english-soccer-teams-have-started-a-four-day-social-media-boycott-to-protest-online-abuse

English soccer teams have started a four-day social media boycott to protest online abuse

English soccer teams and organizations are all shutting down their Facebook, Twitter, and Instagram accounts for the weekend as part of a massive social media blackout to advocate for better policies regarding discrimination and abuse that players and members of clubs receive on those platforms.

English football will unite for a social media boycott from 3pm on Friday 30 April to 11:59pm on Monday 3 May, in response to the ongoing and sustained discriminatory abuse received online by players and many others connected to the game.https://t.co/GYTAuWAEgN pic.twitter.com/dNLuv62nw5

— FA Spokesperson (@FAspokesperson) April 24, 2021

Groups participating in the blackout include the Premier League, the English Football League, the Professional Footballers’ Association, the Football Association, the League Managers Association, the Football Supporters’ Association, and more. Clubs that are part of the Premier League, EFL, Barclays FA Women’s Super League, and Women’s Championship will all be shutting down their social channels over the weekend as part of the protest.

The blackout comes after the various English soccer organizations banded together in February to request changes from Facebook CEO Mark Zuckerberg and Twitter CEO Jack Dorsey in an open letter requesting that the companies take stronger action against discriminatory and racist comments.

Specifically, the soccer groups advocated for four improvements: that posts be blocked or filtered if they contain racist or discriminatory material; that abusive posts be removed through “robust, transparent, and swift measures”; the addition of improved verification processes to allow for law enforcement to identify users and to stop abusive posters from making new accounts; and that the platforms work closer with law enforcement groups to identify people posting discriminatory content in cases where it breaks the law.

The leagues hope this weekend’s boycott will build on that movement, noting that while progress has been made, players, teams, and other members of the English football world still feel that there’s a lot more that Facebook and Twitter could do to help stop internet abuse.

new-pokemon-snap-is-a-supremely-chill-safari-on-the-nintendo-switch

New Pokémon Snap is a supremely chill safari on the Nintendo Switch

Virtual worlds have long been a place to escape. That was true before the pandemic, but lockdowns and stay-at-home orders across the world certainly accelerated the phenomenon. I spent an embarrassing amount of time last year gardening in Animal Crossing and going to concerts in Fortnite. They were great distractions, but never really gave that vacation-like escape I was truly searching for — turns out what I needed was a safari full of Squirtles.

New Pokémon Snap launches this week as the long-awaited sequel to a fan-favorite Nintendo 64 game from 1999. The premise remains the same: you, a budding wildlife photographer, traverse beautiful landscapes while snapping photos of every critter you can find. At its core the concept is incredibly simple, but — much like Pokémon Go — it’s a form of wish fulfillment. It takes out the battling and complex roleplaying elements that drive the main Pokémon games and instead just lets you be a part of this world, at your own pace, and without the threat of failure.

There is a story, but it’s pretty simple. At the outset, you join a research expedition exploring the new Lental region, and naturally they need some help documenting the wildlife. The Lental region is actually a string of islands with a surprising amount of biodiversity. You start out in a fairly run-of-the-mill wildlife preserve, but eventually you’ll be riding a sort of futuristic, enclosed hovercraft through deserts, beaches, volcanic trails, and even underwater. In many cases, you’ll be able to see the areas during both day and night, giving you a better understanding of how the animals behave.

You move through these environments on rails, as if you were on a ride at a particularly cool amusement park, and view the world through the lens of your camera. The main goal is to take pictures. Each area is teeming with creatures: birds soaring through the air, bugs digging through the sand, Machamps flexing for anyone who happens to be looking. The most impressive part might just be the density. There are pokémon seemingly everywhere, just waiting for the right moment to pop out and reveal themselves.

The goal is to catalog as many creatures as you can. Just like in the main games, you have a pokédex of sorts, only this time you fill it out by photographing monsters. You’re supposed to capture them in different poses, and at the end of each level a professor will rate each photo based on things like framing, pose, and whether there are any other creatures in the shot. Outside of your camera, you have a few ways to interact with the world. You can toss out berries to feed pokémon (or annoy sleeping ones), play a lullaby to get their attention, or scan your surroundings to center on points of interest. There are also bonus quests that ask you to capture very specific images — like a sleeping Arbok falling out of a tree, or a yawning Torterra — for extra points. As your overall score increases, you’ll unlock new areas.

