What’s on your desk, Mitchell Clark?

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There are a lot of topics, both serious and fun, that are out there to be covered by The Verge, and it falls on our news writers to cover them: from coronavirus and space exploration to YouTube and Super Nintendo World. Mitchell Clark is one of those writers; among other articles, he wrote one of the best explanations you can find of what exactly NFTs are. We took a look (remotely via photos) of Mitchell’s desk and asked him some questions about his stuff.

Tell me a little about yourself. What is your background, and what do you do at The Verge?

Like Jay, I’m a news writer, tasked with keeping The Verge’s readers up to date with news about pretty much anything you could think of. Lately, it’s been a lot of NFTs, but it’s really just a grab bag every day I come into work, which keeps it exciting.

I also literally just got here — I started in December. I previously did a little of everything, from slinging fast-food chicken fingers, professionally fixing people’s phone problems, and doing training, testing, and coding for software the government uses. Basically, pretty much anything not related to my degree in video production.

Photo by Mitchell Clark / The Verge

How did you decide where and how to set up your workspace?

I live in a relatively small and cheap city, so I’m luxuriating in a two-bedroom apartment. I’ve worked at home ever since we moved here in 2017, so as soon as we got all the moving boxes out of the second room, I claimed it as my office. As for where the desk is: it used to be up against the window, but the sun kept getting in my eyes, so I moved it against the wall instead.

Tell me a little about the desk itself.

It’s called the iMovR Energize, and it’s a motorized standing desk. And yes, I do actually work standing up a lot. I don’t often work sitting at it, though — the cat is banned from the office, but if I’m in here he’ll sit outside the door and scream. So if I’m going to work sitting down, I do it on the couch so he doesn’t guilt-trip me.

Half of the reason why I chose the Energize was because it’s ostensibly made in the US, and the other half is that there are almost no reviews of it, and I wanted to do one and have it stand out. As far as I can tell, I’m still the only person who’s done a video review of it on YouTube, the TL;DR of which is that it’s a good desk. If it lasts for 10 years, it may actually be worth the almost $1,000 price tag.



I think that’s the simplest desk chair I’ve seen so far.

Yeahhhh, it’s an Ikea Trollberget. I went with it over an office chair in the optimistic hope that it would help me not slouch so much. The seat part of it tilts back and forth, so it really requires some core strength to sit up straight, which is great when I actually do that, but honestly I usually just put my elbows on the desk and curve my body into some horrible “S” shape. If I lived somewhere I could find a used Herman Miller, I’d probably give one of those a try.

Tell us a bit about your audio setup. It looks like you’ve put considerable thought into it.

Yes, I have. It’s a Shure Beta 87A microphone, mounted on a Heil PL2T arm and connected to a Focusrite Scarlett 2i4 audio interface. The headphones are the Beyerdynamic DT 770 Pro 80 ohms, which aren’t super fun for music (hence the fifth-gen iPod with KZ ES4 earbuds) but are great for accurately reproducing vocals.

The whole setup is optimized for one thing: making sure that my voice is as clear and echo-free as possible. I was tired of having to go into a cave of blankets to record voiceovers, so I got a microphone with a very narrow (supercardioid) pickup pattern, and it works great. I also sometimes use it as an improvised video mic, for which it’s only okay. Usually, it just makes me sound really great on Zoom calls (and lets me pretend I’m going to make more episodes of a podcast I made three episodes of and then gave up on).



Okay, now it’s time to talk about your other tech: your computer, display setup, and other tech stuff.

Alright! My computer is a 13-inch M1 Macbook Pro — I went with the Pro over the Air mainly for the brighter screen. When I’m working from my desk and not the couch, I plonk that on a Twelve South Curve stand, and plug it in to a… *checks B&H order history* Dell U2415 24-inch monitor.

It’s 16:10, which is nice, but unfortunately it’s got a 1920 x 1200 resolution. I seem to be especially sensitive to low resolutions (I can immediately tell the difference between YouTube at 1080p and 720p on my iPhone Mini), so my next big upgrade may be to LG’s 24-inch UltraFine 4K (if I can find one used).

I switch between a Magic Trackpad and Logitech G502 Hero for my mousing needs. Changing which device and hand I use helps stave off wrist pain, and I’ve discovered that any mouse without Logitech’s ratcheting / free-spinning scroll wheel is almost unusable for me. For my keyboard, I use the peculiarly named Ducky One 2 with Cherry MX Browns. The main theme is wired: I’ve always run into weird, annoying issues with Bluetooth keyboards and mice.

