keyword: Sound

heise-+-|-brazil's-path-to-data-dictatorship

heise + | Brazil's path to data dictatorship

For many years the largest democracy in Latin America has been a pioneer in data management. 1995 she founded the Brazilian Internet Steering Committee. The stakeholder panel helped establish principles for Internet governance. Driven by Edward Snowden’s revelations, the government of Dilma Rousseff 2014 pioneered the Marco Civil, a kind of “Internet Bill of Rights ”, which even Tim Berners-Lee, the inventor of the World Wide Web, praised. Four years later, Congress passed a data protection law, the LGPD, which is closely based on the European General Data Protection Regulation.

But times are changing. Even before the Covid – 19 – The pandemic, the Brazilian government had started to build a comprehensive infrastructure for data collection and monitoring. In October 2019 President Jair Bolsonaro signed a decree obliging all federal agencies to share much of the information they have about Brazilian citizens own – from health data to biometric data – to be used jointly and stored in a master database, the Cadastro Base do Cidadão.

The official line behind this measure: through simple information exchange the government wants to increase the quality and consistency of its data in order to improve public services, curb electoral fraud and reduce bureaucracy. Critics warn, however, that such a concentration of data under Bolsonaro’s right-wing extremist leadership could easily be misused to restrict privacy and civil liberties. Especially since the scope for data collection is great. In addition to basic information such as name, marital status and occupation, the Cadastro is supposed to record biometric information such as face profiles, voice samples, iris and retinal scans, prints of fingers and palms and even a profile of the corridor. There are no limits to the exchange of health data, even gene sequences may be passed on.

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heise-+-|-the-perfect-charging-of-e-cars:-plug-&-charge-according-to-iso-15118-20

heise + | The perfect charging of e-cars: Plug & Charge according to ISO 15118-20

The model for charging is Tesla. But Porsche and Audi are about to catch up. With the further development of Plug & Charge, they could even overtake.

The Porsche Taycan of the model year 2021 (Delivery since the end of October 2020) is Plug & Charge-capable according to ISO 15118. Identification and activation takes place automatically on Ionity columns. In addition, the integration of the shop in the route planner has been further improved.

(Image: Porsche)

From

Christoph M. Schwarzer The perfect charging of e-cars: Plug & Charge according to ISO 15118 – 20 Porsche and Audi with ISO 15118 ISO 15118 does not stop The e-car as local storage The role model and the yardstick for charging and route planning is still Tesla: the navigation system integrates the fast charging stations called Superchargers automatically. It precisely calculates the best strategy for the charging stops. On the superchargers themselves, all you have to do is plug the cable into the socket on the electric car: the identification of the holder and the activation of the electricity work via software. Meanwhile, the price in euros and cents is shown on the central display. Convenient, comfortable and transparent. This is the perfect store and a selling point for Tesla. The competition has understood that. Especially Audi and Porsche. The keyword for the software to catch up and potentially to overtake: Plug & Charge according to ISO 15118.

Tesla’s advantage was and is to this day the proprietary system of the Supercharger parks. The Californian company takes care of the fast charging stations itself. Only Tesla does that. The rest of the electric car industry, on the other hand, relies on infrastructure companies: Often it is traditional electricity suppliers such as EnBW or EWE who set up and operate charging points (CPO for Charge Point Operator). It was only with Ionity, a joint venture between the German car companies as well as Ford and Hyundai, that 2017 a competitive network for the superchargers on their own initiative. In individual aspects, it is now up to Tesla to draw level again: The Ionity columns offer a charging capacity of up to 350 kW. A value that will only be achieved with the next generation of superchargers. Currently, however, this charging capacity does not fully utilize a current electric car.

Um To achieve the same charging experience as Tesla – i.e. simply plugging it in with automatic identification and activation – theoretically all electric cars and charging points would have to have the same or at least fully compatible software and the necessary hardware. Because this can hardly be done retrospectively and only gradually for the future, Audi, Porsche and Ionity are starting now.

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Register and read Register now and read the article read immediately More information about heise + The perfect charging of e-cars: Plug & Charge according to ISO 15118 – 20 Porsche and Audi with ISO 15118 ISO 15118 does not stop The e-car as local storage

teardowns:-m1-mac-mini-with-a-small-mainboard,-homepod-mini-with-a-fixed-cable

Teardowns: M1-Mac mini with a small mainboard, HomePod mini with a fixed cable

Two of the recently released new Apple devices have now been dismantled by users for the first time. The results for the new Mac mini with M1 chip and the HomePod mini are expected, but also contain as yet unknown innovations.

Mac mini: Centralized and soldered So Apple has the new compact computer (from 759, 90 €) internally shrunk with ARM processor, like a teardown in the eGPU.io- Forum can be found. The motherboard has been reduced in size as Apple focuses more on integration. The RAM modules are located – there may be a maximum of GB – right next to the SoC and form one under one with it Heat sink unit. Other components that are discreetly constructed in Intel Macs also found their way into the M1 SoC – including the Thunderbolt controller.

The repair options and upgrade capabilities naturally limit further centralization on the motherboard. Neither RAM components nor SSD can be replaced. Accordingly, users have to order the configuration that they actually need. The SSDs Apple offers a maximum of 2 TB. Due to the smaller number of components, access to the innards seems to be easier than with the Intel machines.

HomePod mini: Actually for recycling? The teardown of the HomePod mini (from 96, 50 €) reveals further details on Apple’s current hardware strategy. The small ball at a price of under 100 euros, which develops a voluminous sound, is nailed from front to back. According to an adventurous user in the forum of MacRumors not even the USB-C cable can be used from the device. With the HomePod, this was still possible with a little effort. It was already known that the cable is integrated directly into the device, but the teardown now shows a fixed connection to the circuit board. Under no circumstances should you pull it harder from the outside in order not to damage the smartspeaker.

The touch-sensitive surface of the HomePod mini is also virtually impossible to remove. “Removing it is a great way to destroy the device.” After all, this doesn’t have to be done to get to the main board, a side board with the S6 chip, and the drivers. By the way, Apple itself apparently does not plan any repairs. If the mini is defective, you pay almost as much for service outside of the warranty as for a new device. (bsc)

apple:-revised-macos-big-sur-110.1-and-an-update-for-certain-iphones

Apple: revised macOS Big Sur 11.0.1 and an update for certain iPhones

Bug fixes seem to make it necessary: ​​For Mac and iPhone, operating system updates are available again and out of sequence – but only for certain machines. Apple has republished the current macOS version Big Sur . 0.1. Instead of the previous build variant 20 B 29 it now carries the Number 20 B 50.

Two starter versions for Intel and ARM Macs It is currently not yet clear what changes will be made. The fresh build only seems to show up to those users who have not yet updated to macOS 11. 0.1. These are either Intel Mac users who still work with macOS Catalina or earlier operating systems – or users with ARM Macs who have just unpacked their machine and have not yet updated.

While for Intel Macs macOS 11. 0.1 was the first official version of Big Sur, the M1 machines come standard with macOS 11. 0, you have to update to macOS 11 .0.1. This week it was announced that Big Sur is making a regular reinstallation impossible on ARM Macs – it is still unclear whether the new build will solve this problem.

Certain iPhones get an update iOS is still available 14. 2.1, the again only for iPhone 12, 12 mini and iPhone 12 Pro and 12 Pro Max is offered. Older iPhones stay with iOS 14. 2. Apple provides an instruction leaflet that describes a total of three errors that the update should fix. MMS messages on the current iPhones, which sometimes did not arrive so far, should now be able to be received normally. Apple does not write whether a problem with missing SMS signaling has also been fixed – it is to be hoped.

Furthermore, hearing aids with “Made for iPhone” certification should now deliver normal sound quality from smartphones – here there were sometimes massive disturbances up to loud sounds. Furthermore, Apple writes to have fixed a lockscreen problem on the iPhone 12 mini. Here, the screen sometimes did not react as desired when it was locked – in addition to swiping up, this also affected the activation of the flashlight and camera icons. It is unclear whether iOS 14. 2.1 also contains security-relevant fixes – Apple’s information page on fixing security gaps has not yet provided any information.

(bsc)

heise-+-|-test:-six-inexpensive-4k-hdr-televisions-with-and-without-internet-functions

heise + | Test: Six inexpensive 4K HDR televisions with and without Internet functions

Do you want to watch TV and stream videos on the TV display? We took a close look at the typical equipment features of the TV manufacturers.

(Image: Andreas Martini)

Test: Six inexpensive 4K HDR televisions with and without Internet functions Operating systems and interfaces Remote controls HDR and brightness Stream, mirror, cast Individual meetings Conclusion Test table Article in c’t 25 / 2020 read For our test, we brought six 4K televisions with different operating systems into the laboratory. The devices should support HDR formats, offer a recording function and bring the most popular streaming apps. An exception is a TV display from Medion, which serves as a representative of devices without an online connection. Because the “stupid” TVs are very cheap, we have a 65 – inch model selected – it’s with 487 Euro nevertheless the cheapest device in the test. Medion also has a smart, round 132 Euro more expensive variant in the program.

Large displays without a TV tuner and smart functions are usually significantly more expensive than comparably large smart TVs. They are for continuous operation (24 hours / 7 days), for example as an advertising display or scoreboard. In return, they generally have a higher luminance, a more robust housing and come with a longer guarantee. These screens can be serviced remotely via their Ethernet connection. The higher price is also due to the small number of units: The market for 24 / 7 displays is much smaller than for smart TVs, which is why the manufacturers calculate with them with different margins.

Show four TVs in the test 55 Inches in the diagonal, with Panasonic TV these are 58 Customs and the Medion Display is said 64 – Customs. The Sony TV marked with 998 Euro the upper, Grundigs FireTV variant with 615 Euro the lower price limit of the tested Smart TVs.

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review:-auralic-aries-g2.1-dissected-a-streaming-platform

Review: Auralic Aries G2.1 dissected a streaming platform

It is impossible to imagine life without , stream music in any form. From your own collection, from streaming services or just internet radio. If something has taken off and shrunk CD production, it’s streaming. Hardware manufacturers are reaping the benefits. The drives that are always susceptible to interference are gone, something new has to come into your home and if you don’t stream, children will look at you compassionately.

Now the hardware is still manageable, writing software for a pleasant operation is a completely different field. Not everyone is given the opportunity to write a user interface of which the user intuitively understands how things fit together. Often the control of the hardware is not always successful, which can lead to crashes. One of the positive exceptions to this is Auralic with its Lightning DS platform for software and Tesla G2 platform for hardware. Resulting in a range of digital transports and streaming server / DACs. Within the package, a key component is the Aries G2.1 streaming transport, an upgrade of the esteemed Aries G2. HIFI.NL had the honor of being able to use and listen to the Aries G2.1 down to the finest detail. Refined with the knowledge of previously reviewed Auralic products, the installation was child’s play.

Auralic Aries G2.1: Description The Auralic Aries G2. 1 streaming transporter connects optionally via a Tri-band wireless connection or via wired Ethernet with Tidal (MQA) and Qobuz, with internet radio, with USB drives, NAS systems and optional internal storage. The Aries G2.1 can be used for Spotify Connect, Bluetooth and AirPlay, is fully Roon ready. All using playlists, memory caching, gapless playback and bit-perfect multiroom support. With its high computing power, the Aries G2.1 can handle files in DSD resolution up to DSD 512 and PCM to 32 bit / 384 kHz (highest resolutions over USB only).

Updated in the Aries version G2.1 compared to the G2 the chassis is made of aluminum and with an extra reinforced bottom plate. After that, the inside of the housing is clad with copper to effectively resist RFI. The Aries G2.1 stands on spring loaded feet to avoid mechanical influences. Each foot is adjusted with six springs to suit the weight and weight distribution of the device. A 4 inch 300 ppi color display shows you key functions such as playback status, configuration and artwork. In addition to the mechanical adjustment, the Aries G2.1 delivers more power to the USB output compared to the G2 for better adaptation to various brands of DACs. The software has now been brought to version 7.2.2.

