD quality too. Just be aware that, unlike Apple Music and Tidal, Deezer doesn’t have artist or album window ‘exclusives’, although it does occasionally release its own live sessions with big artists.
Ease of use
(Image credit: Apple / Deezer)
As HiFi subscribers, we mostly use the desktop and iOS mobile apps, and the ability to flick from one to the other is made easy by the fact each platform offers a very similar interface.
Deezer’s appearance is perhaps best described as stripped-back – almost brutally so. The interface is clean and clear, but also a bit bare, particularly on desktop. Music streaming services are generally similar in layout, with a bottom playback bar and a few left-hand side tabs bordering the centralised chunk of content – and Deezer doesn’t stray too far from this template.
Since our last review update, things have been slightly tweaked. ‘Home’ has been replaced by ‘Music’, although it does the same job as before: presenting users with personalised playlists as well as the opportunity to browse music by charts, new releases, popularity and various moods. Radio stations still appear at the bottom of this page, but podcasts now have their own tab.
‘Favorites’ has replaced ‘My music’, but again, the purpose is unchanged: it’s a gateway to your saved playlists and ‘favourite’ tracks, albums and podcasts.
Performance
(Image credit: Apple / Deezer)
We play the What Hi-Fi? January 2021 playlist, and are pleased to hear Deezer HiFi (CD-quality) streams are clear, full-bodied and, perhaps most importantly, an upgrade from the ‘Better’ (320kbps) quality streams. It’s worth noting sound quality can be changed between ‘Standard’ (128kbps), ‘Better’ (320kbps on wi-fi and 128kbps on mobile data), and ‘High Fidelity’ (1411kbps).
The HiFi streams cling more committedly to the textures of the ‘80s-style keys, percussion and synths underpinning Chaka Khan’s Pallion (aka Hot Butterfly), and those of the affected backing track and vocals in Dua Lipa’s Levitating.
However, we find Tidal’s CD-quality streams a little crisper, cleaner and more precise. There’s more fuel driving Tiny Giant’s Draw Me a Line, and greater space around the instrumental and vocal accompaniment. Timing of the drumbeats and underlying cymbal rhythm is noticeably more accurate, too, with Tidal’s version of Donald Fagen’s I.G.Y. springing into life with a touch more bite.
That said, listening through Grado SR325e headphones plugged into a MacBook Air, the differences are admittedly subtle. And it’s only when we up the transparency of our set-up with a Chord Hugo 2 DAC that these discrepancies become really significant, helped by Tidal’s fancy options for taking exclusive control of the DAC and bypassing the MacBook’s audio processing and volume control. Deezer has no such options.
Of course, the ace up Deezer’s sleeve is 360 Reality Audio, which isn’t offered by any other streaming service. 360 Reality Audio offers a 3D sound space by creating multiple virtual speakers and can be listened to via most standard headphones – although the experience has been optimised for Sony’s range.
At its best, it’s really rather impressive, immersing you in the music and surrounding you with spatially distinct instruments in a way not previously experienced. As a technological showcase it’s very effective, and gives you fresh insight into some of your favourite tracks (although the selection is fairly limited at this point).
But whether the 360 version of a track will replace the stereo version in your affections is debatable. For one, even the best tracks sound comparatively lacking in punch and weight when compared to their stereo equivalents, and some other tracks just don’t seem to have made the transition to 3D particularly well, coming across as rather flat and compressed in terms of detail and dynamics.
It’s worth remembering that 360 Reality Audio is still in its infancy and there’s already so much to like. In time it could be absolutely brilliant – it’s just not a hugely persuasive reason to opt for Deezer over Tidal right now.
Verdict
(Image credit: Apple / Deezer)
While we prefer Tidal’s comprehensive layout and slightly superior sound quality, the main chink in Deezer’s armour is its current lack of hi-res audio.
After all, subscribers to Tidal’s HiFi tier get access to over a million (typically 24-bit/96kHz) hi-res Masters in addition to CD-quality streaming – although they have to pay a little more for it at £19.99 ($19.99) per month – and Amazon Music HD delivers hi-res tracks for £7.99 ($7.99) per month for Prime members and £9.99 ($9.99) per month if you don’t have an Amazon Prime account.
Deezer may still have hi-res in its sights, but all has gone quiet on that front since the announcement of its partnership with MQA back in September 2017. And until it comes as part of a competitive package, it doesn’t shine brightly enough to be the leading light in music streaming.