The final Big Thing on my desk is an OWC ThunderBay 4. Being into video production and photography (Fujifilm X-T3 for digital, Nikon F3HP for film, by the way), I accumulate a lot of absolutely massive files: I’ve currently got 11TB of data spread out across 17TB of drives.



You mentioned that you had a bit of a cable issue.

Yeah, I just up (down? side-to-side?)-graded from an iMac Pro, which had just enough ports to plug in my five bajillion peripherals. Now my computer has two ports, so I have an absolute nightmare of a situation.

Here’s my current setup: I connect my laptop with Thunderbolt to the ThunderBay 4. Somehow that provides enough power to trickle-charge the laptop, and provides a Thunderbolt pass-through, which I currently have a USB-C Satechi Clamp Hub Pro plugged into. Plugged into that are my mouse and keyboard, and my monitor’s built-in USB hub, which has even more devices plugged into it (notably the scanner and Scarlett). Then I use my laptop’s second Thunderbolt port to plug in the monitor (good thing the ThunderBay can charge the computer, I’m out of ports).

I’ve got an OWC Thunderbolt 4 Dock on preorder to save me from this triple-hub chain nightmare, but until then, I’ve just got a mess of wires and am hoping nothing breaks.

I see your keyboard is right near your desk. Do you ever take a break to make some music?

I can’t actually play piano to be honest, even though I’ve literally had this keyboard since I was seven years old. I do have it hooked up to my computer through the Scarlett’s MIDI interface, so sometimes if I find a really cool-sounding synth in Logic, I’ll mash at the keyboard until I get something that sounds good. Its main job, though, is to sit there, guilting me until I actually learn even a drop of music theory.

Looks like a great setup for storing your bikes, but I’d be nervous about crashing into them if I push my chair back too hard…

I’d never even thought about that, but thankfully my chair doesn’t have wheels so I’d really have to try for it. The biggest risk with the bikes is that I’ll look out my window, see the paved trail that runs right outside it (and keeps going for 100 miles into a different state), and not be able to resist the temptation to take a ride!

For any other apartment-dwellers, the bike stand is probably a great option: it’s made by a company called Delta Design. I bought mine at Costco, but as always when I find something I like there, it’s no longer available. Amazon still sells it, and REI has a nicer-looking version, too.

Tell us a bit about your decorations: the great collection you’ve got on your bulletin board, the sculptures on your windowsill, etc.

I always want to have things that, as Marie Kondo would put it, spark joy around me while I’m working. So, I try to decorate with things made by creators or friends, or with art that is associated with some sort of memory. Some of the pins are from webcomics or podcasts that I enjoy, some are from Etsy, and the vintage and Michigan-related ones I got from my grandma, who apparently collected them. I’m on the record as absolutely loving Kentucky Route Zero, so I figured I’d get a poster of it, too.

The coolest story, though, goes with the metal bonsai trees. I did karate for about 10 years (and have missed doing it for six), and my sensei had a friend who would make the trees by hand. He’d give them out every year as awards for people who exemplified certain qualities of the Shotokan dojo kun. I don’t remember which I got them for, but they’re good reminders of some pretty good rules.

What’s on the shelving beneath the bulletin board?

A little bit of everything! There’s an Epson Perfection V550 scanner, which I use for everything from the mundane (scanning documents and birthday / holiday cards) to the exciting only to me (scanning all the film negatives I’ve developed). I also keep all my camera gear there, with one of the drawers having a mishmash of GoPro accessories, a Rode VideoMic Go, Zoom H5, and other video gear. The other drawer has “ancient media” like VHS tapes, cassette tapes, and vinyl records.

Oh, and there’s a label maker, which I’m pretty sure doesn’t have any tape left.

Finally — do you often hide under your desk?

Only in the summer, when it’s hot and I need to get out of the sunlight! But I do work from the floor a lot, either just sitting on it or laying down. I’ve been told it’s weird (usually by my wife, who comes home and finds me laying on the floor, with the cat having sprawled himself across my legs), but it works for me.

the-$159-oneplus-watch-is-oneplus’-first-smartwatch

The $159 OnePlus Watch is OnePlus’ first smartwatch

It’s taken years, but OnePlus is finally getting in the smartwatch game with the newly announced OnePlus Watch, starting at $159. The new watch (as was revealed last week) has a round design that looks similar to a regular wristwatch, instead of the oblong rectangle popularized by the Apple Watch and its imitators, like the Oppo Watch.

The case itself is stainless steel, measures 46mm, and features two buttons on the side (one of which features the OnePlus logo). It’ll be available in two colors: silver and black. The display is a 1.39-inch OLED panel at 326ppi, with sapphire glass.

