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Apple iPad Pro 12.9 (2021)

Our Verdict

It might be aimed primarily at creative types, but the new iPad Pro 12.9 is also the best tablet there’s ever been if portable cinema is your thing

For

Stunning picture quality
Great sound with headphones
Hugely powerful

Against

Expensive for a tablet

At this stage, each new iPad feels like an incremental improvement on the one before it. There’s nothing wrong with that, of course – in practical terms, Apple is almost unchallenged in the tablet arena, so a nip and tuck is generally all that’s required, but it’s not exactly exciting.

That’s where the new iPad Pro 12.9 comes in. Despite being aesthetically similar to its predecessor, this is a big step forward for tablets.

The headline-grabber is the new, high-end laptop-derived processor, but the new mini LED-lit display is the real game-changer as far as we’re concerned. Ever wanted an OLED or QLED TV that you could fit in a backpack? The new iPad Pro 12.9 is that – and plenty more.

Pricing

The new iPad Pro 12.9 starts at £999 ($1099, AU$1649) for the 128GB wi-fi-only model. There are lots of storage options available, all the way up to a £1999 ($2199, AU$3299) 2TB version. Adding cellular functionality to any model adds £150 ($200, AU$250).

The smaller iPad Pro 11 starts at £749 ($799, AU$1199) but, as well as being 1.9 inches smaller, the screen uses different underlying technology, so picture performance won’t be the same.

Build

(Image credit: Apple)

There’s little difference between the physical design of the new iPad Pro 12.9 and its predecessor. In fact, other than the new model being 0.5mm thicker, the dimensions of the two models are identical.

It is a large tablet, as you’d expect of a device with a 12.9in screen, measuring 28 x 21 x 0.6cm (11 x 8.5 x 0.3 inches) in total. You have to be committed to the cinematic (or productivity) potential of the big display to opt for such a large device.

Apple iPad Pro 12.9 (2021) tech specs

(Image credit: Apple)

Screen size 12.9in

Resolution 2732 x 2048 (264ppi)

Storage 128GB / 256GB / 512GB / 1TB / 2TB

Finishes x2

Battery life 10 hours

Cameras 12MP + 10MP ultra wide on rear / 12MP front

Dimensions (hwd) 28 x 21 x 0.6cm

Weight 682g

Unlike the iPad Air, which is available in a number of subtle metallic hues, the iPad Pro 12.9 comes only in Space Grey or Silver. More variation would be nice, but both finishes are lovely and the new Pro both looks and feels utterly premium.

On the otherwise flat rear is a protruding camera array that will rest directly on a surface when the iPad is laid down. It’s designed to resist damage from such placement, but a case that physically raises the lenses will be a first add-on for many.

The top and bottom edges of the tablet each have two sets of speaker perforations so you’re listening in stereo when the iPad is oriented horizontally. Also along the edges are physical power and volume buttons, plus a USB-C socket that supports the much faster Thunderbolt standard, opening up the opportunity to connect higher-end storage devices and monitors.

The front is all glass, but there’s a 9mm black border between the display and the tablet’s edge. Embedded into this border is a new front-facing camera that can follow you around in the style of Facebook Portal. This is a great feature for FaceTime calls but the positioning of the camera on one of the shorter edges means you’re awkwardly off-centre when video calling in landscape mode.

Features

(Image credit: Apple)

Positioning aside, that front-facing camera is excellent in terms of image quality, thanks to a 12MP resolution and ultra-wide field of view. The rear camera array is solid, too, boasting a main 12MP wide camera, 10MP ultra-wide camera and a true tone flash.

If you’re the sort of person who’s considering buying a new iPad Pro, you may already have a top-end iPhone with an even better camera, but the iPad takes perfectly good photos and videos (the latter in up to 4K at 60fps) in its own right. It’s also of a high enough quality to enable lots of interesting and useful app-based features, such as document scanning and augmented reality experiences.

Apple positions its iPad Pro models as productivity and creativity devices, and the new M1 chip takes this to the next level. This is the same chip that Apple has just started putting in its MacBooks and has shaken up the laptop market thanks to its vast performance upgrade over previous processors.

Apple claims that it makes the new iPad Pro’s CPU performance 50 per cent faster than that of the already lightning-fast previous version, and GPU speed is up by 40 per cent. Frankly, that sort of power is overkill for those of us primarily interested in watching movies and listening to music but, needless to say, it makes the user experience smoother than Cristiano Ronaldo’s chest.

If you are looking to use the new iPad Pro for creating as well as consuming, you might want to consider combining it with the Apple Pencil (2nd Generation), which wirelessly charges when magnetically connected to the tablet’s edge, and/or the new Magic Keyboard, which essentially turns the iPad into a slick laptop, trackpad and all. Both accessories are expensive, though. In fact, adding the £329 ($349, AU$549) Magic Keyboard to the most affordable version of the iPad Pro 12.9 makes it more expensive than buying an M1-powered 13-inch MacBook Pro.

While content creators might be most excited about the new iPad Pro’s M1 power, we content consumers will be far more excited about the 12.9-inch model’s new screen. Apple calls it a Liquid Retina XDR display, with the ‘XDR’ standing for ‘eXtreme Dynamic Range’. This is the first mini-LED backlight in an iPad. There are 10,000 of the things, arranged into 2500 independent dimming zones – Samsung’s top mini LED-based 4K TV for 2021 (the QN95A) is thought to have around 800 dimming zones, so the iPad’s figure looks incredibly impressive.

The more dimming zones a display has, the more exact and precise it can be in terms of contrast, producing deep blacks next to bright highlights. Apple claims the iPad Pro 12.9 can maintain a full-screen brightness of up to 1000 nits and hit peaks of up to 1600 nits, which is around double the peak brightness of a modern OLED TV. Contrast ratio is claimed to be 1,000,000:1.

Picture

(Image credit: Apple)

Those screen specs should make the iPad Pro 12.9 a great performer with HDR content – and they do. It’s not so much that it goes vastly brighter than other iPad models, such as the iPad Air, it’s that it combines bright highlights with awesomely deep blacks to create a vastly more dynamic and exciting picture.

We play Blade Runner 2049 in Dolby Vision from the iTunes store and set both models to their highest brightness setting. The Pro’s peaks are noticeably brighter than the Air’s but not vastly so. However, to reach those levels the Air has had to entirely sacrifice its black performance, producing something clearly grey in hue. There’s no such sacrifice necessary with the Pro – its blacks are near-perfect.

That combination of deep blacks and very bright highlights makes for a supremely punchy image, particularly in the scenes around LA, which feature neon lights and holographic adverts lighting the city’s grimy gloom.

Thankfully, Apple hasn’t thrown away its reputation for colour authenticity while reaching for new heights in contrast. On the contrary, Apple claims that every iPad is calibrated for colour, brightness, gamma and white point before it leaves the factory, and it shows – there’s great consistency across iPad models, all of which come across as extremely authentically balanced. It’s the same with the new Pro.

There’s a little more vibrancy afforded by the greater dynamic range, seen in the yellow porch of Sapper Morton’s farm, for example, but there’s no hint of garishness or exaggeration. As we switch between films and TV shows from various streaming services and in various resolutions and formats (HDR10, HLG and Dolby Vision are all supported), colours combine vividness and nuanced authenticity to an exceptional degree. Everything looks awesome, but it also looks correct.

