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How much do you care about having a great screen?
That, really, is the only question that matters with the new 12.9-inch iPad Pro. It has a new kind of display so good I think it is the best thing for watching movies that isn’t a high-end television. It starts at $1,099 for a 128GB version, but increased storage and accessories like a keyboard or the Apple Pencil can shoot the price up fairly quickly.
Both the 12.9 and the smaller 11-inch iPad Pro (which starts at $799) feature Apple’s M1 processor and some other updated specs, all of which are excellent. But even that fancy processor — the same as you’ll find in the new iMac, MacBook Air, MacBook Pro, and Mac mini — doesn’t fundamentally change the story of what the iPad Pro is and what it can do.
It is an iPad, after all.
But the 12.9-inch version of the iPad Pro is an iPad with a very beautiful display. And so again, the question is what that screen means to the experience of using an iPad, especially since the price has jumped $100 compared to the last model. How much do you care about having a great screen?
Here is a very brief, wildly incomplete, and necessarily oversimplified education on flat panel screen technology. (Chris Welch has a longer one.)
There are two basic types you usually see, LCD and OLED. Both have pixels that combine red, green, and blue subpixels to create colors, but in order for you to actually see those colors the display pixels need to be lit up. OLED pixels are self-lit; LCD panels light up the display pixels by putting one, several, or many LED backlights behind them.
The benefit of LCD panels with LED backlighting is that they’re relatively inexpensive, long-lasting, bright, and unlikely to burn in. The benefit of OLED is that the black pixels are not lit at all, meaning you get superb contrast, but they are relatively expensive and don’t get as bright. Each technology’s strength is the other’s weakness.
Mini LED, the technology powering the 12.9-inch iPad Pro display, is designed to bring the LCD panel as close as possible to OLED’s contrast and black levels. Its display pixels are not self-lit, but instead lit from behind. The trick is that they’re lit by 10,000 tiny LED lights split up by software into 2,500 local dimming zones. It’s almost like the backlight itself is a lower-resolution screen behind the screen, tracking the image and making sure the black parts of the picture aren’t lit up.
I would never call the display on the 11-inch iPad Pro bad, because it’s a stellar display. But because it uses a more traditional LCD backlight system with fewer dimming zones, you can see that the blacks are actually just a little gray. On the 12.9-inch version, Mini LED lets blacks be truly black, offers a high contrast ratio, and can also get very bright.
Apple is calling this screen the “Liquid Retina XDR display.” And it has all the benefits of Apple’s previous iPad Pro displays: it’s very high resolution, color-accurate, and it has fairly good viewing angles. It supports ProMotion, Apple’s term for a variable refresh rate to increase smoothness and match the frame rate of videos. (“Liquid Retina,” as far as Apple has ever told us, refers to the Apple-specific method of making round corners on an LCD.)
The funny thing about the 12.9-inch iPad is that it is very easy to miss the benefits of Mini LED in normal day-to-day use. At first you don’t see it.
Sure, there’s great contrast when you’re browsing the web, texting, playing games, and so on, but really it’s not very different from any other iPad. Apple still limits the max brightness in most scenarios to 600 nits, which is bright enough but not eye-popping (the iPad and iPad Air max out at 500 nits).
The magic kicks in when you are viewing videos or photos in full-screen. When you do that, the iPad Pro kicks into a different HDR mode (or in Apple’s parlance, XDR, for “Extreme Dynamic Range”) that really is stunning. The overall max brightness of the screen jumps up to a powerful 1,000 nits and peak brightness for certain lighting can hit 1,600 nits.
You don’t see it until you see it — but then you see it.
The joke I’ve been telling people is that the display is so good that Tenet actually makes sense when you watch it on this iPad Pro. HDR content is incredible on this screen. I am not a display quality enthusiast, but this screen is functionally equivalent to a high-end OLED TV to my eyes, especially in a dark room.
If you are also not a display quality enthusiast, you might be left unimpressed with descriptions of nits and contrast ratios. I get it, but there are intangibles to the screen that I struggle to describe and have struggled even harder to capture in photos and video. For example, some colors just look better and more accurate to me, especially textured yellows. It just does a better job showing fine detail in situations where dark and light elements get mixed together, like with hair or a building reflecting sunlight.
The display isn’t perfect, of course. If you run a local dimming test you will see blooming on brightly lit pixels against a black background. I only noticed this when running tests that are specifically designed to surface blooming, though. In regular use, everything looked great, sharp, and evenly lit across the entire screen.
There was one odd bug I experienced. Putting either the Kindle app or Apple Books into dark mode and viewing them in a near-pitch black room, I noticed a strange gray haze around all of the text blocks. It’s too big to be blooming; it’s more like the local dimming algorithms got a little confused. It’s a minor thing that I hope gets fixed.
For me, the quality of the display when watching video on the 12.9-inch iPad Pro is impressive, but it’s also not at the top of my list of priorities when picking a computer. I care a little more about portability, weight, and — yes — functionality.
So let’s talk about that M1 chip.
What does it really mean that the iPad Pro now has the same chip that powers Apple’s latest Mac computers?
It does not mean that iPads will be able to run Mac apps now. While Apple is happy to let the Mac run iPad apps and generally let you do whatever you want on it (except touch the screen), the iPad Pro continues to be a more, shall we say, curated experience.
One interesting consequence of the M1 is that for the first time in the history of iOS devices, Apple is publicly disclosing how much RAM these devices have. It’s 8GB on models with 512GB or fewer of storage and 16GB on models with 1TB or more. Whether or not that’s actionable information is another matter.
The M1 is obviously fast, and in benchmarks it’s faster than the last A12Z Bionic that Apple put in the previous iPad Pro models. But in my usage, I didn’t actually perceive any speed improvements in any of the apps that I use — because everything was already very fast on the iPad Pro. I got the exact same export speeds in Premiere Rush on the brand new 12.9-inch iPad Pro with the M1 as on my 2018 iPad Pro.
Both the RAM and the M1 processor are specs that won’t make an appreciable difference to the vast majority of iPad users. They’re specs that will matter to certain “pro” users who have found specific apps and workflows that push the limit of what an iPad can do.
Apple touts soon-to-be released capabilities in apps like LumaFusion and AR effects, and I have no doubt that there are benefits for power users of those apps. For the rest of us, the reasons to get an iPad Pro are less about speeds and feeds and more about the overall experience.
Another consequence of the M1 is that the USB-C port now supports Thunderbolt accessories. In theory, that’s great. I plugged my iPad into my very fancy CalDigit TS3 Plus Thunderbolt dock and was gratified to see my monitor light up right away. From there, though, I ran into the same old iPad problems.
I have a USB microphone interface hooked into the dock, and for whatever reason I was unable to get any audio out of it on the iPad, just silence. I also tested out some admittedly old LaCie Thunderbolt 2 drives with an adapter and couldn’t get them to show up in the Files app. Oh and just to remind you: the monitor still can only mirror the iPad Pro — it can’t serve as a second display.
Similarly, the dock has an audio-out so it shows up as a speaker. On the Mac, I can easily change settings to let my computer know to play audio out of its own speakers since I don’t have anything hooked up to the dock for sound. Nothing doing on the iPad Pro — if there’s a setting that would let me move the audio back to the iPad’s own excellent speakers, I couldn’t find it. (Long pressing on the AirPlay icon in Control Center only listed the dock as an option.)
Seemingly every new iPad Pro inspires an admittedly exhausting but also necessary discussion about whether or not iPadOS is actually capable enough to justify the price of the hardware that runs it.
The M1 processor sharpens that discussion. To me, the biggest difference between the Mac and the iPad at this point isn’t the touchscreen, it’s Apple’s approach to the operating system. On the iPad, Apple would rather not offer a feature than have it work in a non-iPad way. That’s noble, but it means the company has committed itself to reinventing a lot of wheels in computing: files, peripheral support, multi-window interfaces, and all the rest have to be re-thought and re-done.
Sometimes that reinvention results in some genuinely great features. The iPad’s “windowing” system takes some getting used to and has its limitations, but it can be a joy to use and makes organizing your digital stuff a bit easier. The problem is that all that reinvention is taking a very long time — it’s been six years since the original iPad Pro.
One new invention I love is the Center Stage feature. It zooms and follows human faces to keep them centered in the frame of the iPad’s wide-angle front facing camera. It works in any video conferencing app without the need for setup and it performs very well, better than similar features on smart displays like the Echo Show or Facebook Portal.
I’d love it even more if the front-facing cameras on the iPad Pro weren’t still in the wrong spot when attached to a keyboard — off to the side instead of centered on top. It’s great that the camera can keep my face centered in frame, it’s not so great that I am literally giving my coworkers the side-eye because I’m looking off to the right of where the cameras are to see their faces.
One more note: Apple has said that the original 12.9-inch Magic Keyboard “may not precisely fit when closed” as the new iPad Pro is slightly thicker. But when I tested it, I couldn’t discern any difference between the fit on the original and the new, white Magic Keyboard. Both worked — and closed — fine.
In any case, set aside the “What’s a computer” argument and let’s be more pragmatic. A 256GB 12.9-inch iPad Pro with a Magic Keyboard costs $1,548. A 256GB MacBook Air with the same processor costs $999. And just to be realistic: most people can get more done on the Mac than on the iPad. Taken strictly as a work machine, the Mac wins out on both price and functionality.
That includes battery life, by the way. Both iPad Pros have good battery life, but it’s not significantly improved over previous iPads. And as many people have discovered during the pandemic, if you actually use the iPad for work all day (especially if you do a lot of Zoom calls), the iPad Pro can conk out in eight hours or less. The MacBook Air edges it out.
Last and certainly not least, Apple’s refusal to offer multi-user support on the iPad has gone from being mystifying to obstinate. The company clearly intends this to be a single-user device, despite the fact that it would theoretically make for an even more compelling family computer than the pastel-colored iMacs that share the same processor.
But to give Apple the benefit of the doubt here, if you’re looking strictly at the iPad Pro as a work machine, you’re probably missing the point. The iPad Pro is simply a more beautiful, more premium object than even Apple’s own laptops.
It’s easy to take for granted, but the hardware in this tablet really is amazing: Face ID, dual rear cameras that are quite good and paired with LiDAR, quad speakers with superb sound and decent volume, excellent microphones, support for the Apple Pencil, the best screen you can get on a portable device, and on and on.
The reason to get the iPad Pro 12.9 (or even the 11) is simply to get the best, nicest iPad. Unless you can specifically answer right now which app in your workflow is slowed down by the specs on a lesser iPad, the $599 iPad Air or even the $329 base iPad offer the same core features that most people really use.
Except for a slim minority of people, the justification for getting an iPad Pro isn’t its feature set, it’s the experience of using a well-made, high-end object. Until I hit the limits of iPadOS (which I hit regularly), I enjoy using an iPad Pro more than I do any other computer.
The wonderful Mini LED display on the 12.9-inch iPad Pro doesn’t change any of those equations, it just makes the nicest iPad Pro even nicer. And so my yearly refrain about the iPad Pro remains. If you want the very best iPad, this is the very best iPad.
(Pocket-lint) – A lot has happened in the world since the launch of the iPad Pro 12.9-inch in 2020, yet the need for us to work on the go is still an key factor for many people.
Apple’s 2021 iPad Pro looks to up the ante once again, bringing a new processor, a new screen, 5G connectivity, as well as improvements to the camera and elsewhere.
So, is this the year that the Apple iPad Pro will finally – yes finally – let you ditch the laptop altogether? We’ve been using the iPad Pro 2021 with M1 processor to find out.
Design gets heavier
Same design as 2020 model
Finishes: Silver or Space Grey
Dimensions: 281 x 215 x 6.4mm
Weight: 682g (Wi-Fi), 685g (5G)
Having launched previously with a much squarer design, which has since been adopted by the iPhone, the iPad Pro keeps an almost identical design to its previous offering.
For 2021 the 12.9-inch model is ever so slightly thicker than previous versions, thanks to new Mini LED screen technology, but it will still fit your previous cases (albeit snugly), including the Apple Magic Keyboard that launched in 2020.
Pocket-lint
That extra thickness also means it’s a bit heavier, with around 40g extra. While that’s not hugely noticeable over the previous version, it does mean that the Pro is getting heavier and heavier – which is something to bear in mind.
To put it in perspective, though, the 2021 Pro is actually the same weight as the original iPad from way back in 2010. And while no one will begrudge that this iPad is considerably more powerful, it’s interesting that all that tech, and batteries to power it, means that the days of a thin-and-light iPad have come to an end – well, certainly at the top-end of this market.
Why’s that important? Because it is no longer a slip-in-your-bag-and-not-notice-it device any more. Add in the Magic Keyboard – which is another 710g – and you’ve got a device that’s 1.395kg. That’s roughly the same as the company’s M1 13-inch MacBook Pro or many other Windows-based laptops – indeed it’s actually not too difficult to find sub-1kg laptops.
Display gets brighter
12.9-inch ‘Liquid Retina XDR’ Mini LED display
2732 x 2048 resolution (264ppi)
1600-nit peak brightness
120Hz refresh rate
The 2021 iPad Pro gets an updated display technology – called Mini LED – which makes it considerably brighter than older models. It’s a relatively new panel technology that’s only just making its way into the latest TVs.
What is Mini LED? The display technology explained
In the case of this 12.9-inch model that means over 10,000 LEDs are positioned behind the screen to create, at times, a much brighter display that is also more nuanced to what is happening on the screen.
Pocket-lint
The enhanced technology is instantly noticeable. The screen is physically brighter for starters, and has the ability to increase that brightness further depending on what is required. Previously the peak brightness was 600 nits, now that can go up to 1600 nits for those high dynamic range (HDR) moments.
While the average user will benefit from watching high-resolution content from their favourite streaming service – even the end credits of a movie look stunning – creatives will certainly enjoy the ability to see all that extra detail in their images or video, especially if they are working within the realms of HDR or Dolby Vision.
Combine that with the Pro’s usual array of screen tech – such as P3 wide colour gamut, ProMotion (120Hz refresh rate), and True Tone – and you won’t find much to complain about when it comes to the screen.
What is Apple’s True Tone display?
Front-facing camera gets more intelligent
Improved front-facing camera: 12-megapixel, 122-degree field of view
New ‘Center Stage’ technology (for subject tracking)
If you’re like us, you’ll have spent a lot of time in 2020 on video calls talking to colleagues, friends, and family. So for 2021, the iPad Pro celebrates video calling by adding a new front-facing TrueDepth Camera.
It’s unique to the iPad (at launch anyway – we suspect that will change in the future) and for the most part you won’t notice that it’s ultra-wide. That’s because of a new feature Apple has introduced specifically for the iPad Pro: Center Stage.
Pocket-lint
No doubt inspired by devices like the Facebook Portal and Amazon Echo Show 10, the idea is that the front-facing camera can now follow you as you move about so you’re always “centre stage”.
