Apple made several major Apple Spatial Audio announcements at its WWDC developer conference this week, but it seems to have held back a key feature, reports 9to5Mac.
On Wednesday a Reddituser spotted a new function called ‘Spatialized Stereo’, hidden in the iOS 15 beta. The feature is said to take any non-Dolby audio – such as a song from Spotify or a movie soundtrack from Netflix – and simulate the effect of Spatial Audio.
“The greatest thing about this is that it supports EVERY audio track,” wrote the shocked Reddit user. “Sure I’d pick Atmos Spatial Audio mixes over Spatialized Stereo every time, but for the moment there are only a dozen or so options for Atmos available on Apple Music, so this is such an amazing feature to have!”
Spatial Audio with Dolby Atmos is a version of surround sound. It lets you use your AirPods Pro and AirPods Max wireless headphones to experience dynamic head tracking, which means means that the sound always stays relative to the screen, even when you move your head.
The Cupertino giant recently rolled out expanded support for Spatial Audio – it’s now available to Apple Music subscribers for no extra cost. Apple has also announced plans to bring it to tvOS and MacOS.
Spatialized Stereo is a different kettle of fish. It seems to be Apple’s attempt to simulate the effect of Spatial Audio without using Dolby Atmos. It works with any content but you’ll still need a pair of AirPods Pro or AirPods Max wireless headphones to access it.
Lucky enough to be on the iOS15 beta and fancy trying Spatialized Stereo for yourself? Hit play on some non-Dolby audio content and then bring up the Control Center. Press and hold the volume slider and then tap ‘Spatialize Stereo’. With any luck, the track should sound more like 3D audio, and less like two channels being piped into your left and right ear.
MORE:
Apple spatial audio: what is it? How do you get it?
Apple Music’s spatial audio with Dolby Atmos launches today
Apple Music lossless: which devices will (and won’t) play lossless and Spatial Audio
Netflix’s expansion into anime continues. Today, the streaming service announced details for a number of exciting shows, ranging from a horror series with characters designed by Final Fantasy’s Yoshitaka Amano to the next chapter in the Gundam franchise to another Godzilla show. Here’s everything that was announced:
Mobile Suit Gundam Hathaway
The headliner was the return of classic mech franchise Gundam, with a series called Mobile Suit Gundam Hathaway. “After Char’s rebellion, Hathaway Noa leads an insurgency against Earth Federation, but meeting an enemy officer and a mysterious woman alters his fate,” the description reads. It’s listed as coming soon and will eventually be joined by a live-action Gundam film from director Jordan Vogt-Roberts.
Shaman King
August 9th will see the debut of Shaman King, a show about shamans fighting each other to become king. It’s a simple enough premise that looks to be buoyed by plenty of action.
Edens Zero
Sci-fi manga Edens Zero is becoming an anime, with an impressive-looking series about a boy who can control gravity. It’ll come out on August 26th.
Exception
Here’s your first glimpse at Exception.
The new space horror anime series is based on a new story by Hirotaka Adachi (aka “Otsuichi”), with character designs by Final Fantasy’s Yoshitaka Amano. #GeekedWeek pic.twitter.com/7CWhmNu9O6
— Netflix Geeked (@NetflixGeeked) June 10, 2021
We don’t have a trailer for the horror series Exception, but this one piece of teaser art is creepy enough on its own. Perhaps the most exciting part is that it will feature character designs from famed Final Fantasy artist Yoshitaka Amano.
Bright: Samurai Soul
Announcing Bright: Samurai Soul.
Izo, a Ronin, and Raiden, an orc, work to bring a young elf girl and the wand she carries to the land of the elves in the north.
Based on the Netflix movie, the anime film will be directed by Kyohei Ishiguro. #GeekedWeek pic.twitter.com/K03gZVMUie
— Netflix Geeked (@NetflixGeeked) June 10, 2021
There’s no trailer for this one either, but the first image shows off a beautiful art style that I can’t wait to see in motion. No word on a premiere date.
Make My Day
On the film front, Netflix also announced Make My Day, which sounds like it will channel frozen horror classics like The Thing: “On a cold planet of ice and snow, mysterious creatures suddenly have appeared from the dark underground and have begun to attack the inhabitants.”
Godzilla: Singular Point
This kaiju series debuted on Netflix in Japan earlier in the year, but it’ll be available globally — and in English — on June 24th.
Our first look at Kevin Smith’s revival of He-Man is here: today, Netflix debuted the first trailer for Masters of the Universe: Revelation, which will hit the streaming service on July 23rd.
Unlike She-Ra and the Princesses of Power, which also streamed on Netflix, the new He-Man series isn’t a reboot of the classic cartoon. Instead, it’s a continuation, which picks up right after the original show ended in 1985, with the excellent addition of Mark Hamill as Skeletor.
Here’s how Smith, who is serving as showrunner, describes it:
Narratively our show is set up as the next episode in the legacy ‘80s animated series that aired from 1983-1985. This is a continuation of that story. We’re playing with the original mythology and characters, and revisiting and digging deeper into some of the unresolved storylines.
Visually we also made the conscious decision to lean into the Masters of the Universe line of toys for inspiration as well. Mattel owns this entire vast library of that artwork, so right away we wanted the show to open with classic pieces of that artwork. Mattel has been committed to this look since they first started as a toy line in the ‘80s, and now we’re leaning into it and honoring it.
The news was announced as part of the first week-long Netflix Geeked event.
Sharp has announced its new 4K TV range just in time for the Euro 2020 kick off, and there are some seriously affordable big-screen options. Both the DL and DN ranges come with very slim bezels, the Android TV operating system, HDR tech and sound by Harman Kardon.