Its core, non-HiFi subscription, meanwhile, falls just a whisker short of Spotify when it comes to ubiquity, discovery and presentation.
But, while Deezer rather falls between the two pillars of Tidal and Spotify right now, the addition of hi-res streams (and some of the hi-fi-focused features of Tidal) could actually one day see it become the best of both worlds.
SCORES
Performance 4
Features 4
Ease of use 4
MORE:
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Read our Tidal review
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(Pocket-lint) – The last Apple TV 4K launched in 2017. At the time it coincided with the start of the movement to embrace the growing trend of 4K content from the likes of Netflix and Amazon Prime.
In 2021 watching TV hasn’t changed that much, but we are doing a lot more of it. Subscription services have boomed, we’ve now got more choice – including Apple’s own TV+ service – and therefore even more content to watch.
But does the 2021 Apple TV 4K set-top box embrace current viewing habits enough to be worth the upgrade – or even a purchase in the first place – especially given the crowded marketplace dominated by a host of other, cheaper options from Amazon, Roku, Google and the likes?
Everything feels the same
Puck-style box design, measures 98 x 98 x 35mm
Supports: 4K HDR, Dolby Vision, Dolby Atmos
32GB / 64GB storage variants available
Bluetooth 5.0 connectivity, AirPlay
The design of the Apple TV box itself hasn’t changed at all for the 2021 model. It’s a squarish box that’s certainly larger than the competition. It features just three inputs on the back: Ethernet, HDMI, and power.
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You’ll still need a shelf or a wall-mount to put it on, and if you were hoping for a miniaturised stick to put straight into a spare HDMI socket on your telly then, well, you’re out of luck.
As has always been the case there are no buttons on the box itself, so everything is controlled via the included remote. Or you can use your iPhone, iPad, or voice control via Siri.
The Apple TV 4K’s interface hasn’t changed either, so the focus is about giving you access to all the relevant streaming services – as long as they have a supporting app.
The continued push into a central place to discover more content from supporting streaming services, rather than silo-ing everything in their respective apps, does help you discover content that’s available. However, it’s hard at times to differentiate whether that content is going to cost you above and beyond your current subscriptions. And it’s still missing Netflix within those content recommendations – which is a glaring omission.
As with the 2017 model, you get 4K resolution, high dynamic range (HDR), including Dolby Atmos object-based audio and Dolby Vision HDR support – which is great stuff if your TV and/or AV setup supports it (Apple’s AirPods Pro or AirPods Max still don’t with the Apple TV but do for the iPhone and iPad, for example).
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The ability to connect game controllers (sold separately) via Bluetooth 5.0 means you can grab one of those spare Xbox or PlayStation controllers to jump in too.
Best Xbox controllers: Get the edge with these third-party and official pads
Best PlayStation controller: Pick up an extra PS4 or PS5 game pad
Apple hasn’t increased the storage options for the 2021 model either. It still comes in 32GB and 64GB capacities, but that’s not really an issue as everything is streamed these days anyway.
New, new, new
High Frame Rate (HFR) support up to 60fps
Apple A12 Bionic processor
Updated Siri remote
HDMI 2.1 port
There are some changes of course. Internally the 4K TV box now comes with a much faster processor – the one previously found in the iPhone XS – and that helps on the gaming side of things via Apple Arcade.
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Why only the iPhone XS processor and not the iPhone 12 processor or the iPad Pro’s M1? It’s likely to come down to cost and need. After all, this isn’t a Mac mini nor a fully-fledged games console. Most Apple Arcade games are designed to work nicely on the provided processor – we didn’t have any trouble running NBA2K21 or other games, but the loading times could be improved.
The new box also gets better connectivity. There’s Wi-Fi 6 (ax), allowing it to better connect to your Wi-Fi in dual-band (2.4GHz/5GHz) for those high bandwidth streams you’ll be planning. There’s also HDMI 2.1 support to enable a new High Frame Rate mode that allows you to play content up to 60 frames per second (supported by the iPhone 12 Pro, for example) and any future benefits that will come from that port over time.
Apple has also added support for Thread. This fairly new smart home connectivity technology is backed by Apple, Amazon, and Google. Again, you might not find a use for it out of the box on day one, but it’s likely to become much more important in our smart home futures, so having some level of future-proofing is welcomed.
