Apple is reportedly developing a new TV accessory that combines elements of its Apple TV with a HomePod speaker and camera for video calls, according to a new report from Bloomberg. Alongside it, Apple is also said to be working on a smart speaker with a display, similar to Amazon’s Echo Show or Google’s Nest Hub. Development of both devices is said to be in its early stages, with plans subject to change.
The unannounced TV accessory would have the hardware to fulfill a variety of roles. As a TV accessory it could offer access to games and the streaming video services supported by Apple TV today; while its built-in speaker would likely be an upgrade over those found in most TV sets, similar to Roku’s soundbars. It would also support HomePod features like music playback and Siri voice assistant controls, much like the Sonos Beam offers with Alexa and Google Assistant. Finally, the camera would let it serve as a video calling device like a Facebook Portal TV. It’s potentially a lot of functionality in a single Apple device.
The second device is a smart display similar to what competitors Amazon and Google already offer, combining features of an iPad and HomePod. Apple’s work on the device was previously reported by Bloomberg last month. Like the TV accessory, this device would also offer video chat features, but via its built-in screen rather than a connected TV. Apple is said to have explored using a robotic arm to rotate the display and track users, similar to Amazon’s 2020 Echo Show.
While Apple’s existing smart home devices have focused on one or two key areas, the functionality offered by the two rumored devices would be much broader. Bloomberg notes that Apple merged its HomePod and Apple TV engineering groups in 2020.
Apple’s smart home lineup could use a shot in the arm. The company hasn’t updated its Apple TV hardware lineup since 2017, and it recently discontinued its high-end HomePod to focus on the more affordable HomePod mini. A hardware update for the Apple TV has been rumored for several months now, and recently discovered code suggests it might include support for 120Hz refresh rates.
(Pocket-lint) – With some LCD TV makers – including LG! – making a big song and dance about the introduction of Mini LED backlight technology for 2021, the pressure on mainstream OLED TVs to deliver their own substantial hardware leap that’s been rumbling along for years now has become particularly intense.
Just as well, then, that LG’s OLED G1 is stepping up to the plate with a new ‘Evo’ panel design that promises both more brightness and better colour than any LG OLED TV has managed before. Besides that, it’s got all the bells and whistles that cinephiles, gamers and designers will crave in a wall-mount TV. So just how good is it?
Design
4x HDMI 2.1 inputs, 3x USB ports
LAN & Wi-Fi multimedia options
As with LG’s debut Gallery OLED TVs in 2020, the OLED G1 – reviewed here in 65-inch, there’s also 55- and 77-inch versions – is designed very much with wall-mounting in mind. So much so that it only ships with a wall bracket. If you want to place it on desktop legs you’ll have to pay extra for them. And even then they won’t really do the G1’s thin, elegant profile justice.
Pocket-lint
The G1 wall-mount is designed to sit within a recess on the TV’s rear, allowing the screen to hang perfectly flush to a wall. Its impact on your living space is minimised even further, too, by the extreme narrowness of the screen’s frame. You can even choose to play artworks on the screen in a low power mode when you’re not watching it, further justifying the Gallery name.
The only issue with the design, perhaps, is that most people actually don’t wall-mount their TV, but may well still want to get their hands on the G1 series’ unique high brightness panel. If that sounds like you, be prepared to pay the extra for those optional support feet – or a new tripod-style Gallery floorstand LG has introduced for 2021.
The OLED G1’s connections put those of most rivals to shame. Especially when it comes to its four HDMIs, which all meet the latest HDMI 2.1 specification and so can support all the latest features of 4K HDR playback at 120Hz, automatic low latency mode (ALLM) switching for faster gaming response times, and variable refresh rates (VRR). Even in 2021 most rival premium TVs are only offering one or two full-spec HDMIs.
What is ALLM and VRR? TV gaming tech explained
Picture Features
HDR Support: HDR10, HLG, Dolby Vision
Processing engine: Alpha 9 Gen 4
The advances of the OLED G1’s new Evo panel (which is exclusive to the G1 series) come in two main areas.
First, a new ‘luminous element’ is included to enhance brightness without using lots more power or, so LG claims, increasing the likelihood of the OLED G1 suffering with the permanent image retention issue that can affect OLED technology.
Second, LG has introduced a new green layer into the OLED G1’s panel construction that should, in conjunction with new narrower wavelengths for the red and green colour elements, lead to more dynamic and precise colours across the spectrum.
With Panasonic and Sony also using brightness-enhancing panels on their premium OLED ranges for 2021, though, LG has one other bit of the OLED G1’s picture story it’s keen to talk about: its new Alpha 9 Generation 4 processor. Without this, LG argues, the OLED G1 would not be able to unlock the new panel’s full potential.
The Alpha 9 Gen 4 processor also boasts a few potentially important new more general image tweaks. These include new Natural and Cinema Movement motion processing modes, and enhancements to both LG’s AI Picture Pro and AI Sound Pro automatic picture and sound optimisation options.
On the AI Picture Pro front, the latest processor can now use AI learning to identify when an image may be showing a city scene, a landscape or a night shot, and apply specific rules to the image accordingly. It can even apply ‘rules’ to specific objects or areas of specific content within any overall image, creating a more three-dimensional and natural effect than would be possible by just applying the processing rules equally across the whole image.
The OLED G1’s use of an OLED rather than LCD panel – no surprise given the name, eh? – brings with it innate picture quality advantages too. For instance, it can be watched from almost any angle without its colour saturations or contrast deteriorating significantly. It can also deliver light control down to individual pixel level, so that the darkest blacks the panel is capable of can appear literally right next to the brightest whites, without any dimming/greyness/backlight clouding trade-offs. This sort of local light control just isn’t possible with LCD TVs – not even those that use Mini LED technology.
As usual with a premium LG TV, the OLED G1 supports the Dolby Vision and HLG formats of high dynamic range (HDR) technology, alongside the industry standard HDR10 format. There is no support for the rarer (in source terms) HDR10+ format.
The OLED G1 picks up where the company’s popular 2020 X series OLEDs left off when it comes to gaming, continuing to offer 4K resolution, HDR, 120Hz refresh, plus variable refresh rates (VRR) across all four HDMIs.
Pocket-lint
It introduces a roster of new gaming options via a Game Optimiser ‘dashboard’ too. These options include a series of selectable game genre-based picture presets, an AI Game Sound mode, separate tweaks for the bright and dark extremes of gaming graphics, a Reduce Blue Light option for shifting game graphics to a warmer, less fatiguing colour tone, and separate Standard and Boost input lag reduction options that deliver exceptionally fast response times of just 12.4ms and 9.4ms respectively.
There’s also a new Fine Tune Dark Areas option for VRR gaming that provides a counter-measure to the tendency of OLED TVs to exhibit raised black levels when playing VRR images. So LG is clearly hell bent on retaining the legion of gaming fans it picked up with its forward-thinking 2019 and 2020 LG OLED series.
Smart Features
Smart system: WebOS 6.0
After years of merely refining its much-loved webOS platform, LG has finally introduced some really significant changes on the OLED G1.
A new full-screen interface takes over from the old and familiar strip of app icons along the bottom of the screen. This interface focuses for the most part on recommending content based on household viewing habits and currently popular shows from across the wide range of apps the TV supports. There’s a substantial box to top right, too, that takes you to a well-presented and wide-ranging content search page.
LG
While it makes sense these days to shift the webOS focus to providing recommended content curated from across supported apps rather than making users explore content on a per-app basis, the layout and ‘weighting’ of the new home screen doesn’t feel quite right. The three link options along the top of the screen in particular feel like they’re been given more weight than they really warrant.
The signature webOS source icon strip does still continue along the bottom of the new full-screen home page, and you can scroll down from there to a small selection of further shelves containing a list of all your connected devices, and direct content links to some of the most popular streaming apps. Strangely there’s no Netflix shelf at the time of writing, though, and you can’t change the order the shelves appear in.
LG’s voice control and recognition features – Amazon Alexa, Google Assistant and LG’s own ThinQ options are all available – continue to be excellent. As does the system’s level of app support, with all the key streaming services covered. This includes the UK’s terrestrial broadcaster catch-up services via Freeview Play.
Picture Quality
The OLED G1 undoubtedly delivers overall better picture quality than any of LG’s 2020 OLED TVs. Whether it delivers as much of an improvement as some quarters might have been hoping for, though, is another question.
The new Evo panel makes an impact in two ways. First, where an HDR image, such as a shot of sun-drenched blue sky, features almost full-screen brightness, there’s a slightly higher level of overall intensity to the picture than 2020’s LG models can provide. Second, the very brightest parts of HDR images – naked bulbs and lights, reflections on glass or metal, sun-drenched clouds and the like – look punchier and, as a result, more natural.
LG
It’s noticeable, too, that since the Evo panel is designed to handle slightly lighter peaks of brightness, it typically delivers more subtle detailing and shading in the brightest HDR areas.
These differences, along with a slightly richer, more refined HDR-content colour palette, are more consistently noticeable when playing HDR console and PC games than they are with typical video.
