Eight days ago we reported that Apple was working on a Beats-branded set of true wireless headphones named ‘Beats Studio Buds’, as spotted in the 14.6 iOS and tvOS codes. Now – and most likely ahead of an impending official launch – the first actual (if unofficial) product images have been leaked online.
According to gadget research destination MySmartPrice(and as reported by9to5Mac) the Indian-based website received live images of the Beats Studio Buds. Notable in the photo above – aside from the lovely pair of cashmere or merino wool white gloves – is an elliptical shaped earpiece featuring two tiny cutouts.
The image shows an in-ear design and one not dissimilar to the Award-winning Sennheiser Momentum True Wireless 2. Interestingly, it is unlike any AirPods model (known for that ‘toothbrush head’ shape) or Beats Powerbeats product currently available.
The design is similar to the one revealed in an Apple FCC listing recently and it is missing its tips. If Apple follows a similar path here as it did with AirPods Pro, the Beats Studio Buds could come with three different-sized tips for an optimum fit.
The Beats Studio Buds are likely to feature Apple’s H1 chip to offer faster connection, increased stability, improved battery life and the “Hey, Siri” feature. To clarify, this is the more advanced chip, found in the second-generation AirPods, AirPods Pro, AirPods Max, Powerbeats Pro, Beats Solo Pro and Powerbeats 4. (The W1 chip is the one found in the previous Beats X, and the 2020-release budget-conscious Beats Flex.)
Compared to the Powerbeats Pro, Beats’ new earbuds seem a much more compact proposition and will likely include noise cancelling, which the Powerbeats Pro does not feature.
When will Apple release its new Beats-branded earbuds? We can’t be sure – but if you’re a Beats headphones fan it is time to get excited. The product was found in iOS 14.6 after all. It can’t be long…
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Smart device and audio specialist Oppo is today launching two new additions – the Enco Air true wireless earbuds and an Oppo 46mm wi-fi smartwatch.
The Chinese brand has expanded its wireless headphone offering to include the Oppo Enco Air earbuds, which promise to combine “lightning-fast Bluetooth 5.2 connectivity with an ergonomic and lightweight design” – a design that’s clearly aimed squarely at the best AirPods alternative market but with a clever translucent-lidded case (so you’ll always know they’re actually in there).
(Image credit: Oppo)
The Oppo Enco Air earbuds come with a Vocal Enhancement mode as standard. Under the bonnet there’s a 12mm dynamic driver with dedicated bass duct in tow, thus promising deep bass and clear highs, plus a dynamic, real-time algorithm to adjust signal – which should allow those voices to stand out from the instrumental.
In terms of stamina, Oppo says the earbuds feature a battery with fast charging that allows up to four hours play from the buds on just a single, 10-minute charge – that is efficient – and 24 hours of total battery life.
Aside from the audio tech, the Enco Air earbuds have also been thoughtfully designed for comfort. The company says that the design (weighing in at only 4g per earpiece) has been user-tested on over 400 different ear shapes to ensure a perfect fit for all customers. This, combined with an IPX4 splash-resistance rating, makes them an interesting budget proposition on paper.
(Image credit: Oppo)
The Oppo 46mm Smart Watch, powered with Wear OS by Google, features a 1.9 inch AMOLED display plus the full suite of Google apps and services – including Google Pay and Google Maps. The AI watch-face design can synchronise to match any outfit thanks to the HeyTap Health app and, with a wide range of wrist strap colours available, it’s never been easier to switch styles. Regarding the frame, Oppo says the 46mm WiFi Watch has been sculpted in a 6,000 series aluminium alloy and is available in a Black finish.
Through Google FitTM1, the wearable enables access to reams of tracked exercises in addition to its key, wrist-based five-minute workouts with voice coaching. With a summer out of lockdown on the horizon, Oppo promises its 46mm WiFi Watch will take the sting out of training and help keep you fit on-the-move. For those out from morning until night, the Watch VOOC Flash Charging allows users to build up 16 hours of power from just one, 15-minute fast charge too.
Ready for prices? The Oppo Enco Air true wireless headphones are available now in a choice of white, black or light blue, for £69 (around $98 or AU$126, although those prices are unconfirmed) and the Oppo 46mm Smart Watch is also available from Oppo’s e-store or Amazon, for £279 (around $395 or AU$510).
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Still waiting for the Sonos wireless headphones to appear? They’re expected by the end of 2021, but it seems the Californian tech giant might have another surprise up its sleeve.
A recent US patent filing (spotted by zatznotfunny) appears to depict Sonos’ first ever pair of wireless earbuds. The drawings are rudimentary but appear to show a couple of different designs, including a wedge-shaped pair that slot into either end of a USB-C charging case.
Interestingly, it looks like Sonos is also planning to extend the play time of its buds using tiny, detachable battery plates (Sonos calls them “charging adaptors”). The plates look to be roughly the size of a thumbnail and attach (possibly magnetically?) to the outer body of each bud. The drawings even reveal how the plates would be powered up using the charging case. Ingenious, but is it realistic?
The filing doesn’t give too much else away, other than to confirm the purported Sonos buds would feature voice control, media playback, and the ability to sync with “Multiple Network Devices” (Sonos’ increasingly broad range of wireless multi-room audio products, we presume).
Major tech firms file hundreds of patents every year and many come to naught, so today’s development is no guarantee that Sonos will launch a pair of true wireless earbuds. That said, somebody at Sonos has clearly spent a lot of time thinking about developing an Apple AirPods (2019) rival.
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Lenovo’s Tab P11 Pro is the company’s top-tier Android tablet. With an 11-inch OLED screen, quad speakers, and snap-on keyboard, it’s meant to go head to head with Samsung’s Tab S7 and Apple’s iPad Air. But while the Tab P11 Pro is excellent for watching movies — that OLED screen and the Dolby Atmos speakers are quite nice — it’s considerably less impressive when you attempt to use it for productivity.
Pricing for the Tab P11 Pro is aggressive, particularly when you add up everything you get. The list price for a base model with 128GB of storage and 4GB of RAM is $499.99, but thanks to Lenovo’s frequent discounts, you can buy one for $375 right now. The model I’ve been testing has 6GB of RAM and comes with a detachable keyboard and active stylus pen in the box. That one’s list price is $599.99, but it’s currently discounted to $460 on Lenovo’s site.
Considering the similarly sized iPad Air starts at $599 before you add a pen or keyboard to it, the Lenovo has a lot of value on its side. No matter which model you opt for, you get the same 11-inch 2560 x 1600 OLED screen; Qualcomm Snapdragon 730G processor; quad JBL speakers with Dolby Atmos tuning; 128GB of storage with the ability to expand it with a microSD card; and premium aluminum unibody design.
The screen and speakers are really the stars of the show here. The OLED panel is not as bright as you can get on an iPad, so it isn’t as good in direct sunlight. But in almost every other scenario, including outdoors in the shade, it looks fantastic. Colors are rich, blacks are deep and inky, and the resolution is sharp. It provides a great experience for watching movies or any video, really.
The P11 Pro’s OLED screen looks great, and the quad speakers sound fantastic.
Similarly, the quad speakers are loud, punchy, and immersive. The Tab P11 Pro’s speakers outclass the iPad Air’s dual speakers and easily hang with the excellent sound system on Apple’s higher-end iPad Pro. Unfortunately, Lenovo is taking the same route as Apple and omitting a headphone jack, so you have the option of using a USB-C dongle (not included) or wireless headphones for personal audio.
Combined, the OLED screen and quad speakers provide the best movie-watching experience on a tablet anywhere near this price. To get something better, you’re going to have to pay a lot more money.
But Lenovo isn’t pitching this as just a couch potato tablet — it’s following Apple and Samsung’s lead in presenting the P11 Pro as a tablet that you can also get work done on. And that’s where the P11 Pro falls on its face.