HDR10 and HLG formats of HDR come as standard, and the DN series TVs also have Dolby Vision on board. The DN sets also feature Sharp’s Active Motion 600 technology, which sharpens up movement and reduces distortions, and 12-bit HDR colour coding to improve the smoothness of shading and reduce banding and colour disruptions common to standard non-HDR sources. The 65-inch model has a slim, full-aluminium body enhanced with a high brightness LCD/LED panel producing 400 nits output.
And there’s plenty of audio tech to get your teeth into (or ears into, rather). As well as integrated speaker systems from sonic specialists Harman Kardon, there’s Dolby Atmos tech onboard (though only on the DN models) to give 3D audio. The DN range also benefits from DTS Virtual:X post-processing tech, apparently improving clarity and ensuring better-quality high frequencies. Again, the 65-inch model gets a little extra – in this case, a 15W Harman Kardon sub to go with the 10W stereo speakers, making a 2.1 system.
The usual apps are present and correct, including Netflix, Prime Video, Spotify, Deezer and Tidal. Google Chromecast tech lets you stream content from your mobile device or laptop to the big screen, and of course Google Assistant lets you control it just by speaking.
Unusually, the 50-inch models have more HDMI inputs than their 65-inch siblings (four compared to three). Go figure.
The entry-level 50-inch 50DL3KA costs £530, and the 50DN3KA (with Dolby Atmos and Dolby Vision) is £550. Stepping up in size, the 65-inch 65DL3KA is £730, and the 65DN3KA is £750.
They will all be available “this summer”. So probably not in time for Euro 2020 after all. Ho hum. if you need a set for then, why not check out our list of best TVs?
MORE:
Check out the other best cheap TVs
Go big this year: best projectors
Find out how to set-up a home cinema in your garden
Virtual private networks (VPNs) can offer an additional layer of security and privacy for your online activity. Whether you’re working on a public Wi-Fi network and want to escape prying eyes, or you’re worried about privacy in general, a VPN can offer a lot of benefits.
In a nutshell, a VPN establishes a secure, encrypted connection between your device and a private server, hiding your traffic from being seen by others. Of course, the VPN itself can still see your traffic, which is why you should choose a VPN from a company you trust. (A good rule of thumb is to avoid free VPNs, because if they’re not charging you a fee, they may be monetizing in some less desirable way.) In addition, law enforcement can get its hands on your information through the VPN company. However, for the most part, a VPN offers you a way to hide your online activity from others.
Note that getting a VPN is only one of the measures you can take to make your web browsing more secure. Others include enabling two-factor authentication and using a password manager.
In addition to their security benefits, VPNs can be handy when you’re trying to access sensitive information, or if you’re traveling in Europe and want to stream Netflix or Amazon Prime titles only allowed in the US. Some even claim they can allow you to jump firewalls in heavily regulated countries such as China.
At home, you can set up your VPN through your router, which takes a few more steps, but then any devices connected to your router won’t need to be configured individually; this can also slow down all traffic that goes through. However, for this article, we’re going to concentrate on VPN apps that you can load on your laptop or phone so you can use the internet safely while away from your home base.
Most VPN apps these days support the OpenVPN protocol, making setup a simple matter of allowing the app access to configure the settings for you. But whether your device uses macOS, Chrome OS, Windows 10, iOS, or Android, if you’d like a quick overview of what’s involved before selecting a service, or if you prefer to do a manual setup, we’ve broken down the steps into straightforward instructions for you.
Setting up a VPN in Windows 10
The first step is to create a VPN profile, which you’ll fill out with details from your particular VPN service.
Click on the Windows button, then head into “Settings” > “Network & Internet” > “VPN.” Click on “Add a VPN connection.”
In the fields on the menu, select “Windows (built-in)” for your VPN provider. Give your VPN a name under “Connection name.” Enter the server name or address, the VPN type, and the type of sign-in info, such as a username and password.
Click “Save.”
To connect to your VPN, go back to “Settings” > “Network & Internet” > “VPN.” Click on your VPN name.
If you want, you can select “Advanced Options” to edit the connection properties, clear your sign-in info, or set up a VPN proxy. You can also add a username and password in this section for extra security (optional, but recommended).
Select “Connect” and enter a password if you’ve set one.
Setting up a VPN in Chrome OS
While using a VPN with a Chromebook used to be a problem, these days, there are several (like ExpressVPN or NordVPN) that have versions specifically for Chrome OS. To get started, you can head to the Google Play store and get the VPN app from there, or download one from the VPN’s website. No matter which you choose, after opening your VPN app, it should prompt you with instructions on how to fully set it up.
If you need to do it manually, you can. Chrome has native support for L2TP / IPsec and OpenVPN. To install a VPN that works with one of these formats:
Click on the time in the lower-right corner of your screen, then click on “Settings.”
Click on “Add connection” and then on “OpenVPN / L2TP.” (You may also find the name of your VPN in the “Add connection” list, which will make things easier.)
Add all of the necessary information, which may include server hostname, service name, provider type, pre-shared key, username, and password. You can save your identity and password if you like. When finished, click on “Connect.”
Some VPNs, especially those issued from a workplace, demand a certificate, which you will need to import first. If that’s required:
Enter chrome://settings/certificates into the address bar.
Go to the “Authorities” tab. Find the correct certificate in the list and click “Import.”
Then follow the instructions above for setting up the VPN.
Setting up a VPN in macOS
As with the other formats here, there are apps that automatically guide you through the setup process, but you can also do it yourself manually.
To start, head into “System Preferences” and then choose “Network.”
From there, the process is straightforward. Click the Plus-symbol button on the bottom left, and use the Interface drop-down menu to choose your VPN. You’ll need the details from your VPN of choice to fill out “VPN Type” and “Service Name.”
Click on “Create.” Fill out the server address, remote ID, and local ID in the appropriate fields. Then click on “Authentication Settings.”
Enter the username and password for your VPN, which you can set through your VPN app.