By cropping into the captured image to deliver the same image crop iPad users are used to, nothing physically moves within the iPad itself. Instead Applehas opted to emulate that movement by digitally cropping in on the image as it follows you.
The feature, which works just as well in Apple FaceTime as it does in Zoom and other video calling apps, can be fun, but it can become jarring.
Anything with a head and shoulders is automatically picked up and the frame will resize to fit them in. Add more people and the feature zooms out to make sure everyone is in the frame. That’s fantastic for a family catch-ups with the kids trying to jostle around the iPad Pro screen, or for ensuring you’re fully in the shot.
The 122-degree viewpoint is wide enough to catch most of you, wide enough to track you around the room, and wide enough to still move if you’ve stepped some distance from the camera (we got to around 5 metres away).
Where things get tricky is if you move around when using it and the iPad Pro is stationary on the desk. Not because it doesn’t follow you, but because of the fluidity to the follow. You move and the camera slowly moves with you.
Pocket-lint
The resulting affect is as if Apple has applied a Ken Burns effect to dramatise your video call. Or, as we found when being fairly close to the camera, it looks a bit like being on a boat and bobbing up and down with the tide. It can, at times, be very nauseating.
Best tablet 2021: Top tablets to buy today
By Britta O’Boyle
·
However, go hands-free and the technology helps stabilise your movement – making it a much better experience as the tracking is kept to a minimum and less pronounced.
It’s probably why business calls from our desk garnered plenty of complaints, but family calls resulted in much more positive feedback with the grandparents in awe of the technology in action, and a chance to see everyone for the first time without us having to stand miles away from the screen.
Performance: Everything is faster
Apple M1 processor, 8GB/16GB RAM
Options for 128GB to 2TB storage
Apple Pencil support (2nd Gen)
LiDAR sensor on back
Thunderbolt / USB4
With every iteration the iPad Pro gets a faster processor, normally on par with the iPhone. This year, rather than trying to keep pace with the iPhone, the iPad keeps pace with the Mac.
Pocket-lint
Because now you’ll find Apple’s new M1 processor instead of an upgraded iPhone processor powering the pro tablet. Yes, the same chip that powers the MacBook Air or iMac or MacBook Pro now powers the 2021 iPad Pro. We’ll let that sink in for a moment.
According to Apple that results in a 50 per cent boost in performance without compromising the battery – so you’ll still get around 10 hours per charge. Although, just like a Mac, the battery life widely varies in performance depending on what you do and how bright that screen is.
Also just like a Mac, there are now RAM options for the first time on the iPad Pro, all the way up to 16GB – although that option is restricted to the 1TB or 2TB storage options (you guessed it, that means pricey pricey), whereas it’s 8GB RAM for the 128GB, 256GB, or 512GB storage capacities (and more reasonable price points).
Pocket-lint
The M1 processing power means the iPad Pro whizzes along with any various tasks that you’ll throw at it, just in the same way we find apps on the M1 MacBook Pro perform.
Whether that’s photo editing in Adobe Lightroom, drawing in Procreate, or designing in Affinity Designer, we had no problem loading, importing, editing, or saving large files on any of the ‘pro’ apps we use.
Working with large sound and video files proved little stress to the new 2021 iPad Pro either, while power hungry games like Asphalt 9, Call of Duty, or NBA2K21 loaded almost instantly – and, yes, noticeably faster than on previous iPad Pro models.
And if the M1 isn’t enough to keep that workflow process happy, the iPad Pro 12.9-inch now also comes in a 5G flavour for those who want speedy connectivity on the go. An afternoon hot-spotting via an EE SIM proved just as productive as being on the Wi-Fi in the home office.
Pocket-lint
Elsewhere there’s an improved Thunderbolt / USB4 port for transferring files to and from the device even faster – it’s up to 40Gbps, whereas previously it was USB-C and therefore 10Gbps.
You still get the dual camera and LiDAR sensor setup on the back for taking pictures, video, or playing with AR too. It’s the same 12-megapixel main and 10-megapixel wider-angle as on the previous generation.
iPadOS needs to offer more
Software: iPadOS 14.5
Given that the iPad Pro has the same technical power of a MacBook Air but running iPadOS, it can at times feel a little underwhelming in terms of what you can do – especially given the sheer power under the hood.
Apple broke iPadOS away from iOS a number of years ago to be able to offer things like file transfer and track support. But now with the more powerful innards it feels like it needs to do more than just offer a series of app icons on the Home Screen.
Pocket-lint
Of course Apple watchers will know that we’re due an announcement for iPadOS 15 at WWDC in June 2021, so we’re hoping that a greater emphasis on multi-tasking, a more useful Home Screen option, and other features will come to the experience later this year. That could be a game-changer.
It’s not that the iPad Pro 2021 isn’t capable – far from it – it’s just at we can feel that there’s something much bigger coming that’s just around the corner to help capitalise on that new found power within.
Verdict
When Steve Jobs first revealed the iPad back in 2010 it was all about casual reading and surfing from the sofa, about access to apps to empower, entertain, and educate us.
More than a decade on and the 2021 iPad Pro still embraces those principles. But for today’s creative types who want more than just basic typing and surfing it’s a more empowering experience – largely thanks to the M1 processor – bringing greater opportunity for both work and play.
For all intents and purposes the 2021 iPad Pro 12.9-inch is like a touchscreen-enabled MacBook Pro with 5G connectivity that runs iPadOS instead of macOS. It’s the closest to a laptop-replacement that Apple has ever taken the iPad.
Yet the iPad Pro is still in transition. It doesn’t completely replace the laptop just yet, because Apple hasn’t quite cracked the software. So if that’s what you’re after then let’s hope iPadOS 15 changes that later in 2021.
Also consider
Pocket-lint
iPad Air (2020)
The ‘non-pro’ iPad will be good enough for many. So unless you want the higher storage, ProMotion higher refresh rate, or dual cameras, you’re just as well getting the iPad Air as the iPad Pro 11.
The HP Elite Folio is a long-lasting, quiet laptop/tablet combo, but it offers a middling performance for a high price.
For
+ Versatile design
+ Runs very cool and quiet
+ 3:2 Display
+ Full-sized stylus charges in keyboard
+ Long battery life
Against
– Display could be brighter
– Windows on Arm has app compatibility issues
– Middling performance
– Few ports
– Pricey
There are a few laptops that fall into what I call an “executive notebook.” These are high-end, sometimes overly designed business laptops that you rarely see the rank-and-file office worker use. The new HP Elite Folio ($1,747.20 to start, $2,063.36 as tested) seems destined, with its vegan leather exterior and high price tag, for the C-suite.
HP has gone with Windows on Arm here, which means that the laptop runs quiet and has excellent battery life. But even as Qualcomm’s Snapdragon processors get more powerful and Windows on Arm slowly improves, there are still compatibility and performance sacrifices, so it’s not always fitting for the
best ultrabooks
.
But for those who rely on a stylus for writing on-screen or want a versatile form factor for various situations, you may be able to overlook that as long as you don’t use compute-heavy software. And if you value style, of course.
Design of HP Elite Folio
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HP’s new Folio means business. Or at least, it looks like it. The HP Elite Folio is a new, more professional take
on a previous design
. This laptop isn’t clad in metal, but rather polyurethane vinyl — or, as you might call it, vegan leather. Or as I call it, “
pleather
.” Unlike the old
Spectre x360 13
, which used real leather and came in brown, this is a more subdued black.
The result is a notebook that looks a bit like a briefcase, minus the handle, of course. If it didn’t have an HP logo on the lid under some stitching, I’d expect to see an intern carrying their resume in it. There’s no place to put your thumb to easily open the laptop, so I typically found myself requiring two hands to do so, which was a pain.
With the laptop open, it looks more traditional. There’s a 13.5-inch, 1920 x 1280 display in a 3:2 aspect ratio with a surprisingly thick bezel on the top. The deck features a backlit keyboard and also includes a spot to store and charge the included HP Slim Pen. This is a page straight out of the playbook Microsoft used with the
Surface Pro X
.
But the Surface Pro X is a true 2-in-1 detachable, and the Elite Folio has a different trick up its sleeve. The screen is on a hinge, and it can be brought forward into an easel mode that covers the keyboard but leaves the touchpad clear. You can also slide it further forward to be a tablet. (You could, if you wanted, also flip the screen upside down on the back of the device and use the display to watch videos or give presentations. This isn’t listed among HP’s options, but it works.)
The laptop looks like leather, but it doesn’t feel like it. It’s soft to the touch but definitely has a plasticky feel. For those wondering, yes, I did smell the laptop. While it pulls off a leather look, it can’t match the real thing’s fragrance.
I can’t speak to how well this will hold up over months and years of use. In the immediate sense, it did manage to pick up minor scuffs or schmutz on my desk, but I could wipe it off with a damp cloth.
Port selection is extremely minimal, with a USB 3.2 Gen 1 Type-C port on either side of the laptop and a 3.5mm headphone jack on the right side.
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HP’s notebook is 2.92 pounds and measures 11.75 x 9.03 x 0.63 inches. That’s similar to the Lenovo Flex 5G (2.9 pounds, 12.7 x 8.5 x 0.6 inches), a convertible 2-in-1. The Microsoft Surface Pro X is 2.4 pounds (with the keyboard attached) and 11.3 x 8.2 x 0.3 inches. An Intel-based clamshell, the Lenovo ThinkPad X1 Nano, is 2 pounds and 12.7 x 8.5 x 0.6 inches.
HP Elite Folio Specifications
CPU
Qualcomm Snapdragon 8cx Gen 2
Graphics
Qualcomm Adreno 690 (integrated)
Memory
16GB LPDDR4-4266 SDRAM
Storage
512GB PCIe NVMe SSD
Display
13.5-inch, 1920 x 1280 touchscreen
Networking
Qualcomm QCA639X Wi-Fi 6 Dual Band and Bluetooth 5, Qualcomm Snapdragon X20 LTE Cat 16
Ports
2x USB 3.2 Gen 1 Type-C, 3.5mm headphone jack, nano SIM card slot
Camera
720p IR
Battery
46 WHr
Power Adapter
65 W
Operating System
Windows 10 Pro
Dimensions(WxDxH)
11.75 x 9.03 x 0.63 inches / 298.45 x 229.36 x 16 mm
Weight
2.92 pounds / 1.32 kg
Price (as configured)
$1,998.72
Windows 10 on Arm
The HP Elite Folio uses the latest Windows on Arm platform, the Qualcomm Snapdragon 8cx Gen 2. That comes with its benefits (long battery life, quiet), but in terms of performance and app compatibility, it’s certainly lacking.
To be clear, that’s the case on all Windows on Arm laptops at the moment. Apple has used Arm too on its most recent laptops with its
M1
chips, with far greater success.
Windows on Arm can run 32-bit apps, but not 64-bit apps. That functionality is coming but is currently limited to Windows Insider builds, which you’re unlikely to see in a business environment. An increasing number of apps are running natively on Windows on Arm, including Office, browsers like Edge and Firefox, and some of Adobe’s, but the rest require emulation. Others that run natively include the popular media player VLC, Netflix, Twitter, Skype, and Windows Terminal.
Perhaps the most reliable place to get apps that work on the processor, native or not, is through the Windows store, which largely filters apps that don’t work with Arm.
Productivity Performance of HP Elite Folio
Here, we’re comparing the Folio, which has an 8cx Gen 2, with two other Arm laptops, the Lenovo Flex 5G with the last-gen Snapdragon, and the Microsoft Surface Pro X with SQ1, Microsoft’s entry-level offering. We also tossed the Lenovo ThinkPad X1 Nano in the mix for a business notebook using an x86 platform, namely Intel’s 11th Gen processors.
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On Geekbench 5, which measures overall system performance, the HP Elite Folio notched a single-core score of 792 and a dual-core score of 3,115. The Lenovo Flex 5G’s 729/2,923 suggest the newer chip has its advantage in multi-core workloads, though this test is run through emulation, which has to be kept in mind. The Surface Pro X isn’t in this test, as we were still running Geekbench 4 when we tested it. The ThinkPad X1 Nano’s scores were 1,473/5,155, with the test running natively.
The Elite Folio transferred 25GB of files at 666.5 MBps, faster than both the Flex 5G and ThinkPad X1 Nano. The Surface Pro X was run on an older, 5GB version of the test, and that was the slowest of the batch.
Our Handbrake test currently doesn’t run on Arm chips, though it is starting to be included in early “nightly” builds. Our Cinebench R23 stress test is also incompatible with Arm. These will change when 64-bit support becomes a finalized part of Windows 10.
Display on HP Elite Folio
I’m glad that HP went with a 3:2 display on the Elite Folio. Simply put, 3:2 is the best aspect ratio for productivity laptop displays because the extra height lets you see more content on your screen at once. This 13.5-inch touchscreen has a resolution of 1920 x 1280.
I found the laptop to be bright enough for productivity, but when you switch to multimedia, it’s a mixed bag. In the trailer for Shang-Chi and the Legend of the Ten Rings, the color red popped in car paint, lights and a number of outfits. But a series of dim scenes in a montage made me wish I could turn up the brightness (though the dimness made for great contrast in a scene with purple backlighting).
HP’s screen covers 70.7% of the
DCI-P3
color gamut, which is just about in line with the Surface Pro X and ThinkPad X1 Nano. The Lenovo Flex 5G was more vivid at 81.4%
The Folio was the dimmest of the bunch with an average of 390 nits. The Surface Pro X was the brightest, measuring 448 nits.
Keyboard, Touchpad and Stylus on HP Elite Folio
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HP has implemented a keyboard with 1.3mm of travel into this small device. I didn’t have any issues with travel, but when I typed, I felt that the keys were a bit too stiff. It didn’t stop me from typing quickly; I hit 110 words per minute on the 10fastfingers.com typing test. But accuracy suffered slightly.
The 4.2 x 2.6-inch touchpad uses Windows precision drivers, and with a smooth, metal surface, I found it responsive and easy to glide my fingers against. Simple navigation and more complex gestures worked on the first try. It clicks a bit louder than some other touchpads, but I can get over that.
HP’s Slim Pen lives in a dock above the keyboard, which also keeps it charged. It’s long and flat, more like a carpenter’s pencil than your standard writing instrument. It has a rocker on the side, which can be unwieldy because of how thin the buttons are. The button on the top, however, is easy to access. That comes at the expense of using it as an eraser like the Surface Pen, however.
I found that the Elite Folio’s screen offered solid palm rejection. The Pen uses Wacom drivers and offers 4,096 degrees of pressure sensitivity. HP claims it fast charges in 30 minutes, though in my use, it’s home in the laptop meant it was always topped off.
Audio on HP Elite Folio
HP’s partnership with Bang & Olufsen on its speakers continues to bear fruit. While there’s no software to tune the speakers yourself, they sound decent considering how thin this device is.