The Auralic Aries G2.1 streaming transporter offers internal space for an SSD or HDD of 2 .5 inches in any capacity available. Auralic has recently released a major firmware update, bringing the possibility to play CDs with an attached optical drive via the Lightning DS software or to rip the contents of the CD (at the same time) and store them on a USB drive. If necessary even on your NAS. During playback, all the possibilities of the Auralic models are used, such as jitter reduction and upsampling.

During the ripping process, each sector is read twice. If there is a difference between the first and second read, the same sector will be read eight more times at a slower speed to get a 100 percent accuracy. The Tesla G2 platform on which the Aries G2.1 runs is designed with the sole aim of being a high quality reproduction, upgradable and is purely focused on audio. Tesla G2 works seamlessly with its own Auralic App and is the most powerful platform available for digital music playback and streaming, according to Auralic. Tesla G2 runs on a 1.2GHz quad-core processor. With 1GB of memory cache and 8GB of data storage, multiple applications can be loaded simultaneously and network noise is reduced because circuits are open for less time.

To take the Aries G2.1 to such a high level, it internally uses two Femto clocks, digital clocks with an extreme accuracy of which à One always works for the digital technology and the other clock is assigned to the USB ports. Two linear power supplies work together, the first to power the processor circuits, the LCD display and USB connected sources. The second power supply is intended for all sensitive audio components such as the Femto clocks and the USB output. The ActiveUSB is therefore more than just an asynchronous controller due to its low jitter, precision clock and separate power supply for USB.

EMI from USB sources does not stand a chance in the Aries G2.1. The power supplies are galvanically isolated from each other to prevent EMI interference. The various electrical circuits are also galvanically separated from each other internally, such as clock, processor and data transmission. Are there wishes and comments to link to the price for the Auralic Aries G2.1 streaming transporter of € 4. 699, -? Perhaps, the Aries G2.1 is only available in black, can only be operated with Apple iOS and not with Android and â ?? ¦. I would appreciate that when music is playing the display stays on and when nothing is playing the display dims. Now the display is either always on or always off after a few seconds while playing and at rest. Difficult for the purist who never switches off his streamer and wants to save the display at rest, but wants to see what he or she is playing.

Technical details

Lossless file format: AIFF, ALAC, APE, DFF, DSF, FLAC, OGG, WAV and WV

Lossy file format: AAC, MP3 , MQA and WMA

Sampling: PCM 44. 1KHz to 384 KHz to 32 Bit, DSD 64 to DSD 512 DoP and native

Controls: Lightning DS App for iOS, BubbleUPnP, Kazoo, Roon

Inputs: USB Drive, LAN, WiFi antenna

Digital Outputs: L-Link, Toslink, S / PDIF, A ES / EBU, USB

Streaming: UPnP / DLNA Media Server, TIDAL and Qobuz, Sublime + streaming, Internet Radio, AirPlay, Bluetooth, Songcast, RoonReady, …

Options: SSD or 2.5 HDD, remote control

Network: Gigabit Ethernet, Wireless: 802. 11 b / g / n / ac Tri-Band

Housing: Black Anodized, chassis solid aluminum one piece

Dimensions: 34 cm x 32 cm x 9 , 6cm

Weight: 9.3kg

Environment The listening takes place in the familiar home environment where the power supply is built with an AudioQuest Niagara 5000 mains filter and CrystalConnect power cords. Music storage and ethernet switch are Melco N 11 and S 100, for most of the playback I make using Roon Rock on a NUC elsewhere in the home. The DAC is a Metrum Acoustics Pavane, analog coupled with a Yter XLR interconnect to an Audia Flight Strumento No.1 preamplifier and again with Yter XLR to a FLS4 power amplifier. Crystal Cable Speak Reference connects my Spendor Classic 2/3 monitors to the amplifier, the speakers have Townshend Maximum Super Tweeters, underneath Townshend Podiums and Custom Design Fish Tank stands.

The protagonist in this review is an Auralic Aries G2.1 Streaming Transporter as the thing is called in full. Just say a streamer, connected with AudioQuest Vodka on the switch and with AudioQuest Diamond AES / EBU on the DAC. The choice for these cables and method of connection stems from working with and Aries G1, where it turned out to me that the Metrum DAC performs optimally with an AES / EBU cable and a notch less with USB, Coax or Toslink. The Auralic Aries G1 is my reference in this and in daily use. The fact that my system is structured in this way says nothing about the performance of other power cords, ethernet connections and various digital cables on the Aries G2.1. Everyone has their own preferences, budget and maybe things on the shelf. By way of illustration, in my second system, the Aries G2.1 also played for a while and did so impressively via a Grimm TPR AES / EBU cable.

Auralic joins the series of streamers known to me like Lumin , Cambridge Audio, Naim, Bryston, Metrum, Bluesound, dCS and more, brands that all have their pros and cons. Sometimes being very quirky, working with an extensive own App or rather leaning on UPnP and Roon. As an enthusiastic supporter of the convenience of Roon and the extensive extra information that Roon provides, most of the players mentioned have been used as Roon Endpoint. Just like I do with the Auralic Aries G1 and G2.1. The fact that Auralic has an extensive own App gives me the opportunity to keep my own music collection, built up over the years, separate from music services such as Tidal and Qobuz. I use Roon for my music, the Auralic Lightning App for Tidal.

If I do not have Roon, the Lightning software fully meets all the requirements that can be set for a modern streamer. That’s why I played with the Aries G2.1 as Roon Endpoint and used Lightning to discover new music. A dedicated storage was not built into the Aries G2.1, also not necessary at all if a Melco N 10 music server is present. With that I am wasting one plus of the Aries G2.1 compared to the Aries G1 in which no internal storage fits, there are still plenty of pluses left, I have noticed in the past period.

From G1 to G2.1 With both my own Aries G1 in house and the Aries G2.1 that was made available, a comparison cannot be ignored. Because why would you spend a lot more money for the same functionality if you are not going to use internal storage options. The operation is the same, the software is the same, the number of connections is the same with only one exception, even the appearance is not essentially different. The only visible exception is the Lightning Link at the rear with which a Master Clock, Upsampler and / or a DAC from Auralic can be linked jitter-free. Anyone who has had the pleasure of listening to that stack (the undersigned) knows what a great result is achievable. Back to mutual comparison. The most essential, strikingly audible difference between the G1 and the G2.1 is the G2.1 adding foundation to the music. The G1 has a reputation for being light in sound and too puristic for some already clear systems, the G2.1 does not so much bring a heavier bass response, it is rather deeper, more present, more neutral and correct.

A bass response that spreads further through the listening room, ensures that an orchestra can play to the full, that a person has a chest with air and a piano sounds longer in the dark notes . Almost the difference between a loudspeaker and the same loudspeaker with a high quality sighing subwoofer. In addition, in the G2.1 more subtle is present the degree of detail, the extra calm in the reproduction, the more holographic stereo image and the ease with which man and instrument are set off against the background. Even used exclusively as a Roon Endpoint, the G2.1 proves its added value in a beautiful system that knows how to reveal the differences. However, the memory of the observations does not so much concern the points mentioned, but rather the feeling, the experience, the imagination of the artist. n, the satisfaction of listening to music. If we were talking about wine, the G2.1 has a better finish while both are excellent in taste.

Sighs and pops After the direct comparison, there is much, very listened a lot to music, varying from French sigh girls to opera singers, from rough men to wimps, from solo instrument to orchestra or band. Divides into pop, jazz and classical. For example, I enjoyed a live recording of Carla Bruni at the Olympia in Paris. With only a small line-up and her own guitar, her voice is central, complete with recording errors, so that the CD has remained authentic. Introducing Bruni on a large stage is easy, sitting on a stool, radiating pleasure, which is rewarded by applause from an audience in which individual hands can be distinguished.

The live experience is even greater as piano and bass join in. The funny â ?? La dernière minuteâ ???? closes the concert, it seems so simple, but somewhere heavy tones appear, small subtle sounds can be perceived behind her voice, the audience goes wild at the end and finally someone bumps into a microphone. The Aries G2.1 seems to enjoy uncovering everything.

Also live is â ???? Stairway to heavenâ ????, performed exclusively on guitar by Rodrigo y Gabriela from the CD â ???? Live in Japanâ? ???. A whole CD with only two guitars is a bit too much for me, this song by Led Zeppelin has so much eloquence, power, softness to the point that it is a classic. This is where that extra foundation of the G2.1 is very welcome. A blow to the body of a guitar should be echoing, strings should resound in the body of the instrument and the Aries is a master of that. It can be even wilder in â ???? Diablo Rojoâ ???? with which the concert closes. As a music chain, try to really keep separating the two guitars and still let them flow together. Combine speed with long extinction, maintain rhythm and whip up both audience and soloists in the living room.

It is â ???? Timeâ ???? Pink Floyd says in a cacophony of bells, a constant heartbeat, wavy low that rolls across the room, echoing drums and vocals. Addicted to the LP, streaming has come a long way in my home and the LP quality has since surpassed. That has cost effort and a lot of money, the result is there and the Aries G2.1 makes an extra contribution. I own the album as a CD 44. 1 / 16 and as DSD 64, where Roon works with the Auralic Aries G2.1 to move from DSD 64 to go to PCM 176. 4 / 24 which can lock my DAC. The Aries lets you hear the differences clearly, the resolution, the foundation of the heartbeat, the DSD file makes more of it.

The Aries is anyway serving when it comes to filtering and converting. While playing you can adjust the filter ring from precise to dynamic, to balanced and soft. From very detailed to pleasant on the ear. It took some headaches and hours of listening before I figured out that â ???? Smoothâ ???? I like the most. Nice and spacious and forming a nice balance between the three other positions. A few more hours were needed to figure out whether upsampling brings or removes what. My DAC is hardly sensitive to it and does nothing to up- or down-sample itself. The Aries G2.1 (and also the Aries G1) do the resampling so correctly and without frills that I have it permanently turned on to 176. 4 or 192 depending on the source resolution. It is not unique for a streamer to be able to do that, over the years I have discovered that you can do better in the Auralic than leave it to an upsampling DAC. Almost every DAC (usually excluding R2R) has a sample rate at which it is least burdened with computing and performs the best. Unfortunately, the DAC generally lacks pure computing power and an Auralic does bring it.

To the North Almost classical music is â ???? Myopiaâ ???? from Agnes Obel. Her latest album that can project a bubble of sound in the listening room. A bell in which the sounds of acoustic instruments and the strangest electronic sounds can be heard. In this case, it is important that the chain, and the streamer as part of it, is able to separate all sounds from the reproducers. Nothing is more disturbing than listening to speakers that cannot. You can even point out the exact location with your eyes closed.

The Aries G2.1 largely helps to prevent that annoyance. This gives Obel’s polyphonic singing an added value, here and there a voice pops up, differing in placement of height, depth and width. It makes “broken sleep” to an experience where the tendency arises to turn the head in the direction of the voices. The frequent use of the cello keeps the rhythm, while long tones have the chance to fade into nothingness. What emerges is a painting of sounds and timbres, which can be distinguished from each other to a high degree, whereby the coherence is not lost.

What I can’t get enough of lately is â ???? Quiet winter night: An acoustic jazz projectâ? ??? of the Hoff Ensemble. Jazz, vocals, beautifully recorded and full of minute details as well as a powerful bass and full piano. The fact that I don’t understand a word of what is being sung is irrelevant. The extent to which the Aries G2.1 manages to deliver the stream to the DAC and the rest of the system. Perhaps this is an exceptional recording that reveals that the streamer part does have its own sound and is certainly not a conduit of ones and zeros as some think. I would love to get rid of that prejudice, unfortunately that still doesn’t work. It is going too far again to explain exhaustively that ones and zeros do not exist, that they are indications of a voltage difference that unfortunately is affected in many ways before it reaches our ears as audible sound. Just listen to an Auralic Aries G2.1 compared to other brands or types of streamers and discover the results for yourself. Even mutual results, because it is not without reason that the urge arose to upgrade my second system with my Aries G1 and to continue to feed the main system from the Aries G2.1 for good. A win-win situation for everyone, except for my bank account. Money in the bank does not make you happy, a good music reproduction all the more as an excuse I tell my environment.