Starting with the keyboard and pen accessories that are included with the top-end bundle, there’s as much to dislike as there is to like. The snap-on keyboard has a nice fabric cover and comes in two pieces: a back cover with a built-in kickstand that attaches via magnets and the keyboard itself that communicates with the tablet through pogo pins on the bottom edge of the P11 Pro. It’s a similar design to what Samsung uses on the Tab S7 line, and I like the flexibility it affords. I can use just the back cover to prop the tablet up for movie watching without having to have the keyboard in the way all the time. It’s great to have this flexibility when you’re using the tablet on a cramped airplane tray table.
Unfortunately, the typing experience on the keyboard itself leaves a bit to be desired. The layout is as cramped as expected with an 11-inch tablet, and there’s no backlighting available. The trackpad is small and has palm rejection issues — even just using the keyboard to write this relatively short draft was an exercise in patience, as my cursor would randomly jump around any time my left hand brushed against the trackpad as I typed. There’s also very little software support; I can’t adjust the scrolling direction on the trackpad as I can do with a laptop or other tablets.
The bundled stylus is nice to have, but it, too, falls behind the competition. It has many levels of pressure sensitivity, and it writes smoothly enough for my basic note-taking needs. But it doesn’t charge on the back or side of the tablet like Apple or Samsung’s pens (you instead need to plug it in via a USB-C port on its end), and there’s nowhere to safely store it on the tablet. Lenovo includes a rubbery holster for the pen that you’re supposed to stick to the back of the P11’s case with adhesive. But the adhesive is weak, and the pen holder falls off very easily. It all just feels like an afterthought.
Similarly, the software support for the pen is weak. Lenovo includes the Squid notes app (the basic free version, not the full version) for jotting down notes, and you can download many other options from the Play Store. But the pen doesn’t integrate into the system like it does on Apple or Samsung tablets. You can’t use the pen to take quick notes from the lock screen or easily capture screenshots and mark them up like you can on the iPad Air or Tab S7.
The P11 Pro’s “productivity mode” leaves a lot to be desired.
When you attach the keyboard to the tablet, Lenovo’s custom productivity mode launches. This is designed to provide a desktop-like interface, similar to Samsung’s DeX feature. But it’s a mess: few apps can be launched full-screen with it, and every app opens in a tiny, windowed box that you have to resize each time. I was able to successfully create a split-screen between a Google Doc and another window, such as Slack or the browser. But in general, the productivity mode feels like a tacked-on afterthought, just like the pen, and really isn’t a great experience.
Elsewhere, the software is standard Android (version 10; there’s no update to Android 11 as of the date of this review, though the P11 Pro does have the latest security patch available), which works best when you’re watching a full-screen video or playing a game, and doesn’t have as many tablet-oriented apps as iPadOS. The Snapdragon 730 processor isn’t as powerful as you get in Apple or Samsung’s tablets, but it’s not really a bottleneck here. You’ll be limited by the lack of tablet-optimized apps way before you hit the performance ceiling of the chip.
In all, the Tab P11 Pro is the tablet to get if you are looking for an excellent movie watching experience and don’t want to spend more than $400. You won’t find a better display or speakers for this price. I’d personally skip the pen and keyboard bundle entirely (even though that does mean you give up the handy back cover and its kickstand) and just use this tablet for what it does best: entertainment.
The latest iPad Air gets more than just a makeover – it’s a brilliant all-rounder and all the tablet most people could ever need
For
Great picture and sound
Attractive design
Excellent user experience
Against
Imperfect front-facing camera
Touch ID button is awkward
Not the cheapest tablet around
It’s not every day an Apple product gets what you could call a major revamp. On many occasions in the past, there has been a slight change here and a minor tweak there, leaving the tech world slightly underwhelmed. However, by Apple’s standards, it has positively gone to town on the iPad Air (2020).
Not only does the fourth generation iPad Air boast a brand new design, complete with a new Touch ID sensor and speaker layout, there’s also a bigger screen, more powerful processor and improved main camera. Everything is set up for the iPad Air (2020) to make quite the splash, but where does it rank when it comes to the best iPads you can buy?
Pricing
The fourth-generation iPad Air slots between the entry-level iPad and the flagship iPad Pro (2021). It’s available with either 64GB or 256GB of storage and prices start at £579 ($599, AU$899) for the entry-level 64GB Wi-Fi-only model and £729 ($749, AU$1129) for the Wi-Fi/Cellular model.
That makes the latest generation iPad Air around £100 ($100, AU$120) more expensive than the previous model. If Apple had just touched up the design and kept the status quo, you’d probably consider that a big jump in price. But the new model is a clear improvement on iPad Airs of old.
Build
(Image credit: Apple)
Nowhere are the changes more obvious and apparent than with the new iPad Air’s exterior. It has been redesigned to mirror the iPhone 12, and if you like the look and feel of that smartphone, you’re going to love the iPad Air 4.
Apple iPad Air (2020) tech specs
(Image credit: Apple)
Screen size 10.9in
Resolution 2360×1640 pixels
Storage 64GB/256GB
Finishes x5
Battery life 10 hours
Cameras 12MP rear / 7MP front
Dimensions (hwd) 24.8 x 17.9 x 0.6cm
Weight 458g
Those flat sides and crisp edges give the tablet a more purposeful appearance from the off. It makes for quite the contrast switching from the smooth, curved edges of the previous version, but it doesn’t feel uncomfortable, and those flat sides make it easier to grip when you’re watching in portrait or landscape.
It’s similar in look and feel to its big brother, the iPad Air Pro, although the Air is the first iPad to be made available in a range of optional colours. There are Rose Gold, Green and Sky Blue variants to choose from, in addition to the more traditional Silver and Space Grey. We find the Green finish of our review sample particularly easy on the eye.
Run your eyes around those flat edges and you’ll also spot a couple of new additions. The first is the presence of speaker grilles on the top and bottom of the tablet. Instead of offering speakers along just the bottom, the iPad Air 4 now offers landscape stereo speakers. That’s right, no longer does audio sound lopsided.
The iPad Air is now fitted with a USB-C port instead of Lightning, which makes one wonder why Apple is persisting with Lightning on the iPhone. Perhaps we’ll see the socket on the iPhone 13 when it makes an appearance later in the year?
The iPad Air’s volume buttons remain in the same location, as does the power button, although it’s slightly larger and longer, likely because it now handles Touch ID duties. We find that this takes some time to get used to and is at times a little more awkward to operate than the dedicated face-mounted Touch ID button of before. We can’t help but think a fingerprint sensor built under the screen, which is already used by smartphones such as the Samsung Galaxy S21 range, might work better.
Features
(Image credit: Apple)
The big news on the screen front is that the new iPad Air is bigger than ever. At 10.9in, it’s marginally larger than the previous model (10.5in), but you only notice the difference when viewing the two tablets together. The effect is emphasised by the slimmer bezels at the top and bottom, which have been achieved by ditching the fingerprint scanner/home button. It all makes for a streamlined viewing experience.
Resolution is 2360 x 1640 (vs 2224 x 1668 on the iPad Air 3) with a pixel density of 264ppi and a maximum brightness of 500 nits.
It’s still a wide colour display with True Tone, so the iPad Air can adjust the balance of its screen based on ambient lighting conditions. The only thing it doesn’t have compared to its more expensive Pro sibling is a 120Hz refresh rate, which would be nice, but not vital.
The new iPad Air (2020) has the brains to match its beauty too. It is powered by Apple’s A14 Bionic chip, the same silicone that drives the entire iPhone 12 line.
In terms of CPU performance, Apple claims the iPad Air 2020 is 40 per cent faster than the previous generation A12 Bionic chip, while its GPU performance is supposedly up 30 per cent, too, for faster graphics processing.
Although it can’t match the specs of the iPad Pro 2021, both in terms of processing power and storage, Apple still claims the Air is more than powerful enough to be able to edit 4K video on and it’s fully compatible with the Apple Pencil 2, which will come in handy for creative types.
So how do Apple’s claimed performance percentage increases translate into real life? The iPad reacts extremely well to multiple apps being open and even the rigours of gaming. In fact, the iPad Air arguably turns the iPad Pro into even more of a niche product. For most people, the iPad Air 2020 will be a powerful enough tool.