For instance, when I listened to Chvrches’ “He Said She Said,” the crashing drums, synths melodies and vocals were loud, clear and crisp. There was, however, a distinct lack of bass, which is a problem on many laptops.
One downside, however, is that the speakers vibrate a lot, and I could feel it under my hands on the touchpad and keyboard. While this isn’t unique to this laptop, it was far more distracting on the Folio than other devices.
Upgradeability of HP Elite Folio
In theory, the HP Elite Folio is upgradeable. HP has a video showing the process:
This is aimed at service technicians, and for good reason. The design means you have to do things in a weird order, like removing the pen slot from the keyboard before opening the
chassis
.
The RAM is soldered to the motherboard, but the SSD is upgradeable. The only rub there is that to actually change out the storage, you have to remove the entire thermal system. Some enthusiasts may be comfortable with that, but for most people, that’s a step too far.
Battery Life
The Elite Folio’s Arm processor excels in the one place you would expect it: battery life. On our test, which involves browsing the web, running OpenGL tests and streaming video over Wi-Fi, all at 150 nits, the Folio lasted for 15 hours and 21 minutes. It was outclassed only by the Lenovo Flex 5G, using a last-gen Snapdragon processor, which ran for 17:30.
Microsoft’s Surface Pro X with the SQ1 ran for 9:30, while the Intel-based ThinkPad X1 Nano lasted for 12 hours flat.
Heat on HP Elite Folio
Because we couldn’t run our Cinebench R23 workload due to compatibility issues, we took the HP Elite Folio’s skin temperatures following 15 minutes of streaming video from YouTube. The fanless system was quiet and kept very cool.
The center of the keyboard, between the G and H keys, measured 27.8 degrees Celsius (82.04 degrees Fahrenheit). The touchpad was cooler at 26 degrees Celsius (78.8 degrees Fahrenheit).
The hottest point on the bottom of the laptop measured 30.3 degrees Celsius.
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A
720p
webcam in an executive notebook after more than a year of white-collar workers have been doing their jobs from home? Excuse me?
Stills and trial video from my desk, even in good lighting, were grainy. And colors, like a blue shirt I was wearing, were overly dark.
There is a physical webcam privacy switch, which covers the camera but doesn’t cut power to the hardware like some other HP laptops. It’s very small, and you need to use your fingernail to move it in either direction.
There are also IR sensors to log in to Windows 10 with facial recognition. This worked well, with the exception that you need both the cameras and the IR sensor for this to work. If you close the privacy cover, you can’t use it to log in. That’s a choice you have to make between privacy and convenience.
HP has limited the amount of software it includes on this laptop, which is a benefit, especially on an enterprise laptop. There are no crappy antivirus software trials or ports of phone games.
The two big pieces of software are HP Pen Settings, which lets you pair the included stylus and customize its functionality; and HP QuickDrop, which lets you send files and photos across your laptop and smartphone.
HP Pen Settings has a number of clever options, including assigning commands that would be useful to go through slides or play media while giving presentations. There’s also a way to get a virtual dial on the screen when holding a button down.
While this laptop has Microsoft Office preinstalled, at least it doesn’t include links to sponsored Microsoft Store applications.
HP sells the Elite Folio with a 1-year warranty. It can be boosted to three years for an extra $75.
As of this writing, HP is selling the Elite Folio in both a ready-to-ship configuration and customizable configurations.
The quick-ship one is $1,889 with the Qualcomm Snapdragon 8cx Gen 2, 16GB of RAM and 256GB SSD, as well as an LTE modem.
We reviewed it with 16GB of RAM, a 512GB storage and an LTE modem. That runs for $2,063.36.
If you want a 1,000-nit display with HP’s Sure View privacy, that’s an extra $169. A 4G modem is $201, while a 5G modem is $444.
The base model, with Windows 10 Home instead of Pro, 8GB of RAM, 128GB SSD and no mobile connection is $1,747.20.
Prices on the Folio seem to be fluctuating on HP’s website, so they may vary after this article was published.
Bottom Line
The HP Elite Folio review has a versatile design and, if you’re into the office chair aesthetic, a fake leather exterior that fits in any office.
HP’s Slim Pen is nice, and the fact that it is full-sized and can still charge by sitting in the system is a big plus for anyone who does a lot of writing on screen. The different screen modes will also be helpful for people who use touch screens a lot.
But while relying on the Snapdragon 8cx Gen 2 means long battery life and quiet operation, there are a series of small sacrifices that are made, largely based on Windows on Arm and app compatibility. Some apps work, some are emulated and 64-bit apps, while coming, aren’t ready for prime time right now, without downloading a beta version of the OS. These aren’t problems unique to the Elite Folio — they’re the same on the Lenovo Flex 5G and the Microsoft Surface Pro X.
If the chassis, touch screen and functionality allowed by the display-on-a-hinge design will make your job easier, this is worth considering. But for many, an x86 business notebook, like the Lenovo ThinkPad X1 Nano with an Intel processor, can run more software, do it faster, and is cheaper in some configurations.
Google Photos will soon have a cool new trick: if you take two similar images with your phone’s camera, the app will be able to create an animated, moving shot that combines them. It does this by using machine learning to synthesize movement between the two shots. Google creates new frames between them, resulting in a “vivid moving picture.” Google’s Shimrit Ben-Yair made this sound like something that parents will love since now your multiple attempts at the same shot will allow for this added benefit.
The new feature is called “cinematic moments,” and it will work on both Android and iOS, Ben-Yair said.
Google also announced a new locked folder feature that will let you hide your most sensitive images behind a folder protected by a password or thumbprint. The app will also soon let you hide specific people or periods of your life from its “memories” to avoid unwanted reminders of the past.
Developing… we’re adding more to this post, but you can follow along with our Google I/O 2021 live blog to get the news even faster.
The Alienware m15 Ryzen Edition R5 is so good that it makes us wonder why Dell didn’t team up with AMD on a laptop sooner.
For
+ Strong gaming performance
+ Excellent productivity performance
+ Unique chassis
+ Not too costly for it power
Against
– Internals run hot
– Middling audio
– Bad webcam
It’s been 14 years since Alienware’s used an AMD CPU in one of its laptops, but AMD’s recent Ryzen processors have proven to be powerhouses that have generated a strong gamer fanbase. It also doesn’t hurt that AMD-based laptops have frequently undercut Intel in price. Point being, times have changed and now Team Red can easily compete with the best gaming laptops that Intel has to offer.
So it makes sense that Alienware’s finally been granted permission to board Dell’s UFO. And with the Alienware m15 Ryzen Edition R5, it’s getting a first class treatment.
Alienware m15 Ryzen Edition R5 Specifications
CPU
AMD Ryzen 7 5800H
Graphics
Nvidia GeForce RTX 3060 6GB GDDR6, 1,702 MHz Boost Clock, 125 W Total Graphics Power
Memory
16GB DDR4-3200
Storage
512GB M.2 PCIe NVMe SSD
Display
15.6 inch, 1920 x 1080, 165Hz, IPS
Networking
802.11ax Killer Wi-Fi 6, Bluetooth 5.2
Ports
USB-A 3.2 Gen 1 x 3, HDMI 2.1, USB-C 3.2 Gen 2 x 1 (DisplayPort), RJ-45 Ethernet, 3.5mm combination headphone/microphone port
Camera
720p
Battery
86 WHr
Power Adapter
240W
Operating System
Windows 10 Home
Dimensions(WxDxH)
14.02 x 10.73 x 0.9 inches (356.2 x 275.2 x 22.85 mm)
Weight
5.34 pounds (2.42 kg)
Price (as configured)
$1,649
Design of the Alienware m15 Ryzen Edition R5
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Unlike other recent Alienware laptops, the m15 R5 Ryzen Edition only comes in black. The “lunar light” white isn’t an option here. Still, it’s a bold design that puts the emphasis on the laptop’s build quality rather than on decoration, and it pays off. The m15 R5 feels sturdy in the hand and its smooth edges give it a unique premium flare. It’s not too plain, since lighting options for the Alienware logo on the lid plus a circular LED strip along the back rim add a touch of flair. On that note, the stylized “15” on the lid is stylish, though it can look a bit much like a “13” from the wrong angle.
Hexagonal vents that sit above the keyboard and along the back also give the m15 R5 a bit of functional decoration and help make up for the small and well hidden side vents. The keyboard on this model has four-zone RGB, but it can be a little dim in well-lit areas.
This laptop veers on the large and heavy end for systems with an RTX 3060. At 14.02 x 10.73 x 0.9 inches large and 5.34 pounds heavy, it’s generally bulkier than the Asus TUF Dash F15 we reviewed, which has a mobile RTX 3070 and is 14.17 x 9.92 x 0.78 inches large and weighs 4.41 pounds. The Acer Predator Triton 300 SE, which manages to fit a mobile RTX 3060 into a 14 inch device, is also especially impressive next to the m15 R5. Granted, both of those use lower-power processors designed for thinner machines. Specifically, the Acer is 12.7 x 8.97 x .70 inches large and weighs 3.75 pounds.
The Alienware m15 R4, which has a 10th gen 45W Intel Core i7 processor and an RTX 3070, is 14.19 x 10.86 x 0.78 inches large and weighs 5.25 pounds. That leaves it not as bulky as the m15 Ryzen Edition R5, but about as heavy.
Port selection is varied, although distribution differs from my usual preferences. The left side of the laptop only has the Ethernet port and the 3.5mm headphone/microphone jack, which is a shame as that’s where I typically like to connect my mouse. The back of the laptop has a few more connections, including the DC-in, an HDMI 2.1 port, a USB 3.2 Gen 1 Type-A port and a USB 3.2 Gen 2 Type-C port that also supports DisplayPort. The right side of the laptop has two additional USB 3.2 Gen 2 Type-A ports.
Gaming Performance on the Alienware M15 Ryzen Edition R5
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Our review configuration of the Alienware m15 Ryzen Edition R5 came equipped with an 8-core, 16-thread Ryzen R7 5800H CPU and an RTX 3060 laptop GPU. It’s the first time we’ve tested a 45W CPU with an RTX 3060 and, to that end, we’ve decided to compare it to one 35W laptop with an RTX 3070 CPU, the Asus TUF Dash F15 with an Intel Core i7-11370H, and one 35W laptop with an RTX 3060 GPU, the Acer Predator Triton 300 SE with an Intel Core i7-11375H. We’ve also thrown the Alienware m15 R4 into the mix, which has a 45W 10th gen Intel CPU and an admittedly more powerful RTX 3070, plus a significantly higher price tag than any other competitor even on its cheapest configuration (the thing starts at $2,149).
I played Control on the Alienware laptop for a half hour to get a personal feel for gaming on the system. I tended to fall between 60 – 70 fps at high settings throughout, and turning ray tracing on using its high preset dropped that to 30 – 40 fps. The fans are certainly noticeable but aren’t ear-splitting, and the laptop neither got hot-to-the-touch nor did it spray hot air on my hands.
In Shadow of the Tomb Raider’s benchmark running at highest settings, the m15 Ryzen Edition R5’s CPU seemed to do it a favor, as its 73 fps average only barely fell behind the m15 R4’s 77 fps average. The Acer laptop was next in line with 61 fps, while the Asus laptop was significantly behind all other options at 54 fps.
Scores were a bit more even in Far Cry: New Dawn’s benchmark running at ultra settings. While the m15 R4 hit 91 fps, everything else was in the 70s. The m15 Ryzen Edition R5 had an average of 79 fps, while the Asus scored 74 fps and the Acer reached 73 fps.
The m15 Ryzen Edition R5 fell to third place in the Grand Theft Auto V benchmark running at very high settings, where it hit an 82 fps average and the Asus laptop achieved an 87 fps average. The Acer laptop was significantly behind at 72 fps, while the m15 R4 was significantly ahead at 108 fps.
Red Dead Redemption 2’s benchmark running at medium settings saw the m15 Ryzen Edition R5 once again stay in third place, though by a more significant margin this time. The R5 achieved a 53 fps average, while the Asus led with 61 fps score. The Acer was once again behind at 48 fps, while the m15 R4 stayed ahead at 69 fps.
We also ran the Alienware M15 R5 Ryzen Edition through the Metro Exodus RTX benchmark 15 times in a row to test how well it holds up to a sustained heavy load. During this benchmark, it hit an average 56 fps. The CPU ran at an average 3.63-GHz clock speed while the GPU ran at an average clock speed of 1.82 GHz. The CPU’s average temperature was 90.36 degrees Celsius (194.65 degrees Fahrenheit) and the GPU’s average temperature was 82.02 degrees Celsius (179.64 degrees Fahrenheit).
Productivity Performance for the Alienware m15 Ryzen Edition R5
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While Alienware is a gaming brand, the use of a 45W AMD chip does open the Alienware m15 Ryzen Edition R5 up to high productivity potential.
On Geekbench 5, which is a synthetic test for tracking general PC performance, the m15 Ryzen Edition R5 hit 1,427 points on single-core tests and 7,288 points on multi-core tests. While its single core score was on the lower end when compared to the Asus TUF Dash F15’s 1,576 points and the Acer Predator Triton 300 SE’s 1,483 points, the Alienware blew those laptops away on multi-core scores. The Asus’ multi-core score was 5,185, while the Acer’s multi-core score was 5,234.
The Alienware m15 R4 was a bit more even with its AMD cousin, scoring 1,209 on single-core Geekbench 5 tests and 7,636 on the program’s multi-core benchmarks.
Unfortunately, the m15 Ryzen Edition R5 couldn’t maintain that momentum for our 25GB file transfer benchmark. Here, it transferred files at a 874.14 MBps speed, while the Asus hit 1,052.03 MBps and the Acer reached 993.13 MBps. The m15 R5 hit speeds of 1137.34 MBps.
The m15 Ryzen Edition R5 was the fastest contender in our Handbrake video encoding test, though, where we track how long it takes a computer to transcode a video down from 4K to FHD. The m15 Ryzen Edition R5 completed this task in 7:05, while the Asus took 10:41 and the Acer was even slower at 11:36. The m15 R5 almost caught up to its AMD cousin with a time of 7:07.
Display for the Alienware M15 R5 Ryzen Edition
Our configuration for the Alienware m15 Ryzen Edition R5 came with a 15.6 inch 1920 x 1080 IPS display with a 165Hz refresh rate. While it boasted impressive gaming performance and strong benchmark results, it still proved problematic for viewing content.
I watched the trailers for Nomandland and Black Widow on the m15 Ryzen Edition R5, where I found the blacks to be shallow and the viewing angles to be restrictive. In my office during the daytime, I couldn’t easily see the screen’s picture unless I was sitting directly in front of it. Turning my lights off and closing my curtain only extended viewing angles to about 30 degrees. Glare also proved to be an issue in the light, although turning lights off did fix this problem.