Click “OK” and then “Connect.”
Setting up a VPN in iOS
Setting up a VPN on an iOS device is fairly simple. Again, if you download an app from the App Store, select it and it should guide you through configuration. Here’s how to do it manually, though:
Just head into “Settings” and tap on “General.”
Scroll down to select “VPN.” (The iPhone will indicate whether you are currently connected to one or not.)
Tap on “Add VPN Configuration” and then on “Type” to select a security protocol. (Follow the instructions provided by your chosen app.)
Go back to the “Add Configuration” screen, where you will add the VPN’s description, server, remote ID, and local ID.
Enter your username and password. You can also use a proxy if you like.
Tap “Done.” You will then be brought back to the VPN screen. Toggle the “Status” switch to on.
Setting up a VPN in Android
As with iOS, setting up a VPN on an Android device shouldn’t be too difficult. Here’s the manual process if you’re not letting an app automatically configure things for you. (Keep in mind that, because some vendors like Samsung tweak their Android versions, your process may vary slightly.)
Head into “Settings” > “Network & Internet” > “Advanced” > “VPN.” If you don’t see “Network & Internet” in the Settings menu (which may depend on your Android overlay), then do a search within Settings for VPN. Press the “Add” button.
If you happen to be setting this up on a new phone, or if you haven’t yet set a screen lock or password, Google will prompt you to set one for your phone first. Do so.
Now create your VPN profile. Add the VPN name, type, and server address. Click on “Save.”
You’ll be taken back to the VPN screen, where you should now see the name of your VPN. Tap on it, and put in your name and password for the VPN. You can also choose to save your account information, and you can optionally set the VPN to be always on. When finished, tap “Connect.”
Enter the VPN name, type, server address, username, and password.
Then tap “save.” You’re done!
Once you’ve got your VPN up and running, you might notice that web browsing isn’t as fast as it used to be, especially if you’ve configured traffic to go through another country. Stronger encryption, or more users connected to one VPN, can also slow down your internet speeds. Downloads might slow to snail speed, and your League of Legends screen lag might be absurd. But those aren’t big problems compared to the security that you’ve added.
And anyway, now that you know how to set up a VPN, toggling it off is easy in comparison. You just have to remember to do it.
Update June 1st, 2021, 10:20AM ET: This article was originally published on March 1st, 2019, and now features a few updates related to changes in the Windows 10 interface.
Apple has spent considerable time championing itself as a protector of user privacy. Its CEO Tim Cook has repeatedly stated that privacy is “a fundamental human right,” the company has based multiple ad campaigns around its privacy promises, and it’s had high profile battles with authorities to keep its users’ devices private and secure.
The pitch is simple: our products protect your privacy. But this promise has shifted very subtly in the wake of this week’s iCloud Plus announcement, which for the first time bundled new security protections into a paid subscription service. The pitch is still “our products keep you safe,” but now one of those “products” is a monthly subscription that doesn’t come with the device in your box — even if those devices are getting more built-in protections as well.
iCloud has always been one of Apple’s simplest services. You get 5GB of free storage to backup everything from images, to messages and app data, and you pay a monthly subscription if you want more (or just want to silence Apple’s ransom note when you inevitably run out of storage). Apple isn’t changing anything about the pricing or storage options as part of the shift to iCloud Plus. Prices will still range from $0.99 a month for 50GB of storage up to $9.99 for 2TB. But what is changing is the list of features you’re getting, which is expanding by three.
The first change sits more within iCloud’s traditional cloud storage remit, and is an expansion of Apple’s existing HomeKit Secure Video offering. iCloud Plus now lets you securely stream and record from an unlimited number of cameras, up from a previous maximum of five.
With the new Private Relay and Hide My Mail features, however, iCloud Plus is expanding its remit from a storage-based service into a storage and privacy service. The privacy-focused additions are minor in the grand scheme of the protections Apple offers across its ecosystem, and Apple isn’t using them as justification for increasing the cost of iCloud. But they nevertheless open the door to so-called “premium” privacy features becoming a part of Apple’s large and growing services empire.
The features appear as an admission from Apple about the limits of what privacy protections can do on-device. “What happens on your iPhone stays on your iPhone” was how the company put its promise in a 2019 ad, but when your iPhone needs to connect to the internet to browse the web, receive email, and generally earn the “i” in “iPhone,” inevitably some of its privacy rests on the infrastructure serving it.
The most interesting of these new features is Apple’s Private Relay, which aims to shield your web traffic from prying eyes in iOS 15 and macOS Monterey. It hides your data from both internet service providers as well as advertisers that might build a detailed profile on you based on your browsing history. While it sounds a bit like a VPN, Apple claims the Private Relay’s dual-hop design means even Apple itself doesn’t have a complete picture of your browsing data. Regular VPNs, meanwhile, require a level of trust that means you need to be careful about which VPN you use.
As Craig Federighi, Apple’s senior vice president of software engineering explains, VPNs can protect your data from outsiders, but they “involve putting a lot of trust in a single centralized entity: the VPN provider. And that’s a lot of responsibility for that intermediary, and involves the user making a really difficult trust decision about exposing all of that information to a single entity.”
“We wanted to take that completely out of the equation by having a dual-hop architecture,” Federighi told Fast Company.
Here’s how it works. When using Private Relay your internet traffic is being sent via two proxy servers on its way to its destination. First, your traffic gets encrypted before it leaves your device. Then, once it hits the initial, Apple-operated server, it gets assigned an anonymous IP that hides your specific location. Next up, the second server, which is controlled by a third-party, decrypts the web address and forwards the traffic to its destination.