Apple increases and decreases the resolution of its iPads depending on the size of the screen, so that pixel density is kept the same (all current models have 264 pixels per inch with the exception of the iPad Mini, which has a higher pixel density of 326ppi). As a result, the new iPad Pro 12.9 isn’t vastly sharper or more detailed than siblings such as the Air (although it does dig up more fine details in the brightest and darkest parts of the picture), but the deeper blacks help reinforce edges, making for a more solid and three-dimensional image.

That solidity is retained even during fast and otherwise tricky motion. The iPad Pro maintains a firm grip on the action at all times, sharpening and smoothing without adding any artificiality or shimmer. It doesn’t even get confused by K’s car moving behind a row of skyscrapers as he flies back to HQ at the beginning of Blade Runner 2049, or by the dogfighting planes in 1917. If this was a TV, in terms of motion handling it would be right up there with the superb Sony A90J.

In fact, that’s the underlying beauty of the new iPad Pro 12.9: it’s like having a miniaturised top-end TV you can take almost anywhere.

Sound

(Image credit: Apple)

With two speakers on each of the short edges, the iPad Pro is capable of producing proper stereo when in landscape orientation and, with some clever onboard processing, it’s even able to deliver some virtualised surround sound, with some of the radio chatter at the start of Gravity appearing to come to your left and right rather than being completely tethered to the drivers.

That effect is ramped up to astonishing degrees if you add a pair of AirPods Max or AirPods Pro headphones and take advantage of the spatial audio feature. It’s incredibly effective, particularly with the Max cans, and is like being in a personal Dolby Atmos cinema, with sounds coming from all around you. If the iPad Pro 12.9 is like having a top-end TV you can take anywhere, adding a pair of AirPods Max makes it like having a whole portable cinema. It’s genuinely amazing.

Of course, the tablet will also output sound to any standard wired and Bluetooth headphones, although you will need to buy a USB-C headphone adapter for the former. As with its approach to video, Apple has always favoured authentic, uncoloured sound, and so it proves here – movies and music are both presented with deft tonal balance, impressive rhythmic organisation, lots of engaging punch and detail, and dynamic shifts both big and small.

While it’s not a vast step up from the current Air in terms of its audio quality through headphones, the new iPad Pro does sound noticeably cleaner and more nuanced than its smaller, much more affordable sibling. It has added richness and dynamic subtlety, too. Play both out loud, meanwhile, and there’s a clear increase in available volume and weight from the Pro, although both models are fairly bass light, as you’d expect from drivers small enough to fit inside a tablet device.

Verdict

Apple’s Pro tablets have, as the name suggests, always been aimed at professional, creative types, and they will be delighted by the huge power brought to the new models by the M1 chip.

Our focus is on the picture and sound, though, and the iPad Pro 12.9 is at least as exciting here. The picture performance is superb – punchy and deep, vibrant and natural, exciting and nuanced. It’s right up there with that of the very best TVs you can buy. Sound, meanwhile, is great from the speakers, excellent via standard Bluetooth or wired headphones, and simply amazing with a pair of AirPods Max cans.

This is a hugely expensive tablet and the price is hard to justify for anyone who has no intention of taking advantage of its productivity potential, but it’s also the best tablet you can buy for watching movies on the move. Sure, this is a luxury device, but it’s an extremely persuasive one.

SCORES

Picture 5
Sound 5
Features 5

MORE:

Read our guide to the best tablets

Read our Apple iPad Air (2020) review

Read our Samsung Galaxy Tab S7+ review

TCL C81 4K QLED TV review: Too good to be true?

(Pocket-lint) – Despite being TCL’s current flagship 4K TV, the C81 costs under a grand in its 65-inch format. A price which becomes all the more eye-catching when a scan of its features uncovers such high-end attractions as QLED Quantum Dot colour technology, support for both of the premium Dolby Vision and HDR10+ high dynamic range formats, and even a built-in soundbar designed by Japanese audio brand Onkyo.

The TCL C81 therefore has all the ingredients it should need to be just the sort of hit with consumers that might put it on the TV map. But what are the compromises to keep that cost down?

Design

3x HDMI 2.0, 2x USB ports
LAN & Wi-Fi Multimedia

The C81 looks unusually premium for an affordable 65-inch TV. Its metal frame delivers robust build quality for starters, and it’s remarkably slender across much of its rear panel. Almost OLED-thin, in fact. Even the inevitable ‘chunky bit’ housing the processors, image drivers, connections and a bass speaker is pretty elegantly integrated.

The most striking thing about the C81’s design, though, hangs unusually boldly from the screen’s bottom edge: a built-in soundbar. As well as benefiting aesthetically from a mild blue tint and adding too rather than detracting from the TV’s aesthetic appeal, this forward-facing speaker enclosure looks big enough to potentially do some serious audio damage.

Pocket-lint

Unusually the TCL C81 sits on three feet rather than two. Two of these sit under the left and right corners facing forwards, while the third faces backwards from the middle of the bottom edge, counterbalancing the other two.

While the C81’s key connectivity of three HDMIs and two USBs falls short of the most high-end TVs, it’s good enough for its money. Gamers should note, though, that none of the HDMI ports can handle the 4K at 120Hz or variable refresh rate (VRR) features now being served up by the PS5, Xbox Series X/S and latest generation of Nvidia and AMD graphics cards. However, a provided game preset does get input lag down to a very respectable sub-17ms.

What is ALLM and VRR? TV gaming tech explained

Picture Features

HDR Support: HDR10, HLG, Dolby Vision, HDR10+
Processing engine: Clear Motion and IPQ 2.0 Engine

Affordable 65-inch TVs tend to struggle with high dynamic range (HDR) sources, thanks to a lack of brightness colour range. The C81, however, is having none of that.

For starters, it can produce a peak brightness of 540 nits – that’s substantially higher than the figures possible with most LCD TVs in its price range. It also boasts Quantum Dot colour technology, which can produce wider and more accurate colour gamuts, but is still typically associated with more expensive TVs than this TCL.

Pocket-lint

It further bolsters its HDR credentials by supporting both of the Dolby Vision and HDR10+ formats. These improve on the industry standard HDR10 system by providing extra scene-by-scene picture information, usually resulting in more dynamic-looking pictures. Most TVs only support one or other of these (or sometimes neither). Given that there’s plenty of content out there that’s only available in one or other of these formats, the C81’s format-neutral stance is very welcome.

The TCL C81 uses a VA rather than IPS LCD panel type. This bodes well, since experience shows that VA panels typically produce significantly better contrast than IPS ones, even though it means less wide viewing angles are plausible.

Less promising, however, is the C81’s use of edge-based lighting. Direct lighting – i.e. where LEDs are placed directly behind the screen – typically provides better contrast, especially on screens as large as 65 inches.

However, a Micro Dimming feature raises hopes of some localised light control that might help enhance contrast. In fact, though, this feature merely refers to a system that breaks the image down into small sections for more accurate analysis.

Smart Features

Smart System: Android TV 9.0

TCL has turned to Google’s Android TV platform for the C81’s smart features. It’s version 9.0, meaning it benefits from improved stability and responsiveness, as well as enjoying the Android platform’s huge app support (backed up by Freeview Play to provide all the UK’s main terrestrial broadcaster catch up services).