Colors were bright enough to pop occasionally but not consistently, with bolder tones like reds and whites holding up better than more subdued ones. Here, Black Widow came across a bit more vividly than the naturalistic style of Nomadland, so this screen might be better suited for more colorful, heavily produced films.
Our testing put the m15 Ryzen Edition R4’s color range above its closest competitors, the Asus TUF Dash F15 and Acer Predator Triton 300 SE, though not by much. With an 87.3 DCI-P3 color gamut, it’s only slightly ahead of the Asus’ 80.6% DCI-P3 score. The TUF Dash F15 had a starker difference, with a 78.5% DCI-P3 color gamut.
Our brightness testing saw the Alienware pull a more solid lead. With an average of 328 nits, it easily surpassed the Acer’s 292 nits and the Asus’ 265 nits.
The Alienware m15 R4 blew all of these systems out of the water, although the OLED screen our configuration had makes the comparison more than a bit unfair. Its DCI-P3 gamut registered at 150% while its average brightness was 460.2 nits.
To test the m15 Ryzen Edition R5’’s 165Hz screen, I also played Overwatch on it. Here, I had a much more pleasant experience than I did when watching movie trailers. The game’s bright colors appeared quite vivid and the fast refresh rate was perfectly able to keep up with the 165 fps I was hitting on Ultra settings.
Keyboard and Touchpad on the Alienware m15 Ryzen Edition R5
The Alienware m15 Ryzen Edition R5 configuration we received has a 4-zone RGB membrane keyboard, though other configurations do offer mechanical switches made in collaboration with Cherry. You can currently get that upgrade for an additional $98.
The membrane nature of this keyboard didn’t mean it wasn’t impressive, though. Keys have a noticeable resistance when pressed and 1.7mm of key travel gives you plenty of tactile feedback. I consistently scored around 83 words per minute on the 10fastfingers.com typing test, which is impressive as my average is usually around 75 wpm.
In an unusual choice, the Alienware’s audio control keys sit on the keyboard’s furthest right row rather than being mapped to the Fn row as secondary functions. Instead, the Page Up and Page Down keys that would normally be found there are secondary functions on the arrow keys.
The 4.1 x 2.4-inch touchpad doesn’t fare as well. While it has precision drivers and is perfectly smooth when scrolling with one finger, I felt too much friction when using multi-touch gestures to pull them off comfortably or consistently. For instance, when trying to switch apps with a three-fingered swipe, I would frequently accidentally pinch zoom instead.
Audio on the Alienware m15 Ryzen Edition R5
The Alienware m15 Ryzen Edition R5 has two bottom firing speakers that are loud with surprisingly decent bass, but tend to get tinny on higher notes.
I tested the m15 Ryzen Edition R5’s audio by listening to Save Your Tears by The Weeknd, which easily filled up my whole two bedroom apartment with sound. I was also surprised to be able to hear the strum of the song’s bass guitar, as it’s not uncommon for other laptops to either cut it out, make it quiet, or give it a more synth-like quality. Unfortunately, higher notes suffered from tinniness and echo.
Upgradeability of the Alienware m15 Ryzen Edition R5
The Alienware m15 Ryzen Edition R5 is easy to open and has plenty of user customizability. Just unscrew the four screws closest to the back of the laptop, then loosen the four screws on the front (we used a PH0 Phillips Head bit).
Gently pry the case off, and you’ll see the networking card, two swappable DIMMs of RAM, the M.2 SSD and a second, open M.2 SSD slot (if you don’t buy the laptop with dual SSDs).
The only tradeoff here is that the SSDs are in a smaller, less common M.2 2230 form factor (most are 2280) , so you’ll probably need to buy a specialized drive for this laptop.
Battery Life on the Alienware m15 Ryzen Edition R5
The Alienware m15 Ryzen Edition R5 is a power hog, with half the non-gaming battery life of the RTX 3060 and RTX 3070 35W laptops we tested it against. This shouldn’t come as too much of a surprise, since it also has a 45W CPU, but don’t expect to be able to spend too much time away from an outlet.
In our non-gaming battery test, which continually streams video, browses the web and runs OpenGL tests over Wi-Fi at 150 nits of brightness, the M15 Ryzen Edition R5 held on for 3:29. That’s about 3 hours less time than we got out of both the Asus TUF Dash F15, which had a 6:32 battery life, and the Acer Predator Triton 300 SE, which lasted for 6:40.
The Alienware m15 R5, with its 45W Intel chip, also had a shorter battery life than our 35W laptops, though it was slightly longer than the m15 Ryzen Edition R5’s. It lasted 4:01 on our non-gaming test.
Heat on the Alienware m15 Ryzen Edition R5
The Alienware m15 Ryzen Edition R5’s surface temperature was impressively cool during non-gaming use but could get toasty in select areas during our gaming benchmarks. For our tests, we measured its temperature both after 15 minutes of streaming video and during the sixth consecutive run of the Metro: Exodus extreme benchmark.
The laptop’s touchpad proved coolest during the video test, registering 81.1 degrees Fahrenheit. This was only slightly behind the center of the keyboard’s temperature, as the typer hit 85.5 degrees Fahrenheit in between the G and H keys. The bottom of the laptop was warmer, hitting 90.9 degrees, although the center-left of the display hinge is where it was hottest, registering 101.1 degrees Fahrenheit.
Our gaming test saw a mild jump in temperatures in all areas except the bottom and the hinge, where numbers spiked much higher. The touchpad was 83.3 degrees Fahrenheit and the center of the keyboard was 90.9 degrees Fahrenheit. By contrast, the bottom of the laptop was now 121.5 degrees Fahrenheit and the hot zone on the hinge was now 136.1 degrees Fahrenheit.
Despite these higher numbers, though, the laptop never became too hot to touch while gaming. It did feel pleasantly warm, however.
Webcam on the Alienware m15 Ryzen Edition R5
The Alienware M15 R4 Ryzen Edition’s 720p webcam is, like many premium gaming laptops, a bit of an afterthought. Regardless of lighting conditions, its shots always have a blocky and fuzzy appearance. Adding light also adds a distracting halo effect to silhouettes, while dimming your surroundings will just bring down detail even further.
Software and Warranty on the Alienware m15 Ryzen Edition R5
The Alienware m15 Ryzen Edition R5 comes packed with software, although most of it serves a genuinely useful purpose.
Most of these are apps like Alienware Command Center, which lets you customize lighting and thermals as well as set up macros. Some are less useful than others — Alienware Customer Connect simply exists to get you to fill out surveys — but apps like Alienware Mobile Connect, which lets you easily mirror your phone’s screen, transfer its files or take phone calls from your laptop are definitely a standout. It might be easier to navigate these functions if they were all centralized into one hub app rather than being their own standalone programs, though. My Alienware tries to be this hub app, although it’s mostly just a redirect to Alienware Command Center with a bunch of ads on the side.
This laptop also comes with typical Windows pack-ins like Microsoft Solitaire Collection and Spotify. Its default warranty is limited to one year, although you can extend it at checkout.
Configurations for the Alienware M15 R5 Ryzen Edition
Our configuration of the Alienware M15 R5 Ryzen Edition came with an AMD Ryzen 7 5800H CPU, an RTX 3060 laptop GPU, 16GB of RAM, a 512GGB SSD and a 1920 x 1080, 165Hz display for $1,649. That actually puts it towards the lower end of what’s available.
You can upgrade this laptop’s CPU to the Ryzen 9 5900HX, which has the same thread count but boosts up to 4.6 GHz, and its GPU to an RTX 3070 laptop card. Memory options range from 8GB to 32GB, while storage options range from 256GB to 2TB. You can also add on an additional SSD with the same range of options, making for up to 4TB of total combined storage.
There’s also a 360Hz version of the FHD display available, as well as a QHD version with a 240Hz refresh rate and G-Sync support.
Perhaps the most interesting option that wasn’t included on our configuration is the mechanical keyboard, which features physical ultra low-profile switches made in collaboration with CherryMX.
These upgrades can raise your price up to $2,479, with the display and keyboard upgrades being the most costly components in Dell’s customization tool. The Cherry MX keyboard will add $98 to your price at checkout, while the QHD display costs $78. The FHD @ 360Hz display is only available on the highest preset option, which locks you into a Ryzen 9 5900HX chip and starts at $2,332.
By contrast, the low end of this laptop starts at $1,567.
Bottom Line
The Alienware m15 Ryzen Edition R5 proves that Team Red and Alienware make a strong pairing . While it’s not quite the beast that the minimum $2,149 Alienware m15 R4 is, it still manages performance that equates to and sometimes beats peers in its price range on most titles, all while rocking Alienware’s unique premium looks. At $1,649 for our configuration, it’s an easy premium choice over the $1,450 Asus TUF Dash F15. And if you prefer power over size, it’s also a better option for you than the $1,400 Acer Predator Triton 300 SE.
While it’s certainly not the most portable contender and could do with more even port distribution and stronger audio, its 45W CPU lends it just enough of an edge on power to make it a solid first step into Dell’s flagship gaming brand.
Apple Music is being upgraded in a big, big way. From June, the music streaming service will support CD-quality and hi-res lossless audio as well as Dolby Atmos-powered Spatial Audio, offering subscribers much higher quality, immersive playback.
Both lossless and Spatial Audio will be available to Apple Music users at no extra cost. Apple describes these two additions as Apple Music’s “biggest advancement ever in sound quality” – which we’d have to agree with. “Excellent news. Well done, Apple!”, we thought upon hearing the news.
But here comes the (rather large) downside.
Apple’s own headphones don’t support lossless audio. None of them. That means even if you’ve spent £549 ($549, AU$899) on a pair of AirPods Max, you can’t listen to Apple Music in the highest quality. Miffed? We don’t blame you.
That’s not the whole story, though, and not the only Apple device not able to take advantage of the new Apple Music features. Let’s take a look at which devices can benefit from hi-res audio, which don’t, and why…
What is Apple Music Lossless?
Essentially, it’s Apple embracing hi-res audio. Apple’s lossless streams use ALAC (Apple Lossless Audio Codec) to offer more detail and information in a recording.
Apple offers three tiers of higher resolution audio: CD quality (16-bit/44.1kHz), Apple Music Lossless (24-bit/48kHz), and Hi-Res Lossless (up to 24-bit/192kHz). You can choose your quality through the Settings > Music > Audio Quality section of Apple Music.
As of next month, all of Apple Music’s 75-million-strong music catalogue will be available in CD quality or Apple Music Lossless. At launch, 20 million will be accessible in the highest quality Hi-Res Lossless format, with the whole catalogue following “by the end of 2021”.
Apple Music isn’t the first service to offer lossless streaming, of course. Tidal, Qobuz and Amazon Music HD all offer CD-quality and hi-res listening, while Deezer offers the former. The Spotify HiFi lossless tier is due to offer CD-quality streams later in the year too.
What is Spatial Audio?
Another new addition to Apple Music is Spatial Audio, which is an Apple technology designed to provide “multidimensional sound and clarity”; to deliver surround sound and 3D audio via your headphones.
Spatial Audio was initially launched as part of iOS 14 and iPadOS 14, and the newer Spatial Audio with Dolby Atmos feature for Apple Music is coming as part of the iOS 14.6 and iPadOS 14.6 updates that are due in June 2021.
Spatial Audio is a slightly different beast to this new Dolby Atmos-powered Spatial Audio for Apple Music in that it also utilises the sensors in Apple’s own headphones to enable head-tracking. Because the implementation for Apple Music of spatial audio is sound-only, there’s no head-tracking involved.
“Thousands” of Apple Music tracks will be available in Spatial Audio with Dolby Atmos at launch, with more being added regularly.
Which Apple devices work with Apple Music lossless?
The big news is that no model of AirPods will support lossless audio. In the case of the AirPods and AirPods Pro, that’s not exactly surprising, seeing as they’re both completely wireless and Apple only supports the AAC (rather than ALAC) codec over Bluetooth – that’s a step up from MP3, but nowhere near the quality of lossless.
The AirPods Max can be wired to an iPhone, so one might hope that that could be a way to get lossless audio. But actually they only work with analogue audio sources in wired listening mode. Which again means no lossless listening.
Its HomePod range of smart speakers also won’t support lossless – that’s the now discontinued HomePod and still-very-much-current HomePod Mini.
Apple’s iPhones (since the iPhone 7) natively support lossless – but only Apple Music Lossless, and not the highest quality Hi-Res Lossless (which delivers up to 24-bit/192kHz). If you want to listen to Apple Music tracks above 24-bit/48kHz on your iPhone, you’ll need to connect an external DAC and use a wired pair of headphones. Check out our guide for how to listen to hi-res audio on an iPhone.
The same is true of the Apple TV and iPad families, which are listed as supporting Apple Lossless, with no mention of Hi-Res Lossless.
Which Apple devices support Spatial Audio?
Apple devices are much better represented when it comes to Spatial Audio through Apple Music. Some – like the AirPods Pro and Max – already support it, after all. And it will come to the standard AirPods 2 in due course.
In fact, it will be available on all AirPods and Beats headphones with an H1 or W1 chip. (That’s the AirPods, AirPods Pro, AirPods Max, BeatsX, Beats Solo3 Wireless, Beats Studio3, Powerbeats3 Wireless, Beats Flex, Powerbeats Pro, and Beats Solo Pro.) But you don’t have to line Apple’s pockets to hear the Dolby Atmos tracks: it will also work on any headphones connected to an iPhone or iPad. You just have to enable it manually.
To do so, head to Settings on your iPhone or iPad and then to Music – once the update has landed next month, a new Dolby Atmos option will be available. This will be set to Automatic by default, which means Dolby Atmos tracks will play correctly when you’re listening via any W1- or H1-enabled pair of Apple or Beats headphones, but not when you’re using third-party headphones. However, if you switch this option to Always On, even non-Apple headphones will play back Dolby Atmos tracks in all their sonic glory.
However, this only applies to Dolby Atmos Spatial Audio tracks on Apple Music, and not Spatial Audio content from other apps like TV. (Remember, Spatial Audio in the TV app is a slightly different beast in that it also utilises the sensors in Apple’s own headphones to enable head-tracking.)
The HomePod and HomePod Mini also support Spatial Audio, so you can fill your room with virtual 3D sound from a single device. As do the iPhone 11 onwards and iPad Pro (but not iPad, iPad Mini or iPad Air).
Playing from an Apple TV 4K into a Dolby Atmos soundbar or system will work too.
MORE:
Check out the best wireless headphones around
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Try 30 Apple Music tips, tricks and features
Need new music? 10 Apple Music playlists to listen to right now
The performance of Apple’s M1 chips exceeded our expectations and made the 2020 MacBook Air the most impressive laptop we’ve used in years (it’s also done wonders for the redesigned iMac). So it’s not too surprising, as per Bloomberg News this morning, that Apple is readying a whole slate of Macs using next-gen versions of the company’s in-house chips. The details sound very promising.