Shine on Lightning DS Auralic can be praised for its excellent software under the name Lightning DS, the consistent quality of the products and the well thought-out equipment. The higher in the segment, the more Auralic sees the basic principles faithfully refining equipment in order to achieve an ever better display. Not because you have to, not because more money will flow into the till, but to give more pleasure to experiencing music. It has long been known in serious audio that an enclosure affects playback, that disconnecting equipment from the substrate can help, and that equipment must be able to â € œseeâ € each other electrically. but should not influence. Combating RFI / EMI and galvanically separating all inputs and outputs is expensive if you want to do that properly, the gain by hearing is greater than is often thought. Exactly the things that Auralic has paid attention to with the upgrade from the Aries G2 to the G2.1. The extra budget available compared to the Aries G1 also ended up well. All this makes the Auralic Aries G2.1 an attractive asset for those who stream their music rather than play it via CD or LP.

The operation is clear and straightforward. The options are widely adjustable in the software and the installation of an internal storage is obvious. Expansions in the form of a master clock, upsampler or DAC can be purchased from the same brand. Competition is fierce in the streamer world and every brand tries to differentiate itself. Because it is such a busy market, I therefore have some hesitation in rewarding the device with 5 stars and I would rather give it the designation â € œ Recommended!  € with full conviction. along. Because Auralic has succeeded in linking many consumer wishes, modern requirements, flexibility, design and seamless functioning with sound quality in order to win over the potential customer. Which â ???? sure enoughâ ???? will work with the Aries G2.1.

Auralic Aries G2 .1

â ?? ¬ 4. 699, – | Dynaudio Benelux

review:-focal-aria-936-k2

Review: Focal Aria 936 K2

Long ago, the French speaker brand Focal , then still under the name JMlab, loudspeakers with a very distinctive yellow cone. A Kevlar cone made from a sandwich of aramid fibers. Recently, because of the 40 anniversary of Focal released a Spectral anniversary model in a limited edition of 400 pair, now a limited edition model with kevlar cone material appears again under the name Aria 936 K2. Completely based on the Aria 936 that has been on the market for a few years.

Different cone material means a different filter and a limited edition a custom livery picked from the Utopia line. When Focal introduces such a model, it always has something special, so very curious about this creation, the Aria 936 K2 put down, connected and listened to. Unfortunately not at home due to a renovation planned by my dear wife, but at my second home base where I have access to a variety of resources to repair the Aria 936 K2 to perform optimally.

Plenty of choice I have thought about it for a while: what equipment do you use with the Focal Aria 936 K2 ? Because on the one hand I think it is a loudspeaker that will mainly appeal to the youth, where the budget for an amplifier and streamer may not be too big. Then NAD or Rotel quickly springs to mind. On the other hand, it is a serious driver of which you already know that a good amplifier can grow the set, which makes the case for PrimaLuna, Cambridge Audio Edge or Hegel.

The best choice is perhaps the brand that Focal owns, the English Naim Audio. For that reason, a Naim NAIT XS 3 amplifier and a Naim ND5 XS 2 streamer / dac were chosen. Partly because I highly appreciate both devices and know their performance. The NAIT XS 3 with its price of â ?? ¬ 2. 936 , – and the ND5 XS 2 with a price of â ?? ¬ 2. 925, – are of course not the cheapest, the quality has now been amply proven, just like the lifespan and the money they are worth later with an upgrade.

A cheaper alternative is a Naim Uniti Atom, but I do not think it is very popular with the target group for the Focal Aria 936 K2. The number of variables has been reduced to one for me with NAIT and ND5, namely the reproducers. Also not entirely unimportant.

Inside and outside Uninhibited and without prejudice listening is guaranteed, I don’t know anything about this speaker at the time except what I can see. A metal dome tweeter, underneath a mid-tone unit with phase plug and three woofers. Two reflex ports on the front and one in the bottom help the woofers to give an efficiency boost in the low end. Because there is a reflex port in the bottom of the housing, the Aria 936 K2 on a metal base in which spikes can be found. The nice thing is that the spikes can be turned out from the top, so you don’t have to roll over the floor. If you do not turn the spikes out, put the base of the speaker on rubber rings.

The most striking behind the included fronts is the Kevlar cone material of the midrange and woofers. Which of course immediately reminds of the Focal Spectral 50 th Anniversary loudspeaker and the earlier times when Kevlar was an important woofer material. Focal calls it â ???? K2â ???? material. The front and rear of the speakers are matte black leather look, the top is glossy black, the sides are Focal Utopia high-gloss gray, the base is finished in matte dark gray.

Anyone who finds the yellow of the K2 material too intense can use the supplied black fronts. Dark aluminum rings have been placed around the woofers and the midrange, unobtrusive yet very chic. On which is hardly visible at some distance: â ???? Aria K2 Limited Editionâ ???? and â ???? Focal â ???? Made in Franceâ ????. I would rather have continued the French touch with â ???? Fabriquà © en Franceâ ???? and â € œdition limità © eâ €, but that’s nitpicking. All in all, it has undeniably become a focal speaker that can attract quite a bit of attention.

Power woman After quite a while â ?? listened in ?? ?? We go for tricky music by Rachelle Ferrell and her CD “First instrument”. Difficult given the great voice of the singer, the often bold low and the amount of details known from experience that I would like to hear. The first thing I can and want to say about the reproducers is how easily the Focal’s let go of the music from the cabinet. Music is created in space, over and over again and with every piece of music so far. I know the two Naim devices contribute to that, but the reproducers have to make that heard. You don’t even have to close your eyes. The stereo image is realistic in size, has so far been located within the arrangement of the reproducers and has depth and height, but not to a very strong degree. Always difficult for a large floorstander to optimize that, a monitor can naturally do that much better.

Rachelle has a huge range in her voice and can make tweeting very difficult . Focal used to have the reputation of playing sharply and (too) clearly, that has been completely outdated for years. The Aria 936 K2 could be even brighter from me. Some more pointed with percussion, hissing in the cymbals. The reproduction is now on the quiet side of the line, so that the volume can be increased without problems. This makes the dynamics a bit smaller than that of a more expressive model, don’t worry, the dynamics are fine, as Ferrell says.

The display is relative to a strictly neutral display on the Aria 936 K2 on the dark side, a bit old-fashioned that does appeal to me. Not that excessive pushing of tones, often caused by resonance peaks or too bright a tuning. This calmer character listens more pleasantly and makes long listening possible. With the internal damping of the Aria 936 K2 is nothing wrong, no coloring off hearing that angle in the voice, at the same time the voice is not inhibited either by an excess of damping that can seriously damage details and dynamics.

The character in the low tones means that they are not among the tightest in the expected price range. Three ports and two woofers can go deep, the resolving power has suffered a bit. Or have I become too spoiled and used to tight woofers from a high-quality two-way system.

I would like to be able to distinguish the bass lines a bit better from the bass drum. What I get in change is a bass reproduction that is above average in depth and strength. A correct choice if the Aria 936 K2 is not only used for music reproduction but also must fill the room for an exciting series or spectacle film.

Piano piano Triggered by the lively and powerful piano notes on the Ferrell CD, I would like to give Marietta Petkova the opportunity to play a play four piano sonatas, composed by Joseph Anton Steffan. The sound of the classical piano is not disappointing at all. The solo instrument has a lively sound, with striking high notes and a wide sustain of the sound of the fuselage. The woofers take care of that. The middle is a bit mechanical and not as pleasing as other systems sometimes are.

What is very positive is the power of the instrument, something that comes out very well. The game is lively, the tones could take a bit longer to die out. It is and remains an instrument that exposes all aspects of a loudspeaker and the better the recording, the more merciless the criticism. Within the price range, the Aria 936 K2 is best allowed to drop a stitch here and there . In higher price ranges, Focal has a lot more to offer to the piano â ???? howeverâ ???? to play. You already get so much for the money with this system.

If I am honest (and I like to be a lot) then I like the â ???? Arnold Ouverturesâ ???? performed by Malcolm Arnold & The London Philharmonic Orchestra on Reference Recordings Awful. However, they put the loudspeaker to the test in dynamics, the overwhelming position of the orchestra, the holding of the brass instruments and the bang of the percussion from cymbals to timpani. It’s all there, in the dynamic range specified by Roon software of 22! The WAV 176. 4kHz / 24 bit file puts the Naim ND5 XS 2 under considerable pressure and chases the amplifier into the current consumption. With the high efficiency of the Focal, that is no problem for the NAIT XS 3, it can handle that easily. Nowhere does the music close, solo instruments are released, the orchestra forms the basis against which the soloist can oppose. It’s impressive to say the least, but I turn it off for music I prefer to listen to.

Flip-out woofers Infected Mushroom is great on the Aria 936 K2, how hard it can be and it goes deep. Some sounds do stick to the baffles, nothing can be changed with a different location of the speaker or turning it in more or less. What happens between the speakers can scare the neighbors hard, the three cones of the woofers beat out quite a bit and that is all possible with this system. Fans of Infected Mushroom will definitely blush here. It’s fast, loud, intense, fundamentally good.

The ears less harassing is music by Laura Marling , guitar and vocals with some vague accompaniment in the background. Just rest and relax with this lady. Little love caster shows that a quiet song can also make an impression. The attention remains constant on Marling’s music and vocals. Her words are perfectly intelligible, the instruments used are enough of the voice to not merge too much, which can make the reproduction messy. The atmosphere is dark, the Focal’s keep that atmosphere very well. Mary Black is recommended for those who like to hear Irish traditionals. Her CD â ???? The holy groundâ ???? is full of it. The Aria 936 K2 is running as if Ireland is now part of France. Wonderful how the voice can transport you across the Irish countryside, taking you into the pub, where singing and playing are part of Irish life every night. Second voices remain separated, a soft guitar completes without sinking into the voices or the accordion. Here you can come for the day while enjoying a pint of Guinness.

Character of wine To what extent the quiet character of the Aria 936 K2 influences jazz music I would also like to know. Scandinavian jazz in particular can be full of dark sounds and the Aria tends towards the dark side rather than light-footedness. Too many heavy Bordeaux wines were drunk in St. Etienne instead of a lighter and happier Italian Bardolino. Let’s start with some â € œModulesâ € from Nik Bärtschâ ???? s Ronin. The sound is indeed dark, but with clear percussion that manages to maintain a strong rhythm.

The distinction between the bass and the low notes of the piano sometimes blends too much with the drum beats of Nik’s musicians, I would like to have more distinction there. What it did very well with Infected Mushroom, the power and intensity, is a bit lost with the more subtle music of Bärtsch.

a? Quiet winter night: an acoustic jazz project ?? of the Hoff Ensemble is less bothered by it. Here the atmosphere is correct, supplemented with singing by various people. Also some more instruments where the Focal does its best to let the listener discover them. Harmonious and pure, never disturbing, suitable for long listening. Wind instruments beautifully illuminated, piano runs clear and playful, bass not too bold, just enough to emphasize the atmosphere.

Each speaker remains a compromise, so also the Focal Aria 936 K2 Limited Edition as it is called in full, just like all living rooms where we would like to listen to music. With the jazz of Hoff a very pleasant compromise, with Infected Mushroom a power compromise, with voices like Rachelle Ferrell or Mary Black a lively compromise. Is it your compromise then? Listen for yourself, preferably on your own amplifier and source.

The papers

Eventually specifications and description become available and I can tell you some extras about the Aria 936 K2. As the eye noted, it is a 3-way system, according to Focal suitable for rooms from 25 m2. The tweeter is a Focal TNF inverse dome formed from aluminum and magnesium alloy suspended in Poron. A urethane plate has been placed around the tweeter for better radiation behavior. The woofers and midrange are all 16, 5 cm or 6.5 inch. The cone is always a sandwich of aramid fibers, trade name Kevlar. The housing is made of MDF, whereby no parallel walls can be found in the cabinet. The base plate is made of cast aluminum. The price for the Focal Aria 936 K2 is â ?? ¬ 1. 999,- per Unit.