Apps such as Netflix and Amazon Music boot up without hesitation, and even if you have more than a handful of apps running in the background, the iPad Air won’t struggle to cope. Navigating between apps via a series of simple swipes is quick and hassle-free, and once again, Apple’s intuitive iOS operating system delivers a smooth and class-leading user experience.
As far as cameras are concerned, the iPad Air 2020 sports a 12MP snapper on the rear (up from 8MP on the previous version) while it sticks with the old 7MP FaceTime HD camera on the front. The Air can record in 4K resolution at 24, 25, 30 or 60fps and capture slow-mo video in 1080p at 120fps or 240fps.
Apple has stripped down the accessories included in the box for the iPhone, but you still get a 20W charger to go alongside the USB-C charging cable. With a full battery, the iPad Air 2020 should be good for up to 10 hours of battery life under average use. As an occasional web browser and viewing device for the odd episode of The Crown, you should be more than covered.
Sound
(Image credit: Apple)
One of the more exciting changes to the iPad Air’s design from an AV perspective relates to its speakers. On the previous iPad Air, they were positioned on one side, on the edge beneath the Touch ID sensor. Here, the speakers have been repositioned to fire out from either end of the tablet, so you can be treated to proper stereo audio with both sides of your iPad contributing equally.
Not having the audio offset to one side makes a big difference. It’s a better fit for watching programmes in landscape mode, especially while bingeing episodes of your favourite series on Netflix. The most obvious improvement is a wider spread of sound, which helps give it a more cinematic and immersive feel. It’s not exactly surround sound, but it is better than it was previously.
The sound coming out of the speakers is more solid and defined too. There’s extra weight to dialogue and although the vibrations through the iPad’s chassis can be pretty disturbing at higher volumes, it never seems to muddy the clarity of what you’re hearing. Stick to normal volume levels and you’ll be just fine.
You still need to be a little careful about hand placement if you’re holding the iPad in landscape mode, although it is much improved on the older model.
Switch to playing tracks through a pair of wireless headphones and Apple’s trademark musicality is there to enjoy. The iPad makes quick work of Radiohead’s 15 Steps and its attempts to trip the tablet over, displays an excellent sense of rhythm and there’s a real snap to the claps that help keep the track on course. There’s plenty of precision to the percussion including a solid, weighty kick drum.
Screen
(Image credit: Apple)
Apple’s tablets have a reputation for delivering excellent images when watching video and the iPad Air 2020 doesn’t let the side down. It’s punchy and bright, but also throws in a great level of subtlety when the scene demands. Compared with the previous model, the latest iPad Air appears a bit sharper, slightly better detailed and capable of great subtlety in dark scenes.
Playing the second episode of Jupiter’s Legacy on Netflix, as everyone lines up at the funeral of their fallen comrades, the detail and definition in each character’s suit really captures the eye. Blacks are deep and rich, but there’s subtlety around creases and where light casts a shadow on certain areas. There’s a great general sense of depth to the scene too.
The iPad peers into the nooks and crannies and paints different gradations of black and grey with great care and attention. It also picks out subtle differences in the intensity of the white shirts worn by some of the characters. Skin tones also appear natural. As Sheldon, Walter, Grace and Brandon sit down for dinner, the bulbs in the chandelier bulbs emit a welcoming, warm glow and there’s a great sense of depth.
Verdict
If you want the ultimate iPad experience, Apple would probably point you in the direction of its Pro range. But the iPad Air 4 (2020) is all the iPad most people will ever need. It’s such a solid and capable all-rounder, that very few will feel the need to spend the extra for the iPad Pro.
The design is superb, the user experience is tough to beat and both sound and picture quality are on point. It’s an excellent tablet, and even with a slight price increase, we still feel it’s worth every penny.
SCORES
Picture 5
Sound 5
Features 5
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Read our guide to the best tablets
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Last week, Apple announced that lossless audio was coming to Apple Music, but it was also revealed that not all Apple devices would be compatible. We now know that the HomePod and HomePod Mini will in fact support these higher-quality music streams. We just don’t know when.
All Apple has revealed on its new lossless audio support page is that “Support for lossless is coming in a future software update”.
The page also reiterates that the new Apple TV 4K 2021 doesn’t currently support the Hi-Res Lossless format, although the use of the word “currently” could suggest it might change in the future.
Apple’s page also runs down how to listen on other devices, and repeats what we told you last week, that Apple’s AirPods, AirPods Pro and AirPods Max don’t support lossless. That’s no great surprise for the true wireless earbuds, but more of a blow for the AirPods Max, as some had assumed their wired connection would enable lossless.
Apple’s iPhones and iPads support Apple Music’s two lower tiers of lossless, namely CD quality (16-bit/44.1kHz) and Apple Music Lossless (24-bit/48kHz). If you want to listen to Apple Music tracks above 24-bit/48kHz on your iPhone/iPad, you’ll need to connect an external DAC and use a wired pair of headphones. Check out our guide for how to listen to hi-res audio on an iPhone.
There’s better news for Apple fans looking to enjoy the Spatial Audio feature also coming to Apple Music next month. It’s much more widely supported on Apple devices including AirPods headphones and HomePod speakers.
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Recognising the convenience of Bluetooth and the fact that not every hi-fi system – especially those of the vintage variety – has it integrated, McIntosh has launched a device that brings it onboard any home audio set-up.
The MB20 Bluetooth transceiver is a two-way device that can both receive and transmit audio wirelessly. In receiver mode, the MB20 can accept audio from a phone or any other Bluetooth source for playback through the system it’s connected to. In transmitter mode, the transceiver can send music playing on a system, including from vinyl and CDs, to a pair of Bluetooth headphones or speakers. A back-panel switch changes the device to the required function.
The MB20 supports the latest Bluetooth 5 codec, as well as aptX HD, aptX Low Latency and AAC for higher quality transmission between compatible devices. It can connect to systems via a range of outputs and inputs, which include RCA, XLR, optical and coaxial connections.
(Image credit: McIntosh)
As a receiver, it utilises a 32-bit/192kHz DAC (if used with an external DAC, its output is fixed at 96kHz). And when in transmitter mode, it uses an ADC with a 110dB signal-to-noise ratio.
The Class 1-supporting MB20 can transmit audio within a 150-foot (45.7m) range – 10x greater than a typical Class 2 Bluetooth device – and features an external antenna designed to maximise its range.
The McIntosh MB20 is available to order now, priced £649 ($500), with shipping expected this month for the United States and Canada, and in June for the UK.
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(Pocket-lint) – Make a list of things the world is crying out for. How far up your list does ‘another pair of true wireless in-ear headphones’ come? The answer may well be ‘not very’.
However, at least LG’s Tone Free HBS-FN7 aren’t just another ‘me-too!’ by-the-numbers attempt to steal market share from the likes of Apple’s AirPods Pro.
The HBS-FN7 have a feature or two that sets them apart from the majority, including ultraviolet (UV) cleaning. So while the world is all too familiar with products like this, might it find room in its heart for these LGs?
Design
Black or white finish
Weigh: 5.6g per earbud
Included charging/self-cleaning case
The wireless earbud arrangement pioneered by Apple, whereby a stem drops from the wearer’s ear like some hi-tec jewellery, is a bit of a ‘Marmite’ proposition, isn’t it? So whether you dig it or despise it, that’s the route LG has gone down with the HBS-FN7. The stem is pretty short here, mind you, though that’s counterbalanced (literally) by the fairly bulbous in-ear area of the FN7 design.
Best true wireless earbuds: Wire-free Bluetooth audio bests
At less than 6g per earbud, though, the LG are undeniably easy to get comfortable and to wear – even for hours on end. They’re provided with a selection of hypoallergenic eartips, too, so even the uncommonly sized ear should have no trouble finding a decent fit.
Pocket-lint
The options for earbud finish – it’s shiny white or shiny black – look good until they’re dulled by fingerprints. And that happens pretty much immediately.
The brilliantly compact charging case – which is less than 3cm deep, less than 6cm in diameter, and a mere 39g – is in a much more successful (and slightly grippy) matte finish. Fingerprints, therefore, are less of a bother here.
