The art of upcycling old sneakers into high-fashion corsets

Modern fashion is fraught with wasted product, so some designers are thinking about ways to transform these unwanted goods into artistic pieces meant for the runway. One of those is FRISKMEGOOD™, a futuristic brand that creates upcycled high fashion and editorial pieces out of used or deadstock sneakers and other secondhand finds. Owner and designer Cierra Boyd found success on her Depop shop when her signature designs — corsets and bodysuits made from old or unused shoes — were featured on its Explore page. Now, her brand’s ballooning popularity has enabled Boyd to pursue opportunities beyond her online shop.

Boyd, based in Cleveland, Ohio, now lives and works in her studio apartment after three years of growing her business and creativity from her mom’s house. While she hopes to eventually expand, everything one can find on her shop and website has been handmade by her. Her corsets and bodysuits have gained her followers on social media, been presented in fashion shows, and most notably, worn by American rapper Dream Doll.

The corsets and bodysuits aren’t all that Boyd upcycles, though. I reached out to her to chat about sustainable fashion, how she creates her sneaker designs, and what she has planned for FRISKMEGOOD™.

This interview has been condensed and edited for clarity.

What was the inspiration behind the bodysuits and corsets made out of repurposed sneakers?

It kind of came about all by chance. I was in a design competition in 2018, in Cleveland. It was Fashion Mania 2k19, and I was given three challenges. One goal was to create something without using fabric. I was stumped. I did not know what to do. I had everything done with the other two challenges, but it was getting down to the wire.

Luckily, one night I was watching Vice while I was designing and an episode came on about a guy who made a mask out of sneakers. I was like, wait, what if I made a top out of sneakers? So, I tried to make a top and it didn’t look right. I moved it down a little and I was like, “Oh, well this is kind of cute as a corset.”

I just rolled with that and I put it on Depop. People bought it! I was super surprised but it also gave me confidence. At the time I really didn’t know how to feel about it, but I just put it out there anyway to see how people will respond. The response was overwhelming. So I never stopped making them.

After realizing people liked the sneaker corsets, how did you begin to source your material?

At the beginning, I was using stuff in my attic and stuff that I had around the house. When I started to deplete that inventory, I did go to thrift shops. Recently, for the bodysuits, I found a place here in Cleveland that has deadstock sneakers. They have sneakers that have been in their stores since the early 2000s.

A lot of their inventory is extremely old, the sneakers are falling apart. I’m not gonna lie, one time I found mouse droppings in shoes. It’s really crazy and rough in there. It’s a lot, but they give me the sneakers that are damaged or the average customer wouldn’t buy. I use that to upcycle them into the bodysuits.

How did you even find this place?

It’s funny because it’s right down the street from my house, and never in my life have I gone in that warehouse. I used to go to elementary school around that area. I would pass that place my entire life and never went there. Then one day I was like, let me just see what they got in there. It was like a gold mine.

When you are choosing your shoes or the deadstock, do you choose the shoes with the design in mind?

I work a lot different from other designers. Some designers draw their designs beforehand, but for me, I usually let the materials give me the story instead of vice versa. I let the clothes tell me the story. I have to see it to know what I’m going to do with it. It’s really like a visual thing. When I see it I’d be like, oh, that’d be a cute bodysuit, and then just get five pairs of them if I can find them.

Have you ever run into the issue of not having enough to make something?

Oh yeah, definitely. The warehouse is so unpredictable. I have to bring my mom with me most of the time to help me because it’s a lot to sort through. I’m literally on the floor going through all the shoes on the bottom, searching for a match. It can be stressful, but if there is a match, I always get it. Like I said, I need like five or more [shoes] to do what I really want to do.

Do you have a certain size in mind when you’re looking for them?

Everything is so random. I usually just go with whatever I find, but if I am looking for something that’s more like a plus-size look, I’ll go for size 10 and up. Usually for smalls and mediums, you can even use kids’ shoes. [Size] five is usually the lowest I’ll go — five or four.

When you are thinking about size, are you making pieces so your size range is inclusive or are you making them for a specific client?

What I do … nothing is planned. If I do find that 10 or 12, you know, that’s perfect, but if I don’t, then I don’t. It’s kind of like an “it is what it is” situation.

What other types of clothing or fabrics do you upcycle?

I’ll use anything from bedsheets to other materials, like maybe hoodies and sweatshirts. Another thing that I just started doing is called tufting. Which is kind of like the art of making rugs, but instead of making rugs I put tufted art on the front of it. It’s a fairly new thing and I haven’t even dropped it yet, but basically it’s made out of yarn. And what I’m trying to do with that is give a new vibe and a new feel to an old, blank, unloved sweatshirt, T-shirt, or thrifted item.

Even jeans. I use jeans, denim and socks!

How much time goes into making a piece?

It depends on which piece you’re talking about. I usually do things in bulk, too. So, for a bodysuit, I’ll buy like five different styles. I’ll work on five at once. That whole process can take two to three days. For the tufting, depending on how many I’m doing, what it is, it can take like one to four days to do. It takes up a lot of time.

Do you have a personal favorite from your collection?

It’s so hard. I have so many.

One of my favorites that I’ve done, that I’m proud of, is my Air Force One bodysuit. That’s for plus-size women or anybody who identifies as a woman. My uncle donated those shoes to me. I didn’t have to go out and even buy those. It was just pretty much perfect, so that’s definitely my favorite, for sure.

You sell your clothes on Depop now. Is that where you started?

Yes, that is where I started. Depop is how people found out about me. Before Depop I was on Instagram trying to figure out, how do I get more people to see it? When Depop came along, I ended up getting pictures on the Explore page and the Explore page puts you literally right smack dab in the front. So when people started to find me from that it was a chain reaction, and more people started finding me.

Do you see Depop as the hub for futuristic fashion like yours?

Yes, it definitely reminds me of if you could just go to a worldwide thrift store online.

I joined their Now / Next program, which is an incubator-program-slash-grant that they gave me. I get mentorship and money towards working on my Depop shop. They’ve given me so many chances to be on the forefront of their platform. I’ll be on their Instagram page. It’s just crazy how much support they have given me. They’ve invited me to Depop Live, which is an event that, pre-COVID, you can sell your stuff in person. My stuff sold out. They have been a complete blessing in disguise for me.

Do you have any future plans for FRISKMEGOOD™?

I have a lot of future plans. Everything is in the works right now. We are a global brand right now. We definitely do get a lot of international customers. I hope on growing, expanding, and figuring out how I can take FRISKMEGOOD™ to the next level. You know, how to get my stuff on more celebrities. I have a showroom now that houses my pieces, so that way I can get more celebrity visibility with my brand.