As usual, using Android TV brings with it built-in Google Chromecast support, as well as the Google Assistant voice recognition system. There’s even a mic built into the TV’s main bodywork.

Pocket-lint

The full-screen Android TV interface, though, continues to feel a bit old-school and cluttered – especially given how few customisation options it offers. Android still doesn’t feel as clever as some rival platforms, especially when it comes to providing intelligent viewing recommendations based on viewing habit analysis.

At the time of writing there’s no support on the C81 for Apple TV app or Apple AirPlay.

The 65C815K handily ships with two remote controls: a long, thin but still comfortable to hold ‘regular’ one; and a smaller, stripped back ‘smart’ one. Either works perfectly well, though most people will likely gravitate towards the smart remote after initial setup.

Picture Quality

The TCL C81 certainly stands out from the crowd. Out of the box its HDR pictures blaze off the screen with a level of brightness and, especially, colour intensity that just isn’t supposed to happen in this price bracket.

In fact, the richness of its colours leaves many way more expensive TVs looking flat and muted by comparison. Here for once, it seems, is an affordable TV that really can unlock the joys of the wide colour gamuts and volumes associated with HDR sources.

TCL

It doesn’t take long, though, before something starts to feel a bit off about the C81’s full-on colours: it starts to look overly aggressive rather than delivering a genuinely helpful, measured application of all the colour horsepower QLED technology has clearly put at the C81’s disposal.

The boldest tones regularly look over-saturated, for instance, standing out unnaturally from the rest of the image. The QLED colours push brightness and saturation so hard that subtle shading gets lost in all the histrionics. Some shades – including skin tones – look pretty unnatural as well.

Fortunately, you can tame the C81’s most gaudy out-of-the-box HDR instincts. The best fix is to try and feed the set as much Dolby Vision or HDR10+ content as possible. The extra picture information supplied by these two HDR formats has a dramatic effect, reining in the TV’s excesses and balancing the tonal range to create a far more immersive, even-looking image. Colours don’t hit the same blistering extremes that they do with HDR10, but they’re still unusually vibrant for such an affordable LCD TV. With bright Dolby Vision and HDR10+ scenes, at least, the C81 can look really very good.

This suggests that the C81’s HDR10 problems are down to issues with its tone mapping engine – the processing it uses to map HDR to its screen capabilities. There are, though, settings that can at least calm the crazy default HDR10 images down.

Pocket-lint

Using the Movie or Low Power presets rather than the default one is a good start. But even with the relatively restrained settings of these presets it’s a good idea to also turn off the Dynamic Contrast and Black Stretch options, since whenever anything’s left in play that might enhance the dynamic range things tend to go off the rails again.

Brightness, too, plays a big part in how well the C81 holds up with HDR10 content. Only with the brightness level reduced by around a quarter from the default 540 nit level do the picture’s excesses really melt away. Which is a pity, of course, since with that much light removed from the picture, colours look less punchy, and the images start to look more typical of the ‘normal’ affordable TV market.

There’s another issue with C81’s pictures that proves a more stubborn one to address: backlight clouding.

It’s always difficult for edge-lit TVs to control their light evenly across large screens – and the 65C815K proves this point. A number of pronounced areas of light inconsistency are routinely visible during dark scenes – a situation not helped by how they’re not restricted to the image’s edges.

The extent to which the backlight clouding distracts depends to some extent on ambient light levels. In bright rooms it’s much less likely to be a major distraction than it is in dark rooms. But even the most casual users will likely want to dim the lights for a movie night from time to time, and when they do, as noted previously, there isn’t any setting in the TV’s menus that really fixes the clouding issue really satisfactorily.

Pocket-lint

Despite these highlighted issues, with the right content and preset selection, the TCL C81 can deliver good images. As noted, Dolby Vision and HDR10+ images look vibrant and dynamic, plus baseline black levels can actually look pretty respectable for an edge-lit TV too – though ironically this fact arguably exaggerates the impact of the clouding problems.

While motion can cause a little softness to creep into the image, the TV’s native sharpness with relatively static 4K images is also very good. And finally, even though the C81’s processing engine is rather hit and miss, it scores a solid hit when it comes to upscaling HD sources to the screen’s native 4K resolution.

Sound Quality

Working with Onkyo on the C81’s audio has paid off handsomely. The distinctive integrated soundbar proves to be powerful and expressive, casting sound a surprising distance left, right and forward of the screen.

Pocket-lint

The directness and scale of the sound is backed up by good dynamic range, too, so that punchy, tight bass is able to sit in effective opposition to crisp, clean treble details. High frequency sounds appear largely free of harshness, too, even at high volumes.

There is a limit to the available bass though, so don’t expect the rear-mounted subwoofer to deliver the same sort of rumble depths you’d expect from a good external soundbar. Heavy basslines can cause a little unwanted humming on occasion too, and voices sometimes sound slightly detached from the onscreen action. Overall, though, the C81’s sound is way above the affordable TV norm.

Verdict

At first glance the TCL C81 looks like it might rewrite the affordable LCD TV rulebook. Its QLED colours are explosively rich and dynamic for its price point, and it’s bright enough to give HDR real impact. It pushes the boat out sonically, too, with its impressive Onkyo-designed speaker system.

Unfortunately, closer examination uncovers some clouding issues from the edge-illumination, while many presets are overly punchy when it comes to colour and finesse. It’s a common issue at this price, really, and that’s the compromise.

Still, there are times when – with the right content and/or presets selected – that pictures can look pretty good. Find Dolby Vison or HDR10+ content and this is where the TCL finds its groove. But otherwise the C81 is a bit too out of control and high maintenance to deserve a whole-hearted recommendation.

Also consider

LG 65NANO906

A new power management system that counteracts most of the contrast issues associated with the 65NANO906’s IPS panel type, together with LG’s excellent Nanocell colour technology, results in LG’s most effective LCD TV to date. Though as with the 65C815K, it’s better suited to bright than dark rooms. score

Read our review

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Writing by John Archer. Editing by Mike Lowe.

CES will return to Las Vegas for live in-person event in 2022, CTA confirms

(Image credit: Consumer Trade Association)

How to fill the shiny new product void left by another cancelled High End Munich? North America’s largest tech trade alliance, the Consumer Technology Association (CTA) has the answer. Following a successful (though all-digital and socially distanced) CES 2021, the CTA has announced that its huge consumer electronics show will head back to Las Vegas for live, in-person events from 5th-8th January 2022, with media days taking place on 3rd and 4th January 2022.

The CTA says that some 1000 companies have already committed to showcasing their most innovative technologies in Las Vegas and more are continuing to sign up. In-person attendees can expect to see global brands including Amazon, AMD, AT&T, Daimler AG, Dell, Google, Hyundai, IBM, Intel, Lenovo, LG Electronics, Panasonic, Qualcomm, Samsung Electronics and Sony. Companies including Caterpillar, Indy Autonomous Challenge and Sierra Space are planning to make their Las Vegas debut in 2022 too. Eureka Park will return, says the Association, with startups representing countries around the world including large delegations from France, Italy, the Netherlands and South Korea.

“We’re thrilled to return to Las Vegas – home to CES for more than 40 years – and look forward to seeing many new and returning faces,” said Gary Shapiro, president and CEO, CTA. “Hundreds of executives have told us how much they need CES to meet new and existing customers, find partners, reach media and discover innovation.”