Apple can’t see which website you’re requesting, only the IP address you’re requesting it from, and third-parties can’t see that IP address, only the website you’re requesting. (Apple says it also uses Oblivious DNS over HTTPS.) That’s different from most “double VPN” and “multi-hop” VPN services you can subscribe to today, where a provider may control both servers. You could perhaps combine a VPN and a proxy server to do something similar, though. Apple says Private Relay won’t impact performance, which can be a concern with these other services.
While Private Relay is theoretically more private than a regular VPN, Apple’s offering is also more limited. You can’t use it to trick websites into thinking you’re accessing them from a different location, so you’re not going to be able to use Private Relay to get around geographical limitations on content blocked by a government or a service like Netflix. And it only seems to cover web browsing data through Safari, not third-party browsers or native apps. In a WWDC developer session about the feature, Apple says that Private Relay will also include DNS queries and a “small subset of traffic from apps,” specifically insecure HTTP traffic. But there was no mention of other browsers, and Apple clarified to The Verge that it’s only handling app traffic when your app technically happens to be loading the web inside a browser window.
In addition to Private Relay, iCloud Plus also includes Hide my Email, a feature designed to protect the privacy of your email address. Instead of needing to use your real email address for every site that requests it (increasing the risk of an important part of your login credentials becoming public, not to mention getting inundated with spam), Hide My Email lets you generate and share unique random addresses which will then forward any messages they receive back to your true email address. It’s another privacy-focused feature that sits outside of iCloud’s traditional area of focus, and could be useful even if similar options have been available for years.
Gmail, for example, lets you use a simple “+” symbol to add random extra characters to your email address. Even Apple’s own “Sign In with Apple” service pulls a similar trick, handing out random email addresses to each service you use it with. But the advantage of Apple’s new service is that it gives you an easily-accessible shortcut to generate them right in its Mail app and Safari, putting the feature front and center in a way that seems likely to boost its mainstream appeal.
Apple might be charging for Private Relay and Hide My Email by bundling them into iCloud subscriptions, but these iCloud Plus additions are still dwarfed by the array of privacy protections already built into Apple’s hardware and software. There’s no sign that any of these existing privacy features will be locked behind a monthly subscription fee anytime soon. Indeed, the list of built-in protections Apple offers continues to grow.
This includes a new Mail Privacy Protection feature in the Mail app in iOS 15, which sends your emails through a relay service to confuse any tracking pixels that might be hiding in them (read more about tracking pixels here). There’s also a new App Privacy Report feature coming to iOS 15 that will show how often apps are accessing your location, camera, microphone, and other data.
But with iCloud Plus, Apple now offers two privacy protections that are distinct from those that are included for free with the purchase of a device, and the division between the two seems arbitrary to some extent. Apple justifies charging for features like Private Relay and Hide My Email because of the incremental costs of running those services, but Mail Privacy Protection also relies on a relay server, which presumably isn’t free to run.
Regardless of its rationale, choosing to charge for these services means that Apple has opened the door to premium privacy features becoming part of its increasingly important services business, beyond just its hardware business. Adherence to privacy was already part of the company’s attempt to lock you into its devices; now it could become part of the attempt to lock you into its services. All the while, those walls around Apple’s garden creep higher and higher.
Netflix has released the first five minutes of its upcoming anime series Trese, which is based on the Philippine horror comic of the same name. In the clip (which I’ve embedded at the top of this post), you’ll get a brief look at some of the show’s terrifying-looking monsters and be introduced to detective Alexandra Trese, the show’s protagonist.
Here’s the official synopsis of Trese, from Netflix:
Set in Manila where the mythical creatures of Philippine folklore live in hiding amongst humans, Alexandra Trese finds herself going head to head with a criminal underworld composed of malevolent supernatural beings.
Count me intrigued. The monsters seem quite scary, and I love the supernatural elements hinted at even in these initial minutes.
If you’re interested in another look at Trese before it premieres, check out this trailer, from May:
And you won’t have to wait long to watch the show itself: Trese will begin streaming in the US on June 10th at 12PM ET.
Netflix has announced that the long-awaited live-action adaptation of Cowboy Bebop will premiere this fall. The science fiction, noir, and Western-infused bounty hunting series will also feature new music from the anime’s original composer, Yoko Kanno.
There was, unfortunately, no trailer alongside Netflix’s announcement, but it did reintroduce a few of the cast members, who already seem to be fitting into their roles quite well — specifically John Cho as Spike Spiegel, Mustafa Shakir as Jet Black, and Daniella Pineda as Faye Valentine.
Yoko Kanno, the composer behind the iconic soundtrack of the original COWBOY BEBOP anime will be creating the soundtrack for the new Live Action Series. Also confirmed…Cowboy Bebop is coming this Fall. #GeekedWeek pic.twitter.com/6lHZQcoFR6
— Netflix Geeked (@NetflixGeeked) June 8, 2021
Reports first surfaced that Netflix was producing a live-action adaptation of the iconic series in 2017 and were later confirmed in 2018. The full cast of actors playing the show’s bounty hunters was revealed in 2019, including Cho as the series lead. The show is set to receive a 10-episode season written by one of the screenwriters of Thor: Ragnarok Christopher Yost.
We’ll have to wait a bit longer for a real look at the new Cowboy Bebop, but at least we can rest assured space bounty hunting antics will be kicking off later this year.
Amazon’s midsize Echo Show 8 is the best smart display in its lineup. It is larger and more capable than the diminutive Echo Show 5, while costing far less than the larger Echo Show 10. The Echo Show 8 is handy for watching video, listening to music, getting weather reports, controlling smart home devices, making video calls, and more.
So it’s no surprise that the second-generation model, which sells for $129.99 and is shipping this week, doesn’t rock the boat. It’s largely the same smart display as before but with slightly faster performance and an improved video calling camera. It has the same display, same design, same speaker system, and the same set of features as its predecessor.
