Netflix has experimented in the video game space over the years, through a combination of small titles based on popular shows like Stranger Things as well as choose your own adventure style interactive shows like Black Mirror: Bandersnatch. New reports this week indicate that the streaming giant is looking to get a bit more serious about gaming in the years ahead.
According to sources “familiar with the situation” speaking with The Information, Netflix has been approaching various video game executives in recent weeks, with the goal of putting together a team of video game industry experts for future projects.
While Netflix is looking to hire games industry talent, exact plans are not set in stone yet. It appears that Netflix is exploring developing its own video games, which could be playable on Netflix or a spin-off games-only streaming service without ads.
Aside from dipping its toes into making games, Netflix has also found success in creating adaptations for gaming IP. So far, Netflix has partnered with a number of companies, developing shows based on Dota, Castlevania, Resident Evil and more.
KitGuru Says: There are a lot of companies interested in the video game space at the moment, although having the technology, developer talent and funds can only get you so far, as we’ve seen with Google Stadia.
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It’s so, so, so much better. But the moment Apple showed off the second-generation Siri Remote, it was obvious that this would be a huge improvement over its detested predecessor. It’s easy to tell which way is right side up when you reach for it. The clickable touchpad area that dominated the upper third of the prior remote has been replaced by a more intuitive D-pad. The Siri button has been pushed to the remote’s right side, almost guaranteeing that you’ll never unintentionally trigger Apple’s voice assistant. And now there’s a proper power button for your TV.
Listing all of these “upgrades” on the new $59 Siri Remote really illustrates just how disappointing the old one that somehow lasted six years on the market was. Before this big redesign, the most Apple did in that time was to try to cure the “which side is up?” confusion by adding a white rim around one of the buttons. “Can’t innovate anymore, my ass.”
But this? This new Siri Remote is a very good remote. There’s nothing exceptional about it, but it’s functional, accessible, and painless to use. If you used those words to describe the original Siri Remote, you’d be in the minority.
It feels really nice, too. Apple makes the remote from a unibody aluminum shell that’s taller, heavier, and considerably thicker than the old Siri clicker. It’s slightly narrower than the black remote but still feels larger on the whole — and that’s a positive. The previous Siri remote was so thin that it was easily lost to the deepest reaches of the couch. I don’t see that being as much of a problem with the new, chunkier hardware.
The Siri Remote is in keeping with Apple’s renewed fondness for hard edges. With the remote gripped in hand, you never really feel the edges on the front, but you do at the back. The back metal is curved, but there’s still a hard edge at both sides. As long as you don’t squeeze the remote too tight, it should prove reasonably comfortable.
Apple has added power and mute buttons to the new Siri Remote.
Instead of putting what basically amounted to a trackpad on the top section of the remote, Apple has switched to a much more traditional directional pad. Within that circular D-pad is a touch-sensitive center button that still lets you swipe around content or move in any direction just like you could before. (And yes, you can still play with the subtle movement of app icons on the home screen by gently nudging your thumb around.) But some streaming apps didn’t work perfectly with that input method, so Apple is now including the far more precise D-pad.
This choose-your-preferred-navigation method — Apple calls it the “clickpad with touch surface” — has a very short learning curve. Initially, I would inadvertently activate the touchpad when I just meant to move my finger from down to up or vice versa on the D-pad. That didn’t last long, but if it winds up a bigger hassle for you, there’s an option in the remote’s settings menu to assign the center button to “click only,” which gives the D-pad all navigation duties.
Apple has also come up with a clever jogwheel function that lets you circle a finger around the outer ring to scrub through videos at faster or slower speeds depending on how quickly you’re thumbing around the circle. It’s a direct callback to the days of the iPod clickwheel and does a great job helping you land on an exact moment in a video.
But I must confess something: I had an embarrassing few hours where I couldn’t figure out how to make this work. Eventually, I learned the trick: after pausing a video, you’ve got to rest your finger on the D-pad momentarily before you start circling around it. An animation will pop up in the progress bar (with a little dot that indicates where your finger is) to let you know you’re in jogwheel mode. If you just pause the video and immediately start the circular movement, it doesn’t do the right thing. Don’t be like me and unnecessarily factory reset your Apple TV 4K because of this.
The buttons themselves all have a satisfying click and don’t feel the least bit mushy. The clickpad is quieter when pressed than the buttons below it, which are each significantly noisier than any other remotes I had to compare against, be it for a Roku, Chromecast, or otherwise. Again, it’s not a problem unless you’re sensitive to that sort of thing, but you’ll absolutely hear the volume rocker when you’re turning up a certain scene in a movie or show. The Siri button on the side is whisper quiet; you still have to press and hold it down whenever you’re doing a voice command.
You might also have to overcome some muscle memory challenges since the mute button is now where play / pause was situated on the old remote. The “menu” button has been rebadged as “back” but does the same functions as before, which means, in most cases, the new icon makes a ton more sense. The buttons aren’t backlit, but it’s easy enough to memorize them by feel once you’ve used the remote for a while.
There’s a circular D-pad with a touchpad in the center.
But as good as the new Siri Remote is, it feels like Apple missed some opportunities that frankly seem like low-hanging fruit. The most glaring is that there’s no way to locate the remote if you’re unable to find it. As I said earlier, the bigger dimensions should make for fewer instances where the remote gets misplaced, but some way of having it alert you to its location would’ve been nice. “Hey Siri, where’s my remote?” seems like such an easy thing to make happen, but that voice query won’t do you any good or make the remote beep. And unlike Apple’s recently introduced AirTags, there’s no ultra-wideband chip in the remote to help pinpoint its position in a room. If you’re finding that the remote goes MIA constantly, you might just have to settle for a case that combines an AirTag with the Siri Remote. But having a simple, straightforward remote locator feature is one area where Roku objectively beats out Apple.
A less impactful gripe is the lack of an input button for switching between HDMI sources; the Apple TV automatically becomes the active input when you power it on or wake it from sleep. But an input button would’ve at least made life easier for people switching between an Apple TV and an Xbox or PlayStation. As a result, I just can’t quit my LG TV’s remote, much as I wish I could. Most of my devices automatically grab the TV’s attention when they’re switched on, but a button is foolproof.