But your most important tool is careful observation. And that’s because New Pokémon Snap is a game largely built on repetition. You’ll be traveling through the same areas many, many times in search of new things. There are twists — you may get a new tool, and some levels have multiple pathways — but actually getting good photos requires a lot of time, patience, and experimentation. You might have to keep your camera trained on a soaring Wingull in hopes it does a loop-de-loop, or try multiple tactics to get a Magikarp to do, well, anything. Sometimes I would toss berries at everything just to see what happened. (Mostly it resulted in some adorably angry pokémon faces.)

Initially this process felt tedious, particularly early on, when there were only two spaces for me to explore. It was almost boring, like riding the same slow rollercoaster over and over. But this feeling changed when I started looking closer. It was amazing how many creatures I missed the first (or tenth) time I went through a level. But when I looked closely, there they were, hiding in shrubs or in undersea caves. Sometimes if I watched for long enough, I could see pokémon fighting or cuddling together for warmth. The more time I spent in these places the more I started to notice the fine details — and the more I wanted to search out even more.

Snap also does a great job of creating spectacle. Those quiet moments are punctuated by the shock of a giant Wailord rising out of the sea in front of you, or the joy of spotting a flock of cute Squirtles just hanging out on a beach. It’s enough to make me long for a Pokémon game in VR.

This is helped by the fact that Snap moves at a leisurely place. There are some photos where you have to react quickly, but if you miss the shot, you can always try again. There’s no penalty for failure; bad photos are simply discarded. The emphasis is on celebrating your triumphs. When I couldn’t figure out how to capture the photo I needed to progress, I did run into a few roadblocks, which were frustrating. But generally Snap is a game that rewards curiosity and does little to punish players for not following the rules.

(It should also be noted that one of Pokémon Snap’s most intriguing features wasn’t available to test ahead of launch. The game includes an Instagram-like photo sharing mode, where you can add filters, stickers, and borders to your images and then share them online with others. It’s a feature that could add a new social element to the series, but I haven’t been able to test it yet.)

Really, New Pokémon Snap is a game that forced me to change the way I think about virtual spaces. Decades of playing games have conditioned me to race through levels, checking off a to-do list of accomplishments as efficiently as possible. But that doesn’t work here. I had to slow down and watch carefully, focusing on the small details as well as the big moments. I had to relax to enjoy the view — and it’s exactly what I needed.

New Pokémon Snap is available on the Nintendo Switch on April 30th.

how-to-watch-samsung-galaxy-unpacked-2021

How to watch Samsung Galaxy Unpacked 2021

If you’re a Samsung fan — or just curious about what the manufacturer means when it announces that “the most powerful Galaxy is coming” — then you may want to drop in on today’s Galaxy Unpacked event 10AM ET / 7AM PT.

There isn’t a lot of info out there about what’s in store. But those who have been following Samsung can made a few educated guesses. These include the possibility of a new line of Galaxy Book laptops — a line that is certainly due for a refresh, since the last models were first announced in 2019. Other rumors include new Galaxy Book Pro laptops with 13.3-inch and 15.6-inch OLED panels, and S-Pen support.

Want to be the first to find out for sure? We’ll stream it above, so feel free to stick around, but there are other ways to watch it as well.

WHAT TIME IS THE “SAMSUNG UNPACKED” EVENT?

You can tune into the live stream, which starts at 10AM ET / 7AM PT today, Wednesday, April 28th. The event will likely be available to watch again after it concludes, so you’re not stuck if you miss out on the debut stream.

WHERE CAN I WATCH THE SAMSUNG EVENT?

You can watch it at the top of this article; in addition, Samsung is hosting the stream on its site and it’s streaming on YouTube.

  • Follow @verge on Twitter
  • Keep an eye on @verge on Instagram for live updates
psa:-you-can-apparently-still-lose-jobs-and-get-arrested-for-an-overdue-vhs-rental

PSA: You can apparently still lose jobs and get arrested for an overdue VHS rental

Ever mysteriously lost a job opportunity? Did they treat you like a criminal? Better check to see if your family forgot to return a VHS tape 22 years ago!

As utterly ridiculous as that sounds, it’s apparently the true story of Texas woman Caron McBride, who had a warrant out for her arrest in Oklahoma for felony embezzlement — all because a movie store thought she rented a copy of Sabrina and the Teenage Witch in 1999 and never bothered to bring it back. Never mind that the store in question (“Movie Place”) closed in 2008, or that VHS is such a dated tech that even the last Japanese manufacturer finally stopped producing the players five years back.