Improving the video calling capabilities makes sense, given how much video calling has been done while everyone was (and for large part, still is) stuck at home during the pandemic. The new Echo Show 8 borrows the 13-megapixel camera from the flagship Echo Show 10, replacing the pathetically low-resolution, mediocre 1-megapixel camera that was in the first gen. As before, there’s a mechanical privacy shutter you can slide in front of the camera to both disable it and block its view.
The improvements in video calls are immediately noticeable. You can use the Echo Show for video calls to the Alexa app on phones or other Echo Show devices, or you can join Skype, Zoom, or Amazon’s Chime calls from it. In my testing with Zoom calls, the image is much sharper and more pleasant to look at, with better color and much more detail.
The Echo Show 8 doesn’t have the motorized base on the bigger Echo Show 10, but it still can automatically frame you and follow you around as you move thanks to its high resolution. The autoframing isn’t as good as the new iPad Pro’s Center Stage feature, and it moves much slower and tends to constantly reframe itself, like you’re the star of a Ken Burns documentary. But the Echo Show is a $130 smart display, not an $800 tablet, so it’s hard to complain, so long as you stay relatively still during video calls. If you don’t want the camera to autoframe, you can say “Alexa follow off” to disable it.
That said, there’s still plenty of room for improvement. The new camera has a much wider-angle lens, which allows it to do those auto-framing tricks. But it can also cause the image to look distorted at times and isn’t always very flattering.
The Echo Show 8’s eight-inch display works fine for one-on-one video calls, but it’s too small to comfortably use for a group call. If you are on a call where someone is sharing a screen, it’s hard to see what’s happening, and while you can view messages posted to a chat, you can’t type any out yourself on the Echo Show’s display. Joining Zoom calls can be done entirely by voice, but it’s much easier to call up the Zoom app on the Echo Show by saying “Alexa, open Zoom” and then typing in a meeting code or starting one yourself from the touchscreen.
I also observed an echo of my own voice in several Zoom calls, both with individuals and group calls, which made it hard to use the Echo Show for anything work related. Other parties on the line also said there was an annoying echo of my voice whenever I unmuted my mic. Amazon says it is looking into this problem and I will update this review if a solution is found.
The new processor in the second-gen Echo Show 8 does make the smart display respond quicker to taps and swipes than its predecessor. It’s not a huge difference, and Amazon’s software still has a long way to go to make it more useful via touch, but when compared side by side, the new one opens menus and screens quicker.
Elsewhere, the changes are either nonexistent or very minor. The wedge-shaped design is exactly the same; you can still get it in the same white or black color options as before. (Annoyingly, both colors come with a white power cord.)
The display has the same 1280 x 800 pixel resolution, but now it can adjust its color and white balance to the lighting in the room. Like the new processor, the difference isn’t huge, but the new model is slightly warmer and more pleasant to look at when the adaptive color setting is enabled. I’m still more impressed by the ability of Google’s Nest Hub to mimic the look of a printed photo by adapting its color to the lighting in the room.
The dual-driver speaker system is unchanged and it’s as loud and full sounding as the first gen. The Echo Show 8 can fill a small room with sound surprisingly well, and its bass response is better than expected. At times, it might even sound too bassy, but you can adjust the EQ in the Alexa app easily enough to compensate for that. Unfortunately, Amazon dropped the 3.5mm output jack on the back of the new model, so it’s not possible to hook it up to a larger speaker system with a wire.
You can watch Amazon Prime Video, Hulu, and Netflix on the Echo Show, but Disney Plus, Peacock, HBO Max, and many other streaming services aren’t available. YouTube is available through the Echo Show’s Silk browser, but it’s not as seamless of an experience as available on Google’s Nest Hub, and you can’t easily cast videos from your phone to the Show’s screen.
The Echo Show 8’s software is the same as what debuted on the Echo Show 10 earlier this year. Amazon is starting to make better use of the display, with split screens that show weather data alongside news, but it still feels very much like a voice-first device. Though the new Echo Show 8 is faster, it’s still a chore to tap through all of the screens to get to the smart home controls, and managing what shows up in the rotating information screens on the display requires a lot of menu diving and trial and error to get what you want. (And even then, you’ll still probably get nagged about new Alexa Skills or other Amazon promotions you don’t care about.)
There are of course many, many other things you can do with an Echo Show smart display — far too many to cover in the scope of this review. The things that I find it most useful for are weather reports, managing a grocery shopping list, and viewing the video feed from a doorbell or security camera.
The Echo Show 8’s main competition is the second-gen Nest Hub from Google, which has a slightly smaller seven-inch screen and costs $30 less. The Nest Hub supports more video streaming services, has a more useful touch interface, can track your sleep, and works with the Google Assistant instead of Alexa. But it doesn’t have a camera for video calling, its single speaker is blown away by the Echo Show’s dual speakers, and it’s much slower and laggy to use. Ultimately, the choice comes down to how you want to use the smart display and which smart assistant you prefer.
Facebook’s 10-inch Portal is another option if you plan to use a smart display primarily for video calling, but it loses to the Echo Show 8 in effectively every other aspect.
If you do prefer Alexa, the new Echo Show 8 remains the best smart display to get, as it has a big enough screen to read from across the room, doubles as a great speaker, and comes with a host of camera-related features, including the aforementioned video calling and security camera features. It’s also over $100 less than the motorized Echo Show 10, while still providing many of the same features and capabilities. And given Amazon’s frequent discounts, you’ll likely be able to find the new Echo Show 8 for less than its sticker price quite often.
The new Echo Show 8 doesn’t redefine what a smart display can be, but it’s still a very good virtual assistant with a screen for an attractive price.
Apple is bringing video and music sharing to FaceTime through a feature it’s calling SharePlay. Using SharePlay, people will be able to watch or listen to content in sync with everyone else on the call, either by casting the content to an Apple TV device while staying on the call or by watching both on the same screen using Picture in Picture.