I can complain about buttons being absent, but I can also praise Apple for the same reason: there are no branded shortcut buttons whatsoever on the Siri Remote. Not even Netflix can lock down its own button, whereas you’d be hard-pressed to find another streaming box remote without that logo somewhere.
The Siri Remote still charges with Apple’s Lightning connector — despite now being thick enough to house a USB-C jack. USB seems more natural for this type of scenario, but what do I know? I’m just one man who’s elated to have a reliable, sensibly designed remote control again. Apple is going to keep doing Apple things. I was not able to test the new remote with third-party charging stands designed for the old one, but I wouldn’t be surprised if that industry catches up with the new design in the near future.
The right choice is clear.
The gyroscope and accelerometer from the previous Siri Remote are history, so you won’t be able to use this one for Apple Arcade games that rely on those sensors. But it’s unlikely many people were gaming with it to begin with; tvOS now supports many third-party gamepads, including the latest Xbox and PlayStation controllers, if you hadn’t heard.
Any way you slice it, the new Siri Remote is a win on every level. It’s inconceivable that we put up with the last one for so many years, but its time has come. And the remote control taking its place is extremely good at doing remote control things. Much as how Apple’s M1 MacBooks would have earned perfect scores if they’d had competent webcams, the Siri Remote would be flirting with perfection if it just had some way of letting you easily find the thing. Or if the buttons were backlit. My review of the new Apple TV 4K is coming soon, but if you’ve already got the last model, this is the only real must-have upgrade to go for.
(Pocket-lint) – The last Apple TV 4K launched in 2017. At the time it coincided with the start of the movement to embrace the growing trend of 4K content from the likes of Netflix and Amazon Prime.
In 2021 watching TV hasn’t changed that much, but we are doing a lot more of it. Subscription services have boomed, we’ve now got more choice – including Apple’s own TV+ service – and therefore even more content to watch.
But does the 2021 Apple TV 4K set-top box embrace current viewing habits enough to be worth the upgrade – or even a purchase in the first place – especially given the crowded marketplace dominated by a host of other, cheaper options from Amazon, Roku, Google and the likes?
Everything feels the same
Puck-style box design, measures 98 x 98 x 35mm
Supports: 4K HDR, Dolby Vision, Dolby Atmos
32GB / 64GB storage variants available
Bluetooth 5.0 connectivity, AirPlay
The design of the Apple TV box itself hasn’t changed at all for the 2021 model. It’s a squarish box that’s certainly larger than the competition. It features just three inputs on the back: Ethernet, HDMI, and power.
Pocket-lint
You’ll still need a shelf or a wall-mount to put it on, and if you were hoping for a miniaturised stick to put straight into a spare HDMI socket on your telly then, well, you’re out of luck.
As has always been the case there are no buttons on the box itself, so everything is controlled via the included remote. Or you can use your iPhone, iPad, or voice control via Siri.
The Apple TV 4K’s interface hasn’t changed either, so the focus is about giving you access to all the relevant streaming services – as long as they have a supporting app.
The continued push into a central place to discover more content from supporting streaming services, rather than silo-ing everything in their respective apps, does help you discover content that’s available. However, it’s hard at times to differentiate whether that content is going to cost you above and beyond your current subscriptions. And it’s still missing Netflix within those content recommendations – which is a glaring omission.
As with the 2017 model, you get 4K resolution, high dynamic range (HDR), including Dolby Atmos object-based audio and Dolby Vision HDR support – which is great stuff if your TV and/or AV setup supports it (Apple’s AirPods Pro or AirPods Max still don’t with the Apple TV but do for the iPhone and iPad, for example).
Pocket-lint
The ability to connect game controllers (sold separately) via Bluetooth 5.0 means you can grab one of those spare Xbox or PlayStation controllers to jump in too.
Best Xbox controllers: Get the edge with these third-party and official pads
Best PlayStation controller: Pick up an extra PS4 or PS5 game pad
Apple hasn’t increased the storage options for the 2021 model either. It still comes in 32GB and 64GB capacities, but that’s not really an issue as everything is streamed these days anyway.
New, new, new
High Frame Rate (HFR) support up to 60fps
Apple A12 Bionic processor
Updated Siri remote
HDMI 2.1 port
There are some changes of course. Internally the 4K TV box now comes with a much faster processor – the one previously found in the iPhone XS – and that helps on the gaming side of things via Apple Arcade.
Pocket-lint
Why only the iPhone XS processor and not the iPhone 12 processor or the iPad Pro’s M1? It’s likely to come down to cost and need. After all, this isn’t a Mac mini nor a fully-fledged games console. Most Apple Arcade games are designed to work nicely on the provided processor – we didn’t have any trouble running NBA2K21 or other games, but the loading times could be improved.
The new box also gets better connectivity. There’s Wi-Fi 6 (ax), allowing it to better connect to your Wi-Fi in dual-band (2.4GHz/5GHz) for those high bandwidth streams you’ll be planning. There’s also HDMI 2.1 support to enable a new High Frame Rate mode that allows you to play content up to 60 frames per second (supported by the iPhone 12 Pro, for example) and any future benefits that will come from that port over time.
Apple has also added support for Thread. This fairly new smart home connectivity technology is backed by Apple, Amazon, and Google. Again, you might not find a use for it out of the box on day one, but it’s likely to become much more important in our smart home futures, so having some level of future-proofing is welcomed.
There’s a new colour-balancing mode that’s not exclusive to this model, which uses your iPhone to help ensure the Apple TV is optimised for the best colour balance in your room. It’s clever, but for us made very little difference.
A new, much needed remote
Remote measures: 136 x 35 x 9.25mm
Although you can buy the new remote on its own – which is a way to easily ‘upgrade’ the older box – the new one included in the this box is the biggest and most visible change for the 2021 Apple TV 4K. It’s one feature that removes a lot of the pain barriers (first-world problems, we know) to using the Apple set-top box on a daily basis.
The new remote is considerably bigger than its predecessor, doesn’t sport a design you’ll get the wrong way up, nor a Siri button that you’ll accidentally press by mistake all of the time.