The story, from reliable Apple-watcher Mark Gurman, says the company is preparing to unveil redesigned MacBook Pros in 14-inch and 16-inch screen sizes “as early as this summer.” Not only will the machines have a redesigned chassis, but they’ll also bring back the beloved magnetic MagSafe charger (though it’s not clear in what form) and previously excised inputs like the HDMI port and SD card slot.
The return of the SD slot to the MacBook Pro — originally rumored in January — will be extremely welcome for many professionals who use the port to quickly transfer videos and images from cameras’ SD cards. And though we’d seen reports that MagSafe might be making a comeback for the MacBook Air, we didn’t know that MacBook Pro might be getting it, too.
After the new MacBook Pros have been unveiled, Gurman says Apple plans to release “a revamped MacBook Air, new low-end MacBook Pro and an all-new Mac Pro workstation.” A higher-end Mac mini and larger iMac are also reportedly in the works, with all of the new machines boasting chips “that will greatly outpace the performance and capabilities of the current M1 chips,” according to Gurman’s anonymous sources.
Chips for the MacBook Pro will reportedly come in two variants, codenamed “Jade C-Chop” and “Jade C-Die.” Compared to the M1 chips — which have four high-performance cores, four energy-efficient cores, and eight graphics cores — the new designs will have eight high-performance cores, two energy-efficient cores, and either 16 or 32 graphics cores. Bloomberg also says they’ll have an updated Neural Engine for machine learning tasks and support up to 64 gigabytes of memory compared to 16 gigabytes for the current M1.
None of this is particularly shocking. We’d all expected the next generation of Apple’s in-house chips to be “the best ever” (as they always are, every year, per Apple’s marketing spiel), but it’s still good to hear that Apple is preparing such a wide-ranging overhaul of its Mac lineup. The M1 chip breathed new life into Apple’s computers, what might the M2 do next?
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This is an iMac unlike any other iMac we’ve seen before, and it all comes down to the M1 chip.
Sure, there are some other differences between this 24-inch iMac and the 21.5-inch model from 2019 that it’s replacing. There are better microphones and better speakers. There are fewer ports, and some of them have moved around. The screen is bigger and better. The keyboard now has TouchID. But the M1 is the star of the show.
It’s not just the performance increase. It’s not just the fact that you can run iOS and iPadOS apps natively on the system. It’s not just the new advanced image signal processor, which helps create better low-light images than I’ve ever seen from an integrated webcam. It’s also the groundbreaking efficiency with which this processor runs, which has enabled Apple to create a slim, sleek, and quite unique iMac chassis.
Whether you actually get every upgrade here depends on the configuration you choose. The entry-level iMac is $1,299 for 256GB of SSD storage, two Thunderbolt / USB 4 ports, 8GB of unified memory, and a seven-core GPU — but that’s only available in four colors and doesn’t come with TouchID. The model I tested bumps the storage up to 512GB and the memory up to 16GB. It has two USB-3 ports in addition to the two Thunderbolt, an eight-core GPU, Touch ID, and a gigabit Ethernet port (which is in the power brick). I also received both the Magic Mouse and the Magic Trackpad with my model. You’d need to pay a total of $2,028 to get everything Apple sent me (and which I’ll be sending back, for the record).
In short, this device costs money. And it’s true that you’d get similar performance and save a few hundred bucks, if you just plugged a Mac Mini into an external display. But this iMac has almost everything that most people need in one package: processing power, sure, but also a camera, speakers, microphones, a keyboard, a mouse, a trackpad, and a display. And they’re all good. This is a computer you can plonk on your desk and never think about again. And for some of the iMac’s target audience, that’s probably worth the extra money. You’re paying for simplicity.
The M1 processor uses what’s called a “hybrid” configuration. The easiest way to conceive of this is that most competing Intel and AMD chips have a number of equally “okay” cores, where Apple’s M1 has four very fast cores and four lower-powered high-efficiency cores. This allows M1 devices to deliver arguably the best performance-per-watt in the world. It also means that they’re nearly unbeatable in single-core workloads.
That advantage bore out in our benchmark testing. This iMac model achieved a higher score on the Geekbench 5 single-core benchmark than any Mac we’ve ever seen before — even the iMac Pro. That means if you’re looking for a device for simpler everyday tasks that don’t scale to every available CPU core (and that largely seems to be the demographic that Apple is trying to sell this machine to), there has literally never been a better iMac for you to buy.
You can see the rest of our benchmarks below:
Apple iMac 24 (2021) benchmarks
Benchmark
Score
Benchmark
Score
PugetBench for Premiere Pro
372
Cinebench R23 Multi
7782
Cinebench R23 Single
1505
Geekbench Multi
7668
Geekbench Single
1739
Geekbench OpenCL
19114
These results help illuminate where this iMac fits into Apple’s all-in-one lineup, and where its limitations are. The 24-incher is a significant improvement over the 21.5-inch iMac in both single-core and multi-core workloads. And it’s very comparable in graphics tasks — which is quite impressive, given that the 21.5-inch iMac has a discrete GPU and this one relies on what’s integrated with the M1.
On the other end, these results (with the exception of single-core performance) are not close to what we’d expect from the 27-inch Intel iMac with discrete graphics. In this comparison, multi-core results are more important. They indicate that the 27-inch iMac is going to do much better on the types of tasks that owners (or prospective buyers) are likely to be doing: intense multitasking, computations, design, video work, and other more complex loads that may leverage the GPU.
There are other limitations that may put some workloads out of reach. As is the case with the MacBook Pro and Mac Mini, you can’t configure the iMac with more than 16GB of memory and 2TB of storage; we wouldn’t recommend those specs to anyone who regularly edits 4K or 8K video, for example. The memory and storage are soldered, so you can’t upgrade them after purchase. Only one external display is supported (up to 6K resolution at 60Hz). Ports are also bizarrely limited; the base model has just two Thunderbolt / USB-4 ports and a headphone jack, while more expensive models have an additional two USB-3 ports and Gigabit Ethernet. These all may be reasons Apple is pushing this iMac as a “home and family” PC, even though its processor is clearly capable of all kinds of professional work.
Another way to interpret these numbers is that I was getting effectively the same performance out of this machine as we got from the M1 MacBook Pro and the Mac Mini. That’s completely unsurprising, since these devices all use the same processor. But it’s a good proxy for gauging whether the iMac can handle your work: if you expect you could get a task done with the M1 MacBook Pro, you should be able to do it on this.
More anecdotally, I was able to use my test unit for all kinds of daily tasks, from emailing to YouTube to amateur photo and video work. I was able to hop between over 25 Chrome tabs with Cinebench looping in the background, with no stutter or slowdown whatsoever. If you’re buying the iMac for this kind of thing, I can’t imagine you’ll see too many spinning wheels.
During this testing process, I also got a sense of just how well cooled this chassis is. On thinner laptops that I test often (including the fanless MacBook Air), you’ll see performance decrease if you run heavy tasks over and over again. None of that on this iMac: I looped Cinebench R23 as well as a Premiere Pro 4K video export several times over and never saw scores go down. It took a lot to get the fans going — they were checked out during my daily office multitasking. When they did spin up, mostly while I was working in Premiere, I could barely hear them. They were quieter than the background hum of my refrigerator. That’s quite a quality-of-life improvement over prior Intel iMacs.
The M1’s advantage, after all, has never been raw power; it’s the combination of power and efficiency. We saw much better battery life in the MacBook Air and MacBook Pro than we did in their Intel predecessors. Battery life obviously isn’t a concern with the iMac, but efficiency certainly is. Chips are limited by two things: the power available and how well their systems can keep them cool. They vent almost all the energy they use as heat, and because the M1 has such incredibly high performance per watt, Apple doesn’t need a heavy-duty cooling system to keep it from frying itself. Because it doesn’t need that heavy-duty cooling system, Apple has finally been able to redesign the iMac from the ground up.
This iMac is sleek. Even though it has a 24-inch screen, it’s close in size to its 21.5-inch predecessor. Apple reduced the screen’s borders by close to 50 percent in order to squeeze the bigger screen into the compact chassis. This device is also 11.5 millimeters thick, or just under half an inch — which is quite thin as all-in-ones go. Next to the 27-inch iMac, it looks like a tablet on a stand.
Size isn’t everything; this iMac also comes in seven colors. There’s blue, green, pink, orange, purple, yellow, and the boring silver we know and love. I’m not quite convinced that the jazzier models will fit in outside of especially stylish homes and offices. But I will say: I’ve never seen so many of my friends, or so many people on TikTok, as excited about a tech product as they seem to be about the colored iMacs. The hues are a nice change, aren’t obnoxious, and are clearly a hit with certain crowds.
Some traditional iMac touches remain, of course. The bezels are still substantial compared to those of some modern monitors. You can’t raise or lower the display height — the built-in stand only allows tilt adjustments. (You can also buy it with a built-in VESA mount adapter.) And there’s still that pesky chin, though it’s no longer emblazoned with the Apple logo.
Pretty much every other notable part of the iMac has been upgraded in some way. There’s a 4.5K (4480 x 2520) Retina display, a step up from the predecessor’s 4096 x 2304 Retina display (though both have effectively the same pixel density). It has Apple’s True Tone technology, which automatically adjusts colors and intensity based on your surroundings.
But the screen is also another reminder that this iMac doesn’t have “Pro” in its name. Twenty-four inches is on the small side as screens go; most of the best external monitors are 27 inches or larger these days. Professionals on The Verge’s video team also noticed some vignetting on the sides of the screen, which caused issues with off-angle viewing — we had a similar issue with Apple’s Pro Display XDR. Of course, neither of these limitations were a problem for my untrained eye; I thought the display looked great, with sharp details and plenty of room for my Chrome tabs and apps.
Elsewhere, Apple has upgraded the camera, microphones, and speakers. The company claims that they’re the best camera, mic system, and speaker system that have ever appeared in a Mac. I’d believe it. The six-speaker sound system is easily on par with a good external speaker. I played some music in my kitchen, and it was audible all over the house. Percussion and bass were strong, and I felt very immersed in the songs. It also supports spatial audio when playing video with Dolby Atmos.
I don’t have too much to say about the three-mic array except that nobody on my Zoom calls had any trouble hearing me. But the webcam was a very pleasant surprise. The iMac has a 1080p FaceTime HD camera, which has a higher resolution than the 720p shooter that lives in the 21.5-inch iMac (as well as the MacBook Pro, MacBook Air, and many other AIOs). The M1 also lends a hand here: its built-in image signal processor and neural engines help optimize your picture in low-light settings.
I wouldn’t say I looked amazing on my Zoom calls — parts of my background were sometimes washed out, and the image looked processed in some dimmer areas. But I was visible and clear, which is better than you get from most webcams these days. And the difference between this webcam and the grainy mess the MacBook Pro has is night and day.
When I review a computer, my task is usually to figure out for whom that computer is made.
But all kinds of people use iMacs, from college students to accountants to podcast producers to retired grandparents. And this model has arguably the most widespread consumer appeal of any iMac that Apple has made in recent years. So it’s much easier to figure out for whom this iMac isn’t made.
It’s not for people who can’t handle dongles and docks; I kept a USB-C to USB-A dongle next to me on my desk while I was testing the iMac, and I used it very frequently. It’s not for people who already own a 27-inch iMac, because it would be a downgrade in display size and quality, port selection, upgradability, and raw power. And it’s not for people with serious performance needs.
It’s not for people who are looking for the very best value for their money. Most folks won’t need the specs and accessories that I tested here, but even $1,299, the base price, is certainly more than plenty of people want to spend on a computer. The base Mac Mini is $600 cheaper than the base iMac; plug that into a monitor and some speakers (you can find plenty of good ones for well under $600), and you’ll get the same M1 performance at a massive discount.
And that, right there, is the biggest reason that this iMac, despite its power, is primarily targeting the family market. Because it’s asking you to pay more in order to do less. You’re paying $600 not to have to research and budget out monitors, speakers, webcams, docks, keyboards, and mice. You’re paying not to have to arrange thousands of things on your desk. You’re paying for a device where everything, out of the box, works well. You’re paying to eliminate fuss.
Tech enthusiasts (especially those who want to pop their machines open and make their own upgrades) may see that as a waste of money. And for them, it probably is. But they’re not the target audience for this Mac — even if its specs might suit their needs.
Could Apple have done more with this iMac? Of course. I was hoping to see a 30-inch, 6K iMac with a powerhouse 12-core workstation chip this month as much as the next person. But I have faith that we’ll get one in the future — and in the meantime, I’m glad Apple released this. It’s not earth-shattering in its design; it doesn’t redefine its category. But it’s fun. It improves upon the 21.5-inch iMac to offer a simple, attractive, and very functional device for users across all kinds of categories. It’s not the iMac to beat — but it is the iMac for most people to buy.
Good news: Apple Music is adding lossless audio. And not only is it significantly upping the audio quality, offering high-resolution audio right up to 24-bit/192kHz, but it is also doing so at no extra cost to subscribers. Over to you, Tidal, Qobuz et al.
However, it’s not all plain sailing for those of us wanting to benefit from the very best possible sound quality using Apple products. Neither the iPhone 12, AirPods Max, AirPods Pro or either of the HomePods will play Apple Music’s ‘Hi-Res Lossless’ offering (which Apple defines as above 24-bit/48kHz, up to 24-bit/192kHz).
Apple makes that (relatively) clear itself, saying, “Due to the large file sizes and bandwidth needed for Lossless and Hi-Res Lossless Audio, subscribers will need to opt in to the experience. Hi-Res Lossless also requires external equipment, such as a USB digital-to-analog converter (DAC).”
While Apple plays its cards close to its chest over certain specs, the iPhone’s output maxes out at 24-bit/48kHz, which is fine for Apple Music ‘Lossless’ but not good enough for ‘Hi-Res Lossless’.
The AirPods Max, AirPods and HomePods, meanwhile, use the AAC Bluetooth codec, which doesn’t support the Apple Lossless Audio Codec (ALAC) that Apple Music uses for its lossless audio streams (since confirmed by Apple to T3).
AirPods Max owners might reasonably hope that their headphones could be wired to an iPhone to unlock Apple Music lossless, but this doesn’t appear to be the case either. Apple told The Verge: “When you play a 24-bit/48 kHz Apple Music lossless track from an iPhone into the AirPods Max using both the cable and Lightning dongle, the audio is converted to analog and then re-digitized to 48kHz. That re-digitization step is the reason that Apple can’t say you’re hearing pure lossless audio; it’s not an identical match to the source.”
So, what’s the solution? If you connect a compatible external DAC to your iPhone and use a wired pair of headphones, you should be able to listen to Apple Music lossless audio. Check out our guide for how to listen to hi-res audio on an iPhone. You will also be able to listen on a Mac this way.