Not comfortable with a long-haul flight to Vegas? Digital audiences will also get to experience the spirit of the live event in Las Vegas. The CES anchor desk, a first for CES 2021, will travel to Las Vegas and connect the show’s digital audience with exhibitors, conference sessions, keynotes and product announcements from the live event. The CTA says content will also be added once CES departs Las Vegas, enabling attendees and exhibitors to continue connecting and exploring.

The CTA has confirmed it will of course be reviewing guidelines for coronavirus safety measures from the Centers for Disease Control and Prevention, in addition to state and local guidelines.

For now though, the most influential live tech event in the world is coming back to Las Vegas – and to paraphrase the main image above, this publication is CES ready.

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Samsung announces a cheaper entry-level Galaxy Book with no OLED

Samsung announced two entry-level Galaxy Book laptops at its Unpacked event: the Galaxy Book and the Galaxy Book Flex2 Alpha. The former will start at around $800 (according to Samsung, that price is subject to change) and will launch in the second half of 2021, whereas the Flex2 Alpha starts at $849 and is available for preorder now, shipping in mid-May. These round out the fleet of premium models announced today, including the Galaxy Book Pro and Pro 360 with OLED screens that start at $999, and the $1,399 Galaxy Book Odyssey gaming laptop that’s the first to sport Nvidia’s new RTX 3050 Ti graphics card.

Starting with the Galaxy Book, it has a 15.6-inch 1080p TFT LCD display, and it supports up to two fast NVMe SSDs. It has two USB-C ports (one of which can recharge the laptop with the included 65W charger), two USB-A 3.2 ports, an HDMI port, a headphone jack, a microSD card slot, and an optional nano SIM tray for LTE.

The silver color of the Galaxy Book.

Image: Samsung

Samsung’s mobile press site shows that the Intel Pentium Gold or Celeron processor may show up in some models globally, but the company hasn’t confirmed what will be in the starting configuration in the US. A Samsung spokesperson told The Verge that the final price and specs will be announced closer to its launch in the second half of 2021.

According to the site linked above, if you need more power, you’ll be able to bump it up to 11th Gen Intel Core i5 or i7 processors, with the option of taking advantage of their Iris Xe integrated graphics, or you can opt for Nvidia’s GeForce MX450 discrete graphics. The Galaxy Book can be upgraded to 16GB of RAM.

Rounding out the specs, the Galaxy Book comes in silver or blue, and every configuration will have a 54Wh battery. Similar to the Galaxy Book Pro lineup, this one supports Dolby Atmos audio. Its webcam is a 720p HD sensor with a dual array mic.

The Galaxy Book Flex2 Alpha will launch in black, blue, or silver.

Image: Samsung

If you want a 2-in-1 laptop with a better QLED screen that’s still not as expensive as the Galaxy Book Pro, Samsung also announced two sizes (13.3 and 15.6 inches) of the new Galaxy Book Flex2 Alpha. Each model has a 1080p QLED display, and either Intel’s 11th Gen i5 or i7 processors. The price for the 13-inch model starts at $849.

The starting configuration includes 8GB of RAM, but supports up to 16GB, and the storage tops out at 512GB. It has a standard selection of ports, including two USB-A 3.0 ports, a USB-C port, a headphone jack, a power plug, HDMI, and a microSD slot. Like the Galaxy Book, this model also has a 54Wh battery.

TCL brings Mini-LED TVs to UK for 2021

(Image credit: TCL)

TCL is continuing its charge for the top spots in global TV sales. Currently ranked third, according to its statistics, TCL is expanding this year by bringing its Mini-LED TVs to the UK for the first time. It has also promised to produce its own OLED panels by 2023.

TCL has invested over $30bn in its CSOT panel fabrication business. Currently no. 2 in world LCD sales, it has already built its self-emissive panel plant with which it plans to take on LG.

At today’s press conference TCL outlined updates to its lower and mid-range P and C Series TVs, all of which will come with Google TV. Those in UK, France and Germany will also get a TikTok app from March onwards. Details of the premium 8K TCL X Series TV have been left until June but the company has confirmed that the 2000nit TCL X12 Mini LED TV will be among them.

As for the TVs from today’s event, the top model announced was the Mini-LED backed TCL C82 Series which comes in 55in and 65in sizes. It’s a 100Hz, 4K HDR screen fitted with an Onkyo tuned 3.1.2 soundbar which is Dolby Atmos enabled and has upward firing audio.

It supports both AirPlay and Chromecast, and comes with HDMI 2.1 features including ALLM, VRR and eARC. It will also work with Nvidia G-sync anti-tearing tech.

A step down is the TCL C72+ which looks also to be a full array Mini LED range. Like the C82s, it’s ready for gamers with the same HDMI 2.1 features included but this time without the Onkyo soundbar. It has three size variants: 55, 65 and 75in.

Below that is the straight TCL C72 Series which replaces the C71 Series currently available in UK stores. These are QLED TVs which, as with the models above, can handle HDR10, HLG and Dolby Vision, including Dolby Vision IQ. There are no plans for HDR10+ yet. The biggest of the ranges announced, the C72 will be available in 43, 50, 55, 65 and 75in panels.

The bottom of the pile are the TCL P72 LCD TVs which come in the same sizes as the C72 but without the 75in model.

While prices and dates are currently unavailable, the company has stated that the TCL C82 TVs will arrive in the UK in Q2 of 2021.

MORE:

Mini-LED TV: everything you need to know about the OLED rival

Best TVs 2020: budget to premium 4K Ultra HD TVs

OLED vs QLED: Which is the best TV technology?

Samsung ordering millions of OLED panels from LG, report claims

(Image credit: Future)

Samsung has been resolutely anti-OLED for years now, actively campaigning against the tech in an attempt to put consumers off the LG-manufactured TV technology and persuade them to buy a QLED instead. Now, report from South Korean sites MTN, ETNews, and Seoul Economic Daily (via The Verge) claim that Samsung are in fact about to sign a contract to buy millions of OLED panels from LG.

We already knew that Samsung Electronics and sister-division Samsung Display are deep into discussions about the former buying QD-OLED panels from the latter but, if true, these new claims suggest an even greater about-turn is coming from Samsung.

In the case of QD-OLED, Samsung will be able to claim (or, at least, attempt to claim) that its new sets, which will apparently combine blue OLED material with red and green quantum dots, are the result of hybrid technology and not really the same as the OLEDs of old. It will likely find it much harder to make the same claims about any TVs derived from LG’s OLED technology, which Samsung has been belittling for years on the grounds of limited brightness and the potential for burn-in.

It’s also worth noting that Samsung and LG are essentially arch rivals, so the idea of the former having to swallow its pride and approach its nemesis to buy its trademark technology is fascinating.

Samsung Electronics apparently finds itself in this position because Samsung Display is finding it increasingly hard to make a profit from the manufacture of the LCD panels that Samsung uses across its current range (including its QLEDs), thanks to Chinese brands flooding the market with much cheaper panels. Samsung can either start buying its panels from these Chinese brands, or seek to go in a new direction, and it appears to have opted for the latter option, even though it means going with a technology it’s publicly criticised and buying panels from its rival.

Ultimately, though, while these industry shenanigans are incredibly interesting (if you like that sort of thing), the upshot is that we should see OLED TVs from Samsung hit shelves next year, and that can only be a good thing, particularly where those TVs also contain aspects of the excellent QLED technology. Watch this space.