Everything is falling in line, slowly but surely. I hope this year I can find more innovative ways to create fashion, to continue to change the way that people view sustainable fashion. I just want to change the way people think when it comes to sustainability. When you think sustainability, you don’t automatically think luxury at all. I’m really trying to show people that sustainable and old pieces that might never have been loved again, can be loved again. It can be high fashion and it can be luxury.

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Facebook is testing a way for creators to make money through Stories: sticker ads

Facebook introduced Stories to its platform four years ago, mostly as a way to encourage people to post content that wasn’t highly produced or necessarily photogenic. Now, it’s giving some users a chance to make money through that content. The company announced a test today that’ll allow some creators to place ads that look like stickers into their stories and receive a cut of the resulting revenue. The initial test is “very small,” Facebook says, but it hopes to expand it “soon” and then apply the technology to all short-form videos on Facebook.

In a chat with The Verge, Yoav Arnstein, director of product management, says he can’t share creator or advertiser partners because the test is still in the early conceptual phase. He said the broader idea, though, is to give advertisers a natural place to fit their content, so, for example, if someone posts a video from Yosemite National Park, a sticker could advertise a local business. The contextual relevance will likely be key to making these advertisements successful, Arnstein says.

The story stickers are only one of the company’s various updates to its creator platform today. It’s also making its usual in-stream ads available for shorter videos. Previously, only three-minute or longer videos could monetize with these ads, but now, one-minute-long videos can receive ads, which will be placed 30 seconds into the content. Videos longer than three minutes can place ads as soon as 45 seconds into the programming.

To qualify for these in-stream ads, pages that publish them must have 600,000 total minutes viewed from any combination of video uploads — on-demand, live, and previously live — in the last 60 days, as well as five or more active video uploads or previously live videos. Meanwhile, live video creators now must have 60,000 live minutes viewed in the last 60 days to monetize through in-stream ads, in addition to meeting the video-on-demand program requirements.

Facebook is also spending $7 million to promote its Stars feature, which lets viewers of live content tip with virtual stars, which each pay a creator a cent. The company will make free Stars available during certain live streams, and viewers can them send to the videos’ hosts. The team will also introduce virtual gifts that viewers can send.

“We want to enable more people to actually go and experience this delight of actually going and supporting a creator, and we think this is a relatively new behavior that we want to make more ubiquitous across the app, and we think this is a great way to do that,” Arnstein says about why Facebook is investing in the Stars. “We think that can help also incentivize creators to experiment more with the type of content and the type of engagement directly with fans that will actually enable and incentivize this type of direct support from fans.”

Finally, Facebook is expanding its paid live events to 24 additional countries and its fan subscriptions to 10 more countries. The company won’t collect revenue from either of those features through at least August 2021.

All of these various announcements clearly add up to the idea that Facebook wants to monetize as much creator content as possible through ads. The Stories sticker has potentially the biggest implications, particularly for Instagram, and could usher in a world that’s slightly less focused on full-screen ads and more on those integrated into the content itself.

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Twitter plans to let anyone start hosting Twitter Spaces in April

If you opened your phone this morning to see a Twitter app update, you might have been excited — and then confused — to see an advertisement for Twitter Spaces, the audio chat rooms that the social network recently launched to compete with the similar Clubhouse app. “Introducing Spaces,” the iOS update says, promising that “Now you can Tweet and Talk.”

But while you won’t actually find the ability to create a new Space unless you’re one of a select few, the company now says it’s planning to launch Spaces to everyone next month.

The iOS update note.
Screenshot by The Verge

Amusingly, we overheard the news in a Twitter Space itself, hosted by the company. Twitter’s plans aren’t set in stone, but the gist is that they’re trying to get the product into a state where anyone can host a Twitter Space starting in April. April is the goal. In the meanwhile, users on both iOS and Android can both join and talk in existing Spaces.

Twitter Spaces are just one of an array of new features the typically feature-resistant company has announced in the past few months, and we’ve got a wide-ranging interview with Twitter product head Kayvon Beykpour where he discusses the whole set, including the company’s Snap and Instagram-like disappearing Twitter Fleets, and Super Follows where you can pay to subscribe to extra Twitter content from your favorite creators — a business which reminds us of platforms like Substack and OnlyFans.

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Facebook moves to dismiss the US government’s antitrust case

In two motions filed Wednesday, Facebook called on the courts to dismiss a pair of sweeping competition cases brought on by the federal government and a coalition of states.

The Federal Trade Commission and a group of state attorneys general filed separate lawsuits against Facebook last December accusing the tech giant of engaging in anti-competitive behavior. The two lawsuits make similar claims, alleging that Facebook bought Instagram and WhatsApp in order to squash the threat the two apps posed to the company’s business. Additionally, the attorneys general accused Facebook of using its market dominance to stifle the growth of competing services.

The FTC’s case also calls for the courts to unwind Facebook’s acquisitions of Instagram and WhatsApp into separate companies once again.

In Facebook’s motion to dismiss the cases, it claims the lawsuits allege that the two nascent apps were “potential” competitors, rather than a pressing and actual threat to Facebook’s business. The FTC declined to comment. The New York Attorney General’s office, one of the states leading the second case, did not immediately respond to a request for comment from The Verge.

“Antitrust laws are intended to promote competition and protect consumers,” Facebook said in a blog post Wednesday. “These complaints do not credibly claim that our conduct harmed either.”

Because the FTC cleared the Instagram and WhatsApp acquisitions at the time, Facebook also argues that the commission doesn’t have sufficient grounds to reverse that decision. “Facebook is aware of no comparable, much less successful, challenge by the FTC to a long-completed acquisition that the FTC itself cleared,” Facebook’s filing reads.

Facebook is at the center of a series of antitrust investigations brought on by the federal government, states, and Congress. Last month, the House Judiciary Committee’s subcommittee on antitrust held its first hearing on tech dominance after a 16-month probe into companies like Amazon, Apple, Facebook, and Google. That investigation prompted a report from Democrats calling for structural remedies to Facebook’s business, potentially leading to a breakup. The hearing marked the last leg of the committee’s work, holding a second series of hearings on how to reform US antitrust law as it’s applied to tech companies.

Committees in both the House and Senate plan to hold hearings this week, and new legislation is expected to land before the end of spring.

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Miami Heat suspends Meyers Leonard for using slur during Twitch stream

The Miami Heat has suspended Meyers Leonard indefinitely after he used an anti-Semitic slur during a Twitch stream on Monday.