McBride told local Fox News affiliate KOKH (via Gizmodo) that she had no idea this tape even existed and never would have picked it — “just not my cup of tea” — but thinks maybe a man she used to live with at the time could have rented it for his two kids. She only found out about the out-of-state warrant when she tried to change the name on her driver’s license after getting married in Texas.

“She told me it was over the VHS tape and I had to make her repeat it because I thought, this is insane. This girl is kidding me, right? She wasn’t kidding,” McBride told KOKH.

She also told the publication she’d been let go from several jobs over the past few years and suspects this was the reason: “When they ran my criminal background check, all they’re seeing is those two words: felony embezzlement.”

While the warrant has now reportedly been dropped and her record may soon be expunged, it wouldn’t have been totally surprising if she’d actually gotten arrested over the tape: a man in North Carolina got arrested for an overdue VHS rental in 2016.

The New York Times admirably reached out to the world’s last remaining Blockbuster video rental store for comment about McBride and got one: “We’ve definitely not sent out a warrant for anybody for that,” said manager Sandi Harding. “That’s a little bit crazy to me.”

McBride’s plight reached the cast of Sabrina and the Teenage Witch after star Melissa Joan Hart shared it on Instagram. You can read more cast members’ thoughts in the comments there.

social-media-platforms-become-triage-centers-as-india-struggles-with-a-covid-19-surge

Social media platforms become triage centers as India struggles with a COVID-19 surge

Doctors, hospital owners, journalists, and other Twitter users in India have been tweeting and amplifying pleas for oxygen supplies on social platforms out of desperation, as new coronavirus cases and deaths there hit record highs. Oxygen supplies are at critical low levels in India, and some hospitals are overwhelmed with patients suffering from COVID-19.

Using hashtags like #CovidSOS and #COVIDEmergency2021, many in India are seeking ICU beds, oxygen, and plasma, and others have tried to direct those in need to suppliers. Groups on WhatsApp and Facebook have been inundated with posts from people in need of ICU beds, oxygen, and other supplies, as organizations like HumanKind Global try to track down leads to help them.

“Not only there is lack of oxygen supply for those who can’t get medical aid in a hospital, the hospitals too are scurrying for oxygen,” journalist Abhishek Baxi wrote in an email to The Verge. Over the past several days, Baxi said, pleas for oxygen supplies on Twitter have increased “because they’ve not had any response from the authorities. There are updates on news channels about X hospital left with only few hours of oxygen or Y hospital optimizing supply to patients because they’ve got only 2 hours of oxygen supply left. These hospitals, their hands tied, have requested patients to go elsewhere – something not possible in a city where all hospitals are bursting at the seams.”

On Saturday, 20 patients died in a hospital in New Delhi due to depleted oxygen supply, the Hindustan Times reported.

India is reeling from a second wave of COVID-19 cases. According to the Johns Hopkins coronavirus resource center, India reported 349,691 new cases on Saturday, a new record. The country reported 2,767 deaths from COVID-19 on Saturday, also a new record. Less than 1.6 percent of the country’s population has been fully vaccinated, the Johns Hopkins data show.

The New York Times reported that the situation may be even more dire than the numbers suggest, with officials in India downplaying or overlooking COVID-19 deaths. And at the Indian government’s demand, Twitter censored more than 50 posts critical of the government’s handling of the latest coronavirus surge, so the tweets were not visible within India. The Times reported that the Indian government had ordered posts removed from Facebook and Instagram as well.

how-many-layers-of-copyright-infringement-are-in-emily-ratajkowski’s-new-nft?

How many layers of copyright infringement are in Emily Ratajkowski’s new NFT?

Model and actress Emily Ratajkowski is selling a link representing a composite image that features a photograph of herself in front of a print by another artist that contains a photo (of herself) taken by (presumably) yet another artist. In other words, she is selling an NFT.

The New York Times reports that Ratajkowski will be selling the NFT at Christie’s, the storied auction house that sold Beeple’s NFT for $69 million in March. The NFT is, for Ratajkowski, an effort to reclaim images of herself that have been created and sold, sometimes without her permission, throughout her career. Last year, Ratajkowski published an essay in The Cut describing moments when she was unable to control often vulnerable images of herself.

Image: Emily Ratajkowski

“As somebody who has built a career off of sharing my image, so many times — even though that’s my livelihood — it’s taken from me and then somebody else profits off of,” Ratajkowski told The New York Times. The NFT, titled “Buying Myself Back: A Model for Redistribution,” is meant to let Ratajkowski profit directly, continually, and significantly off of works containing her image that she did not previously have much (or any) stake in.