Even with the punchiest games, though, the OLED G1 step up from 2020’s LG OLEDs don’t elevate the brand’s OLED performance into a whole new ball park. It’s more refinement than revolution. While this initially feels slightly disappointing, it doesn’t take long living with the OLED G1 to start feeling as if this initial assessment is a bit foolish.
After all, the OLED G1 is providing a 10-20 per cent HDR performance boost to 2020 LG OLED TVs – which were themselves sensational performers. And that’s actually a pretty remarkable achievement in a premium TV world now so good that even the tiniest improvements should be embraced like long lost relatives.
What’s more, the G1’s picture improvements aren’t just down to its new Evo panel. The new Alpha 9 Gen 4 processor has its part to play too, on two levels.
First, the new AI Picture Pro option is a substantial advance over its predecessor. Its ability to apply more effective enhancements on a more local basis yields pictures which look both more eye-catching and more natural. This eye-catching/natural combination is key, since while LG AI processing has previously delivered enhancements to colour, sharpness and contrast, those enhancements have always been accompanied by distracting side effects. On the OLED G1 the improvements are not only more pronounced, but come at the expense of practically no downsides.
There are, of course, people who won’t use the AI Picture Pro mode because they don’t like the idea of a TV’s processor taking over the way a picture looks. And for those people the OLED G1 still supports all the calibration tools and accuracy of other recent LG generations. The much improved AI Picture Pro is very much worth trying for most users, though.
The other key processing improvement comes from LG’s new motion options. The new Natural motion processing mode used by default with most of the OLED G1’s picture presets is a little too smooth and can cause unwanted processing side effects. The new Cinematic Movement mode, though, does a superbly well-balanced job of gently reducing the rather ‘hard’ judder with 24p movie sources that OLED TVs can exhibit without creating really any distracting side effects. It’s outstanding.
LG
The OLED G1’s improvements have not, thankfully, compromised any of LG’s traditional OLED strengths. Black levels still look inky, actually exhibiting slightly less noise in areas of near-black detail, despite also showing more shadow detail in most picture presets.
Colours hardly ever look forced or over the top despite the slight brightness increase and marginally purer presentation, and sharpness is slightly improved without making the image look brittle or harsh. With HD sources, in particular, the new Alpha 9 Gen 4 upscaling really earns its corn by delivering a markedly crisper finish than seen with previous LG OLED generations without exaggerating noise.
The OLED G1’s pictures are not completely perfect though. There’s noticeable flickering in dark scenes when gaming in VRR, for starters. All Dolby Vision presets (bar Vivid) can cause some crushing of detail in dark areas. There’s a new hint of magenta over pictures if you watch from a wide angle, too, although contrast and colour intensity still benefit from OLED’s viewing angle advantage over LCD in this area.
The OLED G1 can also still exaggerate compression noise in dark (usually SDR) streamed scenes, and even with the G1 it’s still important to stress that while OLED is untouchable when it comes to local (as in, pixel by pixel) contrast, premium LCD TVs can still get significantly brighter with both peak and full-screen HDR content.
Sound Quality
Since LG doesn’t join Sony in using the screen surfaces of its premium OLED TVs to produce sound, there isn’t much space in the OLED G1’s super-skinny design for a big old set of speakers. With that in mind, though, in many ways the OLED G1 sounds pretty good.
For starters, a new Virtual 5.1.2 upconversion system introduced by the Alpha 9 Gen 4 processor does a surprisingly convincing job of adding a mild sense of height to soundtracks that don’t have height channels built-in. At least the sound expands nicely from all of the TV’s edges, even if there isn’t any sense of actual overhead sounds. Voices tend to sound clear and believable, and detail levels are quite high for a sound system that doesn’t have any forward-facing drivers.
LG
There are two fairly significant issues, though. First, while it’s cool that the OLED G1 decodes Dolby Atmos soundtracks (though there’s no DTS support), it doesn’t do so very well. The speakers just can’t deliver anywhere near as much impact as they should with very loud, dense Atmos moments. In fact, the speakers tend to become more subdued just when they’re supposed to be ratcheting up.
This makes LG’s own AI Sound Pro setting a much better option for most content. This does amp up to take on loud moments, as well as somehow make the sound fill the room more.
However, whenever a film soundtrack features low rumbles – especially in AI Sound Pro mode – the TV’s low frequency drivers start to fall prey to significant amounts of break up and distortion. So much so that it can become quite hard to listen to, and a clear distraction from the onscreen action.
Best go buy a separate soundbar/surround system then.
Verdict
At the time of writing there’s a question mark over whether the OLED G1 is sufficiently superior to the upcoming C1 mid-range OLEDs – which don’t get the Evo panel – to justify its extra cost. Based on the type of enhancements it brings over last gen’s CX models, though, it most likely is a worthy step up from the C1 – if you’re looking to wall-mount anyway.
So while it doesn’t quite shatter the OLED rule book in the way some had hoped, the OLED G1’s new Evo panel in conjunction with LG’s latest processing engine delivers comfortably the best OLED TV LG has ever made. That’s what makes this TV special. A fact which should rightly have both AV and gaming fans drooling, given how good LG’s previous OLEDs have been.
Also consider
LG
LG OLED GX
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If you can live without the Evo panel’s enhanced HDR performance and Game Optimiser functionality but like the Gallery design, 2020’s OLED GX is still available for a chunk of cash less.
Read our review
Panasonic
Panasonic HZ2000
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Panasonic was the first brand to introduce new high brightness OLED technology, and 2020’s version of this technology is still available at a slightly lower price than the LG. Stocks are apparently starting to run low, though, so get a move on!
The LG Stylo 6 is one of the company’s bestselling phones in recent history.Photo by Allison Johnson / The Verge
The company leaves a void that brands like Motorola and TCL are well-positioned to fill
LG’s exit from the smartphone business felt inevitable in the weeks leading up to it as rumors mounted. When it was finally confirmed, Avi Greengart, a longtime consumer tech analyst and president of Techsponential, noticed a trend toward nostalgia in the reactions to the news.
“I’m not getting a lot of people saying ‘What will I do to replace my LG G8X ThinQ?’ I’m getting ‘Aw, my first phone was an LG flip phone, and it was durable and reliable and I loved it.’”
As someone who spent many years covering the digital camera market, it’s a very familiar moment to me. We mourn the loss of the brand that gave us our first flip phone or our first camera with a tweet and a broken heart emoji. But truthfully, we moved on long ago, as did most of the rest of the phone- or camera-buying population.
Things weren’t looking good for LG’s phone business in 2016 when it introduced the modular G5, and the ecosystem’s failure to take off perpetuated what would become years of losses for the mobile division. In 2020, the smartphone business recorded an operational loss of around $750 million for the year; the company promised to “closely review the direction of the business,” and we know now how that turned out.
While most shoppers have moved on, there are still gaps left in the market when a Kodak or an LG packs it in. “This is a void. When they do leave, this will be a void,” says Ryan Reith, program vice president for IDC’s Mobile Device Tracker division. He says that through last year, LG still held close to 10 percent market share in the US.
In particular, the company still had a solid foothold in the prepaid device business. Greengart doesn’t think there will be any lack of appetite to snap up that share of the market. “The competition there is brutal. The real question is will US carriers invite a new brand in — someone like Xiaomi would be my longshot.” The company’s Redmi and Poco lineups might be good candidates, with a focus on bringing high-end features and solid performance to affordable handsets.
Greengart also notes that OnePlus already has a foot in the door at Metro by T-Mobile, the carrier’s prepaid sub-brand. Samsung has already announced that it will sell two of its least expensive A-series phones, the A02s and A12, through prepaid brands like Cricket and Metro this spring.
As for the sub-$300 space in general, there’s no shortage of brands ready to pounce. “I would say the two brands that are probably going to take that share going to be Motorola and TCL,” Reith says. He notes that Motorola is already well-positioned to pick up LG’s Latin American customers, which was recently about 30 percent of its mobile phone business. Even on an individual device level, there are obvious heirs: one of LG’s last bestselling devices is the Stylo 6, and its sole competitor, the Moto G Stylus, is quite frankly a better phone.
TCL has also made it clear in the past couple of years that it’s eager to get its own brand devices into more consumers’ hands, in addition to the phones the company already makes for other brands. Reith says he’s “bullish” on the company’s prospects, as more US shoppers have become familiar with the brand name by way of its TV business. If one thing’s certain, it’s that more than a few companies are in a good position to fill that void LG leaves behind. As Greengart puts it, “Undoubtedly there will be plenty of substitutes; in fact there already are.”
Although LG only had a small presence in the premium market, there’s a gap left there too — even if it’s mostly symbolic. The few devices the company still sold were an alternative to the two dominant brands in the US: Apple and Samsung. Especially considering the lower cost of entry to the S21 series this year, those remaining customers will likely be easily scooped up by the duopoly. “The market is mostly Apple and Samsung in the United States,” says Greengart. “If it was concentrated before, it’s even more concentrated today.”
Realistically though, the market had already spoken. LG’s efforts at bold, unusual designs in the premium space never caught on and spelled serious trouble for the business. Reith points to the LG Wing as an example. “To come up with a design like that… it takes so much money for R&D, that when you put that out and it only sells thousands of units — not hundreds of thousands, but thousands of units — it’s a big, big loss,” he says.