Some technical data at a glance:

3-way bass reflex system 3 woofers 6,5â ???? midrange 6,5â ???? Al / Mg TNF inverted dome tweeter Frequency Response: (+/- 3dB) 39 Hz – 29 kHz – 6 dB Point: 32 Hz Efficiency: 92 dB Nominal impedance: 8? Minimum impedance: 2.8? Recommended amplifier power: 50 – 300 W Crossover Frequencies: 260 / 3100 Hz Dimensions: 1150 x 294X371 mm Weight: 29 kg Stuffed Ears The ears are filled with music, the specifications saved on paper and so it is time for a summary about what I could listen to. The term final judgment or conclusion is actually overloaded in this. After all, a loudspeaker performs as well as the surrounding acoustics allows and performance is partly dependent on the source and amplification that is used. I’m not worried about source and amplification, that’s fine for each other. Nor does the acoustics give cause for complaint, although it is less familiar to me than my own living room.

Let me start with the cone material that most brands step away from and which gives Focal a new lease of life. Well, there is nothing negative about it compared to the flax cone in the normal Aria series. Kevlar is said to have colors and a hard sound, the Aria 936 K2 is rather â ???? sweet ?? then â ???? hardâ ????. With its light dark color, the reproduction is far from aggressive, which results in the possibility to listen to music for a long time and intensively without the music getting tired.

The Aria 936 K2 is widely applicable, from classical to electro pop, where the high efficiency ensures that pop can be played loud to very loud. Classical with the very great dynamics of a symphony orchestra therefore does not experience any obstacles whatsoever. The Focal will have to rely on its performance in the musical field, because although the appearance is neatly finished with a beautiful color scheme, it is and remains a large speaker that will stand out in the listening room without the fronts for the yellow cones and that is not something everyone’s preference.

The ease with which the Focal plays and can be controlled makes it widely applicable for stereo and for home cinema application. In home cinema setup, the 936 K2 can of course be combined with other Aria models with a Flex cone. Let me conclude by noting that the Focal Aria 936 K2 is at least remarkable may be mentioned with the Kevlar application. It could just become a cult model that will be loved and cherished over the years.

Focal Aria 936 K2

â ?? ¬ 1. 999, – per piece | www.smart-audio.nl

https://hifi.nl/artikel/ 27942 / Focal-Spectral – 40 th-floorstander-because of – 40 – anniversary.html

review:-marantz-pm6007-and-cd6007

Review: Marantz PM6007 and CD6007

Veddan at Listening Matters

Month of the HIFI

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Month of the HIFI

read more » Month of the HIFI

Overview Hi-Visits

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review:-panasonic-tx-55hzw2004

Review: Panasonic TX 55HZW2004

At the top of the Panasonic line-up we find an OLED TV with striking advantages. A customized OLED panel, studio monitor image quality and Dolby Atmos sound system. Also a TV that is equipped with four HDMI connections that deliver the full HDMI 2.0 bandwidth and can therefore handle Ultra HD HDR in the best quality. A TV that we like to review.

Sober and elegant Black is timeless, and it always exudes a certain elegance. The “Little Black Dress” Coco Chanel from 1926 has become a fashion symbol for a reason. By this we do not mean that this Panasonic has little to do with the body, but that you should not expect a flashy design.

The thin OLED screen has a fine black frame, and at the bottom the speakers are hidden behind a metal grille. The base is a fairly heavy, central base plate in anthracite brushed metal. The whole is like a house. Keep in mind that the TV is relatively heavy, this 55 – incher Weighs about as much as some other 65 inch OLED models.

Cables can be run at the back via the foot and then concealed with the large cover plate. It’s a somewhat rudimentary cable management solution.

Connect! Who was hoping for HDMI 2.1 connections we must immediately disappoint. This model also has to do with HDMI 2.0. Two HDMI 2.1 features are provided, namely eARC (Enhanced ARC) and ALLM (Auto Low Latency Mode).

The TV is equipped with four HDMI connections that provide the full Deliver HDMI 2.0 bandwidth and thus handle Ultra HD HDR in the best quality. You will also find three USB connections (one of which is USB 3.0), a component video input with stereo cinch audio input for your older analog sources, an optical digital audio output. The headphone connection can also be switched to a subwoofer output via the menus, if you want to give the bass some support.

Please note that some of the connections (including two HDMI and two USB) point to the rear and thus make wall mounting more difficult. There is of course also an ethernet connection and built-in WiFi. You can connect your wireless headphones, gamepad or mouse / keyboard via Bluetooth, but you can also send the audio from your smartphone to the TV.

Good news for TV viewers who do not want to use a set-top box. This Panasonic offers you three antenna connections, a dual DVB-T2 / C / S2 tuner with a double CI + slot. If you connect an external USB hard drive, you can watch TV and record another channel at the same time.

My Home Screen 5.0 Panasonic’s smart TV platform, now in its fifth iteration, has a beautiful, modern and uncluttered interface. Do you want to select a different input, a TV channel or connected USB device, or do you want to open an app? All those things can be found in the bar at the bottom of the home screen that takes up minimal screen space.

A second bar of content appears as soon as you select an app that supports it (YouTube and Netflix for example). The interface is fast, and you can change the order of the icons yourself on favorites.

Classic zapper

A top model comes with a more luxurious remote control. Panasonic has had this brushed alloy version of its classic remote for several years now. It may seem a bit clunky but it feels great in the hand, the layout is good and the keys are easy to press. Netflix has its own key and the â ???? My Appâ ???? You can assign the key (bottom left) to your favorite app. The â ???? Pictureâ ???? You can use the button at the top right to quickly change the image mode. Via the menus you determine which image modes appear in that list.

We would almost forget, this remote is also illuminated, and if you often go in the dark enjoy movies, it is very convenient. We think it is a pity that the playback buttons at the bottom of the remote are not illuminated.

Image quality On this top model, Panasonic uses an OLED panel from LG Display, just like all other manufacturers that offer OLED, but one that customizes it itself. The panel is equipped with better cooling and a different power supply. This allows it to achieve a higher peak brightness, Panasonic claims about 50 percent Lake. Whether that is the case, we will come back to that in a moment. In any case, the panel has excellent uniformity, even in dark images.

The HCX Pro image processor also gets the very best from this OLED panel. The processor provides excellent black detail, while retaining a lot of nuance. Another particularly strong asset: the TV handles low-quality dark images very well. Where this can sometimes lead to visible color bands or slightly flickering effects with other manufacturers, this Panasonic keeps that perfectly under control. This is thanks to the excellent noise reduction for both random and MPEG noise (block formation), but probably also the excellent control of the OLED panel.

Fast action images come out better, now that Panasonic has a modified Black Frame Insertion. technique. This makes even more detail visible in fast-moving images, without annoying flicker or excessive loss of brightness as a side effect. The â ???? Minimumâ ???? mode seemed the best choice to us, although you might want to leave it off in HDR to avoid losing clarity. Combined with the excellent “Intelligent Frame Creation” ???? technique, even fast pan shots are beautifully smooth and detailed. Keep “Intelligent Frame Creation” certainly on the â ???? minimumâ ???? mode, it must be said, even in the highest mode the results were very good.

The â ???? True Cinemaâ ???? image mode is exemplary calibrated. Accurate colors, a perfectly neutral gray scale, the images are indeed worthy of a studio monitor, an exceptional achievement. Panasonic also implemented “Filmmaker Mode”, which guarantees that you see the images as the director intended. Filmmaker mode deactivates almost all image processing, but delivers the same beautiful images as True Cinema.

With support for HDR 10, HLG, Dolby Vision and HDR 10 + you don’t have to ask questions about the format of your HDR material. But what about the peak brightness? It is indeed impressive. The HZ 2000 scores 1008 nits on one 10% window, that is indeed about 20 % more than most competitors. It also retains that lead on larger white areas (up to 55% white ). Combined with large color gamut (97% DCI-P3) and the excellent processing of HDR footage, the viewing experience is fantastic.

One last asset. Panasonic now also offers Dolby Vision IQ. The TV adjusts the Dolby Vision image based on the ambient light. For example, dark scenes are lightly brightened so that you see sufficient black detail even with more ambient light. And even more, under the name â ???? Intelligent Sensingâ ???? Panasonic offers a similar function for HDR 10; HDR 20 +, HLG and SDR footage. In a lot of ambient light, colors are made slightly richer and the image gets a little more clarity so that it retains its impact. Sound Quality With the â ???? Technicsâ ???? brand on the loudspeaker grille, we also expect good performance in the audio field. The TV is equipped with a 140 Watt audio system of which 2x 20 W in upfiring speakers is for Dolby Atmos. Everything has been tuned by Technics. During the installation you specify how far the unit is from the back wall and how far it is to your ceiling, so the TV can provide optimal results. And yes, the sound is very good. With the volume knob on half the music is sometimes too loud, so there is a lot of power in it.

What we You can hear that, depending on how high you set the volume, the timbre changes slightly, presumably to prevent overdriving. The effect is not so pronounced as to be a nuisance. Technics tunes the sound relatively sharply, so that screeching guitars or solid snare drums come in very loudly. Playing around with the settings a bit can fix that. Also visit the â ???? Sound field creationâ ???? institution. Panasonic uses the upfiring speakers to create a different atmosphere experience: that of a recording studio, stage or cinema.

And what about Dolby Atmos? We dove into a Star Wars space battle and the TV gives an excellent feeling of spaciousness, with a clear portion of height effects. You rarely hear any noise above your head, which may depend on the settings and your room, but that is quite a challenge for all TVs. Either way, the Panasonic scores very well and will boost your movie experience.

Conclusion The Panasonic TX – 55 HZW 2004 (NL) / TX – 55 HZ 2000 ( BE) is the TV of choice for the movie buff. Its only downside: no HDMI 2.1 connections, so not the best choice for next-gen gamers. But unparalleled OLED picture quality, with deep contrast, many shadow nuances, rich colors and top HDR performance thanks to a customized OLED panel. A powerful audio solution with Dolby Atmos support and upfiring speakers complement the impressive images with room-filling surround. The price tag is hefty, which unfortunately belongs to a reference model.

Panasonic TX – 55 HZW 2004 (NL ) / TX – 55 HZ 2000 (BE)

â ?? ¬ 2. 999 | www.panasonic.com

Rating: 5/5

review:-silent-angel-forester-f1-linear-power-supply-for-the-bonn-n8

Review: Silent Angel Forester F1 linear power supply for the Bonn N8


RESUME Silent Angel delivers a switch that has become popular in the Netherlands, for which the brand now developed an upgrade in the form of the Forester F1. Happy with the Silent Angel Bonn N8 ethernet switch and ready for the next step forward? Then consider the Silent Angel Forester F1. Only try if you have the money, I’ve already got the hang of it.

PLUS POINTS Richer sound More Definition Larger stereo image Peace Better power cord possible MINUSES Slightly higher power consumption than the wall plug Addictive

Thunder Data, the company behind Silent Angel, is releasing a power supply for the Bonn N8 switch with the Silent Angel Forester F1, as an upgrade on the wall plug in the box. This power supply is suitable for powering two switches at the same time or a switch and a Raspberry Pi. Neatly executed in a metal housing, equal in width to the Bonn N8, but higher and deeper. The short version of the following: whoever is happy with his Bonn N8 ethernet switch, there are many among our readers, given the numbers sold according to retailers and importers, can now make a significant step forward for the same amount.

Of course we are again on thin ice, because prejudices say: â ?? a switch cannot make a difference let alone a switch’s power supply. If you are convinced of this, then further reading is pointless. If in doubt, continue.