“The Miami Heat vehemently condemns the use of any form of hate speech,” the NBA team wrote in a Twitter statement on Tuesday evening. “The words used by Meyers Leonard were wrong and we will not tolerate hateful language from anyone associated with our franchise.”

In a statement apologizing for his actions posted to Instagram, Leonard says he wasn’t aware of the meaning of the slur when he said it.

“While I didn’t know what the word meant at the time, my ignorance about its history and how offensive it is to the Jewish community is absolutely not an excuse and I was just wrong,” he said. “I am now more aware of its meaning and I am committed to properly seeking out people who can help educate me about this type of hate and how we can fight it.”

The NBA also issued a statement, saying it “unequivocally condemns all forms of hate speech,” a spokesperson told ESPN.

Twitch has suspended Leonard, the company tells The Verge. “We do not allow the use of hateful slurs on Twitch,” Twitch said in a statement. “The safety of our community is our top priority, and per our guidelines we reserve the right to suspend any account for conduct that we determine to be inappropriate, harmful, or puts our community at risk.”

Other organizations have distanced themselves from Leonard as well. Gaming and esports organization FaZe Clan, which Leonard had invested in, said on Tuesday evening that it had severed ties:

And sponsors Origin PC and Scuf Gaming, which are both owned by Corsair, have also said they are ending their working relationships with Leonard.

While stars saying inappropriate things on stream is relatively new territory for NBA players who dabble in streaming, it’s an unfortunately common problem for the biggest names on Twitch. Turner “Tfue” Tenney, for example, was suspended in 2018 for using a racial slur on stream, though the platform did not take action when he said a different slur in 2019. And Fortnite pro Daniel “Dubs” Walsh was banned from Twitch and suspended from FaZe Clan after saying a racial slur in February 2020. (He has since been reinstated.)

Other celebrities who have tried their hand at streaming have faced real-world consequences for hurtful language as well. NASCAR driver Kyle Larson was fired by his team in April for using the n-word during a sim racing stream, while musician Joel Zimmerman, who you might know as deadmau5, deleted his Twitch channel in 2019 after he was suspended for saying homophobic slurs.

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The plus-size knitters who are solving an inclusivity problem

Fifteen years since first learning to knit, Petrina Hicks has only ever made sweaters for other people. There was one cardigan attempt back in 2015, but they had to make so many modifications that the end product was frumpy and ill-fitting. Hicks didn’t have the luxury to be picky: the cardigan was the only sweater pattern they could find above an XL or XXL.

“I want to be a sweater maker,” Hicks said. “I couldn’t find things that were cute. I couldn’t find things that were in my style.”

Hopeful crafters pick up knitting for a variety of reasons: to adopt a slow-fashion wardrobe, to keep stress at bay during the pandemic, or to make the clothes they wish existed, controlling the color and fit to their liking. Ravelry, the largest knitting and crochet site, lists over a million designs — there’s no shortage of patterns to pick from. Unless a knitter happens to be plus size.

People falling outside of straight sizing (generally between extra-small and large) say that even when they want to make their own clothing, their options are limited or they’re outright excluded. But in the last few years, advocacy from within the knitting community — mostly in digital spaces, like Instagram networks — have sparked discussion and action around how to make the craft more inclusive.

Gavriella Treminio is all about coziness. A knitter and designer based in Austin, Texas, Treminio favors simple, monochromatic knitwear, with interesting textures like eyelets and bobbles. Her most popular design, the Simone Pullover, goes up to a 5XL. A plus-size woman herself, Treminio says she wants everyone to feel included.

Knitwear design is equal parts art and math. After creating a sample garment, knitters calculate how the number of stitches at each section of the pattern will change for smaller or bigger sizes. Though it takes a bit of extra work, grading knitwear is typically repeating the same set of calculations. For many plus-size knitters, the size range a designer offers is indicative of how much time they were willing to put in to make their work accessible.

For Treminio, it’s barely an extra effort. “I just don’t understand why some people feel that it takes more work to include more sizes,” she said. “For my Simone, it took probably five minutes to map out the increases after I had my first set of numbers.”

Sarah Krentz, designer and owner of Swanky Emu Knits, produces patterns that forego the idea of sizes all together. Her spreadsheet sizing technique turns each pattern into an instant calculator for the customer. The interactive designs include a few blank spreadsheet cells, in which knitters fill in key measurements like bust, waist, and bicep circumference. The rest of the pattern — how many stitches to increase at the bodice, how many rows to knit before splitting the sleeves — updates automatically using pre-set formulas written by Krentz. No body is too small, too large, or too disproportionately shaped to fit the garments. Krentz also teaches classes for other designers who want to produce patterns using the same technique.

Krentz’s spreadsheet sizing doesn’t force knitters to explain why they deserve to wear her sweaters; a person’s measurements are just a set of numbers. In general, the decision to include larger sizes, she said, is seen as a charitable “extra” to throw in.

“That says something about the choice the designer made,” Krentz said. “Of not wanting someone like me, or not thinking someone like me should or will wear their garment.”

For the past several years, that question of the imagined audience — of what a knitter is supposed to look like — has swirled and at times exploded in the knitting community. Capping a sweater design at a 46-inch bust (an XL, according to Craft Yarn Council standards) sets a visible and quantitative limit to who can wear that pattern. But the industry has a way of asserting other assumptions around race, gender, class, and more, issues that are perhaps imperceptible to those who have always felt welcomed in knitting spaces. Knitters say limited size offerings go hand in hand with issues plaguing the craft, often presented as a hobby for white women.

“You definitely feel the -isms in the knitting community,” Hicks, who is Black, said. “People have their way of making you not feel welcome.”

Narrow size offerings also leave money on the table. Despite the twee, old-timey image prevalent in the general public’s imagination, knitting can be an expensive hobby. A skein of yarn from a big box craft store might only cost $5, but hand-dyed and indie-produced fiber popular in the crafting community could run upward of $30 a skein. A knitter like Hicks who might need 10 to 15 skeins for a sweater is looking at a $300 investment, not including the time it takes to knit the garment.

Excluding entire swaths of potential clientele based on size — not to mention people who might become discouraged from learning to knit — is bad for business. (This holds true in traditional retail, too; two-thirds of American women wear size 14 or above.) But experienced knitters say the failure to include a wide array of bodies in the development of designs also makes the final product’s quality suffer.

Before patterns are published for sale, designers often have test knitting periods, where knitters are hired to essentially beta test the design. They’re asked to comment on the clarity of the written pattern as well as flag any fit issues, like a neck being too tight or forearms coming out baggy relative to the rest of the garment. Because all bodies are different, it helps designers to have an array of people giving feedback. In the past, when pressed to explain why patterns didn’t come in larger sizes, some designers have claimed they didn’t know a plus-size knitter to test knit their garment.