SharePlay won’t be limited to just Apple TV Plus and Music, though — it’s an API that other developers can integrate their services into, and Disney Plus, Hulu, TikTok, and more are already on board (though Netflix is notably absent).
The feature will even be supported for users who are joining the call using the newly announced FaceTime for the web.
Developing… we’re adding more to this post, but you can follow along with our WWDC 2021 live blog to get the news even faster.
Gus may have antlers like a deer, but he’s a puppy dog at heart. The main character of Netflix’s new series Sweet Tooth, based on the comic by Jeff Lemire, is a young boy struggling to survive in a world ravaged by a pandemic. But while the world around him descends into chaos, Gus, played by Christian Convery, never loses his sense of wide-eyed optimism. His ears perk up — literally — if he hears about chocolate or candy apples, and he has an almost naive belief in people who shouldn’t always be trusted. At a time when we’re inundated with grim post-apocalyptic stories about how dark humanity can get, Sweet Tooth and its adorable lead offer something very welcome: hope.
Most of the set-up is familiar territory. A pandemic has killed off much of the human race, and those left behind are attempting to rebuild something resembling a society, some via force, others through community. What makes Sweet Tooth different are creatures called hybrids: human-animal mixtures that first appeared (birthed from human parents) at the same time the “sick,” as it’s called, began killing people. They’re absolutely adorable little things that would make Anne Geddes proud. But most people can’t seem to look past the apparent connection between hybrids and the pandemic — and this doesn’t bode well for the hybrids.
Gus doesn’t know much about any of this. At the outset of the show, the deer-child lives in an isolated cabin with his father, who teaches him what he’ll need to know to survive. Gus is forced to learn a series of rules — mostly, they involve running away from danger and staying quiet — while his dad teaches him how to farm, fix things, and even read via handmade versions of classic books he rewrites from memory. Gus believes that the world outside of their charmed plot of land is consumed by fire. Because of this, he’s never supposed to go beyond the fence that surrounds them. But, for reasons that I won’t spoil (but which you can probably guess), Gus ends up leaving the property and traveling with a big man known primarily as Big Man (Nonso Anozie) in search of the mother he’s never actually met.
Sweet Tooth starts slow, and it’s better off for it. Early on, the show doesn’t seem too concerned with the larger mysteries of the sickness, the hybrids, or how the two connect. There’s a side story involving a troubled doctor that becomes more important later on, but for the first few episodes the show is almost entirely about Gus. First, his almost idyllic life at home, as he celebrates birthdays with new books and handmade stuffed animals. The vibe is warm and comforting, with lots of cozy sweaters, wood cabins, and roaring fireplaces — and just a hint of danger lurking in the background. (Executive producer Amanda Burrell previously described the show’s aesthetic as “storybook dystopia.”) Even after he ventures out into the big, scary outside world, things aren’t particularly dark; this isn’t the kind of post-apocalyptic world littered with discarded bodies and horrible monsters. It’s our world, just a bit quieter and greener. And with a few roving gangs.
It’s not just the aesthetic that makes the show inviting, though. It’s Gus himself. He’s such a sweet and trusting kid that you can’t help but root for him. Even when things get dark — and they will — he maintains a sense of optimism that’s rare for this kind of story. I especially love that you can see his mood; Gus is mostly human, but, as mentioned before, he has the antlers and ears of a deer. So when he’s feeling sad or excited, his ears will perk up or lay flat depending on his emotional state. It’s adorable.
Gus being this warm, comforting emotional core is important, because Sweet Tooth does eventually reveal its darker side. After a few episodes, the layers start to peel back, revealing things like militarized forces hoarding supplies, the systematic hunting and exploitation of hybrid children, and well-meaning doctors who will do anything, no matter how grisly, to find a cure for the virus. These are balanced out by other factions, like a zoo that’s been transformed into a hybrid sanctuary, and a rowdy army of kids living free of adult supervision.
The problem is that most of this is crammed into the second half of the eight-episode season, throwing off the pacing. Sweet Tooth steadily goes from a slow burn that lingers on characters and moments, to a race to explain the many mysteries of the disease, hybrids, and Gus’s origin. The season also ends on a massive cliffhanger, making it feel a bit like a prologue, rather than a standalone story.
At its most confident, Sweet Tooth is remarkable. Post-apocalyptic settings are so commonplace that they’re almost generic at this point; grim, gray worlds punctuated by blood and gore (and the occasional zombie). Sweet Tooth manages to carve out its own space, one that’s incredibly inviting. I just wish it kept up that feeling through the later half of the season. When the show devolves into mystery and action, it loses much of what makes it unique — but at least Gus is still there to help you make it through.
The specs and feature highlights are appealing but the Halo falls short when it comes to subtlety
For
Excellent black depth
Bright for the money
Handy portable features
Against
Blunt contrast control
Poor speaker placement
If you’ve ever had to pull an all-nighter for work, then you’ll know the taste of the 4am cup of coffee – strong and effective, much like the Xgimi Halo portable projector. Subtlety is not its strongest suit, but it most certainly gets the job done.
Chinese brand Xgimi has been making smart projectors and laser TVs since 2013. Now armed with an impressive array of seven portable projectors, ranging from standard-definition up to 4K, it’s here to take on Epson, BenQ and, most notably, Anker Nebula as the go-to brand for your all-in-one big screen needs.
The Xgimi Halo is just about the midpoint of the series. With its wireless speaker-sized frame, built-in battery, 800 ANSI-lumens LED light source and 1080p HDR output, it could be the home and away portable projector that meets all your needs.
Build
Squint and you could be forgiven for mistaking the Xgimi Halo for an aluminium Sonos One, though the Halo is a little larger at 11cm tall and 15cm wide, and it weighs 1.6kg. It’s about as large as you’d want a portable projector to be before it becomes a hassle to carry around.