MORE:

Samsung QLED/OLED prototype TVs are on the way

OLED vs QLED: which is the best TV technology?

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How to get the best picture and sound from your PlayStation 5

(Image credit: Sony)

Despite still being in its relative infancy, Sony’s PlayStation 5 games console is already serving up some stunning gaming experiences. The shift up to more consistent true 4K graphics at both 60Hz and, remarkably, 120Hz is joining forces with wider, better use of high dynamic range and the impressive efforts of Sony’s new 3D Audio sound system to make gaming worlds more immersive and beautiful than ever before.

However, getting the most out of this next-gen console isn’t just a case of plugging the PS5 into your TV and expecting everything to just turn out fine. In fact, between the secondary kit you might need and some of the PS5 set-up tricks you need to familiarise yourself with, getting the maximum impact out of your new console is anything but straightforward.

With this in mind, we’ve put together a comprehensive checklist of everything you need to do if you want to be sure you’re getting the full value from Sony’s new gaming beast. Starting with potentially the most expensive…

Get the right television

The single biggest source of trouble when it comes to the PS5’s new graphics capabilities is the currently messy television market – or more precisely, the confusing world of HDMI connections.

Getting the best picture quality (4K resolution at 120Hz refresh rates with HDR and, following an upcoming update, support for variable refresh rates) out of the PS5 requires a TV’s HDMI ports to support data rates of at least 32Mbps, and that’s something the vast majority of current TVs cannot do.

What’s more, there’s currently no easy labelling system to help you spot TVs that might be compatible with all of the latest gaming features. Even if a TV claims to be compatible with the latest 2.1 version of the HDMI input, that doesn’t guarantee 4K/120Hz/VRR compatibility. All you can do is try and trawl through a TV’s small print/detailed specs to see if 4K/120/VRR are included.

We can get the ball rolling, though, with some sets we already know support all the latest gaming features. For starters, all of LG’s OLED CX, GX, WX, ZX and upcoming C1, G1 and Z1 models feature four HDMIs with full PS5 compatibility. Samsung’s QLED models from 2020 and QLED and Neo QLED TVs for 2021 all have one or two HDMI ports that support all the PS5 features, with 2021 models from the Q95A series upwards carrying four PS5-friendly HDMIs.

At the time of writing, Samsung’s 2020 TVs aren’t able to play PS5 games in 4K 120Hz while retaining HDR. Samsung has stated, though, that this apparent ‘bug’ will be fixed by a PS5 firmware update.

Sony, ironically, has just one series in its 2020 range, the XH9005s, that support all of the PS5’s graphics features, via a single HDMI port. Thankfully, more Sony models will carry the requisite HDMI support in 2021.

Philips and Panasonic haven’t so far launched any TVs with next-gen gaming features, but both brands are set to do so in 2021. Cheaper TVs (and brands) in the UK have so far not embraced next-gen gaming features, but hopefully some will do so this year.

One final point here is that, in theory, the PS5 can support 8K. So if you want to be ready for that, you will need an 8K TV. These are relatively expensive right now, and it doesn’t seem as though 8K PlayStation content is going to become common any time soon.

For more guidance here, check out our rundown of the best gaming TVs you can currently buy.

Make sure you use the right input on your TV

(Image credit: Future)

As noted in the previous section, on some TVs only one or two HDMIs have enough bandwidth to support all of the PS5’s graphics features. So make sure you have your PS5 connected to one that does.

Some TVs help with this by labelling the relevant HDMI(s) as Game or 4K/120, but otherwise, you will need to refer to your TV’s manual.

Use the provided PS5 HDMI cable (or pick a replacement carefully)

(Image credit: HDMI Licensing Administrator, Inc)

It’s not just HDMI sockets that need to be able to handle enough data to unlock all of the PS5’s features. HDMI cables also vary in how much data they can carry. So you should stick with the HDMI cable provided with the PS5 where possible, as this is designed to carry all the data the console needs for its maximum performance.

If you really must use a different cable – because the official cable isn’t long enough, for example – look for one that carries the official Ultra High Speed HDMI Cable certification that you can see in the image above.

Make sure your TV HDMI port is set up for high data rates

Most TVs now will automatically switch their HDMI ports to so-called ‘enhanced’ modes for high data rates when a 4K HDR source is detected. There are still some budget brands, though (Hisense, for instance) where you need to manually switch HDMIs from Standard to Enhanced in the TV’s menus. It’s certainly worth checking the settings on your TV for the HDMI that your PS5 is connected to.

Set your TV to Game mode

Almost all TVs have a special Game mode setting that reduces the time a TV takes to produce its images. This can make as much as 100ms of difference, which could be a lifetime, literally, in gaming terms. Your TV might automatically switch into Game mode when the PS5 is detected, but if response times matter with the game you’re playing, you should check that it has.

Note that Game mode settings can reduce some aspects of picture quality with some TVs. So if you’re playing a less reaction-based title, such as an RPG, you may prefer the overall picture quality with Game mode turned off.

Check your PS5’s Video Output screen

In the System Software section of the PS5’s System menu, there’s an option called Video Output Information. This brings up a screen telling you what graphics capabilities the console thinks your TV is capable of handling, based on its ‘handshake’ with your TV’s HDMI port. This screen is handy for checking that your console and TV are talking to each other as you’d expect.

This Video Output Info can be particularly useful if you’re trying to feed your PS5 through an intermediary audio device, such as a soundbar or an AV receiver, and on from that to your TV. Many people forget that the PS5 will read the capabilities of the intermediary device’s HDMIs and determine supported graphics output based on that, rather than reading what your TV is capable of. So unless your audio device has full HDMI 2.1 4K/120/VRR pass-through support (which is currently very rare), it could limit the graphics you experience.

The best way around this is to connect your PS5 directly to your TV, and then use your TV’s ARC/eARC HDMI jack (if it has one) to output digital sound from the TV to your audio equipment.

Setting up your PS5

(Image credit: Sony)

The PS5 is proactive about HDR, prompting you to run through a trio of simple HDR set-up screens whenever you attach it to a new TV. The way the screens work, though, is rather questionable.

Before going through this HDR set-up, it’s worth checking whether your TV has a menu option called HGIG (HDR Gaming Interest Group) – if so, turn it on. This will make sure that your TV doesn’t try and apply its own automatic HDR optimisation (dynamic tone mapping) processes to pictures that you have already optimised via the PS5’s HDR set up system.

Once done, you can crack on with the console’s calibration, but you shouldn’t do exactly as you’re told. Two of the screens ask you to increase the console’s brightness/peak light levels to a point where you can only just see a relatively dark symbol against a white background. The other one asks you to adjust the console’s black level to a point where a lighter symbol against a dark background remains only just visible. In fact, you should adjust each of these screens to the point where the visible symbol just disappears. In other words, the points at which the first square goes completely white and the second completely black is where you want to set the console.

Even then, not all games are designed to work with the PS5 console’s HDR set-up system, preferring instead to use their own internal HDR calibration screens. Examples of these titles include Dirt 5 and Assassin’s Creed: Valhalla. You should absolutely go through these game-specific calibration processes and it’s worth checking in these cases whether your TV’s HGIG setting (if it has one) is better switched on or off.