There’s a new colour-balancing mode that’s not exclusive to this model, which uses your iPhone to help ensure the Apple TV is optimised for the best colour balance in your room. It’s clever, but for us made very little difference.
A new, much needed remote
Remote measures: 136 x 35 x 9.25mm
Although you can buy the new remote on its own – which is a way to easily ‘upgrade’ the older box – the new one included in the this box is the biggest and most visible change for the 2021 Apple TV 4K. It’s one feature that removes a lot of the pain barriers (first-world problems, we know) to using the Apple set-top box on a daily basis.
The new remote is considerably bigger than its predecessor, doesn’t sport a design you’ll get the wrong way up, nor a Siri button that you’ll accidentally press by mistake all of the time.
The Menu button has been ditched, there’s a new mute button, and Apple has thankfully shifted the Siri button to the side to emulate other remotes and match the same experience found on the iPhone, iPad, and even Apple Watch.
Swiping is still available, but it’s now via a circular physical touch button d-pad with a dedicated scroll option for scrubbing through shows – reminiscent of using an iPod from days gone by. That said, you can ignore that and still swipe left to right too – which can cause some muddled responses.
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There’s even a new ‘power’ button that can not only turn off your Apple TV 4K, but also your TV and AV kit. Handy.
What is a surprising omission, however, especially given the recent launch of AirTags, is that the remote doesn’t have a finding option to help you find it down the back of the sofa when lost. No Find My Support, no ‘play a sound’ option. It’s another glaring own goal.
The ecosystem shines through, but you have to pay for it
Third-party app support, including Disney+, Amazon Prime, Netflix, more
Apple TV+, Apple Fitness+, Apple Music, Apple Arcade
Support for catch-up services (including BBC iPlayer)
Against the competition the Apple TV 4K does deliver, but it can also be seen as very expensive for what you get – it’s almost four times as much as the Roku Streaming Stick+, for example. That’s a big premium to pay for just watching movies and getting access to the Apple TV store – something which you might already have if you’ve got the right TV.
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Where Apple is hoping to convince you though is that the benefits to be found in being part of the Apple ecosystem. Getting started is incredibly easy thanks to a simple setup process using your iPhone. Apple Fitness+ users benefit with connectivity to the Apple Watch, and Apple Arcade subscribers get a wealth of games to play too – but that’s a lot of extra cash for features that not everyone might want or have the need to use.
Verdict
There is no denying that the 2021 Apple TV 4K delivers what it sets out to do: packaging streaming services and Apple services all in the one place. It’s the extras like Apple Arcade and Apple Fitness+ that make this a nicely rounded package that will cater for the TV viewer as well as the casual gamer and fitness fan.
Despite this, we can’t help feeling that there are better and cheaper ways to get streaming content like Disney+, Netflix, or even Apple TV+ on your television from the likes of Roku and others.
The Apple TV has always come at a premium, but the 2021 model doesn’t move things on enough to justify either an upgrade or a recommendation over the competition – unless you really believe you’ll be able to maximise on all the additional Apple services and features it offers. And if you’re a current Apple TV 4K owner then you can simply buy the updated Siri remote on its own.
If you’re looking for an inclusive package that has potential to grow over the coming years and possibly adapt to how you use your TV or enjoy content in the home, then that’s one angle. The trouble for many with the 2021 box is that you’ll have to take the hit and pay for all that potential up front – whether it’s ever fully realised or not.
Also consider
Pocket-lint
Roku Streaming Stick+
Roku is s big name in streaming, offering access to all the major services in a slim device that supports the latest 4K HDR formats. A simple remote makes it easy to control, while its asking price undercuts the majority of the competition.
Read our review
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Pocket-lint
Amazon Fire Stick 4K
Amazon’s media streamers keep getting smaller and more affordable, with features like Alexa voice control via the remote making it a no-brainer for many. Although it leans towards Amazon’s content, it does also cover all services – including Netflix – and supports 4K HDR formats and Dolby Atmos object-based audio too.
If you were in any doubt that Sony’s next premium true wireless earbuds are nearly here, this latest leak should settle it. Reliable leaker Evan Blass has posted a series of very official-looking renders of the highly rumoured Sony WF-1000XM4 true wireless earbuds. Following leaks earlier this month and in February, it suggests the WF-1000XM3 successors are very close to becoming official.