The Menu button has been ditched, there’s a new mute button, and Apple has thankfully shifted the Siri button to the side to emulate other remotes and match the same experience found on the iPhone, iPad, and even Apple Watch.
Swiping is still available, but it’s now via a circular physical touch button d-pad with a dedicated scroll option for scrubbing through shows – reminiscent of using an iPod from days gone by. That said, you can ignore that and still swipe left to right too – which can cause some muddled responses.
Pocket-lint
There’s even a new ‘power’ button that can not only turn off your Apple TV 4K, but also your TV and AV kit. Handy.
What is a surprising omission, however, especially given the recent launch of AirTags, is that the remote doesn’t have a finding option to help you find it down the back of the sofa when lost. No Find My Support, no ‘play a sound’ option. It’s another glaring own goal.
The ecosystem shines through, but you have to pay for it
Third-party app support, including Disney+, Amazon Prime, Netflix, more
Apple TV+, Apple Fitness+, Apple Music, Apple Arcade
Support for catch-up services (including BBC iPlayer)
Against the competition the Apple TV 4K does deliver, but it can also be seen as very expensive for what you get – it’s almost four times as much as the Roku Streaming Stick+, for example. That’s a big premium to pay for just watching movies and getting access to the Apple TV store – something which you might already have if you’ve got the right TV.
Pocket-lint
Where Apple is hoping to convince you though is that the benefits to be found in being part of the Apple ecosystem. Getting started is incredibly easy thanks to a simple setup process using your iPhone. Apple Fitness+ users benefit with connectivity to the Apple Watch, and Apple Arcade subscribers get a wealth of games to play too – but that’s a lot of extra cash for features that not everyone might want or have the need to use.
Verdict
There is no denying that the 2021 Apple TV 4K delivers what it sets out to do: packaging streaming services and Apple services all in the one place. It’s the extras like Apple Arcade and Apple Fitness+ that make this a nicely rounded package that will cater for the TV viewer as well as the casual gamer and fitness fan.
Despite this, we can’t help feeling that there are better and cheaper ways to get streaming content like Disney+, Netflix, or even Apple TV+ on your television from the likes of Roku and others.
The Apple TV has always come at a premium, but the 2021 model doesn’t move things on enough to justify either an upgrade or a recommendation over the competition – unless you really believe you’ll be able to maximise on all the additional Apple services and features it offers. And if you’re a current Apple TV 4K owner then you can simply buy the updated Siri remote on its own.
If you’re looking for an inclusive package that has potential to grow over the coming years and possibly adapt to how you use your TV or enjoy content in the home, then that’s one angle. The trouble for many with the 2021 box is that you’ll have to take the hit and pay for all that potential up front – whether it’s ever fully realised or not.
Also consider
Pocket-lint
Roku Streaming Stick+
Roku is s big name in streaming, offering access to all the major services in a slim device that supports the latest 4K HDR formats. A simple remote makes it easy to control, while its asking price undercuts the majority of the competition.
Read our review
squirrel_widget_143466
Pocket-lint
Amazon Fire Stick 4K
Amazon’s media streamers keep getting smaller and more affordable, with features like Alexa voice control via the remote making it a no-brainer for many. Although it leans towards Amazon’s content, it does also cover all services – including Netflix – and supports 4K HDR formats and Dolby Atmos object-based audio too.
Spotify is adding a weekly news show about League of Legends esports to its roster of Spotify Original podcasts. The show, Rift Reaction, is set to be a 40-episode series and will be hosted by esports content creator and journalist Travis Gafford and League of Legends Championship Series analyst Emily Rand. The first episode is out now, and new episodes will air every Wednesday, exclusively on Spotify.
The podcast is the latest from Spotify and League of Legends developer Riot Games’ multiyear partnership that was announced in August, which so far also includes League of Legends-themed playlists and another Spotify Original series that led up to last year’s League of Legends esports world championship. Spotify has a dedicated hub for its League of Legends content, if you want to check out what else is available.
Podcasts aren’t the only non-video game content Riot Games is creating for League of Legends — there’s also a Netflix animated series in the works that’s set to be released this fall, comic books, and even a board game.
The ’90s are back in Netflix’s latest horror movies. A trilogy of movies based on R.L. Stine’s classic Fear Street book series is coming to the streaming service in July. Plan your spooky movie nights accordingly: part one will debut on July 2nd, followed by sequels on the 9th and 16th.
Here’s the basic premise, according to Netflix:
In 1994, a group of teenagers discovers that the terrifying events that have haunted their town for generations may all be connected — and that they may be the next targets. Based on R.L. Stine’s best selling horror series, the trilogy follows the nightmare through Shadyside’s sinister history.
Each film will cover a different time period. The first will take place in 1994, while the sequels will explore 1978 and — of course — 1666.
The Fear Street books originally debuted back in 1989 and served as a more teenage-oriented counterpart to the blockbuster and hugely influential Goosebumps series, which helped make Stine a household name. Back in 2015, Stine told The Verge that “I never wanted to be scary, either. I only wanted to be funny.”
HBO Max will launch an ad-supported tier in June for $9.99 per month, offering a cheaper option than the full $14.99-per-month ad-free subscription. The news was announced during a WarnerMedia presentation for advertisers today. The price and launch date were rumored last month.
The streaming service, which has 64 million subscribers, has been planning an ad-supported tier as a way to reach a wider audience. The price makes it cheaper than a standard Netflix plan, though it still costs more than Disney Plus. HBO promises the “lightest ad load” in the industry, but it’ll include new ad formats such as “pause ads” that display ads while shows are paused.
Ad-free subscribers will get access to “the full HBO Max content catalog,” but with one big exception: they won’t get access to the Warner Bros. movies that are premiering the same date on streaming as they are in theaters.
The service will launch in the first week of June and will expand to 39 countries across Latin America and the Caribbean by the end of the month. In Europe, WarnerMedia plans to move HBO-branded streaming services to HBO Max by the end of 2021.
If you still don’t want to pay for HBO Max, WarnerMedia is planning one other way to watch some of its offerings: it’s going to air some of the streaming service’s shows on TNT and TBS starting this summer.