Best USB-C headphones for Android phones 2021
By Dan Grabham
·
You won’t be staggered to learn, given that it’s LG we’re discussing here, that build quality is beyond criticism. Keep them safely in their case when you’re not using them and the HBS-FN7 will last a long time.
Features
Bluetooth 5.0
IPX4 splash resistance
Ultraviolet (UV) cleaning
Sound tuned by Meridian
Active noise-cancellation (ANC)
Battery capacity: 390mAh (case), 55mAh (per ‘bud)
Having promised an unusual feature or two, that may as well be where we start – with LG’s UVnano technology. Pop the earbuds into their charging case, close the lid and wait for the little blue LED to illuminate – this indicates the case is scrubbing the earbuds free of bacteria using UV light. And in these ‘hand-sanitiser everywhere you turn’ times, that can only be a good thing, right?
Pocket-lint
Elsewhere, it’s business slightly more as usual. The FN7 use Bluetooth 5.0 for wireless connectivity, and are compatible with SBC and AAC codecs. That’s more than good enough to access some hi-res audio from a top-tier streaming service subscription, but it would have been nice to see aptX Low Latency too – after all, we all like to consume a bit of video content on the move, don’t we?
The sound, once it’s on board, is delivered by a couple of 6mm neodymium full-range drivers. And as another differentiator, LG has opted to give the FN7 a bit of hardcore hi-fi credibility by continuing its partnership with UK specialist Meridian. So there are some Meridian-derived equalisation (EQ) settings to be investigated.
There’s active noise-cancellation (ANC) included here too, and while that’s hardly a revolutionary feature it’s not especially common down in lower price brackets. There are a couple of intensities to choose from – ‘high’ and ‘low’, naturally – as well as an ‘ambient sound’ setting that boosts external noise to keep you orientated. Noise-cancelling can be switched off, too.
Pocket-lint
Battery life is an OK-we-suppose 5 hours from the earbuds (with noise-cancelling switched on), with another three full charges available from the charging case. So 20 hours, all in, is plenty long enough to go between charges, but there are plenty of alternative earbuds that will go for longer. For recharging there’s USB-C or wireless Qi charging is available.
Interface
Raised touch-surface
Control app
There’s the tiniest little bump at the top of each FN7 stem – it’s a capacitive surface, and it proves extremely responsive. So you can instruct the earbuds to ‘play/pause’, ‘volume up/down’, ‘skip forwards/backwards’, ‘cycle through noise-cancelling options’ and ‘answer/end/reject call’ really easily and with confidence.
Pocket-lint
Alternatively, you can always avail yourself of LG’s impressive Tone Free control app. It’s very nicely rendered, is unswervingly stable and reliable, and has quite a breadth of functionality. Rearrange the way the touch-controls respond, explore Meridian’s EQ presets (‘natural’, ‘treble boost’, ‘bass boost’ and ‘immersive’ are pretty self-explanatory), control noise-cancelling intensity, or save a couple of EQ presets you’ve defined yourself.
It’s here where you can update software too, and where you can provoke the earbuds into emitting a piercing chirrup. ‘Find my earbuds’, that last feature is called – and they’d have to be quite a long way away for you to fail to hear them calling to you.
Sound quality
As far as sound quality is concerned, what the HBS-FN7 do well they do very well indeed. Where they’re found wanting, though, they fall down quite heavily.
Pocket-lint
On the plus side, set the EQ to ‘natural’ and the balance of the sound is very nicely judged. The low frequencies have weight but plenty of momentum too – so a chunky tune like The Bug’s Poison Dart hits more than hard enough, but doesn’t get bogged down by its own heft.
The feverish vocal in the midrange of the same tune is detailed, packed with character and enjoys a lot of breathing space too, and as a consequence there are real powers of communication on display here.
And the top of the frequency range has ample crunch but doesn’t get particularly hard, even if you like to listen at oppressive volumes.
The integration of the whole frequency range is smoothly achieved, too, so there’s convincing unity to the sound – nothing is overstated or underplayed. (Of course, mess with the EQs and you can undermine all of this good work. The choice, as always, is yours.)
The soundstage upon which all this happens is properly laid out and coherent. There’s more than enough space available for each individual strand of the recording to be identified, but that’s not at the expense of unity or integration – there’s proper confidence to the way the FN7 stage a song.
Pocket-lint
What there isn’t much of, though, is dynamism or attack. The LG just can’t summon the reserve to put much distance between the quietest and the loudest parts of a recording, and neither can these ‘buds shine much of a spotlight on the little harmonic variations that are so important to giving the listener the complete picture. Attack, of which in normal circumstances The Bug is far from short of, is of the mildest, politest type. And anyone who knows this recording knows ‘polite’ isn’t really what it’s aiming for.
The active noise-cancelling is only a qualified success, too. Set to ‘high’ it undoubtedly takes quite a lot of external noise out of the equation – but it introduces a slight-but-definite hiss at the bottom of the noise-floor as it does so. Set it to ‘low’ and it may as well be set to ‘off’.
Verdict
We go out as we came in: by pointing out that you’re spoiled for choice where products of this type are concerned.
The LG HBS-FN7 have some real strengths, no doubt about it – the balance of their audio reproduction, the quality of their construction and the excellence of their control app, for instance, as well as the reassurance of their self-cleaning technology.
But if the reason you’re buying earbuds is to get as complete an account of the music you like as your budget will allow, they come up fractionally short. Still, the UV cleaning technology is undoubtedly a special attraction.
Also consider
Pocket-lint
Sony WF-1000XM3
For a little less than the cost of the LG, Sony will sell you equally adept (and more attacking) sound, much better noise-cancelling and a different, but equally odd, physical form. You’ll have to clean the bacteria off them manually, mind you…
Cambridge’s Award-winning recipe has been refined to include app support and extra sonic clarity and detail
For
Extra ounce of dynamic expression
Great clarity for the level
Slick app support
Against
No noise-cancelling
When Cambridge Audio announced a new model in its inaugural and two-time What Hi-Fi? Award-winning Melomania line-up, we heaved a collective sigh of relief. The Melomania 1 Plus (or Melomania 1+) promise the same look and feel of their decorated older sibling, the original Melomania 1, but with additional app support, customisable EQ settings and the British audio firm’s innovative High-Performance Audio Mode.
There’s a new colourway, too – gone is the ‘stone’ grey hue we lovingly dubbed ‘NHS Grey’. Here, the upgrades are hard to spot to the naked eye, but then again, beauty is usually in the detail. The pricing hasn’t changed, with the Melomania 1 Plus launching at the now-traditional £120 ($140, AU$185).
So how good do they sound, and are they worth upgrading to?
Build and comfort
(Image credit: Cambridge Audio)
The fresh white finish of our Melomania 1 Plus charging case sample (also available in black) is a matte affair and a solid upgrade on its predecessor. It feels cool, tactile, more pebble-like and means that fingerprint smudges no longer collect on the perfectly sized case.
Cambridge Audio Melomania 1 Plus tech specs
(Image credit: Cambridge Audio)
Bluetooth version 5.0
Finishes x2
Battery life Up to 45 hours (low power)
Dimensions 2.7 x 1.5cm
Weight 5.6g (each)
The five-strong row of LEDs to indicate battery life remains, just below the snappy flip-top lid. The ‘L’ and ‘R’ on each earpiece, underneath the tiny LED light on each, are now written in electric blue lettering. You now get a USB-C fast charging port, too.
Although multiple ear tips were promised to ensure a secure fit, what Cambridge has done is double up on its standard small, medium and large offerings, so you now get two sets of each rather than one.
There are also two sets of medium and large ‘memory foam’ options, but curiously no small option. The memory foam tips are only supplied in black, too – the regular tips are white – which spoils the ice-white aesthetic somewhat.
The bullet-shaped buds are practically identical in build to the Melomania 1 – each weighs the same 4.6g, boasts IPX5 certification against rain and sweat, houses a 5.8mm graphene-enhanced driver and boasts Bluetooth 5.0 connectivity with aptX and AAC codec support.