LG’s premium devices may have been interesting and unique, but the market spoke, and the company’s mobile phone exit became seemingly inevitable. That’s how these things work, and a multitude of companies are ready to swoop in and pick up where LG left off. But whether you follow mobile tech closely or just have a special place in your heart for your old flip phone, many of us will still take the opportunity to pause and shed a digital emoji tear.
Samsung has been resolutely anti-OLED for years now, actively campaigning against the tech in an attempt to put consumers off the LG-manufactured TV technology and persuade them to buy a QLED instead. Now, report from South Korean sites MTN, ETNews, and Seoul Economic Daily(viaThe Verge) claim that Samsung are in fact about to sign a contract to buy millions of OLED panels from LG.
We already knew that Samsung Electronics and sister-division Samsung Display are deep into discussions about the former buying QD-OLED panels from the latter but, if true, these new claims suggest an even greater about-turn is coming from Samsung.
In the case of QD-OLED, Samsung will be able to claim (or, at least, attempt to claim) that its new sets, which will apparently combine blue OLED material with red and green quantum dots, are the result of hybrid technology and not really the same as the OLEDs of old. It will likely find it much harder to make the same claims about any TVs derived from LG’s OLED technology, which Samsung has been belittling for years on the grounds of limited brightness and the potential for burn-in.
It’s also worth noting that Samsung and LG are essentially arch rivals, so the idea of the former having to swallow its pride and approach its nemesis to buy its trademark technology is fascinating.
Samsung Electronics apparently finds itself in this position because Samsung Display is finding it increasingly hard to make a profit from the manufacture of the LCD panels that Samsung uses across its current range (including its QLEDs), thanks to Chinese brands flooding the market with much cheaper panels. Samsung can either start buying its panels from these Chinese brands, or seek to go in a new direction, and it appears to have opted for the latter option, even though it means going with a technology it’s publicly criticised and buying panels from its rival.
Ultimately, though, while these industry shenanigans are incredibly interesting (if you like that sort of thing), the upshot is that we should see OLED TVs from Samsung hit shelves next year, and that can only be a good thing, particularly where those TVs also contain aspects of the excellent QLED technology. Watch this space.
Firefox will no longer support Amazon Fire TV or Echo Show devices starting April 30th, Mozilla announced on Friday (via Android Police).
“You will no longer be able to install [Firefox] on FireTV, receive security updates, or be able to reinstall the app if you uninstall it starting on April 30, 2021,” Mozilla said in a support document. “If you have Firefox set as your default browser on Echo Show, you will be redirected to Amazon Silk for web browsing starting April 30, 2021.”
Mozilla first brought Firefox to Fire TV devices in December 2017, giving Fire TV owners a way to watch YouTube in the midst of a bitter feud between Google and Amazon. In July 2019, however, Google brought the YouTube app back to the Fire TV, giving users one less reason to use Firefox.
The Mozilla-made browser first came to Echo Show devices alongside Amazon’s Silk browser with the introduction Echo Show 10 in September 2018. There’s still no YouTube app for Echo Show, so the two browsers have offered a way to watch YouTube on the Amazon-made smart displays.
Mozilla now suggests using Silk to browse the web on Fire TV and Echo show devices.
El Clásico returns on Saturday as Real Madrid host Barcelona in a pivotal La Liga clash that could help decide this season’s Spanish title. All eyes will be on the Estadio Di Stefano for the biggest Clásico in decades. Both teams need to win if they’re to have a chance of challenging table-toppers Atletico Madrid. It’s a late kick-off (8pm BST); here’s how get a Real Madrid vs Barcelona live stream from anywhere.
Real Madrid have confirmed their squad for Saturday and the big team news is that Eden Hazard will watch from the sidelines – the Belgian superstar is yet to fully recover from a muscle injury. By the looks of things, Zinedine Zidane has stuck with the same line-up that beat Liverpool in the Champions League on Wednesday, with the likes of Benzema, Modric and Vinicius all getting the nod.
The tide is starting to turn for Real Madrid, and at the perfect time. They’re currently just a couple of points behind rivals Barcelona, having fallen seven points behind top-of-the-league Atletico Madrid in January. With Atletico suffering a recent shock 1-0 loss to Sevilla, Zidane’s Real will sense an opportunity to make up ground.
Barça are unbeaten in 19 league games but it hasn’t been the best of seasons for Ronald Koeman’s men. They now have a golden opportunity to finish top of the table for the first time in two years – provided they beat Real and win the next eight La Liga fixtures.
Ready to find out which side will conquer El Clásico and move a step closer to La Liga glory? Follow our guide below to watch a Real Madrid vs Barcelona live stream from anywhere – and for free!
La Liga live stream: how to watch Spanish football
How to watch Real Madrid vs Barcelona for free
(Image credit: beIN Sports)
Rights to show La Liga matches in the USA – including the epic Real Madrid vs Barcelona clash – belong to beIN Sports. It’s easily bolted on to your existing cable package and you can watch via the beIN Sports Connect app.
Not got cable? Good news – popular streaming platform FuboTV carries beIN Sports. Better yet, FuboTV offers new subscribers a free 7-day trial. That’s right, you can watch El Clasico for nothing!
Going to be outside the US this weekend? Simply use a VPN to access FuboTV as if you were back in your home state. We recommend ExpressVPN as it comes with a 30-day money-back guarantee and 24/7 customer support.
When the free 7-day trial ends, the entry-level FuboTV package costs $65 per month but it does get you 110 premium TV channels and much more. Not for you? You can cancel any time – there’s no lock-in contract.
Real Madrid vs Barcelona kicks off at 3pm ET / 12pm PT on Sunday morning in the States.
Watch Real Madrid vs Barcelona from abroad using a VPN
Even if you have subscribed to the relevant El Clasico rights holders, you won’t be able to access them when outside your own country. The service will know your location based on your IP address, and will automatically block your access.
A Virtual Private Network (VPN) helps you get around this obstacle. VPNs are a doddle to use and create a private connection between your device and the internet. All the information passing back and forth is entirely encrypted.
We recommend paid-for VPN services, such as ExpressVPN because they are entirely safe, come with 24/7 customer support and can be used to watch sport and other entertainment from any part of the world on almost any device. Try it out with the link below and get three months free.
Try ExpressVPN risk-free for 30 days ExpressVPN offers a 30-day money back guarantee with its VPN service. You can use it to watch on your mobile, tablet, laptop, TV, games console and more. There’s 24/7 customer support and three months free when you sign-up. Try it – it’s easier than you think.
UK: Real Madrid vs Barcelona live stream
(Image credit: Premier Sports)
This Saturday’s clash between Real Madrid and FC Barcelona will be shown live on La Liga TV, which is available as a standalone service via Premier Sports.
The company offers a handy streaming option. The cheapest plan costs £6.99 a month and gets you access to La Liga TV. Splash out £10.99 a month and you get all four channels: La Liga TV, Premier Sports 1 & 2 and Box Nation. Either way, it sounds like a bargain.
La Liga games can also be found on Virgin Media on the recently announced LaLigaTV channel in HD on channel 554. It’s available to all Premier Sports customers but any Virgin Media subscriber can sign up for £9.99 per month through their on-screen service. Use Home > Apps & Games > All Apps > TV Channel Upgrades on the remote. Home also to Italy’s Serie A, Premier Sports is available to Sky TV customers for £11.99 per month, or a £99 annual charge.
Australia: Real Madrid vs Barcelona live stream
(Image credit: Kayo)
Streaming service Kayo Sports offers the best coverage of Real Madrid vs Barca down under.
Subscription costs $25 per month for Kayo Basic or $35 per month for Kayo Premium. The latter is a good option if you want to stream the coverage to various TVs and devices throughout your home.
Better still, Kayo Sports is giving new users a free 14-day trial.
Of course, the free trial is only available in Australia, so any Aussie stuck outside their own country will need to use a VPN to get access.
I would like to thank XGIMI for supplying the sample.
There has been quite a history of compact projectors hitting the market, with some so tiny as to fit in one’s palm. However, most tend to suffer from some form of limitation in terms of portability, brightness, interface or audio. XGIMI presented an interesting choice with the original Mogo Pro, which managed to provide all of the above at a level that made it a pretty unique all-rounder for casual use both indoors and on the road. The XGIMI Mogo Pro+ takes the same technological base of the Mogo Pro and adds fully automated Keystone setup to the mix.
Packaging and Contents
The XGIMI Mogo Pro+ ships in a white box that looks very similar to what you would expect when buying a modern cell phone these days. There is very little writing to distract from the product with the partner logos clearly visible for an added boost of clout and recognition. On the rear, once again much like mobile phone companies, you will find the serial number and required certification logos.
Besides a bit of paperwork, you don’t get any extras with the XGIMI Mogo Pro+, which is a bit unfortunate. It is built with portability in mind, so a case that could hold it and its power supply would have been a very welcome sight, especially as other brands in the industry include one. You may buy it separately for around $80 on Amazon, which is pretty expensive. A means to safely transport your fairly expensive device is pretty crucial; it would have been nice if it at least were a little cheaper.
The XGIMI Mogo Pro+ requires 3.42 A according to the PSU, which unfortunately is beyond the 3 A a USB-C implementation could deliver. Thus, a classic power brick makes sense, and the provided power brick is both sturdy and quite compact.