Of course, the other big Apple Music update, spatial audio via Dolby Atmos, is much more widely available across Apple products. By default, Apple Music will automatically play Dolby Atmos tracks on all AirPods and Beats headphones with an H1 or W1 chip, as well as the built-in speakers in the latest versions of iPhone, iPad, and Mac. In fact, Apple Music Dolby Atmos will work with all headphones.
One thing’s for sure, Apple lossless audio sounds like a good excuse for Apple to upgrade its next generation of audio hardware. Might the AirPods 3 be lossless audio compatible? That would require Apple to come up with a hi-res-supporting Bluetooth codec. Or could we get an upgraded version of the AirPods Max? Is there a new HomePod HiFi in the works? We shall see.
Apple spatial audio: what is it? How do you get it?
Astell & Kern’s digital expertise comes good in this entertaining USB-C cable DAC
For
Notable improvement to audio
Clean, precise character
Nicely made
Against
No iOS device compatibility
No MQA support
For a relatively simple product, Astell & Kern’s first portable DAC has a rather convoluted moniker. ‘Astell & Kern AK USB-C Dual DAC Cable’ isn’t something you’d want to say out loud (or type) often but, to the company’s credit, it sums up the product perfectly: it’s a USB-C cable with two DACs inside.
Thankfully, the name doesn’t attempt to further explain its purpose, so let us fill in the gaps.
Features
Portable DACs – compact DACs that don’t rely on mains power – have arrived in force in recent years with the mission of conveniently improving the sound quality between your phone or computer and wired headphones. That’s because the digital-to-analogue converters and analogue output stages of these do-all devices are generally pretty poor.
Though wireless headphones connected to a device may be the portable audio preference of many nowadays, a wired set-up generally still offers the best performance-per-pound value, particularly if you want to play hi-res audio.
Astell & Kern AK USB-C Dual DAC Cable tech specs
Input USB-C
Output 3.5mm
Hi-res audio PCM 32-bit/384kHz, DSD256
Weight 27g
While there are a number of traditional box or USB stick portable DACs in existence, the AK USB-C Dual DAC Cable is one of an increasingly common group of DACs designed to enhance on-the-go or desktop sound quality in cable form. This Astell & Kern, like the Zorloo Ztella and THX Onyx, is essentially an extension of your headphones cable; the discreet middleman between them and your source device.
At one end is a 3.5mm output, and at the other is a USB-C connection for plugging into any device with that output, such as an Android phone, Windows 10 PC, tablet or MacOS computer. For the bulk of our testing, we use it with a Samsung Galaxy S21 and Apple MacBook Pro.
Some portable DACs, such as the multi-Award-winning Audioquest DragonFly Red, have a USB-A connection instead, but now that USB-C is becoming more prevalent it makes sense for a portable DAC like this one to adopt it. You can always buy a USB-C-to-USB-A adapter to cater for devices with such ports.
Portable DACs can often be used with Apple’s camera adapter to make them compatible with iPhones and iPads, but Astell & Kern says that isn’t the case here “due to the dual DAC incompatibility and power restrictions of iOS devices”. So iPhone users will have to look elsewhere.
The dual DACs (specifically, two Cirrus Logic CS43198 MasterHIFi chips) support native high-resolution audio playback of PCM files up to 32-bit/384kHz and DSD256. However, due to the AK USB-C Dual DAC Cable’s lack of MQA file support, Tidal HiFi subscribers won’t be able to benefit from the (MQA-encoded) hi-res Tidal Masters that are part of the tier’s offering. It’s also worth noting that the DAC has been built for sound output only, so it won’t work with headphones with an in-line remote.
A portable cable DAC is new territory for Astell & Kern – the company is most renowned for its portable music players but also makes headphones and desktop audio systems. But digital-to-analogue conversion technology is something the company is well versed in. And that shows.
For the AK USB-C Dual DAC Cable, Astell & Kern says it developed a circuit chip on a six-layer PCB just 14 x 41mm in size, featuring bespoke capacitors found in its music players, and optimised to prevent power fluctuations. The analogue amplifier (with a 2Vrms output level), meanwhile, is designed to drive even power-hungry and high-impedance headphones.
Sound
We use a range of headphones, from high-end Grados to more modest Beyerdynamic on-ears and Sennheiser Momentum earbuds – and the Astell & Kern doesn’t struggle to power any of them. However, we would be wary of your playback device’s volume output level when you first connect the DAC and plug in your headphones (especially if you’re using more than one pair) to avoid getting an unexpected earful. It’s something Astell & Kern advises in the manual, too.
Adding the AK USB-C Dual DAC Cable between these headphones and our source devices (which provide power to the DAC) makes the world of difference. As the likes of the Zorloo Ztella and Audioquest DragonFly Black have shown, even a modest outlay can make a significant improvement to your portable sound.
The Samsung Galaxy S21 is by no means the worst-sounding smartphone out there, and yet the Astell & Kern makes music come through our wired headphones much clearer, cleaner and punchier than with just a standard USB-C-to-3.5mm dongle. This little DAC doesn’t just do the basics by amplifying the sound and beefing up its tone, it also goes the extra mile to open up music and let you in on more of its detail.
Considering the increasing competition in the portable DAC market, you could say it’s a necessary mile. One of our favourite portable DACs, the Audioquest DragonFly Red, proves to be a notably more insightful and rhythmically entertaining performer – but then it is significantly pricier at £169 ($200, AU$280). For this modest amount of money, the AK USB-C Dual DAC Cable is a very attractive proposition indeed.
We play Lesley by Dave ft Ruelle and the rapper’s poignant storytelling is all the more compelling for the boost in clarity and vocal insight delivered by the DAC. The melodious synth chords, which twinkle with clarity against the contrasting backdrop, are planted with precision on either side.
It’s a similar story as we plug the Astell & Kern into our MacBook Pro and settle into Big Thief’s Shoulder, the presentation pleasantly opened up and generously populated with definition aplenty around Adrianne Lenker’s pleading vocal delivery and the warm textures of the band’s hallmark folksy guitar licks.
Build
So, it sounds good. But what’s it like to live with? After all, this is an everyday device that’s likely to sit in your pocket or on your desktop during the 9 to 5. Perhaps most crucially for a device of this nature, the AK USB-C Dual DAC Cable is compact, lightweight (27g) and well made – to the extent that we feel comfortable tossing it in a bag or shoving it down trouser pockets before long.
The twisted cable between the USB-C output and main body – made up of Technora aramid fibre at its core, wrapped by copper layers and finished with shielding treatment – makes it easy to manipulate the device into a jeans pocket when connected to a phone, and feels built to last. It also helps absorb the shock of accidental knocks, unlike USB stick designs.
While we would expect a device like this to last years, in the weeks we spend in its company we feel confident of its durability. Even when we accidentally yank the device out of our playback source with the cable a number of times, it proves hardy enough to withstand it.
While made to fit nicely into a pocket, some consideration has also clearly been taken to make the AK USB-C Dual DAC Cable look nice when it’s not hidden away – when it’s on a desktop, for example.
The metal casing at the end of the cable – comparable with one of the more compact USB sticks in our collection – has a polished finish and angled surface that resonate with the aesthetic of the company’s premium music players. Design niceties on products like these are only ever going to be the small touches, but they’re here at least.
Verdict
Before Astell & Kern announced its AK USB-C Dual DAC Cable, it wouldn’t have been a stretch to imagine the company making such a product. It has been in the portable digital audio game for years and enjoyed much success.
That know-how has been put to good use in offering USB-C device owners an affordable, practical way to soup up their smartphone or desktop sound through wired headphones. It’s such an appealing option that we can almost forgive the unwieldy name.
London’s long-awaited electric scooter trials will begin next month on June 7th, the city’s transport authority and local councils announced today. Three scooter companies have been selected to offer rentals for up to 12 months as part of the pilot program: Dott, Lime, and Tier. Privately owned electric scooters will continue to be illegal to ride on streets.
The selected companies will initially offer scooters to rent across six boroughs and local authorities in London: Ealing, Hammersmith and Fulham, Kensington and Chelsea, Richmond upon Thames, the City of London, and Canary Wharf. While rentals will not be available in Tower Hamlets, Londoners will be able to ride their rented scooters through the borough. Lambeth and Southwark boroughs are also seeking to participate in the trial.
This might sound like a long list of areas, but it’s just a fraction of the 32 boroughs that make up the UK’s capital. London’s transport authority Transport for London (TfL) says more areas are expected to join the trial as it progresses.
While rented electric scooters have become a common sight across many cities around the world, the UK has been much slower to embrace the new form of transport. Until recently, electric scooters were completely illegal to ride on British streets. It was only in July last year that the situation started to change, with the government allowing trials of electric scooter rentals. But outside of the pilot programs, privately owned electric scooters are still illegal to ride on public roads.
TfL’s announcement specifically cites the pandemic as a key reason for the importance of the new method of transport. Rather than having people flock to cars as a way of avoiding crowded buses and trains, authorities want electric scooters to offer an environmentally friendly and socially distanced way of getting around. “We’re doing all we can to support London’s safe and sustainable recovery from the coronavirus pandemic and it’s clear that e-scooters could act as an innovative, greener alternative to car trips,” said TfL’s electric scooter trial lead Helen Sharp.
Each electric scooter rental company will have to comply with a host of safety requirements to offer rentals in the city. Speeds will be capped at 12.5 miles per hour (reducing to eight miles per hour in specified “go-slow” areas), and scooters will be required to have always-on front and rear lights. They’re also required to have “audible warning systems” that riders can operate without taking their hands off the handlebars. The scooters will also be equipped with geofencing to ensure that they’re correctly parked in designated locations, and operators will have to collect them if they’re not.
Scooters can be ridden on roads and cycle paths but not on sidewalks. When the government announced the start of the trials last year, it said riders would have to be over the age of 16 and have at least a provisional car, motorcycle, or moped license to ride. We’ve reached out to TfL to clarify whether these requirements will apply to the London trials. Riders will also need to take an “e-learning safety course” before hiring their first scooter in the capital.
London will be far from the first city in the UK to have launched its electric scooter trials. Zag has compiled a list of over 50 trials that have been launched across the country over the past year.
Despite technically being illegal to use on public streets, privately owned electric scooters have become an increasingly common sight in London. National retailers like Halfords sell a range of models, although Halfords’ website carries a warning that they’re only legal on private property with the owner’s permission.
The three scooter operators chosen for London’s trials already offer rentals in other cities around the world. Dott offers rentals across 16 cities in Europe, while Tier serves 100 cities across 12 countries. As well as offering electric scooter rentals in other cities, Lime has previously offered electric bike rentals in London. Notably absent from the list is Bird, which has offered electric scooter rentals on private property in London’s Olympic Park. London has joined Paris in deciding against allowing the company to operate on its streets, even after it announced a massive $150 million European expansion.
As well as setting their own pricing, individual scooter operators are offering some unique features. Tier, for example, is installing charging pods in local businesses across the city and will give users free rides if they exchange their scooters’ drained battery for a fully charged one at a charging station.
Best Bluetooth speakers Buying Guide: Welcome to What Hi-Fi?’s round-up of the best Bluetooth speakers you can buy in 2021.
Finding the best Bluetooth speaker for your particular needs isn’t the cake walk it might at first seem. It’s nothing to do with shortage of options – every online manufacturer from Apple to Ultimate Ears is vying for a bite of the Bluetooth cherry and by association, your hard-earned cash. The challenge is knowing which model is most worthy of your precious coin. Fret not, for that is where we come in. We’ve done the heavy lifting and rounded-up our pick of the best Bluetooth speakers across all shapes, sizes and prices to ensure you discover a product you’ll be over the moon with.
It may sound obvious, but the key thing when looking for a Bluetooth speaker is to avoid opting for the first model that takes your fancy. Yes, it might be a looker, but is it the best model for you? If you want your love for it to still be strong, after the boys of summer have gone, why not read our independent review of the product – and maybe reviews of competing products in the price category – first? You might discover a few features you didn’t know you could get for the money.
1. JBL Flip 5
No frills and fantastic sound quality – this is the Best Bluetooth speaker for value.
SPECIFICATIONS
Dimensions: HxWxD (cm): 7.4 x 18.1 x 6.9 | Power: 20W | Features: Bluetooth v4.2, PartyBoost for multiple connections to PartBoost enabled JBL speakers, IPX7 rated | Connections: USB-C charger
Reasons to Buy
Solid bass and timing
Great sense of acoustics
PartyBoost stereo pairing
Reasons to Avoid
No aux-in or microphone
Not Connect+ compatible
Basic app
A What Hi-Fi? 2020 Awards-winner. If all you want is a portable Bluetooth speaker that sounds as good as you can currently buy for around £100 ($100, AU$119), you’ll be hard-pressed to better the fantastic Flip 5. JBL’s newest offering sounds great for the price and is rugged enough to cope with a day at the pool.
The Flip 5 is waterproof to an IPX7 rating, boasts a 12 hour battery life and has a USB-C charging port, meaning it goes from flat to fully juiced in just 2.5 hours. It’s a pleasure to use and scores highly for portability, with a wrist strap that slips comfortably over our hand. There’s also a PartyBoost button that helps you pair two PartyBoost-enabled speakers to create a stereo pair, or link over 100 PartyBoost-compatible speakers in mono.
Sound is impressively weighty and agile, with a good punch of bass and a real sense of openness and texture. Assuming you don’t mind the lack of an aux-in port or inbuilt microphone (as seen in the Flip 4), you’ll almost certainly be wowed by this speaker’s sonic chops. A superb performer.
Read the full review: JBL Flip 5
2. Tribit Stormbox Micro
A fun and bubbly Bluetooth speaker that’s serious when it comes to sound
SPECIFICATIONS
Dimensions: HxWxD (cm): 9.8 x 9.8 x 3.5cm | Power: 9W | Features: water/dustproof, Bluetooth 5.0, stereo-pairing mode | Connections: 3.5 mm stereo
Reasons to Buy
Mature, musical sound
Surprisingly weighty bass
USB-C charger
It’s hard to imagine a home decor, backpack or personal taste that the Tribit Audio Stormbox Micro couldn’t merge in with happily. It’s the size of a stack of drinks coasters, it’s IP67 rated, there’s a useful rubberised strap across the back of it and you can pair two of them in stereo mode.
You’ll be pleasantly surprised by the bass clout the Tribit is able to deliver. Although a speaker of such dimensions is obviously limited in terms of bass weight, it does remarkably well; close your eyes while listening and you’ll picture a bigger product.
If your budget maxes out at £50 ($60), the Tribit is a splendid option. Similarly, if you only have a small zip compartment in the top of your backpack for a sonic travel companion, this speaker is worthy of that space. Take note, Ultimate Ears: a little-known brand called Tribit Audio just produced a budget belter of a Bluetooth speaker.