Features
(Image credit: Cambridge Audio)
The Melomania 1 Plus boast up to nine hours of battery life on a single charge plus four extra charges from the case, which adds up to an impressive 45 hours of total playtime when in Low Power mode. In the default High-Performance mode, you’ll get seven hours from a charge or 35 hours in total courtesy of four more blasts from the case, which is still highly competitive.
Pairing is easy using the handy quick start guide. Only one earpiece needs to be paired on your device; the second bud (labelled ‘Handset’) will simply request a connection to it – and that only needs to be done once. During our tests, the connection between both units and our device remains secure and snag-free.
Possibly the biggest upgrade with this new iteration is support for the free Melomania app, which is now considerably more stable than it used to be. With it comes the ability to customise the EQ settings yourself or pick from six presets, check the battery level of each earbud, locate misplaced earbuds on a map, and receive firmware updates.
Touch controls here involve pressing the circular button on each bud and we find these intuitive and useful. Holding down the right one increases volume, while holding down the left lowers it – simple and effective. A single press of either earpiece starts or pauses playback, two skips forward a track (right earbud) or back a song (left earbud), and three presses of the right bud calls up Siri on our iPhone – although note that they can also access the Google Assistant.
These controls are so reliable that we rarely dig out our smartphone when testing them in transit. That should be a given, but it hasn’t always been our experience when testing competing buds at this price.
Cambridge has advised wearers to position the earpieces so that the recessed circle within the circular top surface of the driver housing is at its lowest point so that the MEMS mic in each bud can perform to its fullest. We do so and are able to enjoy clear voice calls.
The good news is that with low power mode deployed, you’ll get a performance that is on a par with the originals.
Sound
(Image credit: Cambridge Audio)
Switching back to High-Performance Audio and with all EQ levels unaltered, we’re treated to an impactful and expansive presentation of Kate Bush’s And Dream Of Sheep (a Tidal Master file). The keys feel three-dimensional in our left ear as Bush’s vocal soars through the frequencies centrally, backed by samples of seagulls, pared-back guitar picking, wind instruments and spoken word. When the brooding storm builds, the Melomania 1 Plus deliver it dutifully and with remarkable clarity for this level. This is a small but definite improvement on their older sibling for layering and detail.
Instruments such as the slinking bass, Wurlitzer and saxophone at the outset of Beck’s Debra are organised with precision and given an extra few yards of space within the mix, too. The low-level, call-to-action vocal before the verse is often lost in muddier bass registers of lesser headphones, but not here. Beck’s distinctive voice is emotive and held masterfully in check even as the intensity builds. Through the mids and treble, we’re aware of the step-up in terms of clarity and refinement over the original Melos.
Through heavier tracks such as Eminem’s Stan, the teeming rain sounds natural at the window as Stan’s scrawl cuts through with clarity, underpinned by an accurate and regimented bassline. There are marginal gains to be had over the originals in terms of the dynamic build too. The leading edges of notes are marginally cleaner in the updated set of in-ears, as demonstrated by the initial synth strings in Dr Dre’s Forget About Dre.
In our review of the five-star Panasonic RZ-S500W, we said that in direct comparison, the Cambridge product suffered marginally for detail. That balance is now redressed with the Melomania 1 Plus. Whether you prefer the Panasonic proposition over the Melomanias will likely come down to the former’s noise-cancelling or teardrop design, neither of which feature in the Cambridges. But for an engaging, detailed, expansive listen, the Melomania 1 Plus are very much back in the running for best at this level.
Verdict
Cambridge’s compact, fuss-free and affordable design was a hit with us the first time around in 2019. The addition of a slicker paint-job, app support for EQ customisation and the step-up in sonic detail and refinement – without the anticipated price hike – only makes us want to heap extra praise upon the new Melomania 1 Plus.
While the original Melomania 1 can now be had for a significant discount, we’d still point you towards this updated model. There’s no noise-cancelling onboard, but those who don’t need shouldn’t hesitate to add these latest Melomanias to their shortlist.
(Pocket-lint) – Your computer’s internal speakers aren’t really supposed to perform very well. They’re the thing that always gets pushed aside to make way for better processors, more efficient fans, and sleeker designs. So if you’re often watching videos or listening to music on your computer, it’s a great idea to go for some external speakers.
The sound will be so much bigger so you’ll actually be able to understand what people are saying. No, people really don’t sound so tinny in real life.
As with most other speaker systems, there’s a wide variety to choose from in terms of cost and design. You can get the classic two speaker pod design that fits nicely on either side of your computer. Then there’s the soundbar design that works well with desktops unless you have an alternative space for them around your laptop. For that full bass sound, you can go for a subwoofer too.
Our guide to the best computer speakers to buy today
Creative
Creative Pebble 2.0 USB-Powered Desktop Speakers
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We really like the subtle styling of the Creative Pebble 2.0 USB-Powered Desktop Speakers. The black rounded casing and exposed copper driver make a nice distinction from the standard rectangle and mesh speakers you so often get.
It’s USB-powered, so no long cables looking for a wall socket needed. And it’s simple. You just have a volume knob and no complicated adjustments to get good sound.
ELEGIANT
ELEGIANT 10W RGB Desktop Speakers
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Computers can be quite drab, so for those that want to brighten up their desks, the ELEGIANT 10W RGB Desktop Speakers can provide that colour.
It’s got both wired and Bluetooth compatibility, and two 5W drivers pushing out a peak of 200W. That makes for a decent sound for sure. There’s a focus on bringing through both the highs and lows, so you get a nice, deep bass rumble.
Razer
Razer Nommo Chroma Computer Speakers
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These are such cool looking speakers that pack way more of a punch than you’d expect. The Razer Nommo Chroma Computer Speakers are made to bring out the clarity and breadth of the sound of games and movies.
The Custom 3-inch Woven Glass Fiber Drivers and rear-facing bass ports are the sources of all that great sound. And they even have LED lights under their bases for that dash of colour.
Cyber Acoustics
Cyber Acoustics CA-3602FFP 2.1 Speaker Sound System
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Sometimes you just need to feel that bass rumble at your feet, you know? And nothing will deliver that like a dedicated subwoofer. So bring back the noughties, because this three-piece Cyber Acoustics CA-3602FFP 2.1 Speaker Sound System hits hard.
Each speaker has two 2-inch drivers and combined with the 5.25-inch subwoofer, you get 62 watts peak power and 30 watts RMS. And there’s a neat Desktop Control Pod with the controls and a couple of extra AUX inputs.
Sanyun
Sanyun SW102 Computer Speakers
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For a small, unintrusive speaker set, check out the Sanyun SW102 Computer Speakers.
Two 5W drivers power these little cones, and they’re positioned to deliver 3D sound, so don’t worry about which direction they’re pointed.
You’re going to have to like blue lights though because they don’t change colour.
BeBom
BeBomBasics SP20 USB Powered Multimedia Small Desktop Speaker
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The BeBomBasics SP20 USB Powered Multimedia Small Desktop Speakers are something you don’t need to feel precious about.
There are plenty of other super fancy speakers out there that need all the attention just to work properly. but these cheap and cheerful little speakers are a plug-and-play item that requires no thought to use.
TaoTronics
TaoTronics Computer Speakers
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If you don’t want to mess about with individual speakers, then a soundbar design is perfect for you. The TaoTronics Computer Speakers comes in at a very attractive price.
It’s USB powered and has the obligatory AUX headphone jacks, so if you need to stick your headphones on for a while, it’s easy.
The large knob on the side is convenient too – you won’t be searching for it, that’s for sure.
Maboo
Maboo 3.5mm Jack PC Speakers Wired with Subwoofer
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The Maboo 3.5mm Jack PC Speakers Wired with Subwoofer presents a 2.1 speaker system at a very reasonable price. There are two 3W speakers combined with a 2.5W subwoofer to make sure the bass keeps pace.
It’s a straightforward design, and we like the white on black contrast. They’re not large either, so won’t be taking up all the space on your desk.
ZETIY
ZETIY USB Computer Speaker
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The ZETIY USB Computer Speaker is as basic as you get. And that’s a good thing.
It’s USB powered, so no extra cables going into the wall. The USB even takes place of the aux cable too.