The bundled Bluetooth remote has a bit of a triangular shape to it, which makes it very comfortable to hold. In the front, you get a good set of buttons that allow you to navigate the Android TV interface easily. In the center is the colorful Google Assistant button. The remote takes two AAA batteries and even has a built-in toggle to use the angled up/down buttons for either volume or focus.
(Pocket-lint) – Ceiling and in-wall speakers give you all the benefits of room-filling sound while remaining out of the way of your furniture and out of sight.
Whether you’re looking to install them as part of a home cinema surround sound setup, or you just want to discreetly have music filtered in all around you, these speakers have the potential to provide a more immersive and tidy experience.
Naturally, though, there are some things to consider before you jump in. Installing architectural speakers requires precision and a layout that both matches the room size, your furniture and perhaps your TV setup, too.
Plus, like every area of the industry, these kinds of speakers vary dramatically in their asking price and audio quality.
To help you navigate the niche realm of ceiling speakers, we’ve compiled this list of some of the very best to consider.
Best ceiling speakers you can buy today
Polk Audio
Polk Audio RC80i
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Polk is a solid name when it comes to home audio, and the RC80i is a great example of how you don’t have to break the bank to install a household name into your setup.
In this set of two speakers, you’ll find an 8-inch dynamic balance woofer and a 1-inch tweeter, with the polymer cone and composite driver baskets helping provide balanced output with superb detail.
Like other models on this list, the rubber seal also prevents moisture from sneaking in, while installation is relatively simple out of the box.
Sonos
Sonos In-Ceiling Speakers by Sonance
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Sonos provides an intriguing high-end option, joining forces with architectural speaker brand Sonance to give users all the benefits of its multi-room audio in a ceiling speaker.
Designed to work with the Sonos Amp for Trueplay – which takes into account the size, construction and layout of the room and tunes the sound accordingly – and also with the wider Sonos range, it’s a great solution for those already embedded in the company’s ecosystem.
For those who want a more basic experience, or simply don’t care too much about the Amp and Trueplay integration, there are definitely other excellent-sounding options to consider.
Goldwood
Acoustic Audio by Goldwood CS-IC83
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For those who want to fill out their ceiling with these flush-mounting speakers, Goldwood’s CS-IC83 set is definitely one to consider.
Five speakers are included in the set, each featuring an 8-inch woofer, 13mm dome tweeters and three-way passive crossovers in order to improve fidelity.
As they go, this Acoustic Audio set is also relatively straightforward to install. You receive a handy cutting template in the box, with the speaker’s four clamping clips sitting on the edge helping it stay locked in place once it’s all set up.
Those who want to remain on the entry-level end of ceiling speakers should keep this Amazon Basics pair in mind – the sound is respectable and the flush design is a breeze to install.
Packed inside each speaker (there’s also an 8-inch pair to consider) is a two-way system featuring a 6.5-inch composite woofer and a 1-inch tweeter, helping provide detailed audio reproduction and clear stereo separation between the two.
In the box, much like other models, you’ll also receive a template for your ceiling cut-out, as well as painting masks in case you want to spray them a different colour.
Micca
Micca M-6C
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Like other budget options, Micca’s M-6C comes with very strong sound capabilities, proving that you don’t need to spend wild amounts to bolster your home audio setup.
It offers two-way sound, with the 6.5-inch woofer and 1-inch tweeter assisted by a 6dB crossover and compensation network. This makes them a perfect complement to your home cinema setup, with the low-end frequency response proving excellent.
They can also easily be painted, giving you a bit more flexibility when it comes to blending them into the room.
Klipsch
Klipsch R-1650-C
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Klipsch has plenty of in-wall and ceiling speakers for you to consider, but the R-1650-C is a great place to start looking.
It’s by no means the cheapest speaker on this list, but it is one of the most well-rounded in terms of audio output. It packs in a 6.5-inch woofer, 1-inch tweeter – both helping to provide clear, room-filling treble and midrange sound.
The mounting clamps on the underside also make it a very simple install, while the grill can be painted to match the space, too.
(Pocket-lint) – Picking up one of the best TV mounts will allow you to fix your screen flush onto the wall and leave the world of TV benches and stands behind.
By installing a bracket to hold your TV on, it’s able to rest more like a picture frame than act as the centrepiece of a room, and, depending on which wall you fix it to, you can still achieve perfect viewing angles.
With that said, not all these mounts are created equally. Those promising to lock your TV in place are often slimmer, while still possessing the power to tilt, and chunkier offerings sometimes feature the ability to swivel with an extended arm. In this guide, we’ll be focusing solely on the former.
Once you know what kind of bracket you want, it’s then paramount to do some measuring. You’ll need to know the size of your TV, of course, but you’ll also need to know its weight and its VESA specs. This refers to the measuring standard used for wall bracket systems, typically in millimetres, representing the distance between the mounting holes located on the back of your unit.
To work this out, simply measure the distance between the top holes on the left and right, and then get a measurement from a top hole to one of the bottom holes for the second figure.
There aren’t too many other distinguishing features between these handy supports, but let us guide you to help make the best decision for your flatscreen.
Best fixed TV mounts available to buy today
Mounting Dream
Mounting Dream TV Wall Mount
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If you want a TV mount with an ultra-slim profile that can handle up to 100lbs of TV, Mounting Dream’s bracket is one to strongly consider.
Like the rest of the options on this list, it’s very affordable, and able to fit TVs measuring between 32 – 55-inches. As is standard, the VESA mounting holes can be adjusted, with a maximum range of 400 x 400mm.
Once installed onto your wall, the mount will only sit 1.1-inch off the surface, while pulling the straps underneath allow it to be released with ease.
Pipishell
Pipishell TV Wall Mount
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For users who want a fixed-style bracket but need their TV to tilt down slightly, Pipishell’s mount should be a top consideration.
It’s able to cater for TVs measuring between 23 – 55-inches weighing up to 99lbs, with the VESA holes able to adjust between 100 x 100mm and 400 x 400mm. It’s also very slim, too, coming out just 1.3-inches from the wall once in place.
Naturally, though it isn’t advisable to mount on drywall alone, users are able to install the bracket on 8-inch or 16-inch wood stud walls, as well as concrete or brick finishes.
Perlesmith
Perlesmith Fixed TV Wall Mount
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Perlesmith has another excellent fixed mount for those in need, offering sturdiness that can keep up to 115lb worth of TV locked into position.
As such, it’s able to accommodate most flatscreen TVs, being VESA compatible with measurements ranging from 75 x 75mm to 400 x 400mm.
It’s also one of the slimmer units you can install, measuring just 1.18-inches from the wall, and installation is one of the simplest to follow.
USX
USX Fixed TV Wall Mount
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If the other picks don’t take your fancy, USX has another universal design for you to weigh up.
It’s able to help most 26 – 55-inch TVs up onto the wall, providing they have VESA fittings of between 75 x 75mm and 400 x 400mm, while also remaining very flush onto the wall – measuring in at just 1.1-inches off the wall.
Like others on this list, it features pullable straps that you can use to release your TV from its fixed state, too, with a spirit level included in the pack to help you achieve an accurate installation.
Perlegear
Perlegear Fixed TV Wall Mount
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If you have a TV on the small-medium end and want a seriously affordable mount, Perlegear’s fixed offering is likely your best bet.
It comes with a 1-inch profile, helping your TV blend into the space like a picture frame, and can hold up screens measuring between 17 – 42 inches that weigh up to around 66lbs.
Just keep in mind that although this one is designed for smaller TVs, it’s still only able to be safely installed on stud, concrete or brick walls.
Mount-It
Mount-It TV Wall Mount
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Owners of lighter TV may have their choices restricted slightly – particularly if they have bigger dimensions – but Mount-It’s fixed bracket is a solid offering to ponder.
It’s designed for most TVs measuring between 32 – and 55-inches – with VESA measurements of between 200 x 200mm and 400 x 400mm – though can only hold up screens weighing a maximum of around 77lbs.
For this slight compromise, you do get a very flush, easy-to-install design, with cable access and release made easy through the pullable handles.
Huawei has once again teamed up with French audio specialists Devialet, this time to provide the sound for a range of flatscreen 4K TVs. The two companies previously collaborated on a smart speaker, while Devialet also lent its expertise to the Sky Soundbox soundbar back in 2017.
The Vision V-Series sets feature up to nine speakers with models delivering up to 75W of power. The speaker systems also boast ultra-thin subwoofers and an intelligent bass algorithm designed to achieve deeper bass and a higher pitch.
The V-Series’ passive bass radiator is powered by Devialet’s iconic Push-Push symmetrical structure, which claims to ensure high-fidelity smooth sound with no background noise.
Huawei’s new range also has an exclusive Devialet mode, which claims to strike a balance between power and subtlety to deliver an impactful but balanced sound experience. This mode is suitable for both music and movies.
Certain models in the line-up come with a vertical, 3D-surrounding sound field, described in the press release as “sky sound”. It’s supposed to appear as though sound is coming from the ceiling. How? The TV sends left and right surround sound channels to the full-range speakers at the top of the smart screen, which supposedly creates the 3D surround effect.