The watch will also feature a version of OnePlus’ Warp Charge system (promising a week of battery life off a 20-minute charge). OnePlus promises that the watch should last up to two weeks on a single charge or up to one week for heavier users.

Specs-wise, the OnePlus Watch features 1GB of RAM, 4GB of internal storage, and integrated speakers. Wi-Fi, Bluetooth, and GPS are all built in, but there’s no cellular option. If you want connectivity on the watch, you’ll have to be connected to a nearby phone.

Image: OnePlus

Fitness is also a big part of the OnePlus Watch. It’ll offer over 110 workout modes, offer built-in GPS, and feature IP68 water and dust resistance. Additionally, the OnePlus Watch features internal storage for music, which allows users to store up to 500 songs to listen to over their Bluetooth headphones when out on a run, even if they don’t have their phone with them. The OnePlus Watch can also automatically detect and track workouts as well as monitor sleep, stress, blood oxygen saturation, and heart rate.

OnePlus isn’t using Wear OS for the OnePlus Watch, though. As the company had announced before the event, it’ll use RTOS-style software setup (similar to companies like Fitbit), with a companion app that will allow it to connect to your phone to receive calls and notifications. (An iOS app for Apple users is promised for the future, too.)

That means things like app selection and custom watchfaces will be largely limited to whatever OnePlus can build in-house — so no third-party apps, at least for now. That said, to start, there’ll be dozens of watchface options to choose from (with additional customization choices to add more style options), so users will have some flexibility.

The OnePlus Watch can also be connected to a OnePlus TV (where available), allowing it to be used as a remote. And if you happen to fall asleep when you’re watching TV on OnePlus’ set, the watch can automatically turn off the TV after it detects that you’ve fallen asleep.

Image: OnePlus

The company also announced a limited edition model made out of a cobalt alloy, which it says is twice as hard as stainless steel. OnePlus says that the Cobalt Limited Edition will be “coming soon,” but the company isn’t providing a price yet.

The OnePlus Watch will start at $159 and will be available starting on April 14th from OnePlus’ website.

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cambridge-audio-dacmagic-200m

Cambridge Audio DacMagic 200M

Our Verdict

Cambridge’s top-of-the-line DAC is a well-armed, high-performing all-rounder

For

  • Smooth, clean, insightful sound
  • Generous connectivity
  • Native MQA support

Against

  • No remote control
  • Tough competition

Cambridge Audio’s flagship DacMagic 200M is the DAC equivalent of an all-inclusive holiday that not only offers flights, meals and accommodation but also throws in room upgrades, free excursions and unlimited ice-cream for the kids. And while we may have forgotten what holidays feel like right now, the fact that this digital-to-analogue converter is a generous soul should please anyone in the market for a well-equipped DAC for their hi-fi or desktop system.

Features

(Image credit: Cambridge Audio)

The DacMagic 200M wants to accommodate every music source and file you already own, or might conceivably think of owning. There are pairs of coaxial and optical inputs for covering CD players, games consoles and Blu-ray players, as well as a USB-type B socket (with a ground/lift switch) that welcomes laptops and PCs with open arms. For those who value easy and convenient wireless playback from a phone or tablet, aptX Bluetooth is also onboard.

Cambridge Audio DacMagic 200M tech specs

(Image credit: Cambridge Audio)

Bluetooth version aptX

Hi-res 32-bit/768kHz PCM, DSD512, MQA

Inputs USB-type B, optical (2), coaxial (2)

Outputs RCA, XLR

Dimension (hwd) 52 x 215 x 191mm

Weight 1.2kg

RCA and balanced XLR outputs on the rear panel allow the DacMagic 200M to be a middleman in a hi-fi system, while a front-panel 6.3mm output caters for listening via headphones. That’s driven by Class A/B amplification that, thanks to a reduction in impedance output, promises more power and less distortion than the one found in the previous DacMagic design.

High-resolution file support goes beyond what most people will need: the USB-type B goes up to 32-bit/768kHz and DSD512, above the bitrate of most commercially available music files, while the opticals and coaxials top out at 24-bit/96kHz and 24-bit/192kHz respectively. As off-the-shelf DAC chips become more sophisticated, hi-fi DACs increasingly sport such highbrow file compatibility.

But what makes the Cambridge stand out is its native support of MQA technology, meaning it can decode and play downloaded MQA hard files, in addition to hi-res Tidal Masters (which are MQA-encoded). That’s great news in particular for Tidal HiFi subscribers who have access to the increasing number of ‘Masters’ streams (many of which are 24-bit/96kHz) that populate the catalogue.