Another key aspect of gaming performance that requires care is frame rates. As with HDR, the PS5’s process for adjusting the frame rate a game uses varies from title to title. So with Dirt 5, the game’s own internal graphics options allow you to select whether you prefer to prioritise resolution or frame rates (there’s always a graphical trade off associated with switching from 60Hz to 120Hz). With Call Of Duty: Black Ops – Cold War, however, you have to choose in the console’s menus whether you want to prioritise ‘Resolution’ or ‘Performance’ (frame rates) before booting the game if you want to get 120Hz.

This ‘Performance Mode or Resolution Mode’ option, confusingly, is found in the Game Presets section of the Saved Data and Game/App Settings submenu of the PS5 itself.

A further refresh rate option of some sort will likely be added when the PS5 is finally enabled for variable refresh rates.

Choose the right audio options

(Image credit: Sony)

We’ll discuss the PS5’s 3D Audio gaming system shortly. First, though, we should note the mess concerning the PS5’s Dolby Atmos activation options. Specifically the fact that there are two of them: one for streaming apps, and a separate one for the built-in Blu-ray/4K Blu-ray player. The PS5 does not support Dolby Atmos for games.

The first Dolby Atmos option appears in the System/Sound menu, under Audio output. Scroll right to the bottom of this page and you’ll see an Audio Format (Priority) option, that will be set to Linear PCM by default. There’s an option to choose Bitstream (Dolby) or Bitstream (DTS) if you prefer that.

However, when you try and play a 4K or HD Blu-ray disc with a Dolby Atmos soundtrack, the console still does not output Dolby Atmos. To make it work you need to press the Options button on your PS5 joystick while playing a film disc, then click the ‘three dots’ icon and choose the Bitstream option under Audio Format.

Unlike Microsoft with its latest Xbox consoles, Sony has decided not to use Dolby Atmos for its premium game audio experience. Instead, it has developed its own new ‘Tempest’ 3D Audio system. It’s up to individual developers whether and how they deploy 3D Audio, but notable titles to use ‘full-on’ versions of it include Spider-Man: Miles Morales and Demons Souls.

At the time of writing, the new 3D Audio system can’t be output to any external multi-channel home theatre speaker/AVR system. Currently, it only works via headphones, though Sony has suggested that this will change at some point in the future.

To try out 3D Audio with headphones, first make sure that you have the Enable 3D Audio option in the Audio Output part of the Sound menu activated. Also, when you first use headphones with the PS5, be sure to check out the Adjust 3D Audio Profile option. This plays a ‘babbling brook’ test signal and asks you to pick which of five settings makes the sound feel most at ear level.

You don’t need special headphones to experience the 3D Audio effect – any wired pair will do the job once connected to the DualSense controller – but the quality of the headphones you use certainly impacts how effective 3D Audio sounds.

As you might expect, Sony’s own Pulse 3D wireless gaming headset, which has been designed for the PS5, is particularly effective – though at £90 ($100, AU$150) it certainly isn’t cheap. However, once you start using it that price actually starts to sound more than fair.

For starters, it’s able to deliver the 3D audio effect wirelessly; you don’t need to be tethered to the DualSense controller. It also carries nifty high-sensitivity microphones complete with noise-cancelling technology built into the main headset, rather than in the usual mic ‘arm’, as well as providing buttons for mixing the game sound and chat sound, and for monitoring your own voice.

The Pulse 3D is lightweight and reasonably comfortable, and it does an excellent job of getting both a precise and strikingly large sense of space from the 3D Audio system.

If you want a more luxuriously built wireless headphone option and you’d prefer a dedicated mic arm, Turtle Beach’s Stealth 700 Gen 2 (£130, $150, AU$250) could be up your street. Just bear in mind that while good-looking, great for chatting and more comfortable to wear for epic gaming sessions, they don’t sound quite as punchy as the Sony Pulse 3D models. They can’t be jacked into the DualSense controller when they run out of juice, either, but with an impressive 20 hours of battery life, that shouldn’t be a big problem. Plus you can use them while they’re charging.

If you’re on a tight budget, meanwhile, and don’t mind a wired rather than wireless headset, then the Xiberia V20D (£30) are good value.

For a few other possibilities, check out our Best Gaming Headsets 2021 feature.

Brace yourself

The number of things you need to think about and potentially invest in if you want to unlock the full capabilities of your PS5 is pretty intimidating. Rest assured, though, that Sony’s new console is more than capable of rewarding your effort and expense with truly next-gen thrills. Once you’ve experienced it in full, you’ll wonder how you ever lived without it.

MORE:

Read our full PlayStation 5 review

Considering your next-gen options? Here’s our Xbox Series X review

Check out our list of the best gaming TVs you can currently buy

Our Verdict

Samsung’s first Neo QLED is a force to be reckoned with, and the greatest threat yet to the dominance of OLED

For

Superbly bright, punchy and sharp
Exhaustive feature set
Lovely design

Against

Artificial boost to dark detail
Reticence with extreme contrast
Still no Dolby Vision

This year looks very much like the year of Mini LED. The technology, which sees the traditional LEDs of a TV backlight miniaturised in order to increase contrast, is a feature of the 2021 line-ups of most major TV brands, including LG and Philips.

For those brands, Mini LED TVs sit below their OLED models, but for Samsung, Mini LED is its flagship technology (assuming you discount its eye-wateringly expensive new Micro LED sets). The company has developed its own Mini LEDs, which it says are even smaller and more efficient than those of its rivals, and combined them with its existing Quantum Dot tech to create a range of premium TVs that it calls Neo QLEDs.

The QE65QN95A is the first Neo QLED we’ve tested. It’s the top 4K model in Samsung’s 2021 range, and it purports to offer a huge upgrade on last year’s equivalent without any increase in price.

This is the model that Samsung is pitching against LG’s incredibly popular C-class OLED, the 2021 version of which (the C1) we have yet to review. When it does appear, the C1 is going to have its work cut out because the Samsung QN95A is the best QLED there’s ever been, and that makes it a serious challenger to even the best OLEDs.

Pricing

The Samsung QE65QN95A is priced at £2999 – exactly the same price its predecessor, the QE65Q95T, launched at, despite this new model representing what appears to be a serious technological upgrade.

The QN95A is exclusive to Europe. US buyers instead get the QN90A, which does without the QN95A’s One Connect box and has just one HDMI 2.1 socket (the QN95A has four). Confusingly, the US QN90A is different to the European QN90A, which is more heavily downgraded. Apparently, Europe will in fact get an as-yet-unannounced model called the QN94A, which will be the same as the US’s QN90A.

If you’ve completely lost track, it’s no surprise. It feels as though Samsung has gone out of its way to make its model structure even less coherent than it was in 2020. Sony, meanwhile, is putting a concerted effort into unifying its model numbers across all regions, and LG has been doing that for years, at least in terms of its OLEDs.

Build

(Image credit: Future)

Besides the benefits in terms of contrast, a Mini LED backlight is much slimmer than one consisting of standard LEDs. Samsung has also worked hard to reduce the distance between the backlight and the Quantum Dot panel, making the whole display section slimmer.