The HP Elite Folio is a long-lasting, quiet laptop/tablet combo, but it offers a middling performance for a high price.
For
+ Versatile design
+ Runs very cool and quiet
+ 3:2 Display
+ Full-sized stylus charges in keyboard
+ Long battery life
Against
– Display could be brighter
– Windows on Arm has app compatibility issues
– Middling performance
– Few ports
– Pricey
There are a few laptops that fall into what I call an “executive notebook.” These are high-end, sometimes overly designed business laptops that you rarely see the rank-and-file office worker use. The new HP Elite Folio ($1,747.20 to start, $2,063.36 as tested) seems destined, with its vegan leather exterior and high price tag, for the C-suite.
HP has gone with Windows on Arm here, which means that the laptop runs quiet and has excellent battery life. But even as Qualcomm’s Snapdragon processors get more powerful and Windows on Arm slowly improves, there are still compatibility and performance sacrifices, so it’s not always fitting for the
best ultrabooks
.
But for those who rely on a stylus for writing on-screen or want a versatile form factor for various situations, you may be able to overlook that as long as you don’t use compute-heavy software. And if you value style, of course.
Design of HP Elite Folio
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HP’s new Folio means business. Or at least, it looks like it. The HP Elite Folio is a new, more professional take
on a previous design
. This laptop isn’t clad in metal, but rather polyurethane vinyl — or, as you might call it, vegan leather. Or as I call it, “
pleather
.” Unlike the old
Spectre x360 13
, which used real leather and came in brown, this is a more subdued black.
The result is a notebook that looks a bit like a briefcase, minus the handle, of course. If it didn’t have an HP logo on the lid under some stitching, I’d expect to see an intern carrying their resume in it. There’s no place to put your thumb to easily open the laptop, so I typically found myself requiring two hands to do so, which was a pain.
With the laptop open, it looks more traditional. There’s a 13.5-inch, 1920 x 1280 display in a 3:2 aspect ratio with a surprisingly thick bezel on the top. The deck features a backlit keyboard and also includes a spot to store and charge the included HP Slim Pen. This is a page straight out of the playbook Microsoft used with the
Surface Pro X
.
But the Surface Pro X is a true 2-in-1 detachable, and the Elite Folio has a different trick up its sleeve. The screen is on a hinge, and it can be brought forward into an easel mode that covers the keyboard but leaves the touchpad clear. You can also slide it further forward to be a tablet. (You could, if you wanted, also flip the screen upside down on the back of the device and use the display to watch videos or give presentations. This isn’t listed among HP’s options, but it works.)
The laptop looks like leather, but it doesn’t feel like it. It’s soft to the touch but definitely has a plasticky feel. For those wondering, yes, I did smell the laptop. While it pulls off a leather look, it can’t match the real thing’s fragrance.
(Image credit: Tom’s Hardware)
I can’t speak to how well this will hold up over months and years of use. In the immediate sense, it did manage to pick up minor scuffs or schmutz on my desk, but I could wipe it off with a damp cloth.
Port selection is extremely minimal, with a USB 3.2 Gen 1 Type-C port on either side of the laptop and a 3.5mm headphone jack on the right side.
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HP’s notebook is 2.92 pounds and measures 11.75 x 9.03 x 0.63 inches. That’s similar to the Lenovo Flex 5G (2.9 pounds, 12.7 x 8.5 x 0.6 inches), a convertible 2-in-1. The Microsoft Surface Pro X is 2.4 pounds (with the keyboard attached) and 11.3 x 8.2 x 0.3 inches. An Intel-based clamshell, the Lenovo ThinkPad X1 Nano, is 2 pounds and 12.7 x 8.5 x 0.6 inches.
HP Elite Folio Specifications
CPU
Qualcomm Snapdragon 8cx Gen 2
Graphics
Qualcomm Adreno 690 (integrated)
Memory
16GB LPDDR4-4266 SDRAM
Storage
512GB PCIe NVMe SSD
Display
13.5-inch, 1920 x 1280 touchscreen
Networking
Qualcomm QCA639X Wi-Fi 6 Dual Band and Bluetooth 5, Qualcomm Snapdragon X20 LTE Cat 16
Ports
2x USB 3.2 Gen 1 Type-C, 3.5mm headphone jack, nano SIM card slot
Camera
720p IR
Battery
46 WHr
Power Adapter
65 W
Operating System
Windows 10 Pro
Dimensions(WxDxH)
11.75 x 9.03 x 0.63 inches / 298.45 x 229.36 x 16 mm
Weight
2.92 pounds / 1.32 kg
Price (as configured)
$1,998.72
Windows 10 on Arm
The HP Elite Folio uses the latest Windows on Arm platform, the Qualcomm Snapdragon 8cx Gen 2. That comes with its benefits (long battery life, quiet), but in terms of performance and app compatibility, it’s certainly lacking.
To be clear, that’s the case on all Windows on Arm laptops at the moment. Apple has used Arm too on its most recent laptops with its
M1
chips, with far greater success.
Windows on Arm can run 32-bit apps, but not 64-bit apps. That functionality is coming but is currently limited to Windows Insider builds, which you’re unlikely to see in a business environment. An increasing number of apps are running natively on Windows on Arm, including Office, browsers like Edge and Firefox, and some of Adobe’s, but the rest require emulation. Others that run natively include the popular media player VLC, Netflix, Twitter, Skype, and Windows Terminal.
Perhaps the most reliable place to get apps that work on the processor, native or not, is through the Windows store, which largely filters apps that don’t work with Arm.
Productivity Performance of HP Elite Folio
Here, we’re comparing the Folio, which has an 8cx Gen 2, with two other Arm laptops, the Lenovo Flex 5G with the last-gen Snapdragon, and the Microsoft Surface Pro X with SQ1, Microsoft’s entry-level offering. We also tossed the Lenovo ThinkPad X1 Nano in the mix for a business notebook using an x86 platform, namely Intel’s 11th Gen processors.