It’s an excuse Mere Conatti had heard too many times. Conatti says she started the Instagram page Fat Test Knits out of spite, after two designers told her they hadn’t created their pattern in her size because they couldn’t find a suitable test knitter. They didn’t have any future plans to include Conatti’s size, either.

“It made me really frustrated,” Conatti said. “I’m thinking, ‘I’m fat and I knit, and I’m telling you I want to give you money.’”

Fat Test Knits serves as a bulletin board that connects designers looking to offer a wider range of sizes with test knitters eager to help them. Conatti, along with another moderator, vets and shares designs that are in development, and followers then contact designers to be included in the testing group. Since 2019, the account has shared over 500 patterns: textured drawstring pants, crocheted bikinis, knit harnesses, and more.

Though the shift is incremental, knitters say the industry is waking up. Some popular designers have updated old patterns to include extended sizes. Others have heeded calls from the public and committed to size-inclusive designs. Conatti says grassroots efforts and independent designers and publishers are largely to thank.

Hicks has christened 2021 as the year they will make their first sweater for themselves, and now feels like there are options. But inclusive size ranges, diverse tester pools and other shifts in knitting are hard-fought wins. Plus-size people are still often forced to ask to be accommodated, rather than be welcomed from the beginning.

“It’s just something I have to do if I want something,” Hicks said. “No one’s going to fight for me as hard as I would fight for myself.”

TikTok will warn users before posting ‘inappropriate or unkind’ comments

TikTok is rolling out a pop-up today that’s designed to warn users before they post a comment that might be “inappropriate or unkind.” The new feature is one of two being announced that are designed to “promote kindness” on the service. The other is Filter All Comments, so that they only appear once individually approved.

The new unkind warning appears if TikTok believes a comment might violate its community guidelines. “Would you like to reconsider posting this?” the pop-up box reads, before encouraging users to “Edit” it, or “Post anyway.”

Prompts like these have been explored by other social networks to cut down on bullying and harassment. Instagram rolled out similar prompts back in 2019, Twitter announced it was testing them last year, and they’ve also been spotted on Facebook. Instagram later reported that results from introducing the prompt had been “promising” and that it found “these types of nudges can encourage people to reconsider their words when given a chance.”

The new Filter All Comments feature can be enabled in the Comments filters menu, which already allows users to filter spam and offensive comments, or filter based on specific keywords. Once enabled, creators have to manually approve individual comments before they appear under their videos.

As part of today’s announcement, TikTok has also announced it’s partnering with the Cyberbullying Research Center as it works on more anti-bullying initiatives.

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Instagram will relaunch its Lite app in 170 countries with support for Reels

Instagram launched its smaller Lite app in 2018 only to pull it from the Play Store in spring of last year. Now, the app’s getting a relaunch with new features and a slightly larger file size. Instagram announced today that the app will start rolling out on Android to 170 countries, including the US, through the Play Store, and that the new app requires only two megabytes, compared to the regular Instagram app’s 30MB. (The original Lite app only required 573 kilobytes, however, so it’s definitely larger than that.) No iOS version is planned for now.

This bigger size allows for new features, though, including the ability to send direct messages and record and post videos. It also prominently features the Reels tab on the homepage while forgoing the shopping tab.

In a briefing, Instagram Lite product manager Nick Brown said the team has “no plans” to bring shopping to Instagram Lite, but that Reels had “a lot of engagement” in India, which is why the team decided to keep that tab in this iteration of the Lite app. (TikTok is banned in India currently and has reduced its team there, so Reels has had a chance to blossom without the competition.) Users won’t be able to make their own Reels from the app, however. They also can’t use augmented reality face filters, although the team is “absolutely” exploring it. Other, less data-intensive creation tools, like stickers, GIFs, and text can still be applied.

For now, the app doesn’t have ads, although Brown tells The Verge that the team is “committed to offering the full suite of monetization tools.” He and the team want to “take the space and time — that everything we launched in Lite we can fully support and that it is just as good of an experience as it is in the regular Instagram.”

Many companies have launched smaller, pared-down versions of their apps for users around the world who might share phones or use older devices with less storage. Facebook launched its Lite app in 2015 while TikTok launched its version in 2019. For companies that need to be global in order to grow, a smaller app is one way to bring new users on board.

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I tried the Nuggs, and they tasted like memes

Behold the Nuggs.
Image: Simulate

Every version of the chicken simulation

“Welcome to the simulation” read a card inside the package sent to me by Simulate, the company responsible for the Nuggs brand of plant-based chicken nuggets. Inside the package, nestled among some dry ice, were what looked like several specimen bags. Each bag contained two Nuggs, from version 1.0 to version 2.0 with six versions in between. They were each carefully labeled: “Project: The Verge. Variant: V.1.6.” As I transferred the cargo to my freezer, I felt less like I was putting away some groceries and more like I was participating in a lab experiment.

That’s the kind of energy Simulate is going for. Its branding is simultaneously silly and self-serious, and it’s deliberately steeped in internet culture. The Nuggs Instagram is almost entirely memes, with product announcements interspersed sparingly. “The name Nuggs is funny to most people, so we kind of leaned on that,” says Ben Pasternak, the company’s founder.

Jokes aside, Simulate, founded in 2019, is part of an industry where the competition is only getting more serious. Meat alternatives have been around for decades — Morningstar Farms was founded in the mid-1970s — but the last few years have seen an explosion of similar products as companies have gotten better at mimicking meat. A combo platter of advanced food tech and concerns about the sustainability of factory farming has made more people than ever willing to give not-meats a try.

The giants are Beyond Meat and Impossible Foods, both of which make plant-based patties that are meant to be as indistinguishable from beef as possible, going so far as to make them “bleed.” In the chicken nugget space, Beyond Meat paired up with KFC to offer plant-based nuggets at select locations of the chicken-based chain. Morningstar Farms recently partnered with Disney to bring Mickey-shaped nuggets to the freezer aisle. Even Big Chicken companies like Tyson have plant-based offerings now.

Which brings me back to Simulate, Pasternak, and my freezer full of experimental Nuggs. Pasternak sees Tyson as competition, but he’s more interested in putting his nuggets head-to-head with its chicken-based products.

Unlike other companies that keep most of their development behind closed doors, Pasternak says he wants to “operate from a place of truth,” showing everyone the changes Simulate’s recipe has gone through. When I was offered the chance to peek inside the lab (virtually) and try every single version of the company’s Nuggs, I figured why not. You know, for science.