The NFT, also, is a copyright nightmare, much like many of the images that Ratajkowski described grappling with throughout her career. To break down the situation at hand:

  1. There is the NFT. An NFT contains, essentially, just a link, but the terms of sale imply ownership over whatever the NFT links to. Ratajkowski can definitively sell a link. Is she really selling the underlying image? Are all NFTs a sham? Further study is needed.
  2. The composite artwork being NFT-ized contains two discrete images: the first is a photo of Ratajkowski in her apartment, the second is (what appears to be) a digital copy of a “painting” by Richard Prince. Someone owns the foreground photo of Ratajkowski in her apartment (possibly the photographer, possibly Ratajkowski herself). Ratajkowski owns a physical copy of the painting by Richard Prince, but she likely does not own rights to digitally reproduce it.
  3. The Richard Prince painting is itself a copyright nightmare. It is a print of an Instagram post by Ratajkowski, which features a photo of Ratajkowski taken for Sports Illustrated, as well as a profile photo of Ratajkowski (possibly a selfie?) and comments written by other viewers of the photo. Richard Prince almost certainly did not get permission to use either of the photos or the comments included in his painting. Is the font copyright protected, too? Please help me.
  4. This is an entire bullet point just to mention that Richard Prince’s entire thing as an artist is transforming other artists’ work, sometimes in fascinating ways, other times in really gimmicky ways, and seemingly always in ways that inevitably piss people off because he ends up making a ton of money off of minor alternations to someone else’s art. This approach has resulted in many complaints and lawsuits, which have mostly worked out in Prince’s favor, insofar as he has continued to work and make a lot of money.
  5. Ratajkowski is trolling Richard Prince by stealing his move, transforming his own work (a transformation of her), and reselling it (seemingly without his permission). Honestly, good work here.
  6. If we’re counting: there seem to be at least four images within this single image. We can reasonably assume that Ratajkowski owns two of them (the core photo of herself, plus her profile picture inside the Richard Prince painting). Richard Prince owns one of them (although that could be litigated). And Sports Illustrated and/or a photographer associated with Sports Illustrated presumably owns the final image.
  7. You’ve gotta assume Richard Prince isn’t suing over this.
  8. Ratajkowski has become, perhaps by necessity, a consistent proponent for allowing transformative use of photographs. In a lawsuit over a paparazzo’s photo she posted to her Instagram Story with a caption over top of it, Ratajkowski has argued that her amendment to the photograph should qualify her work for fair use protections. (This is, of course, the same general argument that Richard Prince makes about his work. It’s messy!) A similar, albeit more deliberate, situation is at play here.
  9. More broadly, Ratajkowski seems to be pushing for a rethinking of copyright law that would give subjects more control over how their images are displayed and who profits off of them.
  10. Maybe none of this matters anyway because, again, what even is an NFT?

Ratajkowski will receive a cut every time her NFT is resold, therefore giving herself some degree of continued ownership over her image(s).

The digital terrain should be a place where women can share their likeness as they choose, controlling the usage of their image and receiving whatever potential capital attached. Instead, the internet has more frequently served as a space where others exploit and distribute image

— Emily Ratajkowski (@emrata) April 23, 2021

And here’s the wonderful thing about doing this all on the blockchain and other distributed networks: say copyright law comes crashing down on Ratajkowski, say the profits are taken from her and she’s ordered to stop marketing the NFT and reposting the image in the future — there’s still nothing anyone can do to wipe out the image. It’ll still be linked on the blockchain and hosted on a distributed network where she wanted it.

flip-it-off:-how-to-build-a-website-blocker-switch-with-raspberry-pi

Flip it Off: How to Build a Website Blocker Switch with Raspberry Pi

(Image credit: Tom’s Hardware)

 If you’re like me, you spend a little too much time on a few websites, particularly social media sites. Try as you might to avoid them, you find yourself unconsciously typing in Facebook, Reddit, or something else into your search bar. There are a ton of browser extensions, desktop apps, and router rules you can configure to help, but I wanted something more physical.

This project uses light switches and an at-home DNS server running on a Raspberry Pi Zero to turn on or off access to specific websites. If I want access to a site I have blocked, I need to physically get up and turn off the switch — something that’s slightly more difficult than turning off a browser extension.