Silent Angel Forester F1: Black and Small The Silent Angel Forester F1 linear power supply claims features such as total absence of noise and avoidance of corrupt data, and it always delivers sufficient power. In the box you will find the power supply, one power cord, two 60 cm connection cables for switches with 5.5mm x 2.1mm DC plugs and a USB cable for powering a Raspberry Pi 4 Model B with USB to micro USB type C. The Forester F1 has the following characteristics:

– An encapsulated toroidal transformer

– A symmetrically designed circuit

– Fast MOSFET semiconductors with low inherent noise

– EMI filter

– Dual outputs, also via USB

– Dampened metal housing

A toroidal transformer offers the advantage of smaller stray field compared to another type of transformer, can deliver a lot of current quickly, is efficient and has a smaller size. A symmetrical current circuit, as in any balanced circuit, eliminates its own noise because the two parts operate in opposite phase. MOSFETs monitor the output voltage and ensure that it is kept stable at 5 volts. According to Silent Angel, a MOSFET reacts faster than a normally deployed voltage controller, so the ripple in the output voltage is less. The F1 has meet 155 x 115 x 58 mm and weighs 1.3kg. It supplies 2x 5 Volt at 2A, as LEDs has 2x status and 2x overload. The power supply is only available in black. The Forester F1 consumes only 3 to 4 Watts with one switch connected, which is not much more than the wall plug. The price for the Silent Angel Forester F1 is the same as for the Bonn N8 switch â ???? already extensively tested â ???? and set at â ?? ¬ 395.A

Setup In my small listening room is a Bonn N8 connected to an AudioQuest Niagara 1200 Â mains filter and centrally located in the meter cupboard, wherever my Roon NUC is located, there is a second Bonn N8 fed via an Isotek EVO3 Sirius filter, always with its own Bonn N8 netvo eding. Ethernet cables are AudioQuest Carbon between the switches and AudioQuest Vodka to the equipment. I listen with a Metrum Ambre Roon endpoint, a Metrum Adagio DAC, CODA CSib V1 integrated amplifier and Falcon LS3 / 5a speakers. Most relevant is to swap the supplied Bonn wall plug with the F1 power supply in the listening room. Of course I also try it out with the switch in the hall closet. From the box to the wall plug What happens if I use the regular Replace Bonn N8 power supply with the Forester F1? It is remarkable, although that is not possible at all and cannot be demonstrated with a decibel meter, that the music seems to play louder. The following is the total tranquility that gives voice and every instrument more space, creates its own place in the space and gets closer to the listener. Both closer and further away thanks to the increased depth in the stereo image. Height placement and width show no difference.

The separation of voices and instruments makes second voices distance themselves from the first, so easily that I wonder what remains of the total system to get. On a scale of 1 to 10 impact is normally at 8 in this system, which now certainly rises to 9 â ???? Â despite the small displays. It is not even so much an increase in details, space, depth or timbre, the Forester F1 creates an impression where everything is bigger, more intense, brighter, more interesting and more colorful. From HD television to Ultra HD. The grain becomes finer, the background quieter, the experience increases further in a beautiful system.

If I remove the Forester F1, then a gray veil arises that I have never been so aware of and which until now could only be hitched with a Melco S 100 Ethernet switch with a SBooster power supply. The stereo image shrinks without the F1, music flows into each other, and electronically created space in recordings becomes more annoying than interesting. Music gets busy, closes, is a lot less interesting. Is the set suddenly not beautiful anymore? Oh yes, built with love and effort it is still more than worth sitting here â ???? but There is room for improvement. Where the price of 1200 euros for the upgrade actually contrasts sharply with the price of, for example, upgrading my speaker cables, power supply and even recently the crossover filters in the speakers. Things that have sometimes cost a lot more and not always made such a difference.

Then I change the standard Silent Angel wall plug for the Forester F1 in the hallway â ???? Â with noticeable effect, but to a lesser extent than when I picked up the switch from the set. The win rate is somewhere between 50 and 50 percent, not higher. The question is whether spending just under four hundred euros for a switch elsewhere in my network is justified. Is the F1 on the switch at the streamer mandatory in my setup, the hallway will come another time. I much prefer to hang the F1 on the switch next to the set for maximum profit.

Always that power Whatever you try with audio, the power supply is always an essential part. In all cases, poor nutrition will lead to an inadequate result, a healthy diet to a good result, optimal nutrition to more realism, experience, deeper timbre and finesse. It is still a strange and inexplicable fact for many that a network switch affects a streaming audio system, it becomes even more unfathomable that even the power supply of a switch can make a significant difference.

Silent Angel supplies a switch that has become popular in the Netherlands, for which the brand has now developed an upgrade in the form of the Forester F1 power supply. I cannot explain the improvement in the display in almost all areas, let alone measure it, but I can observe it very clearly. In short, if you are happy with the Silent Angel Bonn N8 Ethernet switch and want to take a step forward with your streaming audio system, consider the Silent Angel Forester F1. Only try if you have the money, I’ve already got the hang of it.

Silent Angel Forester F1

â ?? ¬ 395, – | www.dimex.nl

review:-sound-by-sweden-nitro-x-wireless

Review: Sound by Sweden Nitro X wireless


RESUME The Nitro-X is very basic in terms of functions, but it does good on the areas that count. The noise canceling is good and the sound quality is fine. Where the Sound by Sweden Nitro-X really scores are the good wearing comfort and excellent autonomy. And that’s the nice price tag.

PLUS POINTS Great balance price quality Superior autonomy Physical buttons and easy to operate Comfortable ear pads with little ear build-up More Balanced Than Many Other NC Headphones MINPOINTS No fine-tuning app SBC only

Headphones with noise -cancelling has become very popular in recent months. The range has also exploded, and it is noticeable that good noise reduction is no longer the sole domain of Bose. More and more affordable NC headphones are appearing, such as this Swedish Nitro-X of significantly less than 200 Euro.

Do you have to 300 spend euros and more for a good noise-canceling headphones? A while ago the answer may have been “yes”, but now you can also find cheaper headphones with noise canceling that perform quite well or even very well. With these affordable models you usually miss functions that not everyone finds important, such as augmented reality audio (such as with Bose) or sensors that compensate for air pressure during flights at high altitudes (such as with Sony). And then you have headphones like the Nitro-X that we look at in this review. For just no 180 euro you get a device that looks sober but still has a number of remarkable features. For commuters and travelers, the excellent battery life is a plus, for discerning music lovers the unusual presence of a cable from a well-known name in the hi-fi world: Supra. No coincidence, of course, because the builder of the Nitro-X Wireless is Sound of Sweden, a spin-off from Jenving Technology, the Swedish manufacturer that releases the Supra cables.

Wearable for hours That the Nitro-X is a bit cheaper than major rivals, is only noticeable at the checkout. The headphones present as a solid product, largely finished in plastic but also with metal elements. You can fold it into something compact, and the driver housings rotate 90 degrees so that the ear pads fit your ears perfectly. You can make all these movements without creaks or little other noises, which gives us a positive impression about the build quality. And the finish? Sound by Sweden opted for a matte black color that enhances the discreet and understated appearance. Pretty nice, although with intensive use you will notice that prints of dirty fingers show.

When we saw in the specifications that this device has an autonomy of 28 hours promised (with Bluetooth one NC, without NC it is 35 hours), we feared it would be heavy headphones. After all, the batteries needed for that very long autonomy make a significant contribution to the total weight. But with 285 gram, the Nitro-X is even a bit lighter than a number of affordable rivals, although there are also high-end models that weigh even less. In practice, we experience these Swedish headphones as comfortable to wear, partly due to the comfortable padding on the inside of the headband (something that bare audio viewers appreciate even more) and the thick ear pads. With those pillows, there is also more to it than you might think when you see them. The Nitro-X presses a bit more on the ears (which provides good passive noise isolation) and the cushions are made from an artificial leather clone. There is nothing wrong with that in itself, but with these properties you can usually count on some extra warmth to the ears. Can never be avoided completely because you cover part of your heat-producing body (and your head plays a very important role in it). But the Nitro-X is very good. According to Sound by Sweden, this is due to the use of BreathTex on the outside, a material that would breathe better (and therefore cool down).

Thanks to those ear pads, the lower weight and the ear pressure that is just fine-tuned (for our head shape), we find the Nitro-X to be very comfortable. Our favorite in this area remains the DALI IO-6, but it costs a bit more. For a longer train ride or an intense open-office wrestling match with a deadline just flew by with a whoosh sound in the words of Douglas Adams, the Nitro-X seems fine.

Simplicity Adorns Many noise canceling headphones come with an app in which you can set all kinds of things. The Skullcandy Crusher ANC, for example, comes with an app in which you can tune the sound by means of a personal hearing test. With others you have extensive equalizer settings. Not so with the Nitro-X. There is no app and the controls on the headphones themselves are minimalistic. On the positive side, all buttons are real, physical keys, so you can operate everything, even in cold weather and with gloves. You switch on the noise canceling function with a slider, so you do not leave it on unintentionally and the battery is drained. The noise canceling on the Nitro-X is also on or off. If you want adaptive noise canceling with multiple levels, you should look for a more expensive product. The question is whether you need it.

The Nitro-X comes with a solid case for easy transport of the headphones, with space for the charging cable and the audio cable that you can use as a backup to reduce the drain on the battery.

As we already mentioned, this cable is made by Supra. Given that using a cable with wireless NC headphones does not happen very often (but it does happen, for example, if you want to use the in-flight entertainment system on an airplane, because then Bluetooth is not an option), we do not think this is so important now. But it is a nice extra.

Effective Noise Canceling Just like earlobe, you can always get a little bit expect soft noise when no music is playing and you are in a quiet environment. It is usually not really bothersome; in a noisier environment and when you listen to audio it usually escapes your attention completely. Still, we are very pleasantly surprised if the Nitro-X has very little trouble with this. The noise is very quiet and non-existent when the noise canceling is turned off. The noise canceling itself also makes an impression, especially if we take the price tag into account. The good passive isolation already works fine, if you switch on the active NC, ambient noise is very well eliminated.

Since long train journeys and intercontinental flights are not on our menu, we turn to a four-hour YouTube video of a train journey through a snowstorm. For ASMR enthusiasts but a higher volume, also provide an accurate simulation of the typical sounds that you would rather not hear while listening to music or watching a video. Without playing audio we only hear the higher sounds of the train ride, with an album by French techno artist Rone at a normal listening volume it is completely gone.

We also look further at â ???? The Old Guardâ ????, the prestigious Netflix action movie starring Charlize Theron. In the emotional conversation around a campfire, where Matthias Schoenaerts explains the downsides of immortality, those high-pitched train noises are more disturbing. But it doesn’t get in the way of intelligibility.

The sound quality can also charm us. With a mobile headset there should always be some extra bass, but with the Nitro-X it is not too thick. It makes electronic music like Rone or the eccentric â ???? Never Were the Way She Wasâ ???? by Colin Stetson (with Sarah Neufeld, the violinist from Arcade Fire) comes in impressively, but is not exhausting. The soft folk pop of Big Thief can also be heard on the Nitro-X, perhaps not with the fine detail or the largest spatial reproduction that we know from the IO-6, for example, but in an easy listening way that lets you listen in a relaxed manner. .

Conclusion The Nitro-X is very basic in terms of functions, but it does well in the areas that really count. The noise canceling is good and the sound quality is fine, with no bloated bass or lack of aa n detail. Where the Sound by Sweden Nitro-X really scores are the good wearing comfort and the excellent autonomy that is supported by a fast charging function. They are NC headphones that only need to be connected to the charger every now and then. And that’s the price tag â ???? which is totally fine for what you get.

Sound by Sweden Nitro-X Wireless

â ?? ¬ 189 euro |  www.soundbysweden.com  /  www.viertron.nl

Rating 4.5 out of 5

review:-belkin-soundform-elite

Review: Belkin Soundform Elite

REVIEW

Quintijn Bulterman | 03 September 2020

SUMMARY For the young generation, music has to pop. With that in mind, the Belkin Soundform Elite hits the nail on the head. We just miss the opportunity to add a little more nuance to the â ???? boomâ ????.

PLUS POINTS Design Wireless Charger Devialet Sound MINUSES Price No adjustment possible for the level of the â ???? boomâ ????

At Belkin you think of chargers, charging cables, adapters and n covers for tablets. And yet we have a smart speaker from the brand here. The thought behind it is not even surprising. With a real audio brand, Devialet, Belkin has brought in a ton of knowledge. Is that crazy? No, absolutely not – we see such a partnership between two manufacturers more often. But how does the result sound?