Xgimi Halo tech specs
Resolution 1080p, HDR, 4K input support
Internal storage 16GB
Brightness 800 ANSI Lumens
Throw ratio 1.2:1
Battery life 2-4 hours
Dimensions (hwd) 11 x 15 x 17cm
Weight 1.6kg
Inside is a 2x 5W Harman Kardon sound system and a DLP projector set-up with a 0.33in DMD (digital micromirror device) at its core. The LED light source is rated to last for 30,000 hours of viewing which translates as eight hours of use per day for the next 10 years – hopefully enough for almost everybody’s needs.
The light is focused by a fixed lens with a 1.2:1 throw ratio that can produce a picture of between 30 and 300in, with a 100in image possible at a distance of 2.67m.
On the outside, there is a single HDMI port (ARC-enabled), a USB and a 3.5mm headphones socket. You can plug in most games consoles, disc players and external speakers, and play files on USB sticks, hard drives, and even from the 16GB of internal storage space. Two-way Bluetooth is available, too, so you can play music through the Halo sound system from your phone or output the projector’s audio signal to a bigger external wireless speaker.
Control of all this and more is through the rather tasteful voice remote control. It includes buttons for direct access to the settings menu and input selection as well as the usual navigation, volume and focus controls too.
There are two other helpful items included. The first is a built-in battery that offers two to four hours of video use, depending on brightness settings, and eight hours of audio playback. Also, tucked underneath is a little kickstand that is useful for angling the Halo up to the right position. The weight of the machine feels quite a lot for a little flap like this and, though it’s fine during our testing, we’re not convinced it would hold up in the longer term.
Features
Like many portable smart projectors, the Halo uses Google’s Android TV 9.0 OS to take care of the apps and menus. Google Assistant provides an effective voice search, and there is also the Chromecast screen sharing technology to fill in most app gaps.
There are a fair few of those, with Netflix, BBC iPlayer, Apple TV, ITV Player, All 4, Now, Apple Music and BBC Sounds all missing. Chromecast can’t stream the Apple services but there are other, free Android TV apps available to help mirror content from iOS.
Setting up the picture projection itself couldn’t be easier. The Halo is fitted with autofocus and auto-keystone. Each time you turn it on, or when its internal gyroscopes detect that you’ve moved it, the 10,000-point AF system springs into life and produces something close to the best possible image, with an impressive keystone correction of up to +/-40 degrees vertically and horizontally.
Like most portables, the Halo runs far quieter than a traditional home cinema projector. It’s rated at less than 30dB and we’re never once distracted by the sound during testing. It’s also 3D-enabled. All you need is some content and a pair of active shutter glasses.
Picture
The minute you switch on the Halo, you get a good idea of just how bright this projector can go. There’s certainly less luminance on the table than with traditional home cinema projectors, but the Halo is a clear step ahead of the entry-level portables, such as the Anker Nebula Mars 2, and pretty much on a par with the more expensive Epson EF-12.
The big, white Xgimi logo is quite blinding with the lights off. We don’t struggle to see what’s going on when we add some ambient lighting and that bodes well for outdoor cinema use, as well as watching sports with friends.
Popping Bumblebee on 4K Blu-ray into our player, that translates to a good, strong picture with plenty of colour saturation. The early scene at the boardwalk funfair is a real treat. The sky is a beautiful sapphire blue, the candyfloss a brilliant synthetic pink and the paintwork of the 1980s cars is a line-up of some wonderful teals, burnt oranges and assorted metallics. At its best, the Halo even has enough skill with colour handling to have skin tones not look out of place either.
However, when the light levels drop, the Halo comes unstuck. Black depth itself is decent, but the detail within those dark zones is scant. The Standard preset gets the most out of the shadows, but even so, we struggle to find much in the way of individual hair strands on Charlie’s head as she rides her scooter off to the scrapyard.
There are similar problems in other areas of this tonally mixed scene. The brightness in the sky behind her is quite blown-out for whites and the shadows in the foreground are strong patches rather than careful shades. There just isn’t enough care in handling the contrast on offer.
The contrast problem is particularly hard going with a film that has any kind of added aesthetic such as Fury in Full HD. The grainy WWII drama is a hard watch on the Halo and there aren’t enough adjustments available to get a picture that’s consistently bright and detailed.
One moment, we have the external scene of the ruined German town square exactly where we want it – some texture to the masonry, a sense of daytime – and the next we’re plunged into a chequerboard of jarring light levels in the apartments where the dead Nazi officers are slumped in their chairs.
It’s even more problematic with standard-def content. We watch Up In The Air on DVD and the upscaling is handled relatively well. Any noise is easily reduced by taking the sharpness setting down and applying a light touch to the Noise Filter, but that heavy contrast is tough to take, with detail even thinner on the ground than before.
The Halo struggles to produce any difference in the blocks of black or navy blue in the suits of the business people in this film. The moment the characters sit on any dark furniture, everything bleeds together and half of each frame can be lost. As impressive as this projector can be at times, at the first sign of a difficult frame the Halo’s big, punchy strengths turn out to also be its most significant weaknesses.
Sound
Sound is a genuine consideration when buying a portable projector. While we’d always recommend upping the ante with a soundbar, headphones or wireless speaker, the 2x 5W Harman Kardon sound system in the Xgimi Halo is largely well appointed and makes an acceptable stopgap for AV and music listening needs.
The Bumblebee soundtrack is a pleasure to listen to through the projector alone. Steve Winwood’s Higher Love provides a real moment of joy as Charlie drives away in her first car, thanks to the decent dynamic ability of the system. There’s plenty of weight and a clear tonal balance that never threatens to get too bright even when we push the volume towards its limits.