What You’ll Need To Make A Website Off Switch

  • Raspberry Pi Zero W, SD Card, and Power Supply
  • Two single-pole light switches
  • A PVC double-gang switch box
  • A plastic 2-toggle switch plate
  • Four male-female jumper wires
  • Phillips and flathead screwdrivers

How to Build a Website Off Switch With a Raspberry Pi

1. Set up your Raspberry Pi Zero W and connect to it remotely. If you don’t know how, see our tutorial on how to set up a headless Raspberry Pi.

2. Update and Install git if not already installed.

sudo apt-get update && sudo apt-get install -y git

3. Clone the code from this repository. It will handle the management of the dnsmasq tool, which will be our new DNS server.

git clone https://github.com/rydercalmdown/internet_kill_switch

4. Run the installation command from within the newly cloned directory. This will take care of installing all base dependencies, installing the dnsmasq tool, and ensuring it’s running.

cd internet_kill_switch
make install

5. Ensure dnsmasq is running by entering the following command. To exit, use Ctrl + C. You should see status “Running” in green.

sudo systemctl status dnsmasq
# Use Ctrl + C to exit

6. Try running the software to ensure everything works accordingly. You should see a few log messages with no errors. Exit the software with Ctrl + C.

make run
# Use Ctrl + C to exit

7. Wire the male end of each jumper cable to the switches. You should be able to tuck the pin under the screw and tighten it until it’s snug. These switches are designed for high AC voltage, but will work just the same for our project.

(Image credit: Tom’s Hardware)

8. Attach the female end of the jumper cables to the Raspberry Pi. Pin order doesn’t matter, as long as one end of the switch goes to a GPIO pin, and the other goes to a ground pin. The default code expects GPIO (BCM) pins 18 and 24, though this is configurable.

(Image credit: Tom’s Hardware)

9. Tuck the raspberry pi into the PVC double-gang switch box, and affix it to the back with hot glue.

(Image credit: Tom’s Hardware)

10. Run the power cable through the switch box inlet, and connect it to the Raspberry Pi.

(Image credit: Tom’s Hardware)

11. Attach both switches to the switch box using the screws they came with.

(Image credit: Tom’s Hardware)

12. Place the switch plate on top of the switches, and attach it with the screws it came with.

(Image credit: Tom’s Hardware)

13. Label which switch belongs to which site. Keep track of which switch is attached to which pin.

(Image credit: Tom’s Hardware)

14. Open the src/toggle_switches.py file for editing.

cd src/
nano toggle_switches.py

15. Modify toggle_switches.py to list the websites you want to block for each switch. You can add or remove switches by modifying the SWITCHES list, and adding new objects of the class SwitchConfig. The accepted parameters are the BCM pin number, followed by a list of sites to block.

# Example: The switch connected to BCM pin 18 blocks social media, and the switch connected to BCM pin 24 blocks video websites
SWITCHES = [
   SwitchConfig(18, ['facebook.com', 'instagram.com']),
   SwitchConfig(24, ['netflix.com', 'youtube.com', 'vimeo.com']),
]

16. Run the application to test it, and make note of the IP address it prints out when starting – that’s the IP address of your Pi.

cd ~/internet_kill_switch
make run
# IP Address is 10.0.0.25

17. Configure your DNS servers on your computer with that IP address. I’m configuring mine in System Preferences > Network of my MacBook, but you can also configure it at the router level.

18. Test the switches on the machine that now uses your Pi as a DNS server – in my case, my MacBook. With the switches in the off position, you should be able to access websites freely. Once you flip the switches to the on position, after a short delay, you should receive a network error when trying to visit that website.

(Image credit: Tom’s Hardware)

19. To confirm, use the following command on your computer, substituting google.com with the site you’ve chosen to block:

# When the switch is off
dig +short google.com
172.217.164.238
# When the switch is on
dig +short google.com
127.0.0.1

20. Edit your /etc/rc.local file to include the following line, so this software runs when your Pi reboots.

sudo nano /etc/rc.local
# Add this line before the very last line
cd /home/pi/internet_kill_switch/src && sudo ../env/bin/python app.py &

21. Mount your switches. If you would like to put this switchbox on the wall, you’ll have to find a place to mount it that’s close to an outlet so you can power the Pi. Alternatively, you can just leave the switchbox on a table or shelf somewhere.

(Image credit: Tom’s Hardware)

Enjoy, and if ever you’re not able to load websites, try removing the Pi’s IP address from your DNS servers – there’s likely a problem.