Each version of Nuggs comes with release notes, similar to software updates. “Nuggs 2.0 includes fixes and improvements,” says the Simulate site. “Enables a close to indistinguishable chicken flavor.” You can only buy the latest version (in this case, Nuggs 2.0), but the notes for each past version live on the site. Looking through the notes while eating each Nugg added some fun insights to my experience. Version 1.5, which “enable[d] decreased sodium content,” did indeed taste less salty than Version 1.4.

Pasternak began his career building software, which explains why software updates show up in Simulate’s branding. He thinks of Simulate as a nutritional company with a software framework, where new iterations of the product are constantly being developed.

A Nugg ready for examination.
Image: Simulate

And there have been plenty of iterations. Doug Henderson and Bob Schultz, the Simulate food engineers who spend their days poking and prodding simulated nuggets, say that for every version of Nuggs released, there were hundreds more tested in the lab. They use devices that press, squeeze, and tear the Nuggs to measure and track tiny changes in their cohesiveness, chewiness, and springiness.

Between Versions 1.6 and 2.0, they put together a database of every plant-based meat product on the market so they could track and compare them to Nuggs. The constant testing and comparison led them to switch from pea protein — which Schultz says is an “immature technology” with several texture and flavor issues — to wheat and soy proteins.

My own judgment of the Nuggs was much less rigorous. I have not eaten a nugget that originated from an actual chicken in about 14 years, and I therefore am less than qualified to say how close in taste and texture Nuggs and chicken nuggets are. I can say that my face journeyed from a grimace at a strange aftertaste in Version 1.0 to a contented nod at the crunch of Version 2.0. I didn’t get to experience the Simulate BBQ sauce, but I did divide my duos of Nuggs for a highly scientific taste test. For each version, I tried one Nugg plain; these were my control group. I added hot sauce to the other for an extremely research-driven reason. (I really like hot sauce.) The verdict: they are very good vehicles for hot sauce.

I’ve never been particularly interested in products that aim to perfectly re-create meat. The idea grosses me out, even though I appreciate the novelty. But Pasternak sees Nuggs as a product that should appeal to all people, vegans and meat lovers alike. (Though the current price of $35 for 50 Nuggs might dissuade people in either camp.)

These nuggets are not here to proselytize.
Image: Simulate

Part of Simulate’s brand mission is to remain “non-preachy.” The people behind the company aren’t pushing a specific vegan or vegetarian agenda — “We wanted to not use any of the V words,” Pasternak tells me — they just want to make a good nugget. “We don’t want to tell anybody that this is a healthy food,” says Schultz, “we just want it to be the best chicken nugget experience you possibly can have.”

That makes sense since plant-based doesn’t automatically equate healthy. “We didn’t evolve to eat ultra processed foods and these meat substitutes are ultra processed foods,” says Marion Nestle, a Nutrition and Food Studies professor at NYU. “People would be much better off eating real food.”

Other experts take a softer stance: these aren’t health foods, but they are at least healthier than real nuggets — which, for the record, were also developed in a lab. Nuggs are processed, but they’re lower in cholesterol, a major contributor to heart disease. “If you’re taking that cholesterol out, and you can provide consumers with an alternative, then why not?” says Jillian Semaan, director of food and environment at Earth Day Network, an environmental activism nonprofit. As the Simulate site boasts, Nuggs “kill you slower.”

Simulated meats are also better for the planet, says Semaan. There’s no livestock involved when making meat from plants, meaning there’s less land required and no greenhouse gas burps. “We need to take a closer look at how we’re using our resources,” she says. Whether it’s Nuggs or other plant-based foods, “it’s kind of a no-brainer when it comes to having a sustainable place for all of us to live on.”

Pasternak hopes that simulated meats will become more popular than their animal-based counterparts in the next few decades. Semaan isn’t sure the tide will turn so quickly, but she does see a shift happening. “I think people are taking a closer look at what they’re eating, how food is grown, and what foods that they can consume,” she says. “That’s going to be for the betterment of themselves and the planet.”

I could pretend otherwise, but I really wasn’t thinking much about the planet, or my own health, while I was munching on the different variations of Nuggs. My deepest thoughts were more along the lines of “This first version tastes like a shoe,” and “There’s a nice amount of seasoning in this breading.”

Personally, when I’m staring down the shelves in the grocery store, taste and ease of preparation are further toward the front of my mind than a product’s environmental impact. Ultimately, even after going through the entire experiment, I still don’t know if Nuggs taste like chicken or if they will be the future of sustainable food. But I did find that they were enjoyable enough to eat when a hankering for nuggets strikes — along with some hot sauce, of course.

discovery-plus-is-the-perfect-background-noise-streaming-service

Discovery Plus is the perfect background noise streaming service

The word discovery implies there’s something new to find, but I’ve spent the past few weeks steadily making my way through a show that’s been on the air for more than 20 years, thanks to Discovery Plus: House Hunters.

Thanks to House Hunters (and House Hunters International, alongside Tiny House Hunters) my days spent inside, working from home and doing nothing but watching TV, have transitioned almost exclusively to Discovery Plus. It exists as white noise in my apartment: the buzzing of couples arguing over whether to pay the full $560,000 for a house in the nice neighborhood closer to the cute bistro or take a chance on the $480,000 home that needs some work but is way under budget emitting from my TV set. From the time I start working until the second I’m beginning to wind down, House Hunters plays continuously on its dedicated channel housed within Discovery Plus.

“Our bet is when the world makes a full rotation, that the content people have chosen when they could choose anything on TV or cable, the content that they love and run home for — 90 Day, Fixer Upper, Property Brothers — they’re still going to love that,” Discovery CEO David Zaslav told The New York Times in a recent interview.

Discovery Plus, home to shows from networks like HGTV, TLC, Investigation Discovery, and the Food Network, launched at just the right moment, when ambient television was becoming a fixture in people’s homes during the pandemic. Author and journalist Kyle Chayka referred to ambient TV as something “you don’t have to pay attention to in order to enjoy but which is still seductive enough to be compelling if you choose to do so momentarily.” For Chayka, that was Emily in Paris. This reasoning is also what makes House Hunters, as well as 90 percent of the series on Discovery Plus, perfect ambient television.

Streaming also makes ambient TV possible in a way cable television can’t because there’s a total ad-free option. Loud commercials that play every seven minutes cease to exist. Functionally, I have the option to throw on a House Hunters channel that streams episodes of the show 24/7 and forget about it. Streaming services are designed to make viewing as effortless as possible and keep people’s attention once they’ve started watching TV.