And the single speaker means less fuss and space taken up. You can take it wherever you go because it’s small and there’s no worry about cables getting tangled.
Logitech
Logitech Z200 PC Speakers
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We like brands who always deliver the goods while keeping the price in check. Logitech is just one of those brands, and their Z200 PC Speakers are exactly one of those products.
They’re small, but pack a punch, perfect if you don’t have much desk space but want to increase your computer’s audio. Their no-nonsense design is refreshing too.
Writing by Claudio Rebuzzi. Editing by Dan Grabham.
Its ambition is to be applauded, but Deezer falls between the two stools of Spotify and Tidal and struggles to justify itself over either
For
Vast catalogue and device support
CD-quality HiFi tier
Envelope-pushing 3D audio
Against
No hi-res streaming
Spotify does discovery better
Tidal does hi-fi better
Deezer appears to be stuck with a bit of an identity crisis. When we first reviewed the music streaming service in 2015, it clearly saw itself as a Spotify rival, bringing a vast library of music to a mainstream audience as efficiently as possible.
By the time of our re-review, in early 2018, Deezer had begun courting the hi-fi crowd with a comprehensive catalogue of CD-quality tracks and murmurings of hi-res MQA support to come.
In 2020, with hi-res yet to appear on the platform, Deezer hopped into bed with Sony and started offering 360 Reality Audio streaming to subscribers to its HiFi tier.
And now here we are in 2021 and 16-bit/44.1kHz FLAC files (ie. CD quality) is still the pinnacle of Deezer’s HiFi offering. Yes, it is a solid step up from the 128kbps MP3 files of “standard streaming services”, but those are now few and far between. As both Apple (with Apple Music Lossless) and Spotify (with Spotify HiFi) become well and truly embroiled in a hi-res music war and Amazon Music quietly drops its premium tier by £5 per month to just £7.99 if you’re a Prime Member, where does that leave Deezer?
Clearly, the French streaming service is trying its best to find a USP, and that’s to be applauded, but the result is that it falls short of matching Spotify’s mainstream appeal and Tidal’s hi-fi credentials.
Features
(Image credit: Apple / Deezer)
While Spotify held on resolutely to its compressed music streams until its 2021 HiFi tier announcement, Deezer has offered ‘CD quality’ tracks in the 16-bit/44.1kHz FLAC format since 2017.
These tracks are available to those who subscribe to the £14.99 ($14.99) per-month HiFi tier – which used to cost £19.99 until roughly a year ago – and while initially you also needed to own one of a handful of specific devices, they can now be enjoyed on almost any device that supports the core Deezer experience. In fact, Deezer now comes pre-loaded in kit such as Mobee-K’s new smart USB-C headphones while Apple’s own HomePod and HomePod Mini support Deezer voice control, and Deezer tracks can be downloaded to enjoy offline on your Apple watch, too.
It once looked likely that Deezer would add hi-res streaming to its repertoire, but the company has since decided to go down the 360 Reality Audio route. Think of this as a Dolby Atmos rival but specifically for streamed music, and you’ve got the idea.
Deezer was the first music streaming service to offer 360 Reality Audio, but it has since been joined by Tidal, Amazon Music HD and nugs.net (for the uninitiated, that is a streaming service dedicated to live concerts). Back to Deezer and the tracks available in the format are included as part of its HiFi subscription. You will need to download a different app, called 360 by Deezer, if you want to listen to them all, but this extra app also gives access to all of the non-360 tracks of the standard app so you don’t have to constantly switch between the two.
The bad news is that 360 by Deezer is only available on iOS and Android devices. There are eight playlists, including ‘New on 360 by Deezer’ that can be enjoyed on a computer or hi-fi via the desktop app as teasers – but not the full package.
Pricing
(Image credit: Apple / Deezer)
Below Deezer HiFi there are three tiers. Premium (£9.99/$9.99 per month) shares features with HiFi – no ads, unlimited streaming and control on mobile apps, and offline access – but limits sound quality to 320kbps.
Deezer Family (£14.99/$14.99 per month) gets you everything on Premium for up to six profiles. There’s also a free, ad-supported tier with 128kbps streaming and limited mobile app use.
Compatibility
(Image credit: Apple / Deezer)
As well as smartphones and computers, the Deezer app is also available on many other devices: TVs from the likes of Samsung, Sony and LG; wireless speakers by Sonos, Amazon, Bluesound and Bose; and even cars via Android Auto or Apple CarPlay. And that’s far from an exhaustive list.
What’s more, Chromecast and AirPlay allow you to send tunes to yet more devices. Deezer might not quite match Spotify’s ubiquity (it’s missing from Cambridge Audio’s streamers, for example), but it’s close.
Regardless of the device used, subscribers can access a catalogue of over 56 million songs, more than 52 million of which it claims are in the CD-quality FLAC format. It’s an impressive figure, but with all music streaming services making similarly huge claims, the numbers game is rendered a little academic.
What matters is whether the tracks you’re looking for are available and, in our experience, Deezer produces the fewest blanks after Spotify. It’s very rare to find a song in Spotify’s catalogue that isn’t also available in Deezer’s – and usually in that higher-quality format. One nil to Deezer.
We find Deezer stocks pretty much every track of the diverse range we search for, and all in CD quality too. Just be aware that, unlike Apple Music and Tidal, Deezer doesn’t have artist or album window ‘exclusives’, although it does occasionally release its own live sessions with big artists.
Ease of use
(Image credit: Apple / Deezer)
As HiFi subscribers, we mostly use the desktop and iOS mobile apps, and the ability to flick from one to the other is made easy by the fact each platform offers a very similar interface.
Deezer’s appearance is perhaps best described as stripped-back – almost brutally so. The interface is clean and clear, but also a bit bare, particularly on desktop. Music streaming services are generally similar in layout, with a bottom playback bar and a few left-hand side tabs bordering the centralised chunk of content – and Deezer doesn’t stray too far from this template.
Since our last review update, things have been slightly tweaked. ‘Home’ has been replaced by ‘Music’, although it does the same job as before: presenting users with personalised playlists as well as the opportunity to browse music by charts, new releases, popularity and various moods. Radio stations still appear at the bottom of this page, but podcasts now have their own tab.
‘Favorites’ has replaced ‘My music’, but again, the purpose is unchanged: it’s a gateway to your saved playlists and ‘favourite’ tracks, albums and podcasts.
Performance
(Image credit: Apple / Deezer)
We play the What Hi-Fi? January 2021 playlist, and are pleased to hear Deezer HiFi (CD-quality) streams are clear, full-bodied and, perhaps most importantly, an upgrade from the ‘Better’ (320kbps) quality streams. It’s worth noting sound quality can be changed between ‘Standard’ (128kbps), ‘Better’ (320kbps on wi-fi and 128kbps on mobile data), and ‘High Fidelity’ (1411kbps).
The HiFi streams cling more committedly to the textures of the ‘80s-style keys, percussion and synths underpinning Chaka Khan’s Pallion (aka Hot Butterfly), and those of the affected backing track and vocals in Dua Lipa’s Levitating.
However, we find Tidal’s CD-quality streams a little crisper, cleaner and more precise. There’s more fuel driving Tiny Giant’s Draw Me a Line, and greater space around the instrumental and vocal accompaniment. Timing of the drumbeats and underlying cymbal rhythm is noticeably more accurate, too, with Tidal’s version of Donald Fagen’s I.G.Y. springing into life with a touch more bite.
That said, listening through Grado SR325e headphones plugged into a MacBook Air, the differences are admittedly subtle. And it’s only when we up the transparency of our set-up with a Chord Hugo 2 DAC that these discrepancies become really significant, helped by Tidal’s fancy options for taking exclusive control of the DAC and bypassing the MacBook’s audio processing and volume control. Deezer has no such options.
Of course, the ace up Deezer’s sleeve is 360 Reality Audio, which isn’t offered by any other streaming service. 360 Reality Audio offers a 3D sound space by creating multiple virtual speakers and can be listened to via most standard headphones – although the experience has been optimised for Sony’s range.