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On Geekbench 5, which measures overall system performance, the HP Elite Folio notched a single-core score of 792 and a dual-core score of 3,115. The Lenovo Flex 5G’s 729/2,923 suggest the newer chip has its advantage in multi-core workloads, though this test is run through emulation, which has to be kept in mind. The Surface Pro X isn’t in this test, as we were still running Geekbench 4 when we tested it. The ThinkPad X1 Nano’s scores were 1,473/5,155, with the test running natively.
The Elite Folio transferred 25GB of files at 666.5 MBps, faster than both the Flex 5G and ThinkPad X1 Nano. The Surface Pro X was run on an older, 5GB version of the test, and that was the slowest of the batch.
Our Handbrake test currently doesn’t run on Arm chips, though it is starting to be included in early “nightly” builds. Our Cinebench R23 stress test is also incompatible with Arm. These will change when 64-bit support becomes a finalized part of Windows 10.
Display on HP Elite Folio
I’m glad that HP went with a 3:2 display on the Elite Folio. Simply put, 3:2 is the best aspect ratio for productivity laptop displays because the extra height lets you see more content on your screen at once. This 13.5-inch touchscreen has a resolution of 1920 x 1280.
(Image credit: Tom’s Hardware)
I found the laptop to be bright enough for productivity, but when you switch to multimedia, it’s a mixed bag. In the trailer for Shang-Chi and the Legend of the Ten Rings, the color red popped in car paint, lights and a number of outfits. But a series of dim scenes in a montage made me wish I could turn up the brightness (though the dimness made for great contrast in a scene with purple backlighting).
HP’s screen covers 70.7% of the
DCI-P3
color gamut, which is just about in line with the Surface Pro X and ThinkPad X1 Nano. The Lenovo Flex 5G was more vivid at 81.4%
The Folio was the dimmest of the bunch with an average of 390 nits. The Surface Pro X was the brightest, measuring 448 nits.
Keyboard, Touchpad and Stylus on HP Elite Folio
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HP has implemented a keyboard with 1.3mm of travel into this small device. I didn’t have any issues with travel, but when I typed, I felt that the keys were a bit too stiff. It didn’t stop me from typing quickly; I hit 110 words per minute on the 10fastfingers.com typing test. But accuracy suffered slightly.
The 4.2 x 2.6-inch touchpad uses Windows precision drivers, and with a smooth, metal surface, I found it responsive and easy to glide my fingers against. Simple navigation and more complex gestures worked on the first try. It clicks a bit louder than some other touchpads, but I can get over that.
(Image credit: Tom’s Hardware)
HP’s Slim Pen lives in a dock above the keyboard, which also keeps it charged. It’s long and flat, more like a carpenter’s pencil than your standard writing instrument. It has a rocker on the side, which can be unwieldy because of how thin the buttons are. The button on the top, however, is easy to access. That comes at the expense of using it as an eraser like the Surface Pen, however.
I found that the Elite Folio’s screen offered solid palm rejection. The Pen uses Wacom drivers and offers 4,096 degrees of pressure sensitivity. HP claims it fast charges in 30 minutes, though in my use, it’s home in the laptop meant it was always topped off.
Audio on HP Elite Folio
HP’s partnership with Bang & Olufsen on its speakers continues to bear fruit. While there’s no software to tune the speakers yourself, they sound decent considering how thin this device is.
For instance, when I listened to Chvrches’ “He Said She Said,” the crashing drums, synths melodies and vocals were loud, clear and crisp. There was, however, a distinct lack of bass, which is a problem on many laptops.
One downside, however, is that the speakers vibrate a lot, and I could feel it under my hands on the touchpad and keyboard. While this isn’t unique to this laptop, it was far more distracting on the Folio than other devices.
Upgradeability of HP Elite Folio
In theory, the HP Elite Folio is upgradeable. HP has a video showing the process:
This is aimed at service technicians, and for good reason. The design means you have to do things in a weird order, like removing the pen slot from the keyboard before opening the
chassis
.
The RAM is soldered to the motherboard, but the SSD is upgradeable. The only rub there is that to actually change out the storage, you have to remove the entire thermal system. Some enthusiasts may be comfortable with that, but for most people, that’s a step too far.
Battery Life
(Image credit: Tom’s Hardware)
The Elite Folio’s Arm processor excels in the one place you would expect it: battery life. On our test, which involves browsing the web, running OpenGL tests and streaming video over Wi-Fi, all at 150 nits, the Folio lasted for 15 hours and 21 minutes. It was outclassed only by the Lenovo Flex 5G, using a last-gen Snapdragon processor, which ran for 17:30.
Microsoft’s Surface Pro X with the SQ1 ran for 9:30, while the Intel-based ThinkPad X1 Nano lasted for 12 hours flat.
Heat on HP Elite Folio
Because we couldn’t run our Cinebench R23 workload due to compatibility issues, we took the HP Elite Folio’s skin temperatures following 15 minutes of streaming video from YouTube. The fanless system was quiet and kept very cool.
The center of the keyboard, between the G and H keys, measured 27.8 degrees Celsius (82.04 degrees Fahrenheit). The touchpad was cooler at 26 degrees Celsius (78.8 degrees Fahrenheit).
The hottest point on the bottom of the laptop measured 30.3 degrees Celsius.
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webcam in an executive notebook after more than a year of white-collar workers have been doing their jobs from home? Excuse me?
Stills and trial video from my desk, even in good lighting, were grainy. And colors, like a blue shirt I was wearing, were overly dark.
There is a physical webcam privacy switch, which covers the camera but doesn’t cut power to the hardware like some other HP laptops. It’s very small, and you need to use your fingernail to move it in either direction.
There are also IR sensors to log in to Windows 10 with facial recognition. This worked well, with the exception that you need both the cameras and the IR sensor for this to work. If you close the privacy cover, you can’t use it to log in. That’s a choice you have to make between privacy and convenience.
HP has limited the amount of software it includes on this laptop, which is a benefit, especially on an enterprise laptop. There are no crappy antivirus software trials or ports of phone games.
The two big pieces of software are HP Pen Settings, which lets you pair the included stylus and customize its functionality; and HP QuickDrop, which lets you send files and photos across your laptop and smartphone.