Belkin has been around since 1983 and has grown with the production of computer cables. Based in the technology hub of Los Angeles, Belkin continues its mission. Although a few brands have been added since that time and they have not only made computer cables for a long time. The Linksys and WeMo brands also belong to the Belkin International banner. The latter focuses on smart home technologies, with a platform for lighting and electronic and household equipment. And then a smart speaker suddenly starts to sound a bit more logical. Certainly when we say that the cooperation partner is Devialet, in the world of hi-fi certainly no stranger .

A 3-in-1 product Anyone who thinks this is just another smart speaker, like many others on the market, will come home from a rude awakening. It is a wireless (hi-fi) speaker, a voice assistant and a wireless charger. These are three products, combined in one housing with a suggested retail price of 299 euro.

Charging and the voice assistant are a nice addition to the whole, a great relief. Talk to it and the Soundform will talk back. But the sound quality is of course what we are most curious about. There are two things that stand out about that sound. A technique called Speaker Active Matching (SAM®) technology, no doubt known to Devialet enthusiasts, and the so-called Push-Push configuration. Two woofers are used to counteract vibrations and produce a deep bass.

The SAM technique must ensure a crystal clear sound, ‘just as the artist intended’ you know. When we take hold of the speaker, we feel that it is by no means a light unit. That is promising. The design is very neat. There is a speaker fabric around the speaker and at the top we see a sloping plateau to charge a telephone. We also see a few touch controls at the top. We see a control for Bluetooth, volume, play / pause and microphone. The connection for the power cord is a neat part of the design. This is how we like to see it.

Music Pleaseâ ?? ¦ Connecting and installing the speaker is easy via the Google Home app. Once installed, streaming to the Belkin Soundform Elite is a breeze. Stream via Spotify or just give a voice command to turn on Q Music, that’s all it is.

We set up the Belkin Soundform Elite in the kitchen. Exactly the place where we normally charge the iPhone or iPad. When we hear a first random song on the radio, we are surprised by the sheer amount of bass produced; really seriously low. We can immediately conclude that one of the promised techniques works.

We then decide to stream some music via Spotify. Four LED lights are incorporated under the fabric at the front. These can indicate the status of the device, but now indicate the sound volume when we turn it up or down. If we put on something completely contemporary, ‘Banana â ???? Conkarah feat Shaggy ‘, then the kitchen is immediately transformed into a party zone. There is so much BOOM in that little thing! (). With that, the Belkin Soundform Elite shows that there is a clear preference for music, which is confirmed when we listen to more pop and electronic music.

Just ask if the Google Assistant wants the latest episode of The Boom Room (SlamFM) play. For the techno and house music lovers, this is what should be listened to. And here the Belkin indeed shows that the speaker is completely delighted. A little rock also pumps away nicely. ‘Greta from Fleet â ???? Highway Tune ‘sounds good, but there is a limitation. The volume should not exceed 70 Ã 80 percent. If you come up here, it can get a bit sloppy. The layer, on the other hand, remains neatly in line. We must also admit that the volume up to 80 percent is more than adequate for the kitchen or even a small living room. And if we compare that with Sonos, for example, a Sonos One certainly does not reach this level of low. It would be nice to be able to switch the layer technique on or off with a software button. Suppose you need something more calm and quiet, then all that BOOM is not necessary.

For the audience Belkin wants to reach and the opportunities you get for 299 Euros, it is fine though.

Final Verdict The Belkin Soundform Elite is a fun wireless smart speaker with a built-in wireless charger. We can clearly hear that Devialet has contributed to this. The bass is impressive and very suitable for pop, rock or electronic music. There is really BOOM in it. This will also appeal to a specific target group. Belkin therefore focuses on the younger generation who want to stream music easily and simply. With that thought, we can imagine that a Belkin Soundform Elite is playing in the living room or in a bedroom. This target group just wants the music to be nice and full and pumping, and that is exactly what is happening here. An audio product that matches what a target group wants to hear; Â if you can find yourself in that image, then the Belkin Soundform Elite is definitely worth checking out.

Conclusion For the young generation, music has to pop. Thanks to Devialet that is all right. This target group does not want large pillars in a living room, but does want the accessible simplicity of streaming music and the nice extra to charge your phone. With that in mind, the Belkin Soundform Elite hits the nail on the head. Or it asks the Google assist to do it. We just miss the opportunity to add a little more nuance to the â ???? boomâ ????.

Belkin Soundform Elite

â ?? ¬ 299 | www.belkin.comÂ

Rating: 4/5

review-yamaha-a-s3200:-modern-technology-and-sound-in-retro-packaging

Review Yamaha A S3200: modern technology and sound in retro packaging

The Japanese Yamaha unveiled three new integrated amplifiers called AS Last spring , AS 2200 and AS 3200. The appearance and in particular the prominent centrally placed VU meters are very reminiscent of the past. However, according to the manufacturer, modern technology is hidden under the hood. Recently we have the AS 1200, the smallest model, looked at and listened to. Now it is the turn of the AS 3200, the largest model. Does the AS 3200 of Yamaha sail exclusively or mainly on feelings of nostalgia or is the AS 3200 just a good amplifier with a nostalgic look? We are going to investigate the AS 3200.

Yamaha: Maker of audio equipment, musical instruments, motorcycles, outboards and more

The Japanese brand name Yamaha has existed for more than a hundred years and has undergone many transformations. The company is owned by Torakusu Yamaha (1887 – 1916) Founded in 1887. Originally Yamaha built musical instruments and from the early twentieth century pianos were an important part of the portfolio. Specialist knowledge of production methods, plastics and metal alloys is used to continuously expand the product range. The amount of different products that Yamaha builds or has built is too many to mention. About ten years after the Second World War, Yamaha even started building motorcycles. These activities were also sold to car manufacturer Toyota in 2001.

Yamaha has continuously built musical instruments from the beginning. At first they were acoustic instruments (including guitars, pianos and wind instruments), but later synthesizers and electric pianos were added. Yamaha’s DX-7, a velocity-sensitive synthesizer, was on many stages in the eighties of the last century.

From the beginning of the seventies, Yamaha started making sound equipment and parts for sound equipment, both for the professional market and for the living room. Yamaha has roughly about a hundred years of experience building musical instruments and now about fifty years of experience building sound equipment. That is quite a long track record.

Those who make many different products run the risk of being the focus to lose. That doesn’t seem to be the case with Yamaha. Pianos, concert grand pianos and other musical instruments are continuously an important part of the portfolio, as well as sound equipment for the professional and consumer markets. Yamaha has an understanding of making music, but also of recording and reproducing music.

Sound equipment in the years 70 and 80 of the twentieth century, shortcomings

Sound equipment has of course been around for over a hundred years. It all started with radios and later on record players were added. Anyone who could afford it also owned a reel recorder. The cassette tape, invented by the Dutch company Philips, came onto the market in the 1970s. Affordability and reliability increased, also due to the invention of semiconductors.

From around the end of the 1970s, a certain standardization in the shape and dimensions of audio components. In the 1980s, many living rooms had a so-called hi-fi set: that is a stack of components from the same manufacturer where the front plates were tuned to each other and the stack usually consisted of an amplifier, tuner, cassette deck and record player, and of course a pair of passive speakers. The amplifier was usually an integrated model, but sometimes there was also a separate pre and power amplifier. The whole was in a matching cabinet of chipboard with a glass door and a glass lid. At the bottom there was room for LPs and / or cassette tapes. The IR remote control had yet to be invented. The amplifiers from that time were often equipped with VU meters. That gave a kind of professional appearance and buyers were apparently sensitive to this appearance.

The equipment from that time , more specifically the amplifiers, had roughly two disadvantages.

First, the noise level was so high that noise was usually noticeable, especially with good headphones. The noise level of amplifiers was not really a problem because the connected sources, ie record player, tuner and cassette deck had an even higher noise level. This changed with the arrival of the CD player. After all, a CD player has a much lower noise level and the result was that the noise level of the amplifier was much more prominent. At a rapid pace, the noise floor of amplifiers was pushed down in the late eighties and early nineties. A modern amplifier, also a budget model, has no noise, or at least not disturbing, and that was different in the sixties and seventies.

Second the components in the seventies and eighties might have looked nice and were sometimes well built, but the lifespan and trouble-free operation left much to be desired. Potentiometers (volume control, tone control, balance control) started on average after a few years of cracking. Source selector buttons had considerable crosstalk and sometimes contact problems after several years, resulting in channel inequality or annoying cracking. Loudspeaker connections were designed as spring-loaded tabs that could just hold a table lamp cord. The user could often choose between speaker pair A and / or B, but the power to the speaker buttons on the front sometimes ran through relatively small switches, which could also crack after a few years. Silent toroidal transformers were a rarity. Signal paths were more than once unnecessarily long and not well thought out and we can go on and on. Perhaps unnecessarily, of course it was possible to enjoy music. It might just be what you’re used to.

Besides pushing the noise floor down, these problems were also addressed later. Signal paths became shorter. Source selection buttons usually no longer carry a music signal, but control a dedicated relay (and this relay can also be controlled with an IR remote control). Loudspeaker connections were made much heavier, even with cheap amplifiers. And speaker selector buttons no longer had to process high current. This has increasingly been left to a relay with gold-plated contacts and gold-plated contacts are known to increase the transition resistance much less quickly with time than with a normal copper contact. Well-built gas-filled relays with gold-plated contacts are practically indestructible. A silent toroidal transformer has become increasingly the norm, also in budget amplifiers.

We seem to be a bit off wander. Why do these thoughts come up suddenly? Enter the AS 3200, the largest of a set of three new integrated amplifiers from Yamaha.

Yamaha AS 3200: retro appearance with modern technology

Before we Listening to music, we look at the technology of the AS 3200. After unpacking, we take a look at the exterior and the manufacturer’s specifications.

After the AS 3200 is connected, it will turn on. We hear a number of clicks in succession. These are relay clicks. On the front a small rotary knob is placed to choose between speaker pair A and / or B. Turning the knob causes fat clicks under the cover. At first hearing Yamaha has placed heavy speaker relays. So there is no music signal over the small button on the front. When we turn the source selector, we also hear the necessary clicks. The delicate music signal does not run over the rotary knob itself, but the rotary knob controls the underlying relays. The device is heavy in relation to the specified power. The two pairs of brass speaker connections, which are suitable for banana plugs, forks and bare wire up to a diameter of six millimeters, are among the heaviest ones we have seen in recent years, especially in this price range. Under the hood is a toroidal transformer that is supported by four smoothing capacitors of each 22. 000 uF.

The AS 3200 is equipped with a tone and balance control consisting of three rotary knobs. When the appropriate knobs are in the center position, tone and balance controls are bypassed and thus have no effect whatsoever on the signal.

Yamaha AS 3200: Analog circuits only

The entire signal circuit is fully balanced and the AS 3200 has two pairs of XLR inputs. In addition, four cinch inputs are available and a turntable input that is optionally suitable for mm cartridges or mc cartridges (selector switch on the front panel). Then there is also a power amplifier input with which the AS 3200 can be included in a larger system where another device takes care of the volume control. And the installed pre-amplifier output can be used to drive another power amplifier or an active subwoofer.

Completely in line with the amplifiers from roughly thirty years ago, the AS 3200 has no digital circuitry or entrances on board. A user will therefore have to connect a separate DA converter or streamer to be able to process digital signal.

The lack of streaming functions has an advantage. The user does not have to accept terms of use and cannot be spied on. Streamers have the annoying quality of being dependent on software and software updates, just like computers. The AS 3200 cannot suffer from updateritis because it has no software on board. Streaming functions cannot fail or be “improved” against the user’s wishes. The lack of a streaming platform is not a disadvantage; it is an advantage because it makes the AS 3200 future-proof. The AS 3200 has no aging-sensitive features on board.

Of course, a streamer is handy and offers a large well-stocked or perhaps endlessly full jukebox that can be operated from the couch. Streamers can no longer be ignored in the current audio landscape. The user of the AS 3200 can install a streamer / DA converter on the Connect AS 3200. Chances are that the streamer will age faster than the AS 3200. If the streamer needs to be replaced, the AS 3200 can remain.