At its best, it’s really rather impressive, immersing you in the music and surrounding you with spatially distinct instruments in a way not previously experienced. As a technological showcase it’s very effective, and gives you fresh insight into some of your favourite tracks (although the selection is fairly limited at this point).
But whether the 360 version of a track will replace the stereo version in your affections is debatable. For one, even the best tracks sound comparatively lacking in punch and weight when compared to their stereo equivalents, and some other tracks just don’t seem to have made the transition to 3D particularly well, coming across as rather flat and compressed in terms of detail and dynamics.
It’s worth remembering that 360 Reality Audio is still in its infancy and there’s already so much to like. In time it could be absolutely brilliant – it’s just not a hugely persuasive reason to opt for Deezer over Tidal right now.
Verdict
(Image credit: Apple / Deezer)
While we prefer Tidal’s comprehensive layout and slightly superior sound quality, the main chink in Deezer’s armour is its current lack of hi-res audio.
After all, subscribers to Tidal’s HiFi tier get access to over a million (typically 24-bit/96kHz) hi-res Masters in addition to CD-quality streaming – although they have to pay a little more for it at £19.99 ($19.99) per month – and Amazon Music HD delivers hi-res tracks for £7.99 ($7.99) per month for Prime members and £9.99 ($9.99) per month if you don’t have an Amazon Prime account.
Deezer may still have hi-res in its sights, but all has gone quiet on that front since the announcement of its partnership with MQA back in September 2017. And until it comes as part of a competitive package, it doesn’t shine brightly enough to be the leading light in music streaming.
Its core, non-HiFi subscription, meanwhile, falls just a whisker short of Spotify when it comes to ubiquity, discovery and presentation.
But, while Deezer rather falls between the two pillars of Tidal and Spotify right now, the addition of hi-res streams (and some of the hi-fi-focused features of Tidal) could actually one day see it become the best of both worlds.
SCORES
Performance 4
Features 4
Ease of use 4
MORE:
See the best music streaming services 2021: free streams to hi-res audio
Read our Tidal review
Check out the best music streamers 2021: upgrade to a wireless system
If you were in any doubt that Sony’s next premium true wireless earbuds are nearly here, this latest leak should settle it. Reliable leaker Evan Blass has posted a series of very official-looking renders of the highly rumoured Sony WF-1000XM4 true wireless earbuds. Following leaks earlier this month and in February, it suggests the WF-1000XM3 successors are very close to becoming official.
Sony WF-1000XM4 pic.twitter.com/Z4j7YTVbDiMay 20, 2021
See more
Sony WF-1000XM4 leaks and news round-up
These renders corroborate what we’ve already seen, lending them significant credence. It seems the pill shape of the WF-1000XM3 is gone, replaced by a rounded shape that should make the earbuds smaller. The Sony logo is no longer on the front but on the side, and they will come in black/copper and silver colour schemes.
(Image credit: Evan Blass)
There are no specs to go with the pics, but they do give us a very good look at the buds and charging case from all sorts of angles. You can see the curved case, left and right labels on the relevant earbud, the ear tips and more.
Previous leaks have provided more in the way of expected features to go on. We’ve previously seen images of the earbuds’ box which included a “Hi-Res Audio” logo, suggesting the XM4 will be compatible with Sony’s LDAC technology.
That same leak also seemed to confirm the buds’ six-hour battery life, plus another 18 from the case, giving them an AirPods-equalling 24 hours of total run time before needing to be plugged in.
Wireless charging is a given, too, and the case should power up quicker than their predecessors. They might also have the same Speak to Chat feature as the Sony WH-1000XM4 over-ear headphones, plus some form of water resistance, which was sadly lacking from their predecessors.
We’re expecting an announcement in the coming weeks – sometime before 9th June, according to one leak. Not long now then!
MORE:
Browse the best wireless earbuds 2021: budget and premium
Check out how things work: active noise-cancelling headphones
What other wireless earbuds are on the way? Apple AirPods 3, AirPods Pro 2 and Google Pixel Buds A-Series
The Epos H3 gaming headset thumps out crystal-clear, bassy audio with excellent range. However, the microphone makes an annoying, persistent hissing noise.
For
+ Lightweight
+ Excellent audio reproduction and thump
+ Soft earcups
Against
– Not a lot of features for the price
– No software
Editor’s Note: This review was originally published on April 20, 2021 and was updated on May 19, 2021. We retested the microphone after learning it was originally tested with a faulty 3.5mm jack.
The Epos H3 is a solid choice for those seeking the best gaming headset for their rig. They’re also cross-platform compatible with Mac, PlayStation 5 (PS5), PS4, Xbox and Nintendo Switch, allowing you to have one pair of headphones for all your gaming needs.
Combining comfort with affectionately loud drivers boasting thunderous bass and crystal-clear audio worthy of praise, it’s money well spent at $119. The H3 also features passive noise canceling, raising the bar another level; although, you may still wish for a better microphone and roomier fit.
A quick glance at the H3’s specs sheet, and you might suspect that these are bulky, heavy cans. At 1.4 pounds, they’re weightier than many other wired gaming headsets, such as the MSI Immerse GH61 (0.6 pounds) and Roccat Elo X (0.7 pounds). However, Epos managed to distribute the weight and minimize pressure in such a way that the H3 actually feels lightweight. This is partially due to the memory foam and soft leatherette included on the headband and ears for comfort that cradles the head and ears without being overbearingly cushy. The unit is so lightweight that my only concern was them getting hot, like many other over-the-ear units using leatherette that I have reviewed, but, thankfully, I was able to wear them for over 2 hours at a time without ever even getting warm.
The H3’s earcups connect to the steel headband via a dual-axis hinge and are also designed to mold to the shape of human ears. But because I’m a huge person with an obnoxiously large head and substantial, malformed ears, I initially had issues getting the H3 to sound as expected. Here, I learned of the sturdiness of the steel headband. Adjustments were easy, and I was able to get the H3 so I could listen to The Best of Johann Sebastion Bach in pure comfort.
The Epos H3’s are stylishly elegant in Onyx Black as tested but are also available in Ghost White. Each ear cup holds an Epos logo, and the right ear cup has a built-in volume control knob that is responsive and with smooth controls easily activated by my thumb. On the left ear cup is the 3.5mm audio connection jack. The microphone is also on the left ear cup and pulls down nicely into place with a solid click to let you know it’s in place and ready to go. Lifting it back up conveniently mutes the microphone, so there are no embarrassments.
Overall, with its lightweight, but quality, plastics, and steel headband, the H3 is sleek and sturdy with the feel of a much more expensive gaming headset. They also lack the sometimes gaudy RGB lighting of other gaming headsets, which is great for when you simply want to game and not also put on a light show. The plastic keeps the headset trim at 0.6 pounds overall which adds to the comfort level I mentioned previously.
Audio Performance
Epos H3 uses closed drivers that deliver satisfactory audio as soon as you plug them in, which is good news since there’s no software available with the H3. The H3 gaming headset is truly plug-and-play, coming with a 3.5mm audio cable and a 3.5mm splitter cable, should your device require a separate mic input to record audio.
I fired up Borderlands 2, and as I was following the annoying robot Claptrap around, I could discern when one of the crazy characters tried to slide up on my right and start beating on me. I side-stepped and shot him dead with my weapons, and the gunshots were wonderfully reproduced and sounded realistic. When I threw a grenade at a couple of post-apocalyptic-looking gents, the explosions were rich, full, and crisp, making for a thoroughly enjoyable battle.
While playing Batman: Arkham Knight, I could easily trace the sounds of fire shots as they petered out into the distance. They sounded just as realistic as the gunshots I heard while playing Borderlands 2. The bone-crunching sound of Batman’s punches landing on the jaws of enemies I vanquished were exquisitely reproduced in my ear. When using the jet turbine in the Batmobile to launch from one roof to another, the thunderous roar was gratifying and clear with zero distortion.
Overall, gaming with the H3 ensured I could hear moving footsteps coming from different directions, or gunfire in the distance, and I didn’t find myself missing virtual surround sound or the ability to tweak audio performance with a dedicated app. These cans are lovingly loud, so it’s a good thing the H3’s volume knob is so responsive and easy to find with a blind thumb.