Read the full review: Tribit Audio Stormbox Micro
3. JBL Charge 5
Updated specs and subtle tweaks for JBL’s fifth-generation Charge
SPECIFICATIONS
Dimensions: HxWxD (cm): 22 x 9.6 x 9.4cm | Power: 30W + 10W tweeter | Features: waterproof, Bluetooth v5.1, power bank, voice assistant integration | Connections: USB-C, USB-A
Reasons to Buy
Clearer and more detailed sound
Wider soundstage
Updated dustproofing
The JBL Charge 5 is even more durable and better sounding than the four Charges before it. Its predecessor carried an IPX7 rating, meaning it could handle being submerged in water to a depth of 1.5m, but the IP67-rated Charge 5 builds on that durability by also being fully dustproof. Want a speaker roughly the dimensions of a bottle of wine that’ll charge your phone and sound great? You’ve found it.
Thanks in part to a new 10W tweeter and racetrack-shaped driver, the Charge 5 is currently as good a sound as you can get in a portable Bluetooth speaker design for under £200 ($200, AU$300). It boasts marginal improvements, both sonically and aesthetically, over its predecessor, the five-star Charge 4 (below).
One day JBL may produce a Charge that can be outdone by a new and plucky rival, but rest assured, that has not happened with the rather splendid Charge 5.
Read the full review: JBL Charge 5
4. Bang & Olufsen Beosound A1 (2nd Gen)
The weightiest and most refined little speaker we’ve heard in a while
SPECIFICATIONS
Dimensions: HxWxD (cm): 4.6 x 13.3 x 13.3cm | Power: 2x30W | Features: Alexa inbuilt, water/dustproof IP67, Bluetooth 5.1, stereo-pairing mode | Connections: USB-C
Reasons to Buy
Expansive sound, weighty bass
Competent Alexa integration
Stunning build and finish
Bang & Olufsen isn’t noted for following the herd. In the Danish electronics specialist’s catalogue you’ll find a wheel-shaped wireless speaker, a TV that opens up like a butterfly, and an 8200-watt monolithic speaker comprising 18 drivers. Its output could reasonably be described as “premium” and “innovative” – and the B&O Beosound A1 (2nd Gen) wireless speaker is no exception.
It boasts similar dimensions to a large floury bap, but that’s where any comparisons with baked goods end. The new A1 supports Qualcomm’s latest aptX Adaptive Bluetooth 5.1 codec, and of course, Alexa is built-in.
It works a treat, too, delivering a pleasingly comfortable yet authoritative performance that you’d be happy listening to all day. Throw in its classy, well made design, easy to use operation and the bonus of Alexa, and you’re looking at a Bluetooth speaker sequel that has very much been worth the wait.
Read the full review: Bang & Olufsen Beosound A1 (2nd Gen)
5. JBL Go 3
JBL’s newest soap-sized speaker sounds good – but the finish and battery life won’t wash with today’s class leaders
SPECIFICATIONS
Dimensions: HxWxD (cm): 8.8 x 7.5 x 4.1 | Power: 4W | Features: Water/dustproof IP67, Bluetooth 5.1 | Connections: USB-C
Reasons to Buy
Sensible treble
Fuller bass
More volume
Reasons to Avoid
Poor battery life
Not very durable finish
The diminutive, soap on a rope-styled Go 3 features Bluetooth 5.1 instead of 4.1 plus a maximum power output of 4.2W, up from 3W in the Go 2 (listed below). The one specification that hasn’t changed is the Go 3’s stamina. It takes 2.5 hours to charge fully, and you can still only get five hours of playtime from it from a single charge.
If you can live with this, there’s much to celebrate in the sound department at the level. The extra power and overhauled design have resulted in some solid sonic enhancements, and aesthetically it’s perhaps even cuter than the original. We gave this iteration five stars for sound. Will five hours get you through a day at the beach or a lazy picnic in the park though? Probably best to take a wireless charger.
Read the full review: JBL Go 3
6. JBL Charge 4
A fun and bubbly Bluetooth speaker that’s serious when it comes to sound.
SPECIFICATIONS
Dimensions: HxWxD (cm): 22 x 9.5 x 9.3 | Power: 30W | Features: waterproof, Bluetooth v4.2, power bank, voice assistant integration | Connections: 3.5 mm stereo
Reasons to Buy
Rugged and water resistant
USB port for charging
Great sound quality
Reasons to Avoid
Perhaps too subtle for some
The fact that we really like the JBL Charge 4 should come as no surprise to those who read our Charge 3 review. Not only is this one of sweetest-sounding Bluetooth speakers around at this end of the market, it serves up a whopping 20 hours of playback from a single charge. Impressive.
JBL has fine-tuned the sound in this latest iteration to please even pickier ears. Obviously there’s a limit to the bass floor in a speaker of this size, but the low-end is tasteful – and there’s plenty of punch.
You get a nice array of features for the money, too. The IPX7 water resistance means the Charge 4 can handle being submerged in water to a depth of 1.5m. And unlike the Flip 5 (above), you can also use the Charge 4 to juice up your phone – or any other device that will charge over USB from a 5V supply.
The Flip 5 (above) is cheaper and lighter, but the Charge 4’s rugged design, excellent battery life and ‘battery sharing’ make it a near-perfect speaker for camping, beach trips and home use.
Read the full review: JBL Charge 4
7. Linn Series 3
One of the best wireless speakers we’ve heard with a premium price tag.
SPECIFICATIONS
Dimensions: HxWxD (cm):25 x 29.6 x 20.6 | Power: : 2x100W | Features: Wireless integrated Linn DSM player, Exakt digital crossover | Connections: Ethernet, USB, HDMI ARC
Reasons to Buy
Wonderfully articulate
Luxury design
HDMI ARC for TV connection
Reasons to Avoid
No analogue inputs
No Tidal Masters support
Let’s address the elephant in the room: the Series 3 is one of the most expensive wireless speakers we have tested. It’s over three times the price of the B&W Formation Wedge. Can such an outlay be justified? Well, yes.
Linn’s gorgeous design aesthetic and proprietary Exakt technology certainly helps. Linn Exakt aims to reduce phase errors by intentionally delaying higher frequencies so they arrive at your ear at the same time as lower frequencies. It also keeps the music signal’s data in the digital domain for as long as possible to avoid any degradation caused by signal processing. We’ve heard Exakt do its thing in many a Linn product before, and here again it contributes to an absorbing performance packed with stunning midrange clarity and a level of insight that sets it apart from more affordable competitors.
As you’d expect, the Series 3 is packed with premium features and Linn’s well established streaming platform, which offers access to networked servers and high-quality music services Tidal and Qobuz via Linn’s app. You even get an HDMI ARC socket, which allows you to connect the speaker to a TV.
At £3000 ($3850, AU$5800), we can hardly describe the Series 3 as a bargain, but we are utterly convinced of its appeal.
Read the full review: Linn Series 3
8. Ultimate Ears Wonderboom 2
An affordable Bluetooth speaker with a weighty sound and good battery life.
SPECIFICATIONS
Connectivity: Bluetooth | Power: Battery | Battery life: 13hrs | Charge time: 2.6hrs **Dimensions (hwd):** 10.4 x 9.5 x 9.5cm | Weight: 420g
Reasons to Buy
Punchy, entertaining sound
Hefty bass
Decent battery life
Reasons to Avoid
No wi-fi or smart assistant built-in
No mic for hands-free calls
Ultimate Ears has really made a splash in the Bluetooth speaker market with a number of colourful, fun-sounding and portable models. One its most biggest hits? The impressive Wonderboom 2.
It’s waterproof, sandproof, dustproof and is also designed to float, so it should withstand the most lively of pool parties. Battery life is 13 hours and a full charge takes just under three.
Sonically, the Wonderboom 2 is an exciting listen. Bass is impressive bass given its small dimensions and there’s plenty of detail and a fine sense of attack. You also get a ‘boost’ button on the underside of the unit. When pressed, it restricts the bass frequencies, allowing the UE to play louder through the midrange, which in turn makes the sound easier to hear when the unit is used outdoors.
There’s no built-in mic or app, but the Wonderboom 2 is easily one of the best sounding Bluetooth speakers you can buy for the money – and a What Hi-Fi? 2019 Award-winner too, y’know.
Read the full review: Ultimate Ears Wonderboom 2
9. Dynaudio Music 5
A superb sonic performance from a distinctive speaker.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: 250W (mains powered) | Inputs: analogue audio jack, Toslink optical digital audio | Battery life: N/A | Dimensions (hwd): 20 x 66 x 18.5cm : | Weight: 5.4kg
Reasons to Buy
Expansive, weighty and accurate
Great for larger rooms
Top-notch build
Reasons to Avoid
No AirPlay 2
No Spotify Connect
The Dynaudio Music 5 is the second-largest one-box speaker in the company’s inaugural, four-strong Music series. And love or loathe its angular looks,we can’t help but be won over by how the Dynaudio Music 5 sounds.
It might be a powerful, but the Music 5 has the sonic nous to keeps things refined. While the Award-winning Naim (below) just edges it for both subtlety and a slightly livelier sound, there isn’t much in it – and the Dynaudio Music 5 boasts superiority in other ways. In a larger room, it boasts better weight, scale and authority. Sound is smooth, detail-rich, refined and resoundingly listenable.
Connectivity is excellent, too, with aptX Bluetooth, wi-fi and AirPlay all present. Open up the Dynaudio app and you’ll discover NoiseAdapt, a feature that helps sound cut through a noisy room – useful during loud parties.
Assuming you love its distinctive styling, the Dynaudio Music 5 is a sophisticated performer and a superb buy.
Read the full review: Dynaudio Music 5
10. Audio Pro Addon C3
Portability, multi-room skills and excellent sound quality in an impressive package.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: 3.5mm | Battery life: 15hrs | Dimensions (hwd): 11.5 x 21.5 x 13.5cm | Weight: 2.45kg
Reasons to Buy
Mature, refined sound
Impressive timing
Tight, textured bass
Reasons to Avoid
Control app could be slicker
The Audio Pro Addon C3 isn’t just the best Bluetooth speaker at this price, it’s a stylish, wi-fi connected, multi-room capable centrepiece – plus it’s a What Hi-Fi? 2019 and 2020 Award winner.
Sound is focused yet open and airy, meaning you can fill a decent sized room with immersive, weighty sound. It has an fantastic sense of refinement for such a small speaker, not to mention a rear-firing bass reflex port that delivers plenty of low-end grunt.
This model won’t charge your smartphone but it does feature an ethernet port, giving you the option to hardwire it to your home network. The battery serves up around 15 hours playback (less if you crank the volume up to the max).
The C3 supports streaming services such as Spotify, Tidal, Qobuz and Apple Music, and while there’s no built-in voice assistant, you can control the speaker via the Alexa app.
If you’re after something more rugged and portable, we’d suggest rivals such as the Ultimate Ears Megaboom or JBL Xtreme. But as a sensational-sounding multi-room proposition, this speaker gives Sonos a serious run for its money.
Read the full review: Audio Pro Addon C3
11. Naim Mu-so Qb 2nd Generation
Just a few tweaks make for a superb second version of this premium Bluetooth speaker.
SPECIFICATIONS
Dimensions: HxWxD (cm): 21 x 22 x 21 | Power: : 300W | Features: Apple AirPlay 2, Chromecast, Spotify Connect, Tidal, Roon Ready, Hi-res up to 24-bit/384kHz, remote control | Connections: 3.5mm aux, USB, optical S/PDIF, Ethernet
Reasons to Buy
Open, detailed and expressive
Loads of streaming options
Multi-room ready
At What Hi-Fi?, we know full well the value of revisions. Yet still, it was quite the surprise when first we heard about one made by Naim, with its second generation of the Mu-so Qb wireless speaker. The previous iteration was great, earning five stars when it was first reviewed. This version, however, is even better.
You can now choose between an Olive, Terracotta or Peacock grille alongside the standard black, but the best tweaks Naim has made go far deeper. Remove whatever colour grille you’ve gone for and you’ll be rewarded with upgraded and optimised midrange and bass drive units, all powered by a total of 300W of amplification.
You won’t be short of streaming options, thanks to Chromecast Built-in and Apple AirPlay 2 alongside Bluetooth for streaming from a device, as well as Spotify Connect, Roon Ready, internet radio and Tidal. You’ll also be able to access files up to 32-bit/384kHz anywhere on your home network via the updated Naim app
With punchy bass and sparkling and rich tones across the frequencies, we had no hesitation in awarding the Mu-so Qb 2nd Generation our 2020 What Hi-Fi? Award for the best home wireless speaker over £500 – for the second year running.
Read the full review: Naim Mu-so Qb 2nd Generation
12. Amazon Echo Dot (3rd generation)
One of the best and cheapest ways to introduce Alexa to your home.
SPECIFICATIONS
Dimensions: HxWxD (cm): 4.3 x 9.9 x 9.9 | Features: wi-fi, multi-room, Bluetooth V4.0, Alexa voice assistant, Spotify, TuneIn, Amazon Music | Connections: 3.5 mm stereo
Reasons to Buy
Clear, solid sound
Improved Alexa capabilities
Budget price
Reasons to Avoid
Alexa intelligence is limited
Amazon’s ever-expanding collection smart speakers dish up decent sound and a whole load of voice functionality for not a lot of money. The Echo Dot is one of the cheapest in the range – and a great little portable device that’s perfect for the kitchen or bedroom.
The fabric-covered puck features a 4cm driver that pumps out decent enough sound. Alexa sounds loud and clear and, for the money, music sounds rich and full. It’s perfectly acceptable as a background music device, plus you can always wire in other devices via the 3.5mm aux output for better sound.
You need to connect the Echo Dot to power, so it’s not as portable as some options on this list. But on the upside, the Echo Dot can be used to play music, answer questions, read the news, check the weather, set alarms and control compatible smart home devices, from TVs to home cinema amplifiers and speakers.
For the money, it’s one of the best cheap portable speakers around.
Read the full review: Amazon Echo Dot (3rd generation)
13. Audio Pro Addon T3
Bigger than some rivals, but still portable enough to give serious consideration.
SPECIFICATIONS
Dimensions: HxWxD (cm): 11.5 x 21.5 x 13.5 | Power: 2x 5W + 15W Digital class D | Features: Bluetooth V4.0 | Connections: 3.5mm stereo, USB
Reasons to Buy
Full sound
Expressive and dynamic
Faultless build
It might be one of the less portable speakers in this list, but the T3 can still be carted around thanks to the carry handle. It’s robust rather than heavy, and boasts a battery life of up to 30 hours. Like bass? You’re in luck – the solid chassis and rear-firing bass port will have you tapping your toe in no time.
There’s no wi-fi (if you want wi-fi, opt of the Addon C3), but the Bluetooth-enabled T3 features a similarly classy design with textured surfaces and a leather embossed handle .