Samsung QE65QN95A tech specs

(Image credit: Future / Escape From Pretoria, Amazon Prime)

Screen type QLED

Backlight Mini LED

Resolution 4K

Operating system Samsung Tizen

HDR formats HDR10, HDR10+, HLG

HDMI x4

USB x3

Optical x1

Of course, a TV also needs to pack in processing hardware and speakers, but Samsung has still managed to reduce the thickness of the QN95A to just 2.6cm, down from the 3.5cm of last year’s Q95T.

That doesn’t make the QN95A as thin as an OLED is at its thinnest point (the LG CX is under 4mm thick here) but its uniform depth measurement means it is much thinner than most OLEDs are at their thickest points (the CX is 4.7cm here) and arguably makes for a more stylish, picture frame-like proposition when wall mounted.

The QN95A also gets the new, redesigned version of Samsung’s One Connect box. The concept is the same – all connections, including power, go into a separate unit that’s connected to the TV via a single cable – but the chunky brick design has been replaced by one reminiscent of a stack of five or six placemats. While this One Connect can be mounted to the rear of the stand of Samsung’s 2021 8K models, it can’t be mounted to the QN95A at all.

Also slightly disappointing is that the cable that runs between the One Connect box and display is significantly thicker and less flexible than that of previous versions. Samsung says the cable has changed in the name of “performance stability and durability”, but we weren’t aware of any issues with the previous design.

While the move to a thicker wire is a bit of a shame, having just one cable running to the display rather than multiple HDMIs and power is still undeniably neater. And, if your set-up means that the One Connect box will be visible in your TV rack, this new version is significantly easier on the eye than its predecessor.

Features

(Image credit: Future / Escape From Pretoria, Amazon Prime)

The One Connect box also gives the QN95A a more advanced set of connections than other 2021 Samsung models such as the QN90A. It’s all down to the HDMIs: all four of the QN95A’s HDMI sockets are 2.1-spec, while its siblings get just one HDMI 2.1 socket. That probably won’t make a huge difference right now, but anyone planning to buy both the PS5 and Xbox Series X will need more than one HDMI 2.1 socket to take full advantage of both consoles, and there will only be more HDMI 2.1 sources in the future.

Of course, simply having HDMI 2.1 sockets isn’t enough to guarantee support for all of those fancy next-gen HDMI features, but the QN95A offers support for eARC (Enhanced Audio Return Channel), ALLM (Auto Low Latency Mode), 4K@120Hz (aka High Frame Rate) and VRR (Variable Refresh Rate). VRR is supported in all three of the formats currently available: standard HDMI VRR, Nvidia G-Sync and AMD FreeSync (this is the first TV to be FreeSync Premium Pro-certified, in fact).

As is probably already clear, Samsung is even more committed to courting gamers than before, going as far as creating the ‘Game Bar’ – a pop-up menu that gives you quick access to various game-related features and delivers live information on the signal being received, including the VRR format and frame rate. Input lag, meanwhile, has been reduced to under 10ms, which is entirely imperceptible. If you don’t mind sacrificing a little of that speed, you can enable some gaming-specific motion smoothing, although we don’t find that necessary during testing.

Finally, on the gaming front, the HGiG (HDR Gaming Interest Group) setting that was added to Samsung’s 2020 QLEDs via a software update late last year is also present on the QN95A. This is well worth using in conjunction with your console’s HDR calibration settings as it results in a more accurate picture with deeper blacks and more detailed highlights.

Samsung has also long been the market leader when it comes to integrated streaming apps, and the QN95A is just as well-appointed as its predecessors in that regard. Netflix, Amazon Prime Video, Disney+, Apple TV, Google Play Movies & TV and Rakuten are all present in 4K and HDR; BBC iPlayer, ITV Hub, All 4 and My5 complete the set of catch-up apps; Now TV and BT Sport are also here; and Spotify, Tidal, Apple Music, Amazon Music, Deezer, BBC Sounds and TuneIn mean every major music and radio app is on board, too. In short, there’s no app of significance that’s missing here, and there are loads of niche apps in there too.

There is, though, an HDR format of significance that’s missing – Dolby Vision. While Samsung’s rival HDR10+ has made undeniable in-roads in recent years, Dolby Vision is clearly the more dominant format and it’s very hard indeed to see the power balance shifting. Even if Samsung truly believes HDR10+ is better, it should by now be offering Dolby Vision support as well.

(Image credit: Future)

The operating system is more or less unchanged from last year, which is no bad thing. It’s still the best in the business, slickly getting you to the content you’re after quicker than any rival. One new feature that has the potential to be great is Multi View, which allows you to split the screen in two and watch an HDMI source in one window while you access an app via the other. We could see this could be useful for watching two football games at once, for example, one via your Sky Q box and the other the BT Sport app, but currently the only apps supported in Multi View are YouTube and a wellness app called Calm, rendering it almost useless.

The QN95A’s new remote has a useful new feature, though: on the bottom is a light panel that allows it to be charged via sunlight and even house lights. It works really well – during testing, the remote’s battery level doesn’t drop below about 95 per cent as it constantly tops itself up. That said, the remote does also have a USB-C socket that can be used as a backup charging method.

Under the TV’s skin is a new version of Samsung Quantum Processor, called the Neo Quantum Processor 4K. The big new feature here is referred to as Ultra Precision Light Driving, which involves more precise dimming and a local power distribution feature that sends power to the brightest areas of the picture and away from the darker parts. It also works in conjunction with a sensor integrated into the TV’s frame to adjust brightness and contrast in response to ambient lighting conditions. There’s a new level of ‘deep learning’ applied to contrast enhancement, too.

Of course, the biggest new feature of the QN95A is its Mini LED backlight. Samsung explains that the majority of a typical LED’s size is made up of its protective packaging and light-guiding lens, both of which it has done away with for its so-called ‘New LEDs’. Not only that, but it has also miniaturised the LEDs themselves, to astonishing effect: the new LEDs, packaging and all, are a fortieth the size of their traditional counterparts and look like little more than sparkly grains of sand.

Instead of a lens, this New LED backlight works with a new ‘micro layer’ that guides the light through the quantum dots (which provide the set’s colours). The result is apparently no light leakage or blooming.

Crucially, because the New LEDs are so much smaller, significantly more of them can be packed in, creating more individual dimming zones in the process. While Samsung doesn’t quote official figures for these dimming zones, we understand that the QN95A has just under 800 of them. Last year’s Q95T and Q90T are thought to have had around 120 dimming zones each so, on paper at least, this appears to be a massive upgrade that should have a startling impact on contrast.

Picture

(Image credit: Future / Escape From Pretoria, Amazon Prime)

Kicking off with the 4K Blu-ray of John Wick: Chapter 3, it quickly becomes clear that this is a massive upgrade in real terms, too. Not only does the QN95A go vastly brighter than the OLED competition, in most conditions it combines bright and dark picture elements unlike any commercially available TV before it. As John cuts through the chandelier shop near the start of the film, the warm, piercing light contrasts brilliantly with the rain-soaked streets in the background, with the bulbs and the glass sections of the chandeliers sparkling to a degree that makes the Award-winning Philips 65OLED805 look decidedly dull.

Crucially, this brightness doesn’t come at the expense of black depth, which is close to OLED-quality. If you look closely at a still image, you can see that the top black bar loses a bit of purity as one of the shining bulbs lingers at its edge, but in action, this isn’t noticeable. What’s more, there’s no obvious haloing around bright objects on dark backgrounds, or any other real hint that this is a backlit telly. It’s not totally perfect, but it could be argued that it’s close enough to not matter.