Yamaha AS 3200: Modern Analogue Amplifier

In summary down that the AS 3200 at first glance is very reminiscent of the amplifiers of thirty to forty years ago. The appearance will evoke a nostalgic feeling in enthusiasts. But that’s just the looks.

When it comes to build quality, the AS 3200 completely broken with the past. The build quality it is nothing like the devices of the past. The AS 3200 has a negligible noise floor. All connections on the rear are of exemplary quality, especially the speaker connections. The power supply is of a much higher build quality than was usual in the past. Music signal and loudspeaker power no longer run over small crack-sensitive buttons. Finally, Yamaha supplies a nice IR remote control with the AS 3200. The earlier amplifiers with VU meters did not have that.

Oh, and who bothers to VU- meters, can turn off the VU meters of the AS 3200.

Let’s take a look at the specifications of the AS 3200, we’ll put it in the test environment and then we’ll do what it’s all about: listen to music.

review:-hegel-h95-sounds-better-for-the-same-price

Review: Hegel H95 sounds better for the same price

With the slim H 95, Hegel presents an accessible amplifier that can do a lot and yet is not overly complicated. Minimalistic in appearance, perhaps, but certainly not in terms of sound quality or possibilities. The recipe is recognizable from the high-end Hegel’s, but consistency is at the heart of the success of these smart Norwegians.

Hegel has recently come out with great amps that are nothing short of groundbreaking. The H590 , H 390 , H 190, Â H 120 Â and H 90 are all devices that leave little or no stitches and excel in sound quality in their quirky Norwegian way. But what if your budget does not allow for say 6. 15 euro to spend for a nice H 390? Or you simply don’t need such an immense power plant? Then there is now an update for the valued H 95, the cheapest of Hegel’s integrated amplifiers. Pay attention in the store, because it may not be noticeable at first. The appearance is completely the same and â ???? you don’t often experience that nowadays â ???? the introduction of a new generation is not accompanied by a price increase.

This new H 95 is thus again an amplifier with a relatively accessible almost 1. 700 – Euro price point that actually already provides ninety percent of the big boys’ Hegel experience. If you know the brand, you know exactly what it means. After all, Hegel believes in a clear story that is correct for all its devices, from entry-level to top model. Think how BMW retains its design language across all models â ???? but even more consistently. It is always clear what the Oslo brand stands for: interior-friendly minimalism, excellent sound quality delivered by its own Class AB technology and streaming options that are above all practical. In this case via a compact device that takes up little space and requires little attention in your living room.

Typically Hegel The H 95 is the smallest in the Hegel family of integrated amplifiers. Strictly speaking, that junior label is correct, but at the same time it is also a bit unfair. With its 2 x 60 Watt power (at 8 Ohm), this is really a serious hi-fi amplifier, equipped with the solid hardware platform of its big brothers and a substantial power supply that you need if you are going to play truly dynamic music. But to find out you would have to dive under the hood, because the nature of the beast is to convince with performance â ???? not to show off specifications or marketing blah.

Hegel has a contemporary take on hi-fi that differs from other high-end brands. You are given the choice. The Norwegians allow you to walk the high-end path and connect your own source devices to build an entire system. You can build a turret, if you wish. Or you can use the built-in streaming options â ???? and there are quite a few â ???? to listen in high quality without the need for many extras. That focus on ‘less is more’ has always been an important part of the Hegel philosophy, but with the H 95 the story is just a bit more true. This is really an amplifier that can gracefully stand in or on a TV cabinet, without necessarily wanting to be a design statement.

The slimmer housing finished in the characteristic matte powder coating and with a slightly curved front panel made of high-quality plastic, we feel it fits very well in a modern interior. Those are those Scandinavian roots, we think. A minimum of buttons â ???? two to be exact, volume and source selection â ???? and no led lights reinforce the humble approach. This also includes the centrally placed OLED display where things like the volume level and source are shown, with white letters on a black background. It has just enough information that you can easily read even from three to four meters.

The overall impression that you get from the H 95 is one of tranquility, not of technological brilliance. That means that this device also works well with a wall-mounted TV with very thin screen edges, for example. Just like a modern TV discards itself so that only the image is central, so wants the H 95 especially music. Blue VU meters or a large touchscreen with colorful album art are not part of that.

Not just streaming Integrated amplifiers are now with streaming built-in now not so uncommon either. Still, Hegel was one of the first to focus heavily on streaming and has now completely refined the all-in-one concept. In doing so, the company always made sure there was a choice between high-quality streaming and streaming options that were just usable for every family member. Not only the audiophile on duty wants to listen to music, after all. Hence the presence of AirPlay and Spotify Connect at the H 96, two options that other hi-fi brands often foresee, but still quickly portray as inferior. It may be (and you can argue about that), but the majority of people just listen through these two popular options; it is therefore interesting that the AirPlay function has also been tinkered with to make it sound a bit better than the standard implementations that are â ???? off the shelfâ ???? purchased and built in.

It may also seem strange that Hegel continues to swear by DLNA / UPnP, a streaming technology that is a bit older. Not everyone is a fan of it, but with the right player app, it’s a great way to play your own music files. Some apps, such as BubbleUPnP on Android or mconnectPlayer on the iPhone / iPad, also allow streaming via DLNA from Tidal or Qobuz. Hegel itself does not provide an app to do this, because the Norwegians think that hi-fi companies that build apps often do this badly because it is simply not part of their core competencies. If you then look at what is already available in terms of apps, that is not bad. Which is 6, 99 euros for say mconnectPlayer HD ultimately a small investment, especially if you then get an app that works well. There are also apps that do it for free.

At the back the H 95 you will discover a very clean rear panel, with a central role for the large speaker terminals. On the left you will find two pairs of analog inputs (plus a line output for a power amp or a sub), on the right five digital inputs (1 x coaxial, three optical inputs and a USB class B). Hegel himself speaks of six digital inputs, because they count the Ethernet connection as an input. WiFi is not available, because Hegel founder Bent Holter thinks a wireless module is a potential source of interference. Bluetooth is present for the same reason; adding it is easy with a box like the Zen Blue from iFi Audio.

Major update The analog hatch of the H 95 is not very different from the H 90, that’s what Hegel says. After all, the H 90 was already equipped with SoundEngine2, the latest generation of Hegel’s proprietary feedforward technology to take distortion out of Class AB amplification. During a visit to Bent Holter’s Hegel offices in Oslo last year, we got an extensive explanation about this innovative technology, read it here if you want to know more or SoundEngine2 (and more). Also the damping factor of 2000: 1 is the same as before, providing immense control over the connected speakers. You can also discover more about this aspect in the article that we link above.

The big improvements on the H 95 are included with the DA converter part, which is derived from the much better DAC that in the H 590, H 390, H 190 and H120 is built around a chip from AKM. Hegel does not say which chip is correct, but we suspect that it is a model from the Velvet Sound series. That may explain in part why we love the tone of the recent Hegel amps.

Hi-res files can be can be delivered via all digital inputs, but there is a difference between the USB class B port and the other digital inputs. Over an optical or coaxial cable, PCM audio is up to 24 – bit / 192 KHz welcome , via USB the bar is slightly lower at 24-bit/96 KHz PCM. This is a major distinction from the more expensive integrated Hegels, which (in the case of the H 390 and above) can also handle DSD and MQA audio.

Made more sustainable The H 95 is Hegel’s last amplifier to a new platform is brought. That means several things, like the new DAC and the switch to SoundEngine2 (but as we already mentioned: SoundEngine2 was also there with the H 90). But another advantage is that this new Hegel generation has just become a bit more sustainable. Making updates is now much easier over the internet. With other types of CE devices (such as AV receivers) this has been normal for some time, but with hi-fi amplifiers the concept of a firmware update is still a rarity. This is understandable in some way, because an amplifier does not necessarily have to run software. However, that is different with an all-in-one device like this H 95. The many streaming options on board sometimes need an update to keep up with the latest evolutions. We understand that the AirPlay function in the H 95 will be brought to AirPlay 2 in this way. In terms of playback via the AirPlay technology that should not change much, but thanks to version 2 you will be able to group the Hegel amplifier during playback with other AirPlay speakers that â ???? for example â ???? in the kitchen and dining room. However, the upcoming Roon update for the higher Hegels will not be available for the H 95.

Against a black background For our test, we remove the KEF R3 speakers from the storage space. In terms of price point (799 these sturdy upright speakers fit with the innovative UniQ driver excellent at Hegel, but also in character. We also know this from a previous review of the Hegel H 190, when we also combined that higher model with the R3 speakers. Hegel is distributed in the Benelux by KEF / GP Acoustics, and that is no coincidence. The two brands match well, although other combinations are of course also possible. With a set of DALI Rubicon 2’s for example, which resulted in a slightly warmer but perhaps also a little less tight rendering. Oo I have listened to that combination with pleasure for a long time, to return to the KEFâ € ™ s with their beautiful integration of the middle and high.

Besides some speaker cable to connect the speakers to the amplifier, you basically don’t need anything else to play music from the H 95 to get. After all, streaming is built in, remember? Nevertheless, we chose to connect a turntable (a Project X1) with the Primare R 15 – phono preamplifier as a helper in between and a Volumio Primo streamer that we connect to the USB class B port on the Hegel amplifier. This Italian-made box is a convenient way to supply the highest quality digital stream to the Hegel DA converter. Admittedly, in the end you will listen to one particular source very quickly during testing, but it is good to include all input types.

That you get far with a baby Hegel and that the Norwegian brand always delivers what it promises, we notice when our test playlist in Roon comes out at â ???? Hyper-Ballad (Family Tree Version )a???? from Björk (CD quality via AirPlay and Roon). The R3â € ™ s send those low bass tones into the room nice and fat, quite an achievement because they also effortlessly put down the voice of the Icelandic and the faster, higher beats. That can only be controlled as speakers tightly, something with this track but a little later with â ???? Manitoumaniâ ???? of French techno superstar -M- is clearly the case. That absolute control is what the Hegel amps always excel at, which will definitely appeal to electronics enthusiasts who love rousing tracks. Due to the perfectly timed playback on a totally silent background, the feeling of speed is always maintained, which is of course also nice with quiet electronics genres, such as the new â ???? Articulationâ ???? – album by the ambient lovers at Rival Consoles (24-bit/96 kHz via DLNA) where the H 95 in most tracks effortlessly playful synth melodyà Dance in a large space around an underlay of inexorable deep beats.

And completely different genres? They also benefit from the qualities of the H 96. The â ???? Overtureâ ???? from Maurice Jarre’s beautiful soundtrack to the David Lean film classic â ???? Lawrence of Arabiaâ ????, in 2011 re-recorded by the Prague Philharmonic Orchestra (CD quality via Qobuz and DLNA), is a kind of musical summary of the whole film and the life of the eccentric desert Briton. That makes it very dynamic, with rapid changes between romantic, slow pieces with an Arabic theme, bombastic explosions of orchestral sound in which timpani provide drama and even military marching music. Interesting to know: if this film is shown as intended by Lean, you will hear this Overture without a picture, in complete darkness. In our listening room, we leave the lights on anyway, and note that the Hegel amplifier always switches smoothly, no matter how difficult it gets. Despite its modest power, Jarre’s masterpiece is rendered grand and with a lot of impact, and not exactly at low volume. Which in turn strengthens our belief that a label like “baby-Hegel” ???? really does not fit with this small but potent amplifier.

It is of course a shame that there is no phono input on the H 95 is present, although this is a typical Hegel choice. You should not put a phono preamplifier in the housing, that seems to be the philosophy of the Norwegians. Fortunately, this can be solved quickly with a separate phono amplifier or with a record player with the necessary built-in. When the doorbell rings and the postman throws in the new album of Irish punk rockers DC Fontaines with perfect timing, we gladly take the opportunity to put the disc on the X1 immediately. The group is a bit of a hype phenomenon and you have to love that Dublin accent, but there is little criticism in terms of recording. The Pro-Ject with its own cartridge introduces a bit more warmth than when we stream this album, but that’s no problem. Since the Hegel’s naturally add little color, it is not as bad as a source does. Depending on your taste of course.