So far, it’s working out better than expected for Discovery Plus. The company has signed up more than 11 million subscribers to the platform since it launched in early January. Discovery’s target audience is people between 25 and 54, a wide bracket but one with the most disposable income as of 2019, according to Statista. The disposable income of a household led by a person between the ages of 25 and 54 ranged between $69,700 and $91,400 in 2019, Statista reported. Add in that cord-cutting continues to happen at an accelerated rate and that millennials are one of the biggest groups to sign up for three or more streaming services, and Discovery Plus’ potential is obvious.

Zaslav chalked up the impressive initial signups as proof that “people really don’t change that much,” when talking to the Times. That’s probably true, but having an ad-free option that does for adults and college students what Frozen 2 on Disney Plus or Cocomelon on YouTube and Netflix repeats do for kids has become essential in my home. To quote a popular TikTok meme, House Hunters on Discovery Plus leads to “empty head, no thoughts.”

There’s another term for this: waiting room television. Like daytime TV talk shows or new soap opera episodes, shows like 90 Day Fiancé, House Hunters, and Diners, Drive-Ins and Dives are just interesting enough to catch someone’s fleeting attention, but they’re monotonous enough to not become total distractions. They simply exist to keep people entertained if they want but can float into the background if someone would rather check in on Instagram or read a book instead — or, in my case, work.

Discovery Plus still has a long way to go. There are basic product features that need to be fixed (finding on-demand videos instead of 24/7 channels is more difficult than it should be), and I haven’t seen any new series or specials that have caught my attention. Discovery also has to ensure that it’s keeping the vast majority of those who do sign up. For now, Discovery filled a need I didn’t know I had while working at home — pure, ongoing, ambient TV that I don’t have to think about for hours the second I hit play.

instagram’s-new-live-rooms-feature-lets-up-to-four-people-go-live-at-once

Instagram’s new Live Rooms feature lets up to four people go live at once

Instagram wants more people to go live at once, so today, it’s launching Live Rooms. The feature, which will be available globally, allows four people to video chat in a live broadcast, compared to the previous limit of two. Instagram’s blog post today says it hopes the feature encourages people to start a “talk show or a podcast,” host a “jam session,” or collaborate with other creators.

Going live with more people means the rooms could attract larger audiences. The followers of everyone participating will see the live room and, depending on their notifications, be pinged about it. (Anyone blocked by the active participants won’t be able to join the live, though.)

The easy comparison to make here is to Clubhouse, the buzzy social audio app that lets people go live in rooms. More than 10 people can speak at once, and rooms can reach up to 8,000 people before they’re full. Facebook is reportedly building a direct competitor, but Instagram Live could capture some people who might be interested in Clubhouse but can’t access it currently — it’s invite-only and only available through iOS devices.

But unlike Clubhouse, Instagram Live requires people to be on-camera, which comes with the added pressure of looking good and being in a photogenic environment. Clubhouse is thriving because it only requires a phone and lowers the audio expectation. (People regularly chat when they’re in the car, out on a walk, or just in a loud place.) Still, Live Rooms will likely do well on the platform as people fall back on their already-established followers and bank on the high energy more people in a room can create.

cybersecurity-firm-says-social-media-bots-hyped-gamestop-during-trading-frenzy

Cybersecurity firm says social media bots hyped GameStop during trading frenzy

A cybersecurity firm found that bots were promoting GameStop stock on social media before and after the stock’s frenzied rise last month, Reuters reported. Massachusetts-based PiiQ Media says social media bots promoted Dogecoin, GameStop, and other “meme” stocks in posts on Facebook, Twitter, Instagram, and YouTube. The firm estimated that tens of thousands of bots participated, but it’s still unclear how much influence they had or didn’t have on the rise and fall of GME and other stocks.

Shares in GME skyrocketed in January as Reddit users on r/wallstreetbets rallied around the stock in an attempt to squeeze hedge funds that had bet against the video game company. PiiQ told Reuters it detected “patterns of artificial behavior” in GameStop-related posts just before the January 28th chaos through February 18th.

PiiQ did not analyze Reddit traffic, and Reddit CEO Steve Huffman said in a hearing before the House Financial Services in February that the platform had not detected any significant bot-driven activity or foreign actors on the subreddit as part of the GME trading hype.

The Securities and Exchange Commission is investigating the GameStop saga, and the Senate Banking Committee plans to hold a hearing on “the current state of the stock market.”

go-read-this-report-about-how-selling-safe-masks-online-is-surprisingly-hard

Go read this report about how selling safe masks online is surprisingly hard

A new report from The New York Times’ Andrew Jacobs digs into how mask policies on tech platforms that have allowed novelty masks like scrunchie masks to flourish while some mask-makers making high-filtration masks have had trouble selling their wares.

Even if you’re vaccinated, wearing a mask is still recommended. It seems like a problem, then, that many masks widely advertised on Facebook, Instagram, and Amazon are novelty varieties that might be less safe than medical-grade N95s. Facebook and Amazon say they are following guidelines from the Center for Disease Control and Prevention.

Facebook prevented mask sellers from advertising and selling masks to the masses early in the pandemic, when they were in short supply. The idea was to reserve N95s for medical professionals instead. That policy eventually changed so that non-medical masks, face coverings, and plastic shields could be advertised. Some mask-makers who manufacture their own medical-grade masks told Jacobs they aren’t able to advertise on the platform, while fabric masks that can fold pocket squares or transform into scrunchies are. Which might not be a problem if these sellers where reaching hospitals directly. Many told Jacobs they’re not:

“I’d be happy to sell my masks to health care workers, but right now hospitals aren’t exactly banging down my door,” said Brian Wolin, the chief executive of Protective Health Gear, a year-old company in Paterson, N.J., that has a half million unsold N95 masks at its factory.

Amazon’s policies pose a different problem, according to Jacobs’ report. Large manufacturers have an easier time reaching customers on Amazon because the company buys their products in bulk to ship from its own warehouses, Jacobs’ writes. But the company’s policy around selling masks and the algorithms that govern how they appear in search are difficult for smaller companies to navigate. Less safe alternatives like KN95 masks are readily surfaced in search, while other manufacturers offering N95s on Amazon’s storefront have been buried by the algorithm, the report says.

In the end, Jacobs’ piece illustrates a disappointing arrangement: online platforms are frequently the safest way to purchase PPE, but they don’t always provide the safest product.