Extra audio assistance is brought by sound field modelling, a system that uses sound waves to map the shape of your room before the virtual spatial sound field is adjusted to match.
In terms of picture technologies, Huawei’s new TV range boasts a refresh rate of 120Hz, with an HDR peak brightness of up to 1000 nits. Special light control technology claims to improve contrast on the TVs too.
And finally, Huawei and Devialet have also created a new classification system for sound quality in televisions, in what is described as an industry first.
This is based on both “scientific evaluation methods”, and on subjective sound listening judgments for power, balance, fidelity and immersion.
TVs will fall into three categories:
Dream level: Score of 90 or more across categories
Expert level: Score of 60-90 across categories
Premier/Elite level: Score under 60
Perhaps unsurprisingly, Huawei’s new 65-, 75- and 85-inch TVs all score higher than 90, while the 55-inch set has Expert level certification.
The Huawei Vision V-Series TVs will be available in 55-, 65-, 75- and 85-inch sizes when they go on sale next week exclusively in China. Prices start at RMB 5499 (£610, $839, AU$1096).
MORE:
These are the best TVs for all budgets
Check out the best OLED TVs around
Looking for a bargain? Consult our list of the best cheap TVs
As a Freeview PVR, the Humax Aura is hard to beat , but its incomplete smart platform requires a pause for thought
For
Excellent recording and playback
Full-bodied, exciting sound
Useful Aura mobile app
Against
No Netflix app
HDR picture could be better
User interface a touch convoluted
Even without an Oxbridge education, the Humax Aura PVR has managed to achieve a double first. It’s the first Freeview set-top box from Humax to use the Android TV operating system and also the first to be 4K HDR-enabled. How could we not be intrigued?
The Humax Aura can be a number of things to different people and it feels as though it has been priced to interest everyone. The most obvious use is as a Freeview Play recorder, with enough internal storage options to capture hours of live Full HD and standard-definition television.
With its Android TV platform, you can also use it as a Chromecast with benefits – a way of adding over 5000 apps and streaming services to feed your television or projector with plenty of 4K fun. With its USB sockets, hi-res audio and 3D home cinema codec support, there’s an option to use it for local film file playback too – it’s quite the box of tricks.
Pricing
The Humax Aura costs £249 for the 1TB model, which can store up to 250 hours of HD (or 500 of SD) programming, and £279 for the 2TB model, which can store up to 500 hours of Full HD (1000 of SD) programming.
If you’re serious enough about live TV to want to record it on a regular basis, then the extra £30 for double the amount of space feels like a no-brainer.
Features
(Image credit: Humax)
Humax has had great success with its What Hi-Fi? Award-winning FVP-5000T set-top box and, four years down the line, a replacement has been long overdue. For both specs and looks, the Aura is the upgrade we’ve been waiting for.
Stand the two next to one another and the sculpted lines of the low slung Aura more easily fit into the category of contemporary industrial design.
The Aura is a tidy 26cm by 20cm box that takes up about the same space as your wi-fi router. Its gloss black body is accented by an LED strip on the underside, which changes from red to blue to violet to orange depending on whether it’s off, on, recording or recording in standby. It’s a useful indicator and reminiscent of K.I.T.T from Knight Rider in standby mode.
But if it’s a party at the front of the Aura, then around the back is the serious business. Here you’ll find the single HDMI 2.1-out along with USB 3.0 and USB 2.0 (Type A) sockets for local media. There’s also an optical audio-out and a LAN connection if you’d rather leave the 2.4/5GHz wi-fi alone.
The Aura remote is fully featured, with dedicated buttons for just about everything you could need, including shortcuts to streaming services, recordings, the guide, the Freeview Play platform and the Android TV homepage too. You’ll need to pair the remote with the Aura box using Bluetooth for the Google Assistant voice system to work.
Humax Aura tech specs
(Image credit: Humax)
Tuners x3
Ports HDMI 2.1, USB 3.0, USB 2.0, optical-out
OS Android TV 9
Freeview Play Yes
Storage 1TB/2TB
Dimensions (hwd) 4.3 x 26 x 20cm
Weight 764g
The Humax Aura’s three Freeview Play tuners bring access to over 70 non-subscription live TV channels and over 20,000 hours of on-demand entertainment through the catch-up services, with BBC iPlayer, ITV Hub, All 4 and My5 all present. Those tuners allow you to pause and rewind TV, as well as record up to four channels while watching a fifth one live.
Unlike the older FVP-5000T, there’s no built-in app for streaming live TV or your recordings from the box to other devices around your home, though Humax says the same DLNA support will be added to the Aura in a forthcoming firmware update. The Aura mobile app will detect any DLNA or Chromecast-enabled devices on the same network as your box and allow you to play recordings or live channels to those, sourcing it from the Aura as a server.
For the time being, the Aura mobile app is a handy tool in its own right. It brings a full view of the electronic programme guide (EPG) to your small screen and allows users to schedule recordings, watch recordings and even enjoy live TV on mobile – just the ticket for keeping track of Countdown while you put the kettle on.
The Aura’s big-screen offering is also bolstered by Android TV, and that means another 5000 or so apps from Google Play are at your disposal, with subscription services such as Disney+ and Amazon Prime Video, alongside more UK-specific apps, such as BT Sport and UKTV Play.
(Image credit: Humax)
There are significant gaps, though, including Britbox, Now TV and the Netflix app. Somewhat ironically, Netflix is actually one of the few non-catch-up apps available on the older FVP-5000T. Fortunately, the Aura’s built-in Chromecast functionality allows users to cast these missing apps from mobile, tablet or browser instead, but that solution won’t suit everyone. It’s also worth noting that casting won’t work for either Apple TV or Apple Music, which are also missing from the Aura.
Away from the video side, the hi-res audio support is a welcome addition. It means those connecting the Aura to a decent external speaker system can get a strong performance from locally stored or streamed audio files, even if connecting through the HDMI, which can handle up to 24-bit/192 kHz levels.
You’ll need to download a third-party app such as VLC to play local media and Plex if you want to connect a NAS drive or similar from your home network. The Aura’s support for 4K HDR (HDR10 and HLG) and 3D audio codecs offers the potential to do justice to any high-quality movie files you own.
Thanks to the quad-core 1.8GHz CPU and 3GB RAM combo, the whole experience feels snappy and well put together. From the remote to the on-screen navigation, the user experience will bend to your bidding without complaint.
The twinning of Freeview Play and Android TV 9.0 doesn’t make for the easiest of combinations, though. Each offers its own home page experience, leaving the user unsure as to which one to use. You’ll find some apps on both, but others just on one, and both home pages have their own settings menus. Fortunately, the shortcuts on the remote mean that you can sometimes go straight to whatever it is that you’re looking for, but that doesn’t really excuse the poor integration of the two interfaces.
Each interface is good in its own right, at least. We particularly like Freeview Play’s Kids’ Zone – a brightly coloured area with TV programmes specially selected for younger viewers. Content can be searched according to duration and timeslot, and parents can use this to block certain apps and channels from appearing.
Picture
(Image credit: Humax)
The picture quality through the Freeview Play tuners in both SD and Full HD is every bit as good as that of the FVP-5000T. Watching Put Your Money Where Your Mouth Is on BBC2, we get some inviting shots of a French antiques market on a cloudless summer’s day. The cobbled streets and stalls are bright and colourful, but with a realistic sense of tonality and texture.
The Aura trades a touch of detail for this better blending and, while some might prefer harder edges to stone walls, it feels like a well-judged decision from Humax. There’s a proper sense of complexity to the bright blue TV shelf as one of the bargain hunters haggles over a few Euros. It makes for a more natural aesthetic to the picture and feels believable when upscaled to 4K.
That arrangement is justified even further when switching to SD on the BBC News channel. Low-res content can seem particularly harsh and blocky when upscaled, but the Aura’s slightly softer approach smooths out a few more of those unwanted edges than its predecessor and adds some much-needed subtlety to clothing colours and skin tones.
However, the app platform is not quite as adept. Compared with a budget streaming stick, the Aura’s skill with a 4K HDR app is a little less assured than it might be. We watch The Boys on Prime Video and while the picture is punchy and dynamic, some of the finer detail is lost, particularly at the brightest and darkest extremes of the contrast spectrum. Viewing a scene set in the White House, the backlit silk curtains are missing folds in the material and the Aura doesn’t reveal the number of freckles on ex-CIA Deputy Director Grace Mallory’s skin that we might expect.
The other slight drawback is that not all users will find the dynamic range and refresh rate content matching system easy to use. There are a few options and, without the right ones selected, app TV shows and films are often displayed incorrectly; motion is juddery and streams are often jumpy. It can be fixed using the remote while viewing, but it isn’t easy to do. Quality standalone streamers have options to automatically match the dynamic range and refresh rate of the source material, and the Aura should really have the same.
Sound
(Image credit: Humax)
The Aura’s hi-res music support offers an excellent opportunity to get good quality sound from this box through both locally stored files and streamed music services. Plugging it into our reference system, we fire up the Tidal Masters version of Fortunate Son by Creedence Clearwater Revival and, by the standards of PVRs and video streamers, we’re struck by how well it captures the recording.