That said, the QN95A is, like its predecessor, a little cautious when confronted by small bright objects in otherwise overwhelmingly black images. During the opening scene of It, Pennywise’s eyes should glow menacingly bright out of the gloom of the basement, but they’re barely noticeable here. As the camera heads through the tunnel towards daylight for the start of the film, it’s clear that the TV is holding back, presumably for fear of introducing blooming, and it makes the image less exciting than it should be.

The same trait is clear in the company logos and intro text at the start of Blade Runner 2049. It could be that Samsung is playing things just a little too safe here, but crucially, these ultra-high contrast images are relatively uncommon, and in isolation, the Samsung’s delivery rarely looks wrong. It’s only in a side-by-side comparison with one of the punchier 2020 OLEDs that this reticence becomes clear.

The only other slight flaw in the QN95A’s delivery is regarding the balance of dark detail and black depth. Not that the TV isn’t capable of both, but we struggle to find the perfect balance. There’s a dedicated Shadow Detail setting that does exactly that but it also somewhat washes out the image. Switching the Contrast Enhancer to High, meanwhile, reveals so much dark detail that it feels as though artificial light is being added to some dark scenes.

We’ve always appreciated Samsung’s bold and straightforward picture settings, but for this TV, a Contrast Enhancer setting between Low and High might have proved perfect. As it is, you have to trade just a bit of dark detail to get inky blacks, or have slightly artificially boosted shadow detail.

Ultimately, though, the QN95A is a stunning performer overall. It’s so dynamic and vibrant that it makes its rivals look flat and boring. Whites, in particular, are incredibly pure and punchy, from John Wick’s shirt to the fluorescent lights hanging from the ceiling of the first-floor armoury above the chandelier shop.

(Image credit: Future / Escape From Pretoria, Amazon Prime)

Colours are incredibly lush, too, but also natural and controlled – as long as you tone down the Colour setting just a bit. It’s the perfect foil for the comic book-style exaggeration of John Wick 3, pumping up the pink of the shirts of the call centre staff and bringing the Marrakesh market to life with its varied and vibrant hues.

Switch to 1917 and the vibrancy is tempered by a slightly unexpected degree of naturalism. Some TVs we’ve reviewed have, in their quest for vibrancy, pushed the green fields at the film’s start from verdant to lurid, but the QN95A doesn’t fall into this trap and the film is delivered with both punch and poise.

The same effortless balance is applied in regards to detail and sharpness, too. Where some TVs, including previous Samsung models, can over-sharpen edges and details, giving everything an artificially etched look, the QN95A ensures that everything is crisp and clearly defined without any of that exaggeration. The detail is all there, but it isn’t rammed down your throat, and that’s the way it should be.

In 2020, Samsung took a big step forward in terms of motion processing, and it’s good to see that that balance of smoothness and naturalism continues into 2021. Again, you need to select the right setting: the default Auto setting is forced and unpleasant, but switching to Custom and setting Blur Reduction and Judder Reduction to 10 and 3 respectively keeps motion controlled without adding fizz around fast movement or any of the dreaded soap opera effect.

Switching from 4K to 1080p with the Looper Blu-ray, it becomes clear that this Samsung takes a surprisingly subtle approach to SDR content. While many TVs attempt to give SDR content an HDR sheen, the QN95A opts instead for subtlety. Compared with the Philips OLED805, the Samsung’s image is less dynamic and instantly exciting, but also more nuanced in its shading and a fair bit more detailed. Both approaches have their merits, but Samsung’s feels more authentic.

The same relative characteristics are present as we switch to our trusty Dirty Harry DVD. While the Samsung is once again less punchy in its delivery, it’s subtler and cleaner, too.

Sound

(Image credit: Future)

Considering the QN95A’s sound system is essentially invisible, it packs in a large number of drivers – eight of them, in fact – in a 4.2.2 arrangement that Samsung refers to as OTS+ and is rated to 70W. ‘OTS’ stands for ‘Object Tracking Sound’ and refers to the fact that the system is designed to create a sense of three-dimensionality akin to Dolby Atmos. All of which makes it slightly baffling that the QN95A can’t natively play Dolby Atmos soundtracks, although it can pass them out to a connected speaker system (even a Samsung soundbar).

Regardless of the tech involved (or not), the QN95A puts in a solid audio performance that’s clear, direct and punchy but with good weight and openness. It delivers a strong sense of space and atmosphere while ensuring that dialogue and effects are presented clearly. Detail levels are high by the standards of an integrated sound system, too.

That said, the QN95A’s speakers struggle with the super-deep bass at the start of chapter 2 of Blade Runner 2049, with its woofers flapping uncomfortably. This is far from the only TV to have problems here – LG’s CX OLEDs suffer at least as badly – but it’s a shame all the same. Still, we would always recommend partnering a TV as impressive as this with a dedicated sound system, and this flaw only reinforces that message.

If you are determined to stick with the Samsung’s integrated speakers, Adaptive Volume is best switched off as it tends to sound quite forced and hard, but Adaptive Sound+ is worth using as it adds spaciousness and a slight sense of cinematic envelopment. Amplify is worth trying, too: it sacrifices a bit of low-level dynamic subtlety for bigger overall dynamics and more punch, making it useful for action films. Standard is probably better if you want to use one setting for all content, though.

Verdict

While Mini LED might not quite be the revolution that Samsung is pitching it as, it’s still a substantial upgrade to an already excellent range of TVs. The overall contrast offered is staggering, and the QN95A combines near-OLED black levels with awesomely crisp white highlights and fabulously vibrant colours, all while retaining an effortless sense of naturalism.

Throw in the best, most app-packed operating system in the business, a delightfully slim design and a full set of next-gen HDMI sockets and this is (a lack of Dolby Vision support aside) as complete a package as can be imagined.

It’s early days for 2021 TVs, but Samsung has thrown down the gauntlet in emphatic style and it will be fascinating to see how its rivals respond.

SCORES

Picture 5
Sound 4
Features 5

MORE:

Read our guide to the best 4K televisions

Read our Philips 65OLED805 review

Read our Samsung QE65Q95T review

Read our LG OLED65CX review

Our Verdict

For

Against

Pricing

Build

Features

Picture

Sound

Verdict

Design

Picture Features

Smart Features

Picture Quality

Sound Quality

Also consider

LG 65NANO906

Get the right television

Make sure you use the right input on your TV

Use the provided PS5 HDMI cable (or pick a replacement carefully)

Make sure your TV HDMI port is set up for high data rates

Set your TV to Game mode

Check your PS5’s Video Output screen

Setting up your PS5

Choose the right audio options

Brace yourself

Design, connections and control: Slimmed down minimalism

Features: Mini LED and multi-intelligent processing

Picture quality: Impressive local dimming

Smart features: Comprehensive platform

Sound quality: Object tracking sound

Anything missing?

Also consider

Philips OLED+935

Our Verdict

For

Against

Pricing

Build

Features

Picture

Sound

Verdict

Samsung Galaxy Chromebook 2

Our Verdict

For

Against

Price

Features

Ease of use

Performance

Verdict

What is HGiG?

How does HGiG work?

Is HGiG any good?

How do you get and use HGiG?

What’s next for HGiG and HDR gaming?