HP Pen Settings has a number of clever options, including assigning commands that would be useful to go through slides or play media while giving presentations. There’s also a way to get a virtual dial on the screen when holding a button down.
While this laptop has Microsoft Office preinstalled, at least it doesn’t include links to sponsored Microsoft Store applications.
HP sells the Elite Folio with a 1-year warranty. It can be boosted to three years for an extra $75.
As of this writing, HP is selling the Elite Folio in both a ready-to-ship configuration and customizable configurations.
The quick-ship one is $1,889 with the Qualcomm Snapdragon 8cx Gen 2, 16GB of RAM and 256GB SSD, as well as an LTE modem.
We reviewed it with 16GB of RAM, a 512GB storage and an LTE modem. That runs for $2,063.36.
If you want a 1,000-nit display with HP’s Sure View privacy, that’s an extra $169. A 4G modem is $201, while a 5G modem is $444.
The base model, with Windows 10 Home instead of Pro, 8GB of RAM, 128GB SSD and no mobile connection is $1,747.20.
Prices on the Folio seem to be fluctuating on HP’s website, so they may vary after this article was published.
Bottom Line
The HP Elite Folio review has a versatile design and, if you’re into the office chair aesthetic, a fake leather exterior that fits in any office.
HP’s Slim Pen is nice, and the fact that it is full-sized and can still charge by sitting in the system is a big plus for anyone who does a lot of writing on screen. The different screen modes will also be helpful for people who use touch screens a lot.
But while relying on the Snapdragon 8cx Gen 2 means long battery life and quiet operation, there are a series of small sacrifices that are made, largely based on Windows on Arm and app compatibility. Some apps work, some are emulated and 64-bit apps, while coming, aren’t ready for prime time right now, without downloading a beta version of the OS. These aren’t problems unique to the Elite Folio — they’re the same on the Lenovo Flex 5G and the Microsoft Surface Pro X.
If the chassis, touch screen and functionality allowed by the display-on-a-hinge design will make your job easier, this is worth considering. But for many, an x86 business notebook, like the Lenovo ThinkPad X1 Nano with an Intel processor, can run more software, do it faster, and is cheaper in some configurations.
What exactly is lost in translation when TV shows and films are subbed or dubbed into a new language? It’s a hard question to answer, but for the team at AI startup Flawless, it may be one we don’t have to think about in the future. The company claims it has the solution to this particular language barrier; a technical innovation that could help TV shows and films effortlessly reach new markets around the world: deepfake dubs.
We often think of deepfakes as manipulating the entire image of a person or scene, but Flawless’ technology focuses on just a single element: the mouth. Customers feed the company’s software with video from a film or TV show along with dubbed dialogue recorded by humans. Flawless’ machine learning models then create new lip movements that match the translated speech and paste them automatically onto the actor’s head.
“When someone’s watching this dubbed footage, they’re not jolted out of the performance by a jarring word or a mistimed mouth movement,” Flawless’ co-founder Nick Lynes tells The Verge. “It’s all about retaining the performance and retaining the original style.”
The results — despite the company’s name — aren’t 100 percent flawless, but they are pretty good. You can see and hear how they look in the demo reel below, which features a French dub of the classic 1992 legal drama A Few Good Men, starring Jack Nicholson and Tom Cruise. We asked a native French speaker what they made of the footage, and they said it was off in a few places but still a lot smoother than traditional dubbing.
What makes Flawless’ technology particularly interesting is its potential to scale. Flawless’ pitch is that deepfake dubs offer tremendous value for money: they’re cheap and quick to create, especially when compared to the cost of full remakes. And, with the advent of global streaming platforms like Netflix, Disney Plus, and Amazon Prime Video, it’s easier than ever for such dubbed content to reach international markets.
As a recent report in The Wall Street Journal highlighted, demand for streaming services in the US is saturated and companies are now looking abroad for future growth. In the first quarter of 2021, for example, 89 percent of new Netflix users came from outside the US and Canada, while the service’s most watched show, Lupin, is a Parisian thriller.
“What you’re seeing is more and more streamers come online realizing the vast majority of their consumers are going to be outside the US, over time,” Erik Barmack, a former Netflix executive responsible for the company’s international productions, told the WSJ. “The question is how international does your content need to be to be successful.”
As Barmack suggests, there are different ways to answer this demand. You can create shows with local flavor that still entertain domestic viewers. You can do remakes of local hits for new audiences. And you can roll out the subs and dubs. But Flawless is betting that its technology provides a new option that will be particularly enticing for filmmakers.
This is because the company’s deepfake dubs preserve, to some degree, the performance of the original actor, says Lynes. Flawless’ technology is based on research from the Max Planck Institute for Informatics first published in 2019. As you can see in a showcase video below, the dubs it produces are somewhat sensitive to the facial expressions of the performers, retaining their emotion and line delivery.
Flawless has developed these techniques over the past three years, says Lynes, speeding up production time and reducing the amount of input footage. The end results are still a balance of automated dubbing and manual retouching (about 85 percent to 15 percent) but speedy to edit. “If something comes out we don’t particularly like we’ll do a few iterations; resubmit the training data in different forms and get another result,” says Lynes.
The company hopes that preserving the original performance will be appealing to filmmakers who want to retain the magic of their original casting. Lynes gives the example of the 2020 Oscar award-wining Danish film Another Round,which stars Mads Mikkelsen as one of a group of teachers who experiment with low-level alcoholism to see if it improves their lives. After its success at home and on the international award circuit, the film is set to be remade for English-language audiences with Leonardo DiCaprio in the main role.
The news sparked discussion about the value of such remakes. Is the Danish drinking culture that forms the film’s backbone really so alien to American audiences that a remake is required? Is Mikkelsen, an actor who’s appeared in such mainstream fare as Hannibal, Doctor Strange, and Rogue One, such an unknown that he can’t attract viewers in the US? And is the “one-inch barrier” of subtitles (to quote Parasite director Bong Joon Ho) simply too much for audiences to overcome?