There’s a spacious sound to the vocals and guitars that gives a fabulous feel to the acoustics of the room where the recording was made. Compared with other, similarly priced streaming products, there is an added dimension to the track. There’s a good dose of dynamics that brings excitement and character to all of the instruments. We can visualise the drums at the start of the track and every time the first snare of each bar is hit with an accent.
The back and forth between the guitar and the vocals is like listening to a conversation. It’s a cohesive sound from top to bottom and we feel confident that there’s little we’re missing in the music. Some streamers at this level might offer a touch more crispness to the rhythm, but not without some loss of the excitement we get with the Aura.
All of that translates to an enjoyably emotional feel for home cinema as we switch to AV with the Live Aid scene at the end of Bohemian Rhapsody on Prime Video. The thuds of the kick drum are wonderfully solid and offer a genuine sense of timbre and resonance as the pedal first hits the skin at the beginning of the set.
When Brian May plays his solo at the end of the piece, it’s like he’s making his guitar sing. Again, the sense of place is captured brilliantly in a credible rendition of the sound of the old Wembley Stadium full of 72,000 people clapping in time and singing along to Radio Ga Ga.
Sound such as this is a huge leg up for any home cinema device. Whether capturing the atmosphere of a rock concert or the special effects of an action scene, the Aura really delivers on this front.
Verdict
The Humax Aura does its main job well. It’s an excellent Freeview recorder for both Full HD and standard definition with an easy-to-use TV guide, plenty of space and handy remote recording features. The problem is that Humax has offered – and is charging – more this time around and this box doesn’t deliver these extras quite so well.
If you’re going to promise more apps, then the omission of the most popular one of all is an issue. You also need to make sure your handling of streamed TV and film content is up to the same high standards as the competition, and that isn’t quite the case with the Aura. Tacking on the Android TV platform also means that the overall user interface loses a little focus.
While the Aura is spot on for sound, opting for the cheaper but still brilliant Humax FVP-5000T and buying a Google Chromecast with Google TV as well is a better option in terms of overall performance. The experience won’t feel much more split than the Aura already does but, more importantly, the smart offering will be more complete and a little better for picture quality too.
That said, if you have your heart set on a single box solution for your TV recording and video streaming, the Aura is a solid choice.
The 3rd Generation Fire TV Stick is a capable video streamer, but it drops at an awkward price point
For
Strong app offering
Improved UI
Excellent HDR performance
Against
SDR picture could be more subtle
4K model only costs a little more
What’s grey and sticky? The Amazon Fire TV Stick (3rd Generation), of course. Far from being simply another streaming stick, this third version is the first of Amazon’s media streaming devices to feature the company’s all-new Fire TV Experience user interface, which is intended as a game-changer for streaming service integration.
The Amazon Fire TV Stick (3rd Generation) replaces the 2nd generation of the device that was once called the Amazon Fire TV Stick with Alexa Voice Remote. Back in those simpler days, the first-gen model didn’t have voice control.
Since then, Amazon has added several more branches to the Fire TV Stick family tree. Higher up that tree is the Amazon Fire TV Stick 4K (launched in 2018), and below it, there’s now the Amazon Fire TV Stick Lite, the only other Fire TV device to come pre-loaded with the new UI.
Pricing
The Amazon Fire TV Stick (3rd Generation) costs £40 ($40, AU$79) at the time of writing. That’s £10 ($10, AU$20) cheaper than the Amazon Fire TV Stick 4K that launched in 2018 and, of course, has the added benefit of 4K content.
It’s also £10 ($10, AU$20) more expensive than the simultaneously released Amazon Fire TV Stick Lite, which lacks TV volume control and can only pass-through Dolby Atmos, rather than decode it.
Somewhat confusingly, you’ll find the Amazon Fire TV Stick (3rd Generation) listed as the ‘2020 release’ in the UK, but the ‘2021 release’ in the US and Australia.
Features
(Image credit: Amazon)
From a design perspective, the Fire TV Stick (3rd Gen) is hardly a departure for Amazon. It’s a gunmetal grey rectangular prism with an HDMI plug on the end and a micro-USB power socket halfway up one side. There’s a good chance that the power cable or simply the Stick’s girth will get in the way of your TV’s other HDMI sockets, so, as ever, Amazon has included an HDMI extender to take your stick clear of the rest of the ports.
The Stick itself is a little shorter than the 4K model but houses the same 1.7GHz quad-core chip. Bluetooth 5.0 and BLE are onboard for pairing with Bluetooth speakers, headphones or video game controllers, and there’s the standard 8GB of internal storage for your app collection.
The included remote is as handy and compact as ever. It’s the same second-generation Fire TV remote that comes with the 4K Stick. There are volume buttons that will work for your TV, playback controls and general navigation, plus a button at the top that turns the remote into an Alexa microphone for voice search.
Amazon Fire TV Stick (3rd Gen) tech specs
(Image credit: Amazon)
Bluetooth version 5.0
HDR support HDR10, HDR10+, HLG
Max resolution 1080p
Dolby Atmos Yes
Storage 8GB
Finishes x1
Dimensions (hwd) 13 x 30 x 86mm
Weight 32g
Those looking for 4K and Dolby Vision support will have to look elsewhere. The Amazon Fire TV Stick (3rd Generation) maxes out at 1080p HD, but can still process HDR metadata in the shape of HDR10, HLG and even Samsung’s HDR10+. Dolby Vision isn’t supported, though Dolby Atmos is.
The headline addition, though, is the all-new Amazon Fire TV Experience. The reimagined UI design pares everything down to four main screens, Home, Find, Library and Live, for a more holistic approach to your entertainment. The platform pulls in content from other streaming services, including Netflix, Disney+ and iPlayer, and sits those suggestions alongside TV and films available on Prime Video. The end result is less of a shop window for Amazon and a more useful quick hit of recommendations from across the board instead.
It’s pretty well done too. The top row on the Home page is itself a mixture of content from your subscriptions, followed by lines of film and TV suggestions dedicated to what’s on specific services such as Netflix and iPlayer. It’s certainly an improvement on the previous iteration of the Fire TV OS, but still isn’t a match for what Google has done with the Google TV UI on Chromecast.
That first row of content on the new Fire TV experience never seems to be as much of a mix as it could be. It tends to start with too big a burst from a single source, whether that’s a few screens of animated Disney content or a slew of Amazon Originals. It’s also still too Prime Video-heavy as we scroll down the page with the rows dedicated to other services swamped by too much of what’s on Amazon.
The ‘Find’ section of the experience is far better, as it seems to give a more balanced approach, as well as plenty of handy suggestions of genres and sub-genres to drill down into. Fancy comedy horrors, action dramas or trending documentaries? This is the place to look.
If you have the right to watch a piece of content for free, the Fire TV OS will let you know. It also directs you to free versions on apps you might not already own, including those available through free trials. The only thing to watch out for is that the UI still encourages you to buy and rent 4K content, even if the Stick won’t allow you to play it back at UHD resolution.
Like all current Fire TV devices, Alexa is along for the ride and makes an easy way to navigate around the OS. The addition of six user profiles per household – each with its own preferences, apps, permissions, watchlists and settings – is also welcome.
All the major apps are present here, apart from Google Play Movies & TV and Rakuten. There’s HDR available on Netflix, Disney+, Prime Video and Apple TV, but there’s no Dolby Atmos material on Apple and no way of buying new content on Apple TV through the Fire Stick itself. You have to purchase or rent content via your computer or phone, at which point it will be available in the Apple TV library on the Stick.
Picture
(Image credit: Amazon)
Heading straight to the HDR sections of the popular streaming services, we’re delighted to see that this Stick’s performance is excellent. Watching I Care A Lot on Prime Video in HDR, it’s easy to spot how well this device puts that tonal metadata to good use.
The bright scene outside the courthouse in the first episode is full of potential pitfalls. There are textures to render and different blacks to produce all while under the glare of the midday sun that bounces off the pale stone steps and floods the picture with a harsh white light. Despite all this, the Fire TV Stick copes admirably.
Even at the maximum-supported 1080p resolution, we get a decent sense of the stone-washed jeans of a bystander and the layers of clothing material on the black-clad Eiza Gonzalez. The sky is a searing blue and Rosamund Pike’s dress an expensive red, while the nearby trees remain a natural green. It’s an enjoyable picture with an easy-to-watch balance between dynamism and subtlety.
Dropping to SDR content is certainly a different experience, but the picture still pleases. It’s a punchy effort with a lot of brightness and big contrast, which helps to keep that sense of zeal to the on-screen action. Watching the sitcom Flowers on Netflix in Full HD, there’s plenty of impact as Mrs Flowers walks down her ramshackle garden to flirt badly with the tradesmen. What could be quite a flat, overcast sky has a bold, foreboding look and works as a fantastic foil to the dark brown, gnarled trees and the thick, overgrown grass. You can’t fail to get a sense of the way the story is going to play out.
That dynamic approach isn’t without its drawbacks, though. The focus on punch can leave detail fairly scant without the benefits of HDR. The faces of the characters sometimes come off a little too uniform, missing the same wealth of tone that is available from the Fire TV Stick 4K, given the same source material. The push for high contrast can overpower black depth and white detail too, unless you keep a careful eye on your TV settings. Again, that’s something the more expensive Stick has a better handle on.