Sony WF-1000XM4 pic.twitter.com/Z4j7YTVbDiMay 20, 2021
See more
Sony WF-1000XM4 leaks and news round-up
These renders corroborate what we’ve already seen, lending them significant credence. It seems the pill shape of the WF-1000XM3 is gone, replaced by a rounded shape that should make the earbuds smaller. The Sony logo is no longer on the front but on the side, and they will come in black/copper and silver colour schemes.
(Image credit: Evan Blass)
There are no specs to go with the pics, but they do give us a very good look at the buds and charging case from all sorts of angles. You can see the curved case, left and right labels on the relevant earbud, the ear tips and more.
Previous leaks have provided more in the way of expected features to go on. We’ve previously seen images of the earbuds’ box which included a “Hi-Res Audio” logo, suggesting the XM4 will be compatible with Sony’s LDAC technology.
That same leak also seemed to confirm the buds’ six-hour battery life, plus another 18 from the case, giving them an AirPods-equalling 24 hours of total run time before needing to be plugged in.
Wireless charging is a given, too, and the case should power up quicker than their predecessors. They might also have the same Speak to Chat feature as the Sony WH-1000XM4 over-ear headphones, plus some form of water resistance, which was sadly lacking from their predecessors.
We’re expecting an announcement in the coming weeks – sometime before 9th June, according to one leak. Not long now then!
MORE:
Browse the best wireless earbuds 2021: budget and premium
Check out how things work: active noise-cancelling headphones
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With freedom ever-nearing and summer in sight, the arrival of Bang & Olufsen’s new outdoor Bluetooth speaker is a timely one. The B&O Beosound Explore is built to withstand the elements – it’s IP67 waterproof and dustproof (meaning it’s completely dust-tight and can withstand immersion in up to a metre of water for up to 30 minutes) and has a scratch-resistant, twice-anodised aluminium chassis that flies the flag for durability.
It also has an aluminium carabiner to hang it from your rucksack during hikes, along with an integrated strap. And at just 631g, it shouldn’t weigh you down.
Despite all this ruggedness, the Beosound Explore promises to deliver the signature B&O sound through dual 1.8-inch drivers. The grill is cut in 360-degree lines to offer omnidirectional sound, so everyone around the campfire should get a face full of music.
(Image credit: B&O)
Its design is apparently “reminiscent of forests, glaciers and fjords typically found in Scandinavian landscapes”, and the speaker comes in Black Anthracite, Green or Grey Mist finishes. We think it looks rather swish. Handily, its top-mounted controls are also easily usable when wearing gloves.
With up to 27 hours of playing time from a single charge, too, it should last the length of your whole excursion, from the early excitement right through to the “why did I ever agree to this?” stage.
The Black Anthracite and Green finishes are available now, while the Grey Mist model is coming this summer. It costs £169 (€199).
Will it earn a spot in our list of best Bluetooth speakers? Stay tuned to find out…
MORE:
Check out the best B&O speakers and best outdoor speakers around
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Apple’s wireless audio tech explained: Apple AirPlay 2: compatible devices, features and how to use it
Sony’s unannounced WF-1000XM4 true wireless earbuds have leaked once again in a series of official-looking renders from Evan Blass, giving us our clearest look yet at the successors to 2019’s excellent WF-1000XM3 earbuds. We already had a decent idea of what the earbuds will look like thanks to leaks from February and earlier this month, but the emergence of another leak is yet more evidence that an official announcement can’t be far away.
The images suggest that Sony is planning a big revamp for its upcoming earbuds. The pill-shaped design of the XM3’s is gone and replaced with a more compact circular shape, while the Sony logo has been shunted to the side of the earbuds where it’s less visible. The earbuds will apparently be available in Sony’s typical black and silver color schemes.
There’s no word yet on whether the new earbuds will be water or sweat resistant or if they’ll support Sony’s higher-res LDAC codec, which Sony’s previous buds didn’t. However a leak of the earbuds’ packaging included a “Hi-Res Audio” logo, which could point towards LDAC support. The packaging also mentioned that the earbuds should have 6 hours of playback on a single charge, plus 18 hours from the case, which is in line with what Sony claimed for the previous earbuds.
There’s no official word on when we might see the earbuds release or how much they’ll cost, but previous reports suggest we could see an announcement in June.