Check out Jacobs’ report on The New York Times’ website for the full picture.

lg-stylo-6-review:-great-stylus-features,-sketchy-performance

LG Stylo 6 review: great stylus features, sketchy performance

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The LG Stylo 6 is a sub-$300 phone with a built-in stylus, which puts it in exclusive company: the $299 Motorola Moto G Stylus is more or less its only direct competition. For its $270 price, the Stylo 6 offers good battery performance; a big, bright screen; and the handy pen-derived features that stylus life offers. But as much fun as I had doodling on its generously sized screen, it’s just too slow to recommend.

That’s a shame because I genuinely enjoyed aspects of using this phone. I couldn’t seem to drain the battery below the 30 percent mark even on a day of heavy usage, and I experienced real enjoyment texting my spouse a precisely drawn, animated doodle of a farting butt. Photos look good on its vivid, wide 6.8-inch screen, and I was pleasantly surprised to discover while rewatching Chernobyl (don’t worry, I talk to my therapist about this) that it has stereo speakers.

Unfortunately, that enjoyment was overshadowed every time the phone took an extra beat to switch between apps, open Twitter, load my Instagram feed, or start my Google Maps navigation. It’s not unusably slow, but it is quite noticeably slow. If you have the patience of a small insect like I do, there’s a fine line between the two.

The Stylo offers a large 6.8-inch screen.

LG Stylo 6 screen and performance

The Stylo 6 is a large phone, as you’d expect a phone with a stylus to be. It offers a 6.8-inch 1080p LCD with a standard 60Hz refresh rate and modest bezels. Its dimensions are similar to the Samsung Galaxy S21 Ultra, also a large phone, except that it’s slightly taller. The screen itself is plenty bright and vivid, and the aforementioned stereo speakers make watching videos that bit nicer.

I found the phone overall too big to use comfortably one-handed, and it felt awkward in even large coat pockets. That’s beside the point, though, if you’re considering the Stylo then you probably already know you want a large phone, so to each their own.

The Stylo 6 offers a Mediatek Helio P35 chipset and 3GB of RAM. Herein lies the Stylo 6’s troubles: this processor and RAM combination just doesn’t offer enough power for this phone. I noticed stuttering often as I scrolled through media-rich screens on Twitter and Instagram. Ditto the previously mentioned slowness opening and switching between apps, and the camera suffers from laggy processing speeds, too.

I sometimes tapped the screen, then wondered if the phone had recognized the tap a split second before it opened an app or whatever I was trying to do. Conversely, I’d tap the screen too lightly or quickly and wait an extra second before realizing it hadn’t registered, just because I’d gotten used to giving the phone a little extra time to do everything. This would all be more forgivable (if still frustrating) on a $200 phone, but depending where you get the Stylo 6, it’s pushing closer to $300 and should really do better.

If there’s a bright spot to the phone’s processing woes, it’s that battery life is great — possibly as a side effect. The Stylo 6 has a 4,000mAh battery, and after a typical day with two-plus hours of screen-on time, I was usually down to only 70 percent. I was sure a day of heavier use with Google Maps navigation, Spotify, and more social media scrolling than usual would challenge it, but nope. I didn’t even drain it enough for a low battery warning before plugging it in at night.

There’s just one configuration offered with 64GB of built-in storage, which isn’t great, but it’s expandable by way of microSD. It ships with Android 10 and, unfortunately, a lot of preloaded apps and games that you probably don’t want. LG isn’t known for a generous upgrade schedule so it’s very unlikely the Stylo 6 will see an Android 11 update.

Popping out the stylus brings up some shortcuts.

LG Stylo 6 stylus features

Of course, the stylus features are a big (sorry) draw here. The stylus is tucked away and spring-loaded into the lower-right corner of the device, and it activates a set of shortcuts when it’s removed. You can take a quick note, grab a screenshot or a GIF of whatever’s on your screen, and mark it up with notes, or draw something immature to text to your partner.

You can do useful, productive things with a stylus, but you can do this, too.

Despite Samsung’s Galaxy Note being the de facto stylus phone, LG has been making phones with styluses for ages, and it shows with little UI touches like automatically toggling off gesture navigation when you start a note so that you don’t accidentally swipe out of it. You won’t find advanced features like the (much more expensive) Galaxy Note series offers here such as handwriting-to-text conversion or the ability to use the stylus as a remote control. Basically though, it does all of the things you’d expect it to do, and these features work well.

I was surprised by how much I enjoyed having the stylus available. It’s much easier to draw or write silly notes on images with the pen rather than your finger, which I had basically given up on doing because they always look terrible.

The ability to also jot down a quick note without even turning the screen on is something I really appreciated. I feel like I’m always fumbling to unlock my phone, find the notes app, and open a new note just to type out something quick like an email address or a song title. None of this is unique compared to a Galaxy Note, of course, but the Stylo 6 has a set of genuinely useful features that aren’t very common, especially at this price point.

The Stylo 6 features standard wide and ultrawide rear cameras, plus a depth sensor.

LG Stylo 6 camera

The Stylo includes a 13-megapixel main camera, a 5-megapixel ultrawide, a 5-megapixel depth sensor, and a 13-megapixel selfie camera. That’s not a lot of resolution to work with, but it’s enough to allow the Stylo to take decent-quality images in good light.

White balance occasionally leans a little too magenta or too green, which sometimes gave an effect I liked — kind of a nostalgic film-like quality. At other times, images just looked too cool and washed out. I like how the Stylo handles high-contrast scenes; the HDR effect doesn’t look too strong. Your preview image will look overly dark, but an HDR icon on the screen indicates that the final image will look much more balanced.

Images in low light or moderate indoor lighting look okay for social media but show a lot of smeared detail if you look closely. The ultrawide lens is somewhat limited by its low-res sensor. Even in bright daylight shots details look smoothed over, and it’s just not up to low light photography.



  • Taken with ultrawide





  • Portrait mode


  • Portrait mode







  • Taken with ultrawide




The camera is also a victim of the phone’s underpowered processor, particularly in portrait mode. The live preview is quite laggy, which gets worse once you push the shutter and wait for the phone to process the image. This can take as long as six seconds, during which you’re unable to take another image.

It’s hard to know if you got the right frame of your subject, and it’s a frustrating experience trying to photograph a subject that’s moving even just a little bit because you can’t “spray and pray.” The camera keeps shutter speeds relatively low, too, so blurry subjects can be a problem. By sheer luck I got a portrait mode photo of my cat mid-yawn, but I wouldn’t count on being able to do that again.

I captured a few images with the Stylo that I really like, but I felt like it was more in spite of the camera rather than because of it. The images this phone captures will look okay on Instagram and Facebook, but overall, the Stylo’s camera capabilities lag behind most other devices at this price.