From Lynes’ point of view, a deepfake dub would at least be a cheaper way to bring Another Round to English-language audiences while retaining its original flavor. “They’re quoting $60 million to make that movie,” he says. “If we’re offering something that’s two percent the cost of the remake, we only need to be half as appealing to offer 10 times better value.”
Those in charge of the remake will have concerns other than money, of course. No matter how beloved Mikkelsen is, he’s not as bankable as DiCaprio. But Lynes hopes that as deepfake dubs become common it’ll change the calculations for such remakes in future. Much more than that, he says, it’ll could even reshape the international film landscape, allowing actors and directors to reach new audiences with minimal effort.
“I think the pulling power of actors will change globally as a consequence of this technology,” he says. “Different people’s performances and directors’ choices will be better recognized, because a wider audience will be able to see them.”
Perhaps so, but for the moment, Flawless needs to prove that audiences actually want its technology. The company, which launched earlier this month, says it’s already got a first contract with a client it can’t name, but there’s no timeline for when we might see its wares in a commercial TV show or film and that will be the real test. The proof is in the dubbing.
(Pocket-lint) – Amazon updated its Echo Show 5 and Echo Show 8 in 2021 with a couple of new features.
There aren’t huge differences between the new Echo Show 5 and the older Echo Show 5, but if you’re wondering which to buy, you’ve come to the right place. If you’re looking at whether to buy the Echo Show 5, Show 8 or Show 10, then head to our separate feature. We also have a full Echo devices comparison feature.
Keep reading here if you want to know how the new Echo Show 5 (2021) differs from the old Echo Show 5 (2019) though.
What’s the same?
Design and controls
Features
Speaker hardware
To be honest, almost everything remains the same between the new Echo Show 5 and the old Echo Show 5. Both devices measure 148 x 86 x 73mm and weigh 410g. They also both have a 5.5-inch touchscreen and they both come with the same design and controls.
There’s a camera cover switch at the top of both devices, along with a microhone on/off button and volume buttons. On the rear of the fabric-covered speaker base, there’s a power port, while the top of the display has a front-facing camera within the bezel of the top right corner. Both have the same speaker setup too.
All the features are the same across the second generation Echo Show 5 and first generation Echo Show 5 too, including built in Alexa and everything that comes with Alexa, like smart home control, news and weather reports, games and Alexa calling. Both also have the ability to stream music from various services, or stream your favourite TV shows from the likes of Prime Video and Netflix.
What is Alexa and what can Amazon Echo do?
What’s different between the 2nd gen Echo Show 5 and first gen?
Despite looking identical and offering the same features, there are a couple of differences between the first generation Echo Show 5 and the second generation. Here’s what is different.
Front camera
Though the front camera positioning is the same across the new Echo Show 5 and the old Echo Show 5, the new model has a 2-megapixel camera, while the older model has a 1-megapixel sensor with 720p video recording.
Energy efficiency
The new Echo Show 5 is ‘Climate Pledge Friendly’. It is made from 30 per cent post-consumer recycled plastics, 100 per cent post-consumer recycled fabric and 100 per cent recycled die-cast aluminium. Additionally, 99 per cent of its packaging is made of wood-fibre-based materials.
Colours
The new Echo Show 5 is available in Charcoal, Glacier White and Deep Sea Blue colours, while the old Echo Show 5 only comes in Charcoal and Glacier White.
Price
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The new Echo Show 5 is available to pre-order for £74.99 in the UK. It will be available from 9 June 2021.
The old Echo Show 5 cost the same at launch, but it is now available for £64.99 in the UK.
Conclusion
The second generation Echo Show 5 is identical in design to the first generation model, but it offers a more sustainable build, new colour and a higher resolution front camera.
The new model is more expensive than its predecessor though, and it offers the same processor and features so the older model is still just as capable.
If you want to do your bit for the environment, really like the blue colour option or you want a high resolution front camera for video calls, the 2021 Echo Show is the one you want. If none of those are super important to you, you might find the old Echo Show 5 at a great price and you don’t miss out on much.
If you live in a major metropolitan area with great high-speed internet, you will be forgiven for forgetting Redbox exists. But the company that rents new releases from big red kiosks at grocery stores is still alive and kicking, and Variety is reporting it intends to go public after it was acquired by the special purpose acquisition company (SPAC), Seaport Global Acquisition Corp. The new company is reportedly valued at $693 million.
Redbox has had success operating completely counter to Netflix, Disney Plus, HBO Max, and all the other behemoth streamers that rely on set-top boxes, new TVs, and solid internet to function. According to Redbox, around 70 percent of its customers would be classified as “late adopters.” They’re people who still use CRT TVs, dabble with DSL, and if they’re anything like the Redbox users I know, glare at cloud-based computing suspiciously.
However, despite focusing on what appears to be my mother and her best friend, the company has begun to branch out from kiosks. In February 2020, it launched an ad-supported streaming service and added videos on demand in December 2020.
Redbox told Variety it plans to use the cash from going public to pay down debt and expand its VOD services. With just 40,000 kiosks and 39 million subscribers, it will need to do some rapid expansion to keep up with its rivals. Disney Plus, which launched in 2019, has over 100 million subscribers. Netflix, which Redbox began as a rival to in 2002, has over 200 million.
Redbox is expected to go public in the third quarter this year with the ticker symbol “RDBX.”
So since The Handmaid’s Tale isn’t dark enough (honestly give us something, show writers), I also started watching Mare of Easttown (HBO Max) and over the weekend watched The Woman in the Window (fine, gritty anti-heroines are my thing, I guess). Mare is so far reminding me a lot of Broadchurch, another not-very-uplifting but great show, and Kate Winslet is going all-in on the accent and the look.
But wow what a disappointment The Woman in the Window was. It has an all-star cast (Amy Adams, Julianne Moore, Gary Oldman, Brian Tyree Henry, Jennifer Jason Leigh, Anthony Mackie) and a screenplay by Pulitzer Prize winner Tracy Letts, based on AJ Finn’s 2018 novel (which BY THE WAY, read the bonkers backstory about that guy). It follows the mostly successful (but sort of irritating) trend of movies based on books about unreliable female narrators who get caught up in criminal activity (Gone Girl, and The Girl on the Train). It even has the bones of the Hitchcock classic Rear Window.