Bang and Olufsen’s latest Bluetooth speaker is the Beosound Explore, a $199 (£169) speaker that’s rated to run for 27 hours “at typical listening volumes” before needing a charge.
That’s an impressive amount of battery life for a small (roughly 5 x 3 x 3 inch) Bluetooth speaker like this. For comparison, JBL’s slightly larger Charge 5 speaker goes for 20 hours, while even the much larger UE Hyperboom tops out at 24 hours.
Bang and Olufsen tells me that the Beosound Explore’s battery life is thanks to a couple of things. It’s one of the first speakers to support the new Bluetooth 5.2 standard, which offers a more power efficient way to receive audio from your devices. This combines with the Explore’s innards, which are tuned with power efficiency in mind. It means the speaker should get a lot of playback out of its modest 2,400 mAh battery.
It comes with a small carabiner for attaching it to a backpack.Image: Bang and Olufsen
Beyond its battery life, the Beosound Explore offers a more typical range of features for a Bluetooth speaker. It’s IP67 water resistant, so it should survive being briefly submerged, it supports being paired in stereo if you have two Explores, and in supports Apple, Google, and Microsoft’s fast pairing standards. Charging is handled over USB-C and takes around two hours, the company says.
The Beosound Explore is available from today in black and green, with a gray model following this summer.
Apple announced a variety of new and updated features for people with disabilities today. Beginning May 20th, customers can use the new SignTime sign language interpreter service to contact AppleCare and retail customer care through their web browsers. Software updates later this year to iOS, watchOS, and iPadOS will bring improved options for Assistive Touch, VoiceOver, hearing aid support, and background sounds.
We believe everyone should have the tools they need to change the world. Accessibility is a fundamental right, and we’re always pushing the boundaries of innovation so that everyone can learn, create and connect in new ways. #GAAD https://t.co/oZwQNG7p5x
— Tim Cook (@tim_cook) May 19, 2021
The new SignTime service is launching first in the US, UK, and France, and offers remote interpreter access for American Sign Language, British Sign Language, and French Sign Language. People can also use the service in Apple stores to get interpretation without booking it in advance, potentially preventing the hassle of wrangling an interpreter on short notice.
People with limb differences will be able to use Assistive Touch on watchOS, which should enable them to use Apple Watch without touching the screen. (Apple did not verify which Watches this will work for.) Apple says the Apple Watch can detect muscle movement and tendon activity through its built-in sensors, allowing users to control a cursor on the watch screen, answer calls, access notifications, and more by making various movements and gestures. (You can see it in action in the video on this page.)
iPadOS will support third-party eye-tracking devices, allowing people with low mobility to move a cursor with their gaze and perform actions by holding eye contact, rather than tapping the screen.
VoiceOver, Apple’s built-in screen reader, will be updated to include more details in images. According to Apple, it will allow people to navigate images with text and data tables by rows and columns, and describe people and objects in images. People will also be able to add image descriptions with Markup.
Apple plans to upgrade the Made for iPhone hearing devices program, too, with support for bidirectional hearing aids. Users will also be able to upload their hearing test results to Headphone Accommodations to more easily customize how the feature amplifies sounds and adjusts different frequencies.
Image: Apple
For neurodiverse people (or anyone who likes white noise), Apple is introducing Background Sounds that can be incorporated with other audio and system sounds. They include “balanced, bright, or dark noise, as well as ocean, rain, or stream sounds” that can be set to play continuously and mask distracting or overwhelming noises.
Other features Apple is planning for later in the year include the ability to use mouth sounds like clicks or pops instead of using physical buttons, the customization of display and text size settings in individual apps, and new Memoji options with cochlear implants, oxygen tubes, and soft helmets.
Companies large and small always have room for improvement when it comes to making their products accessible, but Apple has generally been a leader in the space. These updates hopefully signal a continued commitment to designing with disabled people in mind.
The Epos H3 gaming headset thumps out crystal-clear, bassy audio with excellent range. However, the microphone makes an annoying, persistent hissing noise.
For
+ Lightweight
+ Excellent audio reproduction and thump
+ Soft earcups
Against
– Not a lot of features for the price
– No software
Editor’s Note: This review was originally published on April 20, 2021 and was updated on May 19, 2021. We retested the microphone after learning it was originally tested with a faulty 3.5mm jack.