Build

(Image credit: Cambridge Audio)

The whole right-hand side of the Cambridge’s facade is dedicated to displaying the sampling rate of the audio signal being fed into it. Several LEDs each labelled with a sampling rate – ‘44.1kHz’, ‘48kHz’, ‘96kHz’ and ‘192kHz’, for example – light up to signify it. So if you’re playing a CD-quality file, the ‘44.1kHz’ LED will illuminate. Likewise, LEDs for MQA and DSD light up when those types of files or streams are detected.

It makes for a busy aesthetic, not least as they’re also joined by LED, buttons and text labels for DAC filters and source selection, as well as the usual power button, volume dial, headphone jack and company logos. Still, it’s smartly presented and gives the DAC a rather tactile element – great if you plan to have it near you on a desktop and manually make adjustments, though not so relevant if it’s placed far away (those text labels are small) or tucked away in a system rack, as the compact aluminium chassis lends itself to. There’s no remote control either.

The DAC architecture itself uses dual ESS Sabre DACs in a mono configuration. That means one DAC chip handles the right audio channel while the other handles the left, theoretically resulting in better channel separation.

Sound

(Image credit: Cambridge Audio)

The DacMagic 200M’s performance continues the momentum of the company’s recent hi-fi components, including the CX and Edge ranges. It’s recognisably ‘Cambridge’, characterised by a full, smooth tonality that’s complemented by an open, expressive and authoritative manner.

We hook the Cambridge up to a Macbook Pro via USB type-B, feed it Arab Strap’s Fable Of The Urban Fox (16-bit/44.1kHz) and are instantly impressed by the articulacy of Aidan Moffat’s trademark poetic storytelling through the 200M. It not only communicates his unmistakable Scottish accent but also the masterful cadence of his delivery.

The insightful midrange, also exemplified by the textured acoustic melody, is bookended by a rich, punchy low-end – the introductory bass thump is full and lush – and pleasingly present highs that round off a nicely proportioned, equally talented frequency range. As the instrumentation busies the soundstage, the Cambridge has enough breadth and control to keep things coherent.

That smoothness clings to the violins leading Ólafur Arnalds’ Spiral (Sunrise Session) (24-bit/96kHz) in a way that makes it enjoyable without clouding the textural finesse or dynamic undulation of the strings that communicate the piece’s beautiful fragility. The Cambridge rides the dynamic ebbs and flows nicely, showing its grace in the quieter moments and its authority in the louder ones.

Dynamic shrewdness is backed by rhythmic coordination and punch, amounting to a musical presentation. There’s much to appreciate in a hi-fi component that lets you sit back and enjoy your music no matter the genre, whether it’s Beethoven’s Piano Concerto 5 Op73 “Emperor” Adagio (MQA, 24-bit/96kHz) or Drake’s What’s Next (24-bit/88.2kHz) – and the DacMagic 200M is one of those.

(Image credit: Cambridge Audio)

There’s enough transparency to make the most of the higher-res tracks in which it supports, too. A DSD64 of Stevie Wonder’s Too High sparkles with the amount of detail revealed. 

At the other end of the scale, music transmitted over Bluetooth often equals notably muddier, more confined results compared to a wired source. But while there’s some degradation here in terms of clarity and subtlety, Bluetooth playback is exemplary when paired with a Samsung Galaxy S21 during testing. The presentation is clean, open and ultimately  well upheld, which is about all you can ask for from a product of this nature.

The Cambridge’s three digital filters – Fast, Slow and Short Delay – offer fairly subtle differences, albeit some level of sonic customisation. We find ourselves settling for Short Delay – it seems the more punctual of the three in relation to timing – but it’s worth experimenting with them.

The similarly priced Chord Mojo sets a rather lofty benchmark at this price, despite lacking many of the Cambridge’s features due to its portable (and battery-powered) nature. The Chord edges ahead in performance, delivering even greater subtlety and rhythmic precision, but it can’t match the DacMagic 200M’s impressive feature versatility.

Verdict

Cambridge Audio’s latest top-of-the-line DacMagic continues the legacy of the long-standing DacMagic model, the original of which earned Cambridge its first What Hi-Fi? Award in 1996. The 200M is 25 years and several evolutionary steps along the DacMagic line in terms of features and performance, but it hasn’t lost sight of its vision to sit among the very best at its level. The DacMagic 200M is a talented all-rounder: a safe buy indeed.

SCORES

  • Sound 5
  • Features 5
  • Build 5

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Read our guide to the best DACs

Read our Chord Mojo review