The Stylo 6 offers a lot of likable stylus-based features, but it’s ultimately too slow to recommend.

The Stylo 6 has a few good things going for it: an affordable price, built-in stylus, big screen, and great battery life. But factoring in its shortcomings, namely an underpowered processor, it’s not a device I can easily recommend.

Even around its $270 price, there are many other more capable options. The $300 OnePlus Nord N10 5G offers a better camera and processor. The 2021 Motorola Moto G Power includes a massive battery and better processor performance for $200. Neither of those comes with a stylus, of course, but I don’t think the Stylo 6 is even your best bet for an inexpensive phone with a stylus: for just a little more, the 2021 Moto G Stylus offers better performance and an upgraded camera.

If speed isn’t a concern, a stylus is a must-have, and the price is right, I think you can live a reasonably happy life with this phone. Maybe my patience is just too thin, and a more enlightened person can coexist peacefully with it. The rest of us would do best to look elsewhere.

Photography by Allison Johnson / The Verge

the-house’s-three-big-ideas-to-take-on-tech-power

The House’s three big ideas to take on tech power

Last year, House Judiciary Committee lawmakers topped off a yearslong investigation into anti-competitive behavior in the tech industry by bringing in some of the most powerful chief executives in the market. Apple CEO Tim Cook, Amazon CEO Jeff Bezos, Facebook CEO Mark Zuckerberg, and Google CEO Sundar Pichai headlined one of the biggest must-watch hearings last summer and they faced tough lines of questioning from lawmakers who (for the most part) did their homework, prepped with thousands of pages of evidence alleging illegal business practices.

Lawmakers shined a light on some of tech’s shady business practices, and now they’re getting ready to finish the job. On Thursday, the House Judiciary’s subcommittee on antitrust returned for a far less flashy hearing with experts. It’s the beginning of a second and far more important phase of the committee’s work, pinning down new rules that would address those practices.

On paper, Thursday’s hearing was about analyzing how big tech platforms act as gatekeepers and create barriers to entry — but really it was about testing out three new avenues for keeping tech companies in line and seeing which ones might gain support from tech-skeptical Republicans.

WHAT IT MEANS

Arguably, the most revealing parts of last year’s hearing with tech CEOs had to do with their abilities to shove competitors out of the market. Zuckerberg was pressed over an email from former Instagram CEO Kevin Systrom saying that the Facebook CEO would go “destroy mode” if Instagram didn’t sell. Bezos said he couldn’t “guarantee” that Amazon employees weren’t looking at data from independent sellers to help develop their own products. Cook and Pichai were both pressed on reports that they used their platforms to squash competition.

But at Thursday’s hearing, the subcommittee moved beyond calling out bad behavior and laid out three big areas where Congress could actually take action. They’re still general ideas instead of specific proposals, but you can expect to see these same ideas in whatever tech regulation bills come forward over the next few months.

The big three:

  • Data interoperability and portability: Users should be able to take their data elsewhere with ease. Example: Think about how you can move your phone number between carriers. Before the 1996 Telecommunications Act, that wasn’t always an option!
  • Nondiscrimination: Basically, a dominant platform shouldn’t be able to preference its own products over those of its competitors.
  • Structural remedies: Breaking apart different lines of business or platforms under one company.

Portability and interoperability rules are the measure that’s least threatening to tech companies. A bunch of those products were released in the wake of the GDPR, and it’s easy for Facebook and Google to develop more without touching their core businesses. Nondiscrimination is a little scarier — particularly for Apple and Amazon — but it’s still workable.

Some of those ideas might even get bipartisan support. In his Third Way report last year, Rep. Ken Buck (R-CO) called for data portability and more funding for antitrust regulators at the Justice Department and FTC.

But the antitrust wing of the Democratic Party won’t be satisfied with a few new app store rules and a little more money for the FTC. In their recommendations last October, Democrats on the committee called for a kind of Glass-Steagall Act for the internet, breaking apart different lines of business in response to monopoly concerns. It would lay the groundwork for splitting off Instagram from Facebook or Amazon Web Services from Amazon — basically leveling the tech landscape by force.

This is the worst-case scenario for tech companies — and as much as Republicans complain about Jeff Bezos, they still largely oppose the idea. It’s hard to imagine a trust-busting bill attracting support from fence-sitters like Rep. Buck, much less the more tech-friendly members of the caucus. Just like in the stimulus and minimum-wage fights, Democrats have to decide whether to play for a bipartisan fix or push through a more progressive policy on their own. But judging from this hearing, Democrats aren’t ready to give up on a full-scale breakup just yet.

WHAT DIDN’T THEY ASK?

Amazon kicked Parler off its web hosting service after last month’s deadly attack on the Capitol. Parler was a popular platform with the rioters who stormed the Capitol, and without Amazon’s web hosting, the platform was effectively kicked offline until it could find a new company to host the site in mid-February.

Since Parler was deplatformed, some Republicans have turned away from Section 230 reform and toward antitrust as a remedy to their beef with a focus on Amazon. Republican FCC commissioners have used the incident to make shaky comparisons to network neutrality and cloud infrastructure. But after Parler went down, Ranking Member Buck tweeted that he would be “introducing legislation this Congress to hold Amazon accountable for their anticompetitive behavior.”

Amazon crushes small businesses. They cheat and steal. Now they want to join Google and Facebook in censoring.

I will be introducing legislation this Congress to hold Amazon accountable for their anticompetitive behavior. #BigTechReckoning https://t.co/lChxvMFFuZ

— Congressman Ken Buck (@RepKenBuck) January 10, 2021

Here’s what I would have liked to hear from Republicans:

  • How do cloud services like AWS fit into antitrust reform outside of just providing an additional line of revenue for companies? What if Amazon deplatformed a nascent e-commerce platform using its services?
  • What are the ramifications of stripping companies like Amazon from their cloud services? Should this be included in any measures the committee proposes?

WHAT’S NEXT?

The House Judiciary Committee’s subcommittee on antitrust still has two more hearings to complete before they start filing legislation. They’re expecting to start introducing those bills this spring, but that doesn’t mean they’ll become law anytime soon. There will likely be even more hearings and a markup process before those bills get close to votes on the floor.

We also need to hear what the Senate is thinking. Sen. Amy Klobuchar (D-MN), the chair of the Senate’s antitrust panel, introduced the Competition and Antitrust Law Enforcement Reform Act earlier this month that doesn’t do nearly as much as the House is considering for legislation. Klobuchar’s bill would provide antitrust enforcers with more resources to bring cases to trial and conduct extensive reviews of markets and merger effects.