The Epos H3 is a solid choice for those seeking the best gaming headset for their rig. They’re also cross-platform compatible with Mac, PlayStation 5 (PS5), PS4, Xbox and Nintendo Switch, allowing you to have one pair of headphones for all your gaming needs.
Combining comfort with affectionately loud drivers boasting thunderous bass and crystal-clear audio worthy of praise, it’s money well spent at $119. The H3 also features passive noise canceling, raising the bar another level; although, you may still wish for a better microphone and roomier fit.
A quick glance at the H3’s specs sheet, and you might suspect that these are bulky, heavy cans. At 1.4 pounds, they’re weightier than many other wired gaming headsets, such as the MSI Immerse GH61 (0.6 pounds) and Roccat Elo X (0.7 pounds). However, Epos managed to distribute the weight and minimize pressure in such a way that the H3 actually feels lightweight. This is partially due to the memory foam and soft leatherette included on the headband and ears for comfort that cradles the head and ears without being overbearingly cushy. The unit is so lightweight that my only concern was them getting hot, like many other over-the-ear units using leatherette that I have reviewed, but, thankfully, I was able to wear them for over 2 hours at a time without ever even getting warm.
The H3’s earcups connect to the steel headband via a dual-axis hinge and are also designed to mold to the shape of human ears. But because I’m a huge person with an obnoxiously large head and substantial, malformed ears, I initially had issues getting the H3 to sound as expected. Here, I learned of the sturdiness of the steel headband. Adjustments were easy, and I was able to get the H3 so I could listen to The Best of Johann Sebastion Bach in pure comfort.
The Epos H3’s are stylishly elegant in Onyx Black as tested but are also available in Ghost White. Each ear cup holds an Epos logo, and the right ear cup has a built-in volume control knob that is responsive and with smooth controls easily activated by my thumb. On the left ear cup is the 3.5mm audio connection jack. The microphone is also on the left ear cup and pulls down nicely into place with a solid click to let you know it’s in place and ready to go. Lifting it back up conveniently mutes the microphone, so there are no embarrassments.
Overall, with its lightweight, but quality, plastics, and steel headband, the H3 is sleek and sturdy with the feel of a much more expensive gaming headset. They also lack the sometimes gaudy RGB lighting of other gaming headsets, which is great for when you simply want to game and not also put on a light show. The plastic keeps the headset trim at 0.6 pounds overall which adds to the comfort level I mentioned previously.
Audio Performance
Epos H3 uses closed drivers that deliver satisfactory audio as soon as you plug them in, which is good news since there’s no software available with the H3. The H3 gaming headset is truly plug-and-play, coming with a 3.5mm audio cable and a 3.5mm splitter cable, should your device require a separate mic input to record audio.
I fired up Borderlands 2, and as I was following the annoying robot Claptrap around, I could discern when one of the crazy characters tried to slide up on my right and start beating on me. I side-stepped and shot him dead with my weapons, and the gunshots were wonderfully reproduced and sounded realistic. When I threw a grenade at a couple of post-apocalyptic-looking gents, the explosions were rich, full, and crisp, making for a thoroughly enjoyable battle.
While playing Batman: Arkham Knight, I could easily trace the sounds of fire shots as they petered out into the distance. They sounded just as realistic as the gunshots I heard while playing Borderlands 2. The bone-crunching sound of Batman’s punches landing on the jaws of enemies I vanquished were exquisitely reproduced in my ear. When using the jet turbine in the Batmobile to launch from one roof to another, the thunderous roar was gratifying and clear with zero distortion.
Overall, gaming with the H3 ensured I could hear moving footsteps coming from different directions, or gunfire in the distance, and I didn’t find myself missing virtual surround sound or the ability to tweak audio performance with a dedicated app. These cans are lovingly loud, so it’s a good thing the H3’s volume knob is so responsive and easy to find with a blind thumb.
To test out the cans’ music prowess I turned to Busta Rhymes’ “Dangerous”. As soon as the baseline started pumping, I was thrilled, as the H3’s delivered the bombastic bassline with lust and passion few can compete with. At a typical listening volume, I heard sweetly produced highs and mid-range tones. And when I pumped the volume to the max, they delivered the same thump and clarity.
Microphone
(Image credit: Tom’s Hardware)
I originally published this review reporting an audible hiss with the headset’s microphone, but since then I’ve learned that this was caused by a faulty 3.5mm jack in my PC. With that issue remedied, I retested the microphone, and the hissing issue disappeared. Now, the bidirectional mic is able to catch the full range of my deep throaty voice. In recordings I could hear my voice’s natural depth and timbre beautifully and without any distracting background noise, thanks to the mic’s effective noise-cancelling.