Sound
(Image credit: Amazon)
The differences in audio between the Fire TV Stick (3rd Generation) and the 4K model are far less marked than the picture performance. Their overall character is undeniably similar.
Listening to This is Me from The Greatest Showman soundtrack on Tidal, there’s a respectable sense of rhythm to the music in the build towards the first full chorus. The drum rolls are tight enough to pick out the individual beats of the sticks, the reverb on the guitar is clear and controlled, and all of the excellent diction on vocals is nicely clipped.
Switching to the cinema, we head to the freeway crash shoot-out at the beginning of Deadpool on Netflix with its wealth of surround sound action. The audio is just as spacious as we’d expect from a budget streaming stick. Ajax’s motorbike zips neatly from one side to another as he weaves his way through the traffic, and both the movement and detail of sound as the pin flies out from the hand grenade shows what an enjoyable experience this stick can deliver.
At the same time, the 4K model is just a touch better all over for sound. Dynamically, the more expensive model has a noticeable edge that is easy enough to pick up both with music and while watching video content. It’s also a little crisper, which gives it a shade more energy.
Playing This is Me via the third-gen Stick, there isn’t quite the same thrill as the chorus reaches its crescendo. The equivalent for Deadpool is a slight loss of dimension to the sound effects. The bullets are a little less impactful than through the 4K Stick, and it’s noticeable in more incidental noises, such as the opening of the electric car door window before the eponymous hero pops his head out to address the bad guys. There isn’t quite that same satisfaction to its clunk as the glass reaches its limits.
Verdict
The third generation of the original Amazon Fire TV Stick offers the kind of solid performance we’ve come to expect from the Stick family. It also features all of the most important apps and comes with an all-new interface that offers owners a genuine solution to the problem of what to watch next at short notice. HDR viewing is excellent and it’s hard to ask for much more sonically.
The trouble is that more is actually available and for only a little extra. For just a few extra pounds or dollars, you can buy the 4K version of the Fire Stick, which is slightly better performing with the same content and offers all of that 4K future-proofing too. And that leaves our third-generation model, although good, in a slightly sticky spot.
Facebook has added Zoom and GoToMeeting support to its Portal TV product, so you can fully embrace the work-from-home lifestyle and take meetings from your living room couch.
Zoom and GoToMeeting, as well as BlueJeans and Webex, are already available on Facebook’s more portable Portal devices, including the standard Portal, the Portal Mini, and the Portal Plus. The new additions to the Portal TV should make it much more useful as a work webcam, but also in the event any of your COVID-era digital hangouts happen on Zoom.
“Now, your favorite Zoom functionality extends to the largest screen in your home, so you can work from your couch as well as your desk,” reads a blog post published Tuesday. “That includes joining breakout rooms for brainstorming in smaller groups, calendar integration to help you stay on top of your schedule, screen sharing to improve remote collaboration, and virtual backgrounds to improve your overall experience.”
Facebook has been slowly building out the feature set of its Portal family of video chat devices. In October of last year, it added Netflix to the Portal TV, and the second-generation Portal and the first Portal Mini released back in 2019 added WhatsApp calling support alongside more reasonable price tags.
I asked experts when vaccinated people can resume high-risk activities — and got a whole bunch of answers
It’s been over a year since my office shut down. Over a year since I went to a bar, a fitness class, a movie theater, a concert, a Knicks game, or to the many other public events that were once centerpieces of my social life.
But there’s finally, finally a finish line in sight. There are three safe and effective COVID-19 vaccines authorized and available in the US — and at least 90 percent of all adults will be eligible to receive one by April 19th. If our current vaccination pace continues, 75 percent of adults will have at least one dose by early summer. Reader, I am dying to get back to my favorite activities, and I can tell that people around me are, too.
But according to the Centers for Disease Control and Prevention, vaccinated people aren’t out of the woods yet. The agency’s current guidelines still severely limit some activities that are a big part of many people’s “normal” and some people’s livelihoods: theaters, concerts, bars, sporting events, and the like.
Now, I know concerts aren’t more important than public health, and I’m happy to follow expert advice for as long as needed to stop the spread of COVID-19. But that hasn’t stopped me from wondering “when?” When can our pre-pandemic lives resume, without distancing, capacity limits, quarantines, and other restrictions? When can I go clubbing again?
Lately, there’s been a lot of great writing about what vaccinated people should and shouldn’t do right now. But that didn’t help me get a clear picture of what the future might hold. So I spoke to seven experts, who have all been involved in studying or treating COVID-19, about a slightly different question. I asked them: What signs are we waiting for? When will we know that we can get back to “normal”?
Those are difficult questions to answer because there are a lot of uncertain variables, and the situation is changing rapidly. The US is averaging over 3 million doses per day, and some states are already dropping their pandemic restrictions — but COVID-19 cases are still on the rise, and officials are worried about an upcoming surge. To understand what our “normality” goalposts are, it’s important to first understand what those unknowns are and why the CDC is asking people to keep being patient after they get their shot.
Let’s start with the basics: if I’m fully vaccinated, why should I still avoid crowds?
When you’re fully vaccinated, you want to avoid coming into close contact with unvaccinated people. For one, no vaccine is 100 percent effective. Some experts I spoke to believe they’re effective enough that vaccinated people can justifiably stop worrying about their own risk, while others continued to urge caution. But everyone agreed that while we have data on the efficacy of the vaccines in preventing you from getting severe COVID yourself, we have less information about how well they prevent you from potentially passing it to unvaccinated people. Every expert I spoke to cited this as a reason vaccinated people still needed to be cautious while COVID is widespread in their area. It’s also mentioned in the CDC’s guidance.
I pressed on this, though, because it’s not the case that we have no information on this topic. Preliminary studies from Israel have indicated that Pfizer’s vaccine greatly reduces transmission, and the CDC recently found even more evidence that Pfizer’s and Moderna’s shots are highly effective at preventing infection in vaccinated frontline workers. So I asked the experts how much more information they’d need before they were comfortable with vaccinated people returning to public crowds.
I got a wide variety of responses here. Brian Cruz, regional medical director of PhysicianOne Urgent Care, says he’s waiting for more peer-reviewed studies. The Pfizer data from Israel, for example, isn’t peer reviewed, and the researchers have stated that further study is needed. And while the CDC’s findings indicate that the US vaccines are likely effective in preventing COVID infection, Cruz notes, they don’t settle the question of whether a vaccinated person can be an asymptomatic carrier. He doesn’t think it’ll take too long for all of that to be cleared up. “There’s a strong push to get that information out,” he tells me. “I think we’re getting to that point.”
Others don’t feel that they’ll be satisfied with transmission research at any point in the near future. Before a majority of people are vaccinated, “regardless of the science that might come up … I don’t think it’s responsible to gather in medium or large-sized groups,” says epidemiologist Matthew Weissenbach, senior director of clinical affairs at Wolters Kluwer.
Epidemiologist Brian Castrucci, who is president of the de Beaumont Foundation, stressed that uncertainty around transmission is less of a concern when a high proportion of people are protected. “This is a novel virus and a novel vaccine. We’re going to be learning for a while as to how it interacts and how it works,” he says. What we do know, he adds, is that “the more people who are vaccinated, the less the virus has a path forward.”
With those answers in mind, I began asking about the future.
When can I go see Hamilton in the room where it happens — instead of on TV?
You can’t control who else attends large public events (theater, clubbing, concerts, religious services, basketball games, and the like), and a vaccinated person will run the risk of coming into close contact with unvaccinated people.
Some of these events can happen in a low-risk manner with modifications — small religious gatherings outdoors with six feet between participants, for example. But I wanted to know what it will take to get the full nine yards back: indoor crowds, full capacity, screaming and cheering, the works.
The big thing to look out for with local events is the pace of vaccination in your community, since most venues like bars, churches, and, yes, theaters, largely draw local patrons. (There are exceptions, of course — more on those later.) The CDC is reporting vaccination rates, case counts, hospital utilization, deaths, and other metrics by county.
Experts say they’ll be watching for a few things. One is case counts. A positive test rate of 0.5 percent or lower would be a good sign, according to Mireya Wessolossky, an infectious disease specialist at UMass Memorial Medical Center and associate professor at UMass Medical School. Another is hospitalizations. “There need to be no people in the hospital, or once in a while,” Wessolossky says. Another is the overall direction of cases and hospitalizations — “What we need to see is that all the trends continue in the right direction as we start to get back to normality,” said Andrew Catchpole, virologist and chief scientific officer at hVivo.
And a fourth is the proportion of people in your community who are vaccinated. Most of the experts I spoke to said they’ll be most comfortable with large, public events when the area in question has a vaccinated proportion sufficient for herd immunity — the point at which enough people are immune to a disease that a community as a whole is protected, including those who don’t have immunity themselves.
When can I have my birthday party?
Here’s the good news: your birthday party, book club meeting, and other personal gatherings should be fine now, provided that everyone invited is fully vaccinated. So if you’ve been holding out on throwing an indoor birthday party, you should be waiting until two weeks after everyone on your invite list has had their shots.