To test out the cans’ music prowess I turned to Busta Rhymes’ “Dangerous”. As soon as the baseline started pumping, I was thrilled, as the H3’s delivered the bombastic bassline with lust and passion few can compete with. At a typical listening volume, I heard sweetly produced highs and mid-range tones. And when I pumped the volume to the max, they delivered the same thump and clarity.
Microphone
(Image credit: Tom’s Hardware)
I originally published this review reporting an audible hiss with the headset’s microphone, but since then I’ve learned that this was caused by a faulty 3.5mm jack in my PC. With that issue remedied, I retested the microphone, and the hissing issue disappeared. Now, the bidirectional mic is able to catch the full range of my deep throaty voice. In recordings I could hear my voice’s natural depth and timbre beautifully and without any distracting background noise, thanks to the mic’s effective noise-cancelling.
Note that the H3 doesn’t have its own software, so microphone performance adjustments aren’t readily available. However, I didn’t miss it too much because my recordings were still very clear and of premium quality worthy of some podcasting.
Epos specs the H3’s mic as covering a frequency range of 10-18,000 Hz.
Features and Software
Although Epos does have a gaming software suite, the H3 does not work with it. But the audio quality is so good, I did not miss having software assistance.
One of my favorite features of the Epos H’3 is the responsive audio knob that is built-in to the right ear cup. It makes adjusting the volume quick and easy. Also, you will need to adjust the volume as these cans can get very loud, which I love.
Bottom Line
(Image credit: Tom’s Hardware)
At $119, the Epos H3’s audio quality is equal to its price tag; however some may find it steep when you compare it to units that come with gaming-ready features, like RGB lighting, software for tweaking and the option for virtual surround sound. If you’re someone who doesn’t need many extras, the H3 also earns its price with strong build quality and comfort, (especially for those with smaller heads, who won’t have to fuss with adjustments).
The downside comes from the microphone, which records really clear audio but also adds a hissing noise that I couldn’t eradicate no matter what adjustments I tried or software I used. Overall the mic performance is solid but not the best in its class and certainly not a replacement for the best USB gaming microphones.
But if you’re interested in a gaming headset that sounds amazing right out of the box and can put up with the ok microphone, these are for you.
Apple Music is being upgraded in a big, big way. From June, the music streaming service will support CD-quality and hi-res lossless audio as well as Dolby Atmos-powered Spatial Audio, offering subscribers much higher quality, immersive playback.
Both lossless and Spatial Audio will be available to Apple Music users at no extra cost. Apple describes these two additions as Apple Music’s “biggest advancement ever in sound quality” – which we’d have to agree with. “Excellent news. Well done, Apple!”, we thought upon hearing the news.
But here comes the (rather large) downside.
Apple’s own headphones don’t support lossless audio. None of them. That means even if you’ve spent £549 ($549, AU$899) on a pair of AirPods Max, you can’t listen to Apple Music in the highest quality. Miffed? We don’t blame you.
That’s not the whole story, though, and not the only Apple device not able to take advantage of the new Apple Music features. Let’s take a look at which devices can benefit from hi-res audio, which don’t, and why…
What is Apple Music Lossless?
Essentially, it’s Apple embracing hi-res audio. Apple’s lossless streams use ALAC (Apple Lossless Audio Codec) to offer more detail and information in a recording.
Apple offers three tiers of higher resolution audio: CD quality (16-bit/44.1kHz), Apple Music Lossless (24-bit/48kHz), and Hi-Res Lossless (up to 24-bit/192kHz). You can choose your quality through the Settings > Music > Audio Quality section of Apple Music.
As of next month, all of Apple Music’s 75-million-strong music catalogue will be available in CD quality or Apple Music Lossless. At launch, 20 million will be accessible in the highest quality Hi-Res Lossless format, with the whole catalogue following “by the end of 2021”.
Apple Music isn’t the first service to offer lossless streaming, of course. Tidal, Qobuz and Amazon Music HD all offer CD-quality and hi-res listening, while Deezer offers the former. The Spotify HiFi lossless tier is due to offer CD-quality streams later in the year too.
What is Spatial Audio?
Another new addition to Apple Music is Spatial Audio, which is an Apple technology designed to provide “multidimensional sound and clarity”; to deliver surround sound and 3D audio via your headphones.
Spatial Audio was initially launched as part of iOS 14 and iPadOS 14, and the newer Spatial Audio with Dolby Atmos feature for Apple Music is coming as part of the iOS 14.6 and iPadOS 14.6 updates that are due in June 2021.
Spatial Audio is a slightly different beast to this new Dolby Atmos-powered Spatial Audio for Apple Music in that it also utilises the sensors in Apple’s own headphones to enable head-tracking. Because the implementation for Apple Music of spatial audio is sound-only, there’s no head-tracking involved.
“Thousands” of Apple Music tracks will be available in Spatial Audio with Dolby Atmos at launch, with more being added regularly.
Which Apple devices work with Apple Music lossless?
(Image credit: Apple)
The big news is that no model of AirPods will support lossless audio. In the case of the AirPods and AirPods Pro, that’s not exactly surprising, seeing as they’re both completely wireless and Apple only supports the AAC (rather than ALAC) codec over Bluetooth – that’s a step up from MP3, but nowhere near the quality of lossless.
The AirPods Max can be wired to an iPhone, so one might hope that that could be a way to get lossless audio. But actually they only work with analogue audio sources in wired listening mode. Which again means no lossless listening.
Its HomePod range of smart speakers also won’t support lossless – that’s the now discontinued HomePod and still-very-much-current HomePod Mini.
Apple’s iPhones (since the iPhone 7) natively support lossless – but only Apple Music Lossless, and not the highest quality Hi-Res Lossless (which delivers up to 24-bit/192kHz). If you want to listen to Apple Music tracks above 24-bit/48kHz on your iPhone, you’ll need to connect an external DAC and use a wired pair of headphones. Check out our guide for how to listen to hi-res audio on an iPhone.
The same is true of the Apple TV and iPad families, which are listed as supporting Apple Lossless, with no mention of Hi-Res Lossless.
Which Apple devices support Spatial Audio?
(Image credit: Apple)
Apple devices are much better represented when it comes to Spatial Audio through Apple Music. Some – like the AirPods Pro and Max – already support it, after all. And it will come to the standard AirPods 2 in due course.
In fact, it will be available on all AirPods and Beats headphones with an H1 or W1 chip. (That’s the AirPods, AirPods Pro, AirPods Max, BeatsX, Beats Solo3 Wireless, Beats Studio3, Powerbeats3 Wireless, Beats Flex, Powerbeats Pro, and Beats Solo Pro.) But you don’t have to line Apple’s pockets to hear the Dolby Atmos tracks: it will also work on any headphones connected to an iPhone or iPad. You just have to enable it manually.
To do so, head to Settings on your iPhone or iPad and then to Music – once the update has landed next month, a new Dolby Atmos option will be available. This will be set to Automatic by default, which means Dolby Atmos tracks will play correctly when you’re listening via any W1- or H1-enabled pair of Apple or Beats headphones, but not when you’re using third-party headphones. However, if you switch this option to Always On, even non-Apple headphones will play back Dolby Atmos tracks in all their sonic glory.
However, this only applies to Dolby Atmos Spatial Audio tracks on Apple Music, and not Spatial Audio content from other apps like TV. (Remember, Spatial Audio in the TV app is a slightly different beast in that it also utilises the sensors in Apple’s own headphones to enable head-tracking.)
The HomePod and HomePod Mini also support Spatial Audio, so you can fill your room with virtual 3D sound from a single device. As do the iPhone 11 onwards and iPad Pro (but not iPad, iPad Mini or iPad Air).
Playing from an Apple TV 4K into a Dolby Atmos soundbar or system will work too.
MORE:
Check out the best wireless headphones around
3D sound from a soundbar: Best Dolby Atmos soundbars
Try 30 Apple Music tips, tricks and features
Need new music? 10 Apple Music playlists to listen to right now
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