Note that the H3 doesn’t have its own software, so microphone performance adjustments aren’t readily available. However, I didn’t miss it too much because my recordings were still very clear and of premium quality worthy of some podcasting.
Epos specs the H3’s mic as covering a frequency range of 10-18,000 Hz.
Features and Software
Although Epos does have a gaming software suite, the H3 does not work with it. But the audio quality is so good, I did not miss having software assistance.
One of my favorite features of the Epos H’3 is the responsive audio knob that is built-in to the right ear cup. It makes adjusting the volume quick and easy. Also, you will need to adjust the volume as these cans can get very loud, which I love.
Bottom Line
(Image credit: Tom’s Hardware)
At $119, the Epos H3’s audio quality is equal to its price tag; however some may find it steep when you compare it to units that come with gaming-ready features, like RGB lighting, software for tweaking and the option for virtual surround sound. If you’re someone who doesn’t need many extras, the H3 also earns its price with strong build quality and comfort, (especially for those with smaller heads, who won’t have to fuss with adjustments).
The downside comes from the microphone, which records really clear audio but also adds a hissing noise that I couldn’t eradicate no matter what adjustments I tried or software I used. Overall the mic performance is solid but not the best in its class and certainly not a replacement for the best USB gaming microphones.
But if you’re interested in a gaming headset that sounds amazing right out of the box and can put up with the ok microphone, these are for you.
(Pocket-lint) – Amazon updated its Echo Show 8 and Echo Show 5 in 2021, with a couple of new features on both models.
You can read how the new Echo Show 5 and old Echo Show 5 compare in our separate feature, as well as how the Echo Show models all compare in another feature.
Here we are looking at how the second generation Echo Show 8 compares to the old Echo Show 8 though. Read on to find out the differences and help you decide which to buy.
What’s the same?
Design
Speakers
Alexa features
As with the new Echo Show 5, a lot remains the same between the new Echo Show 8 and its predecessor. The two devices have the same design and they both come in Charcoal and Glacier White colour options.
Both measure 200.4 x 135.9 x 99.1mm, they both have a power port and 3.5mm audio output at the back of the fabric-covered speaker base and they both have an 8-inch display. A camera cover switch sits on top of both devices, along with four microphones, volume buttons and a microphone on/off switch.
The two devices also all offer the same features in terms of Alexa and everything that comes with Alexa, such as weather reports, jokes, games, shopping lists and plenty more, whilst music streaming and video streaming is the same across the two models too.
What’s different between the new Echo Show 8 and old Echo Show 8?
There are a couple of differences between the new Echo Show 8 and the old Echo Show 8 though.
Front camera
The new Echo Show 8 has a 13-megapixel front camera that incorporates pan and zoom, tracking you across the room like the Echo Show 10, latest iPad Pro and Facebook Portal offer.
The old Echo Show by comparison has a 1-megapixel front camera and it doesn’t offer the pan and zoom feature.
Processor
The second generation Echo Show features a bump in processor compared to the older model. It has an 8-core processor in the MediaTek 8183, while the older model has a four-core processor in the MediaTek 8163.
Environmentally friendly
The second generation Echo Show 8 is ‘Climate Pledge Friendly’, like the Echo Show 5, featuring 30 per cent post-consumer recycled plastics, 100 per cent post-consumer recycled fabric and 100 per cent recycled die-cast aluminium.
The new Echo Show 8’s packaging is also 99 per cent wood-fibre-based.
Price
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The second generation Echo Show 8 is available to preorder for £119.99 in the UK. It will be delivered on 9 June.
The first generation Echo Show 8 is a little cheaper at £99.99 in the UK.
Conclusion
The Amazon Echo Show 8 (2021) is a little more expensive than its predecessor, but it comes with a big front camera upgrade, not only in terms of resolution but in terms of the features it offers too, adding pan and zoom.
It also has a more powerful processor under its hood and it’s more environmentally friendly.
Of course, you save a little cash if you buy the older model, and you get many of the same features in terms of Alexa, as well the same audio capabilities, but you’ll miss out on the camera tech and the faster processor.
Writing by Britta O’Boyle.
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