Maybe it’s just one of those books that doesn’t translate well to the screen, or maybe the reshoots undid too much, but the movie felt like it just couldn’t figure out what it wanted to be; a thriller, a mystery, a story about devastating loss, or something else. And why underuse that great supporting cast?! Unfortunately, I think it was too predictable, and not helped by weird pacing and a twist at the end that was more annoying than surprising.
On to this week’s trailers:
The Green Knight
Dev Patel stars as Sir Gawain, one of the Knights of the Round Table from King Arthur lore. The film is based on the poem Sir Gawain and the Green Knight but the movie version looks a bit more sinister than I remember. What we see in the trailer hews pretty faithfully to the Middle English poem: The Green Knight challenges Gawain to strike him, provided Gawain will let the Green Knight strike him back in a year and a day. Gawain beheads the Green Knight, who picks up his head and saunters away. See you in a year, buddy! The Green Knight is in theaters July 30th.
Wish Dragon
I needed something a little cute and funny because this week’s lineup seems kinda gruesome otherwise. The Wish Dragon is an Aladdin-like tale of a magical being who can grant three wishes, but instead of being bound in a lamp, he’s trapped in a teapot. He’s freed by a young man named Din, who’s searching for his childhood friend Lina. John Cho, Constance Wu, and Jimmy Wong star in The Wish Dragon, which was released in theaters in China earlier this year, and will debut on Netflix June 11th.
Venom 2: Let There Be Carnage
Tom Hardy returns as Eddie Brock and he seems to have come to an understanding of sorts with the Venom symbiote, who cooks him an absolutely disgusting-looking breakfast and has to be reminded not to eat people. This is another of the many films whose release was delayed by the pandemic. Venom 2 is slated to be in theaters September 24th.
The Forever Purge
At some point doesn’t the purge run out of people to purge if it is “forever”? It’s quite convenient that most of the baddies wear scary masks so you can easily identify them, I guess? This is the fifth Purge film, and may be the final one (in which case the “forever” makes more sense). It picks up after The Purge: Election Year and stars Ana de la Reguera, Josh Lucas, Tenoch Huerta, Leven Rambin, Will Patton, and Cassidy Freeman. The Forever Purge will be in theaters July 2nd
Amazon has launched an ad-supported, free video streaming service called MiniTV within the Amazon India app, TechCrunch reports. It’s a different offering than its separate Amazon Prime Video service, as MiniTV is contained within Amazon’s traditional shopping app, rather than its own standalone app.
Only available to users in India, MiniTV’s catalog includes mostly older content which its content partners made originally for YouTube and other platforms. The lineup includes beauty and fashion content, tech news, and cooking shows, and Amazon’s partners for the channel include Indian web content studios Pocket Aces and TVF, and list of well-known Indian comedians.
The company says it’s planning “new and exclusive videos” in the coming months, but didn’t provide a timetable.
As TechCrunch notes, the channel should serve as a competitor to Flipkart Video, the free streaming service launched in 2019 by Walmart-owned Flipkart, one of Amazon’s biggest rivals in India.
Amazon is still marketing its Prime Video to consumers in India as it competes with Netflix, which has plans to launch more than three dozen new movies and shows in India this year. The free MiniTV will help Amazon test whether streaming content can drive sales on its shopping app.
Netflix announced that it’s partnering with Tsuburaya Productions to create a new CG Ultraman movie, in the hopes of bringing the popular Japanese character to an even larger global audience. Ultraman’s never been a household name outside of Japan despite leaving a huge impression on popular culture — the original Ultraman series popularized the “giant man in a suit fights people dressed up as monsters in a model city” genre — but Netflix is hoping to change that.
The new CG Ultraman film, besides leaving the franchise’s original live action format, will feature a different version of the character and what sounds like a slightly unusual setup for the plot — Ultraman has undergone “dadification”. Per Tsuburaya Productions’ synopsis:
Baseball superstar Ken Sato returns to his home country of Japan to pick up the mantle of Earth-defending superhero Ultraman, but quickly finds more than he bargained for when he’s forced to raise the offspring of his greatest foe, a newborn Kaiju. Struggling to balance the roles of teammate and new father, Ken must confront his own ego, his estranged father, and the conniving Kaiju Defense Force to rise up and discover what it truly means to be Ultraman.
The film will be directed by Shannon Tindle, and co-directed by John Aoshima, who previously worked on Disney’s Gravity Falls. Tindle’s background in animation is diverse, having worked in traditional 2D animation as a character designer on Foster’s Home for Imaginary Friends, and stop-motion animation as the creator ofLaika’s Kubo and the Two Strings and a character designer/animator on Coraline. Tindle is also currently the showrunner on the Netflix animated series Lost Ollie.
Tsuburuaya Productions CEO Takayuki Tsukagoshi describes the new film project as “the first full-scale endeavor to reach the global market for Tsuburaya Productions,” and with Netflix’s over 200 million subscribers, there’s a good chance somebody is going to learn they’re a huge Ultraman fan after watching this film.
That’s great for Netflix, because it already has an Ultraman anime series it can point people at, with a second season in the works. Which is all part of the streaming service’s larger push into the anime space, right as the competition is really heating up. Dropping a new Ultraman movie could be great for the character, but ultimately it’s even better for Netflix’s ongoing goal to be your only source of entertainment.
The Friends reunion special finally has a release date: Thursday, May 27th. The episode was was meant to launch with HBO Max in May 2020 but was delayed due to the pandemic. It will feature all six original cast members, as well as guest stars like Malala Yousafzai, Lady Gaga, and BTS, according to The Hollywood Reporter.
Friends was previously available on Netflix, but HBO bought the streaming rights for an eye-watering $425 million. HBO Max seems to be trying to set itself up as the streaming service for ’90s nostalgia. It’s also hosted a reunion for The Fresh Prince of Bel-Air and is the streaming home of both that show, Friends, and movies like The Matrix and Pulp Fiction.
HBO has even released a teaser for the Friends reunion, which certainly teases by showing almost nothing (though it gets at least some cleverness points for its inclusion of “The one where they get back together”).
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