Conclusion De Hegel H 95 is a leader in its class, an Integrated amplifier with excellent streaming options, an excellent DAC section and a clean sounding amplifier hatch. It excels in control and power, so you can control quite a few speakers well with this interior-friendly entry-level model from Hegel. Do take your time to find a good match with speakers. Because the Hegel amplifier hardly adds any color, you get to hear the real character of your speakers.

Hegel H 95

1. 695 euro | Â www.hegel.no

Rating 4.5 out of 5

review:-sonos-arc-soundbar

Review: Sonos Arc soundbar

Sonos has launched a new premium soundbar this summer that should be the successor to the Playbar and the Playbase. The new Sonos Arc comes with HDMI and has extra overhead speakers to display Dolby Atmos. We have examined the newcomer extensively in several living rooms.

Trendsetter Sonos You may think of Sonos what you want â ???? in the hi-fi world, opinions are divided, to say the least â ???? but the brand is objectively leading in certain areas. In terms of support for music services, for example, and also in terms of ease of use. Other brands have now caught up; setting up an audio device via Google Home is also very easy. But still, the Sonos app makes it very easy to set up the Arc. If you already have other Sonos devices at home, you will be around quickly anyway. If the Arc is your first Sonos, it will require a few more steps. Also linking music services is done in no time.

The Sonos app provides support for just about any music service you can think of â ???? and some of which you have never even heard of. Rivals such as Bluesound are doing their best, but Sonos definitely keeps its lead in that area, thanks in part to the presence of Apple Music and YouTube Music in the app. Incidentally, with Sonos you also have the unique choice between using Spotify within the Sonos app or operating Sonos speakers from the Spotify app. You also have the same choice with some other services, including Tidal. You can play your own files, and recently even hi-res. Or yes, the bar in terms of hi-res is very low: ALAC or FLAC in 24 – bit and 48 kHz. People who care about hi-res formats won’t really care much about this, but they better just look at alternatives like Bluesound, Denon HEOS or Yamaha’s MusicCast.

Equally strong is the multiroom hatch at Sonos, so you can play the same songs simultaneously on the Arc and other Sonos speakers in the house. Or each family member can play a different playlist in their room. It’s also practical that everyone in the family simply has to install the Sonos app to access all the speakers. There is some criticism here and there, but actually it just works very smoothly and is completely clear. We have to make a side note: since the introduction of the S2 app, the Sonos universe has been divided in two. Where you used to be able to operate any Sonos device in the Sonos app, that is no longer the case. Older devices should be controlled via the S1 app, the newer devices should actually be controlled via the S2 app â ???? and it is one or the other. In a situation where you own older and new Sonos devices, it means that you can no longer put all speakers in one group. More about that you can find this article.

Sonos Trueplay Trueplay has long been a unique feature in the soundbar landscape. That is no longer the case, because more and more sound bars are getting a room correction function. But what exactly is that? With Trueplay you take a measurement to discover the acoustic properties of your room. The Sonos Arc will use that data to adjust the sound so that it is more balanced. You have something similar with AV receivers, but Trueplay is less sophisticated (and therefore easier to use). You don’t really have to understand what it does: just follow the instructions in the Sonos app, which are presented via a clear video. It doesn’t take long either: first measure in the couch for a minute, then you have to walk across the room for another minute while a test tone plays.

Then the app will calculate a filter that adjusts the sound. In our experience, it is certainly worth trying Trueplay at the very least. You can always turn it off if you don’t like it. Also, don’t forget that the Sonos app offers a simple equalizer that allows you to adjust the treble or bass.

The biggest stumbling block with Trueplay is that it can only be set up via an iOS device. Do you only have an Android device? Then you can’t use it. That’s because only Apple devices consistently contain the same microphones with the same characteristics, allowing Sonos to correct its software for the microphone properties.

eARC: necessary or not? Just like with the smaller Beam and the older Playbar, you won’t find an abundance of inputs at the Arc. Where high-end soundbars usually have several HDMI inputs to connect peripherals such as game consoles, here you will only find one HDMI connection to establish a connection with the television. The intention is clear: you hang the Arc on your TV screen and connect external video devices (such as your digital TV decoder) to the TV itself. Since the Arc supports the new eARC standard, even an audio bitstream from an Ultra HD Blu-ray player will be sent from your TV set to the Arc. The condition is that your television also supports that eARC standard, which is only the case with very recent devices. After all, eARC is the successor to HDMI-ARC (Audio Return Channel), the technology that allowed the TV sound to go to a soundbar over an HDMI cable. However, HDMI-ARC had its limitations (such as the inability to transport uncompressed surround and sometimes fickle behavior), so eARC was invented. eARC has a much higher bandwidth and can therefore transport Dolby Atmos in the highest quality.

So eARC is necessary to enjoy Dolby Atmos? Not quite. There are two versions of Atmos: based on the compressed Dolby Digital Plus and based on Dolby TrueHD. The first variant is used by streaming services such as Netflix (because it requires much less bandwidth), the second can be found with (Ultra HD) Blu-ray discs.

eARC is without a doubt the future, but if you own an older TV you may not be getting an Atmos stream from an external player at the Arc. Is that important? It is if you indeed want to watch films that are on physical discs and have an Atmos soundtrack. Sonos, however, is betting that more and more people in the future will arrange their TV evening via Netflix, Disney + and similar services that live on the TV itself via an app. It kind of resembles the gamble Sonos made many years ago on music; the company was one of the first to bet almost entirely on streaming services. Now the company does the same in terms of film sound. support through Netflix. In all other cases you will experience a more limited surround. In itself, the Arc does not do bad with 5.1 content, although we are sorry that Sonos does not provide that 5.1 will be upgraded to Atmos level. As a result, Arc’s parent speakers are hardly used when you listen to 5.1 or stereo, which you also notice when you compare an Atmos soundtrack with other content. Sonos itself says that the upmixing was viewed but that the designers thought the result sounded too artificial. It is their right to find that, but it does mean that the Arc only really performs optimally in specific circumstances. So you have to check carefully that your TV and how you watch film fit the Arc.

A complex story So there are some preconditions when using the Arc. The soundbar always works, even if you watch a TV broadcast with only a stereo track. At that moment you will already experience a nice upgrade compared to typical built-in TV speakers, although we were not in our chair at such a moment. The Arc performs with the 5.1 soundtrack included with the second season of “The Umbrella Academy”. being served is fine in some areas. During the climactic battle, in which hundreds of Commission assassins â ???? With or without rabbit, frog or other animal head – storming the dysfunctional family members hiding on a Texas ranch, the Arc conveys the raw action well. Dialogues are well separated from the hectic sound effects, allowing you to follow the verbal stitches between the brothers and sisters. Sonos has paid a lot of attention to the center channel, both in terms of intelligibility and placement. The soundbar is located just below a wall-mounted TV and the voices really seem to come out of the screen â ???? exactly what you want.

Music reproduction is what Sonos is doing first and foremost, which gives this soundbar an edge compared to many competitors for gives. The accompanying tracks â ???? and this second season of the Umbrella Academy has more crazy covers of well-known songs than ever before â ???? are put down well. Also striking is how mature the bass reproduction of the Arc is, especially since we are listening without a separate wireless subwoofer. The Trueplay feature does prove its worth. Without Trueplay the low fat organ sounds of Hans Zimmer dominate in â ???? Interstellarâ ???? huge in our living room, but there is a little more balance. Enabling Trueplay is therefore highly recommended, but you do need an iPhone or iPad for it. Or for the initial measurement; then you can enable or disable the function on an Android device.

So the Arc sounds far from bad with 5.1 audio, although we are not sure that the soundbar is currently 899 is worth euros. That belief only comes when you actually receive Atmos, in our case it was delivered via the Netflix app (and a number of other services) on a 55 – inch C9 OLED TV. Then all eleven speakers in the Arc have their own role to play and you will be presented with a wide and detailed surround field. Height channels add a surprising amount to the sense of realism, especially when used correctly by the filmmakers.

It is true that the Arc â ???? like more Atmos soundbars â ???? only two height channels in the front, while an expanded home theater has four or more speakers in height. As an ordinary viewer, this is not immediately noticeable, although it does make some effects really stick to the front of the TV. If a sound effect moves through the room from front to back, you will not experience the correct effect. But this is of course something that you will experience with more sound bars.

One of the better sources for movies with Dolby Atmos is Disney +, where you can find all Star Wars and Marvel movies. with a 5.1.4 soundtrack. Unfortunately, there are a few that are a bit faded in terms of dynamics, but â € Captain Marvelâ ???? is not one of them. Take our heroine’s fierce re-entry into Earth’s atmosphere straight into a video store, or later at the dogfight. In both scenes, sound effects are placed relatively accurately to give the sensation of speed, each ending in a crash that echoes loudly across the room.

As an action enthusiast, you may be satisfied. Movies and TV series with Dolby Atmos can be found again recently at Amazon Prime Video, after the service shut down Atmos streams for a while due to increased network demand during the spring corona peak. The Jack Ryan own production is one of them, a spy series based on the well-known character from the Tom Clancy books, just like the gritty fantasy series “Carnivale Row”. Where with the former the Arc sporadically provides just more immersion (especially with action scenes), it is especially with Carnival Row that the Sonos soundbar contributes a lot to creating atmosphere. The many street scenes radiate the noise of a city widely, almost â ???? but just not â ???? enveloping. Compared to a lot of Atmos sound bars, the Arc knows how to convince, although it still reproduces one enveloping 3D sound field quite a tough task for a soundbar. Thanks to the overhead speakers, there is a lot more depth in the sound image than with a classic soundbar.

Better experience with more speakers An asset at Sonos is that you can use two extra speakers to be enveloped by sound. You have that option with more and more high-end soundbars, including LG and Samsung, the difference with Sonos is that you can choose from different speaker models. You can actually use any Sonos speaker for this, as long as you have two of the same models. The cheap Ikea Symfonisk speakers are also suitable, which makes the upgrade quite affordable. In our opinion, the preferred choice is a set of One SLs.

In the same way, you can also expand the Arc with a Sonos Sub. The company has taken a smart approach: if you add a pair of speakers at the back of the room and / or a Sonos Sub, the Arc will adjust the playback via its built-in speakers. You will hear this immediately when you switch the extra speakers on / off in the Sonos app. The difference is night and day. The most impact is the addition of two rear speakers. That allows you to take a big step towards enveloping surround sound, which a movie lover will really appreciate. The Sonos Sub that we had at our disposal was less convincing. Not because the subwoofer is bad in itself, but because the Arc needs it much less quickly than the Beam or the Playbar. In a typical living room, the Arc will be able to handle it itself in terms of low reproduction, although a Sub will of course provide a lot more spectacle.

Conclusion

The Sonos Arc is a strong successor to its beloved predecessors. On its main plus points â ???? playback of Dolby Atmos, versatility in terms of streaming and excellent support for your movie experience â ???? the crown prince of the American streaming audio giant scores excellent, certainly given that almost 899 centimeter long rod under your television is less than 9 centimeters high. The Arc enjoys the Sonos ecosystem and comes at a great price for all its tricks, especially as a stand-alone competitor in the crowded market of scrabble word television sound enhancement alternatives. Although in our opinion you will quickly end up with the addition of a Sub and two Sonos rear channels for better home cinema work.

In addition, the Arc can handle more than the lion’s share of video content actually has to offer; only a small part of the Netflix offer, for example, has a Dolby Atmos mix. And not every television can handle that just like that. So make sure you have suitable hardware.

The fact that Trueplay is still reserved for iOS remains a downside. At the same time, if you spend 900 euros on a soundbar, you can probably get a good Get a glass of wine or a specialty beer for that friend with an iPhone, because actually setting it up via Sonos Trueplay takes less time than pronouncing Lagunitas India Pale Ale.

Sonos Arc

899 euro | Â www.sonos.com

Rating 4 out of 5