Unfortunately, Xgimi has chosen to have the drivers facing forwards on the Halo and that seems an odd choice. The throw distance means you’ll most likely be sitting behind this projector and so the sound will be going the wrong direction. It makes the audio more muffled than it should be but, even in front of the Halo, it is still a touch soft and lacking a little precision compared with the Epson EF-12.
The clicks and whirrs aren’t quite as crisp as they could be when Bumblebee transforms from car to robot in the garage. There is some good spatial sense to the sound as the yellow bot’s metal parts unfold. Details might be placed more clearly in the soundscape if the Halo had a little more organisational know-how.
For this price, it’s the dynamic ability we’re most pleased with. Listening to Know Your Enemy by Rage Against The Machine, there are plenty of dramatic ups and downs and appropriate attacks and crescendos to make the song exciting.
Verdict
The Xgimi Halo makes a good stab at a serious step-up device from entry-level portable projectors, but it doesn’t quite reach a rich and complex level of performance.
Its brightness, battery, storage, speakers and connectivity options mean that, at first glance, it looks the part of a punchy and convenient travel projector. It’s still small enough to throw into your bag, but big enough to give some impact around the house or even in the garden.
But, while it is a decent option for social watching situations, its picture quality just isn’t up to the same standards as those around it. Spend a bit more on the Epson EF-12 and you get a far more sophisticated portable projector. If you need something with a built-in battery, then the Anker Nebula range seems to provide more image subtlety and at a lower price too.
Users are complaining that the Disney Plus and HBO Max Apple TV apps aren’t properly supporting the excellent new Siri Remote. Disney Plus has yet to be updated to make use of the remote’s helpful scroll wheel scrubbing feature, which works on rival Netflix and Apple TV Plus apps. The HBO Max app has more issues, Screen Times reports, and lacks support for several of the remote’s features and voice commands.
When we tried the HBO Max app for ourselves, we found it doesn’t seem to support the new remote’s D-pad. Instead, we could only use the remote’s touchpad circle, which is technically an element of the remote you’re supposed to be able to disable. Scrubbing using the touchpad works, just very badly. The cause of these problems appears to be a recent app update, which replaced the standard tvOS playback UI with HBO’s own (and apparently far less capable) version.
It just goes to show that a platform holder can build a powerful combination of hardware and software in support of third-party apps and services, but it doesn’t mean anything unless those same apps and services actually bother to add support. We’ve reached out to both Disney Plus and HBO Max to see if they’re aware of the issues, and to find out when users can expect a fix.
Netflix is holding its first “Geeked” virtual event starting on June 7th, an entire week dedicated to genre stories across film and TV. That means sci-fi and fantasy, and shows based on comic books and video games.
The company says that more than 50 projects will be featured, including big names like The Witcher, Sandman, Lucifer, Cowboy Bebop, Arcane (the League of Legends animated series), The Cuphead Show, and more. In addition to big announcements and trailers, the event will also include “first looks, behind-the-scenes footage, cast interviews, celebrity games, script table reads, live performances, and much more,” according to Netflix.
It’s a lot to spread across five days. Here’s how you can keep up with everything.
What time is Netflix’s Geeked Week?
The event takes place from June 7th to the 11th, and Netflix says that things will kick off at 9AM PT / 12PM ET. The company will also be posting daily recaps at 10AM PT / 1PM ET, suggesting that things will last around an hour each day. There isn’t an exact schedule, but Netflix says that “each day will be broadly themed to different genres: film, comic books, fantasy, anime / animation, and gaming.”
Where can I watch the event?
If you want to watch everything, it seems like it’ll be hard to miss, as Netflix will be utilizing just about every video platform imaginable. That means you can watch and follow the daily events on YouTube, Twitter, Twitch, Facebook, and TikTok. And be sure to stay tuned to The Verge for coverage of the biggest announcements.
HBO Max’s ad-supported streaming option has officially launched on the platform. The new tier will be priced at $10 per month, which shaves $5 off HBO Max’s regular cost of $15 per month. How exactly HBO Max planned to successfully introduce ads on its premium content has been a bit of a head-scratcher, as premium and ad-free content was sort of the entire point of HBO to begin with. But to hear the company justify it, ads on the platform’s content will be both “elegant” and “respectful” of the subject matter.
“Advertising is a time-tested way to reduce the cost of great entertainment and reach a wider audience,” Andy Forssell, EVP and general manager at HBO Max, said in a statement. “We’ve worked hard to create an elegant, tasteful ad experience that is respectful of great storytelling for those users who choose it, and which we’re confident will deliver for our advertising partners as well.”
While significantly cheaper, users who subscribe to this budget tier will be missing out on some of HBO Max’s more premium features. The company introduced 4K streaming to its service last year with the premiere of Wonder Woman 1984, but video quality on the budget tier will be capped at 1080p — much like Netflix does with its cheaper tiers.
Additionally, titles will not be available for offline viewing on the more affordable plan, and users will lose the ability to access same-day movie premieres on the service. Subscribers will eventually be able to view these titles, just in the months after their theatrical release windows end. Everyone on the cheaper with-ads plan will have full access to the service’s originals, however.
WarnerMedia said in a press release that ad time will be capped at a max of four minutes per hour. In addition, ads will not play on HBO originals — a smart move on WarnerMedia’s part if it hopes to maintain its relationships with high-profile talent and creators. The company said that as users continue using the service, “subscribers can expect to see greater personalization in the ads they do see with more innovation in formats to come.” The ad experience kicks off this month with more than 35 brands at launch.
Given that its originals are sort of the entire point of subscribing to the service, and taking into account the fact that these titles will remain free of ads, it’ll be interesting to see how HBO Max’s subscriber numbers change in the months ahead. I, for one, am looking forward to cutting $5 per month off my subscriptions tab now that I know I’ll be able to stream Mare of Easttown in peace.
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