Audio Pro tends to ignore gimmicks in favour of high-quality sound but this speaker does have the facility to charge up your smartphone or tablets via a USB port. You also get an auxiliary input for your TV/MP3 player/record player.
Sound is superb, with plenty of depth and detail throughout the frequencies. If you want something for home and in the garden, this could work nicely – maybe not the one for your carry-on luggage, though.
Read the full review: Audio Pro Addon T3
14. JBL Xtreme 2
One of the best Bluetooth speakers we’ve heard with bags of ability.
SPECIFICATIONS
Connectivity: Bluetooth | Power: Battery | Inputs: 3.5mm | Battery life: 15hrs | Dimensions (hwd): 13.6 x 28.8 x 13.2cm | Weight: 2.39kg
Reasons to Buy
Clean, clear sound
Balanced bass
Robust build
Reasons to Avoid
Hefty design
No wi-fi or multi-room smarts
The JBL Xtreme 2’s boombox design has fun and excitement written all over it. The rugged, IPX7 waterproof exterior, 15 hour battery life and ability to charge your phone from its USB port mean it’s a great option for the beach.
Wireless features have been stripped-back, though. There’s no wi-fi, so you can’t stream from Spotify. And it won’t let you talk to Alexa or Google Assistant, just set a button to activate them in the manner of an earphone’s in-line remote.
JBL Connect+ is the most unusual feature on this otherwise standard Bluetooth speaker. It lets you link up to 100 JBL speakers, to make the equivalent of a nightclub PA in your home.
There’s plenty of boom to the sound, but we’re not talking ridiculous levels. That deep powerful bass is also nicely controlled too. Mids are of a high quality and highs show more clarity than you traditionally get from such a product. For the money, the JBL Xtreme 2 is brilliantly balanced Bluetooth speaker.
Read the full review: JBL Xtreme 2
15. Ultimate Ears Blast
Energetic performance, Alexa onboard and Wi-Fi connectivity.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: N/A | Battery life: 12hrs | Dimensions (hwd): 118.8 x 6.8 x 6.8cm | Weight: 463g
Reasons to Buy
Great portable design
Exciting, dynamic sound
Good detail and punchy timing
Reasons to Avoid
Top end can get excitable at loud volumes
Alexa features not exhaustive
Ultimate Ears has a knack for making Bluetooth speakers that combine the right combination of sound, design and rugged features, and it does so again with the Blast. Its cylindrical 360-degree design means it throws sound evenly around the room, while the tough ‘IP67 waterproof’ exterior means it can can survive in 1m of water for 30 minutes.
It’s crammed with connectivity, too. You get Bluetooth, wi-fi and Alexa smart assistant voice controls, meaning you can turn up the volume or play songs through Amazon Music Unlimited without lifting a finger. Far-field voice recognition is excellent, and there’s a nifty LED strip that glows and blinks when you interact with Alexa.
The lack of 3.5mm audio input might bother some, but we found the Blast to be a real crowd-pleaser. The 360-degree sound and bass output is far better than one might expect for this kind of money; throw in Alexa smarts and you have a fun, energetic speaker that offers plenty of bang for your buck.
Read the full review: UE Blast
16. Amazon Echo Show 5
One of the best Bluetooth speakers we’ve seen with a screen.
SPECIFICATIONS
Dimensions (hwd): 8.6 x 14.8 x 7.3cm | Connectivity: Wi-fi, USB, 3.5mm line-in | Battery life: n/a | Power: 4W
Reasons to Buy
Alexa voice-control
Decent sound and video
Nicely put together
The Echo Show 5 is the latest in a long and fast-moving line of Amazon products intended to get us all invested in its virtual assistant, Alexa. Where much of the Alexa-enabled kit out there is audio based, concentrated on the Bluetooth speaker market in particular, the Echo Show 5 embraces both sound and video in its abilities to communicate. So, as well as playing music or reading out information, you can access video content on the 5.5in LCD touchscreen. There’s also a camera for video calls.
The Echo Show 5 is a diminutive device, and as such cannot possibly offer the scale of sound that some specialist wireless speakers can. But then it offers so much more ability and functionality than a run-of-the-mill Bluetooth speaker. For what it is, we find the sound perfectly acceptable. It runs fairly warm, sonically, which helps voices on radio and the like, and makes for a comfortable listening experience. There are better speakers out there but this is much more than that. It opens up the world of the digital assistant to a whole new audience for both audio and video; and if that’s what you’re after, this is about as good as you’ll get.
Read the full review: Amazon Echo Show 5
17. Dali Katch
This Dali Bluetooth speaker ticks all our boxes.
SPECIFICATIONS
Dimensions (hwd): 13.8 x 26.9 x 4.7cm | Connectivity: aptX Bluetooth, 3.5mm | Battery life: 24hr | Power: 50W
Reasons to Buy
Powerful, full-bodied sound
Great dynamics and timing
Long battery life
If you’re after a premium portable speaker, there’s every chance that the Dali Katch will blow your cashmere socks off. Dali, better known for its traditional hi-fi speakers, has managed to extract a sound that is quite simply incredible for something of the Katch’s stature.
Two tweeters and a pair of aluminium woofers, driven by a Class-D amplifier, make for a total power output of 50W – not to mention an impressive amount of detail and a nice dose of velvety low-end.
The speaker boasts buttons for power, volume and pairing, which is made easier with the option of NFC. There are also two EQ presets: one for freestanding play and one for positioning on a shelf. And let’s not forget the excellent battery life: just two hours of charge will get you around 24 hours of music playback via Bluetooth.
The Katch isn’t cheap, but you do get what you pay for – a weighty, dynamic sound that defies this speaker’s dimensions.
Read the full review: Dali Katch
18. Ultimate Ears Megablast
A lively, entertaining Bluetooth speaker with plenty going for it.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: N/A | Battery life: 16hrs | Dimensions (hwd): 23.7 x 8.8 x 8.8cm | Weight: 1.19kg
Reasons to Buy
Dynamic, detailed sound
Enthusiastic, punchy rhythms
Precise, taut basslines
Reasons to Avoid
Presentation is slightly lean
Not fully featured just yet
The powerful UE Megablast takes the performance of a portable Bluetooth speaker at this price to a new level. If you’re looking for thumping bass, well, let’s just say you’ve come to the right place.
Design-wise, the Megablast is waterproof (IP67 rated), so it will survive being dunked in the pool or exposed to a sudden downpour. Battery life is 16 hours, which is pretty respectable given that it has Alexa voice smarts built-in.
Say the wake word ‘Alexa’ and a white LED strip on top of the Megablast glows in recognition. Features include voice-controlled music playback over wi-fi, through Amazon Music Unlimited and TuneIn radio, plus support for the likes of Spotify, Deezer and Amazon Music. There’s no 3.5mm audio jack, though.
A combination of pounding bass and enthusiastic sense of rhythm make for a hugely enjoyable performance. It might not be the most pocketable speaker around, but few rivals can match the Megablast for bass quality. An absolute treat.
Read the full review: UE Megablast
19. Sonos Roam
A pleasing Bluetooth speaker with a full-bodied sound.
Want a Sonos speaker you can drop in a backpack? Meet the Sonos Roam, the multi-room titan’s first truly portable battery-powered speaker (the 2019 Sonos Move is technically portable but weighs a hefty 3kg to the Roam’s 430g).
The Roam works perfectly well as a standalone Bluetooth speaker but it’s also designed to be immersed in the company’s burgeoning multi-room ecosystem. Features includes support for AirPlay 2, voice controls and Sonos’ Trueplay tech, which uses the built-in mic to tune bass and treble to suit your surroundings.
Headed to the beach or the pool? You’ll be pleased to note the IP67 rating, which gives it complete water and dust resistance. The built-in battery offers a pretty decent 10 hours playback and support for Qi wireless charging.
Sound is confident, bold and better than you might expect from an outdoor/party speaker at this price. Other Bluetooth speakers offer a more expressive and detailed sound but if you’re invested in the world of Sonos, the Roam is a smart buy.
Read the full review: Sonos Roam
20. JBL Go 2
Impressive sound from an impressively small and portable package.
SPECIFICATIONS
Dimensions: HxWxD (cm): 7.1 x 8.6 x 3.2 | Power: 3W | Features: IPX7 waterproof, Bluetooth V4.1 | Connections: micro-USB | Finishes: 12
Reasons to Buy
Tidy design
Balanced sound
Decent bass
Reasons to Avoid
Battery life could be better
The budget JBL Go 2 might be the perfect holiday accessory. It’s a tiny speaker, no bigger than a bar of soap, which makes it small enough to slip into your pocket. There are 12 colours in the range, including the retro-fabulously pearlescent yellow model pictured above.
The Go 2 has a full waterproof IPX7 rating, so it won’t matter if you drop it in the pool by mistake. Features are thin on the ground, but you go get an aux input, plus a noise-cancelling speakerphone and built-in mic for handsfree calls. There’s no wi-fi, though, and the battery life is a little disappointing: 2.5 hours of charging returns a maximum playing time of just five hours.
Despite an output of just 3W, the Go 2 punches above its weight when it comes to sound. For the money, it’s a lively, balanced and cohesive performer. If you’re the sort of person who likes to travel light, we think this is up there with the best Bluetooth speakers of its type.
Read the full review: JBL Go 2
21. Bose SoundLink Mini II
This Bose portable speaker is a decent option for the money.
SPECIFICATIONS
Dimensions: HxWxD (cm): 5.1 x 18 x 5.8 | Features: Bluetooth V3.0 | Connections: 3.5mm stereo, micro-USB
Reasons to Buy
Full-bodied sound
Weighty bass
Portable
Reasons to Avoid
Lows lack precision and agility
If you’re after a portable speaker that doesn’t scrimp on bass weight, the SoundLink Mini II could be just the ticket. The small but hefty design pumps out a big, bassy sound that will get you dancing by the pool.
Bose has kept features to a bare minimum; there are buttons for power, pairing (you can link two devices at a time and switch between them) and volume. You also get an aux input and a USB input for charging. Battery life is 10 hours – pretty good for a speaker of this size.
The big attraction here is the sound quality. While lots of portable speakers offer fuller bass, it’s often boomy or distorted. That’s certainly not the case with the SoundLink Mini II, which sounds taut and expressive. Vocals are exceedingly rich and instruments are given space to breathe. In fact, the sound is as good as anything we’ve heard at this price and stature. Other speakers are better value for money, but this high-quality Bose speaker is still a fantastic buy.
As has been rumoured for the past week or so, Apple Music is adding support for lossless audio, as well as and Dolby Atmos-powered 3D audio (aka Apple’s Spatial Audio).
The service’s 75 million-strong catalogue will be available in CD quality (16-bit/44.1kHz) or hi-res (24-bit/48-192kHz). There will be 20 million songs in lossless audio at launch, with the full 75 million available by the end of the year.
Meanwhile, “thousands” of tracks will be available in Apple’s Spatial Audio tech (as previously featured in its AirPods Pro and AirPods Max headphones). Spatial Audio adds “multidimensional sound and clarity”, making the audio sound much more immersive.
Both features will launch in June and won’t cost Apple Music subscribers any extra money. The monthly subscription cost remains £10 ($10, AU$10).
Apple has described the new features as Apple Music’s “biggest advancement ever in sound quality” – which we’d have to agree with.
Read all about: Spatial Audio, Dolby Atmos and hi-res audio
It’s not the first streaming service to support lossless, of course – Tidal, Qobuz, Deezer and Amazon Music HD all offer lossless listening. But it has pipped Spotify to the post, with the green giant not launching its own lossless tier, Spotify HiFi, until later in the year.
As expected, Apple’s lossless streams use ALAC (Apple Lossless Audio Codec) to offer more detail and informationion in a recording. That should mean higher audio quality, albeit also bigger file sizes – estimates put it at around 36MB of data for a three-minute track.
There are three tiers of lossless audio to accommodate different files sizes and situations in which you can play them: CD quality (16-bit/44.1kHz), 24-bit/48kHz, and 24-bit/192kHz. You can choose which quality you would to stream or download in through the Settings > Music > Audio Quality section of Apple Music. While music up to 24-bit/48kHz can be played natively on Apple devices, playing anything above that – 24-bit/96kHz or 24-bit/192kHz streams, for example – requires connecting an external DAC. Apple is calling these highest-quality streams ‘Hi-Resolution Lossless’.
Apple’s Spatial Audio, meanwhile, is enabled by Dolby Atmos for Apple Music. By default, Apple Music will automatically play Dolby Atmos tracks on all AirPods and Beats headphones with an H1 or W1 chip*, as well as the built-in speakers in the latest versions of the iPhone, iPad and Mac. Compatible devices, therefore, include the iPhone 12 family, AirPods 2 and Beats Powerbeats Pro. Playing from an Apple TV 4K into a Dolby Atmos device will work too.
What’s more, Apple’s Buddy Judge has now confirmed to us that Spatial Audio with Dolby Atmos will also work with all headphones. If you’re using non-Apple headphones you’ll simply have to switch the new Dolby Atmos setting to ‘Always On’ rather than the default ‘Automatic’.
At launch, there will be “thousands” of tracks available in Spatial Audio, and Apple says it will be adding new tracks “constantly”. It will also put together a set of Atmos playlists so you can easily find something to listen to. Albums available in Dolby Atmos will sport a badge on the detail page to make them easy to spot.
Apple says it’s working with artists and levels to produce more songs in Spatial Audio.
Now all we need is the heavily rumoured, suspiciously imminent AirPods 3 to drop this week…
For the next two weeks, the virtual realm of Roblox is getting a dose of high fashion. Currently, fashion house Gucci is hosting an artsy garden space, which will be available for Roblox users to explore starting today through to May 31st. The space was conceived as a virtual counterpart to a real-world installation called the Gucci Garden Archetypes, which is taking place in Florence, Italy.
Both the virtual and IRL spaces are described as multimedia experiences, which are divided into a series of themed rooms with names like “urban romanticism” and “Tokyo tribe.” It all sounds pretty surreal. Here’s the official description of what you’ll be doing in the digital version:
As they enter the Gucci Garden experience, visitors will shed their avatars becoming a neutral mannequin. Without gender or age, the mannequin symbolizes that we all begin our journeys through life as a blank canvas. Wandering through the different rooms, visitors’ mannequins absorb elements of the exhibition. With every person experiencing the rooms in a different order and retaining different fragments of the spaces, they will emerge at the end of their journey as one-of-a-kind creations, reflecting the idea of individuals as one among many, yet wholly unique.
It may sound like a strange combination, but over the last year, fashion and gaming have become much more closely connected. Burberry launched in-game outfits for a Chinese strategy game, Balenciaga made a post-apocalyptic world in place of a traditional runway show, and Louis Vuitton dressed up a virtual hip-hop group made up of League of Legends characters. In fact, this isn’t even Gucci’s first foray into the space; the company previously made a pair of virtual sneakers.
Just remember: Roblox is definitely not a video game.
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