Weddings are the one area where experts seem to diverge. Weissenbach thinks they should wait for herd immunity (or should be held outdoors, with distancing precautions) since there are likely to be outside staff involved with ambiguous vaccination status. “You probably have food vendors, you probably have a DJ,” he says. “I’m not super comfortable with it.”
Others were tentatively okay with indoor weddings of fully vaccinated guests sooner. But everyone did agree that for weddings (or parties or other sorts of indoor, unmasked, and close gatherings) with unvaccinated guests, herd immunity is the goal.
Okay, cool. So how many people need to be vaccinated for herd immunity against COVID-19?
Unfortunately, we won’t know that for a while. The threshold for herd immunity varies between diseases, and COVID-19 is a new virus. The best we can do for now is make educated guesses based on our knowledge of other viruses.
It’s possible that COVID’s number is very high — a population needs a 95 percent vaccination rate to achieve herd immunity against measles. However, COVID is unlikely to be as contagious as measles, and many of the experts I spoke to were comfortable with a rough estimate of 70 to 80 percent. That’s also the range Anthony Fauci, director of the National Institute of Allergy and Infectious Diseases, projected in mid-December. “I would feel good about 70 to 80 percent,” says Castrucci.
Some were more optimistic: Michelle Prickett, an associate professor at Northwestern University’s Feinberg School of Medicine, says she’d be okay lifting some restrictions above the 50 percent mark. And others are less so. Catchpole tells me, “To operate at maximum safety and minimum risk, we’d want to see as close to a 100 percent takeup of the vaccine as possible before pre-pandemic normality is brought back.”
Plenty of factors could impact what those thresholds are, and how long it takes to reach them. But overall, this goalpost is clear: we want a large majority of people to be fully vaccinated.
Got it. So can I plan to attend the Stanley Cup playoffs this year?
This year’s Super Bowl was not a COVID superspreader event, according to health officials. Fifty-seven cases were linked to official Super Bowl festivities, and 25 people were exposed at the events — over 280,000 people participated. That said, this year’s Super Bowl was held in an open-air stadium at less than half capacity, and fans were required to wear masks and adhere to social-distancing measures. So I asked what it would take for the experts to go back to indoor games with full crowds.
Castrucci says nationwide vaccine rates are more important here than local numbers — the 70 to 80 percent threshold is the goal. Even if they’re taking place in your area, big sporting events and gatherings at similar scale may bring in fans from all across the country. You may not know whether other attendees you’ll encounter are vaccinated, where they came from, or what vaccine rates are in their area. “Something like a Super Bowl, that’s something to be thoughtful about,” Castrucci says. “We’re only going to be as safe as the group that is vaccinated least.”
Seventy to 80 percent seems high — are we actually going to hit these numbers?
I got a chorus of emphatic yeses; the experts I asked believe that number is realistic. “A little bit of patience and we’re going to get to that point,” says Cruz.
The segment of people who plan to get a vaccine is promising. A recent poll indicated that 69 percent of US adults had already gotten the vaccine or were willing to get one (and that proportion may be much higher in your region). And nearly everyone who gets the first dose of a two-shot vaccine has been getting their second one within the recommended window. Kids also make up 22 percent of the US population, and it’s looking like 12- to 15-year-olds could have access to shots before the next school year. Opening up that bracket will likely make up for some adult hesitancy.
It’s also likely that more hesitant people will be pushed to get the shot if schools and other institutions make COVID vaccines mandatory. And there’s also a normalization factor at play. “Once someone initially resistant to getting a vaccine shot knows other people within their peer group who have had a vaccination, they’re more likely to change their mind,” says Catchpole.
What about that Cancun vacation I’ve been putting off?
International travel will take longer. Many countries around the world are not open to US tourists, and some that are have still highly discouraged leisure travel and are requiring arrivals to test and quarantine before they can enter. If you’re planning an international vacation, that’s going to be an even longer waiting game than getting tickets to any big event. Some experts caution that countries might open their borders prematurely but still recommend that fully vaccinated people keep six feet of distance from others during their trips and quarantine before and after.
Wessolossky says travelers should be looking at the proportion of people who have been vaccinated at their destination, once it’s open (as well as other metrics like positive test rates and hospitalizations). That’s especially true because if you’re vacationing, you may want to visit restaurants, bars, or other indoor attractions where the virus and variants of the virus can spread easily.
Shoot, now I’m thinking about variants. How do they factor into vacation planning?
Even if the country you’re aiming to visit is open and vaccinated at high rates, Wessolossky says, it would be a bad idea to visit if there’s a new variant circulating there and you can’t find research on how it interacts with your vaccine.
But like transmission, variants aren’t a topic we know nothing about. Some current research suggests that while our vaccines may be less effective against some concerning variants, they likely still provide some degree of protection. So I asked: what information are we waiting on regarding the variants we’re currently worried about, and given that future variants are a perpetual question mark, will we ever know enough?
The answer to both questions appears to be infrastructure: tests for detecting variants aren’t yet approved for diagnostic use in the US, and only a small number of US labs can validate them, so variant-focused contact tracing is difficult. “If we had the science infrastructure to sequence variants … things would become clearer,” Castrucci says. “We haven’t made those investments.”
Prickett says she’s waiting for the US to scale up that monitoring and testing capacity before she’ll feel comfortable with total normality. “The best way to get a hold of variants is to do early observation, and we need a bit more infrastructure here in the US and globally,” she says. The Biden administration has committed nearly $200 million to expanding that capacity.
Weissenbach says variants just underscore the need for countries to reach herd immunity. “It’s like a wildfire in California,” he says. “They’re going to continue to crop up. We’re just trying to put a squash on it.”
Bottom line: what are we waiting for?
After getting such a wide variety of answers to so many of my questions, I am left hopeful but also frustrated. How should laypeople like me navigate our lives post-vaccine when even medical experts disagree?
While it may seem tempting to draw the conclusion that this all comes down to a value judgment — you should weigh your risk tolerance against how much you value your wedding or vacation and make your own decision — that doesn’t sit right with me. Our risk is our business, sure, but we’re also asked to restrict our behavior to keep other people safe. And I’ll be brutally honest: I miss live entertainment, traveling, and even indoor dining enough that if I really believed that my post-vaccine decisions came down solely to my own risk-reward calculus, I’d probably drop all pre-vaccine restrictions as soon as I was two weeks out from that last shot. That’s a decision I think every expert in this article would agree is the wrong one because there’s an element of responsibility in the equation as well.
Some folks will certainly disregard all public health guidelines and start globetrotting immediately after their second shot. Others may swear off concerts for the rest of their lives. But many people (myself included) feel an obligation not to contribute to spread but would also benefit from knowing there’s an end in sight — knowing that there’s a time coming when the risk of spread will be low enough that we can go back to our favorite pre-pandemic joys with science on our side.
So here’s my takeaway, for what it’s worth. Experts across disciplines have conflicting advice. As vaccination rates rise, we’ll likely see some authorities relax their demands, while others continue to urge caution. Governors will allow things to open, and people on Twitter will urge you not to go. It’s going to be a confusing time, and different areas will move at different paces. But for the riskiest indoor activities, there’s a tentative finish line in sight: we’re waiting for a large majority of our communities to be fully vaccinated, and for cases and hospitalizations to decline. Here’s my mental finish line: with the caveat that variants and other circumstances could change the equation, and that precautions should be eased carefully rather than thrown to the winds, 70 to 80 percent is the rough threshold I’m watching for.
To gut check this conclusion I turned to Ben Bates, a professor at Ohio University who studies health communication and messaging. He’s not surprised that I’d had trouble finding straight answers. He emphasizes that communicating public-health guidance is challenging, and he thinks some of the expert messaging around COVID has underweighted the value of social gatherings. “The way science and public health work is you want to accumulate as much evidence as possible and test it over and over,” Bates says. “By nature these are very cautious, conservative people. I don’t think we’ll hear for a good long time ‘It is now absolutely safe to go out.’”
But Bates thinks the prospect of US communities hitting a high vaccination threshold, and seeing a subsequent decline in community transmission, is “quite realistic” and agrees that it’s a reasonable milestone to wait for that fairly balances risk aversion against the costs of restrictions and the high value of social gatherings. “Politicians, and business folks, and church leaders and so on will rightly say, ‘This is the kind of number you said would help protect us, and we’ve reached that number,” Bates says. “That’s when I think things will be pretty darn opened up.”
Last week, Apple Arcade received its biggest update since launching back in 2019. More than 30 titles were added to the subscription service, including much-anticipated games like Hironobu Sakaguchi’s roleplaying epic Fantasian. But while the quantity and quality of titles added were impressive, the most important part of the announcement was a change in direction. Among those big-name exclusives were a number of classics, ranging from Monument Valley to chess to Threes, that help round out the service. Apple Arcade has finally matured into something close to a Netflix for mobile games.
Since the beginning, the pitch for Apple Arcade has been entirely centered on quality. While the App Store continues to devolve into a space dominated by free-to-play games, Arcade provided an alternative where some of the most talented developers in the world could create great mobile games without having to worry about monetization. It launched alongside new games from the likes of Zach Gage and Ustwo, and it has continued to add titles on a near-weekly basis. Subscribers get all of those games for a flat monthly fee. It’s been a solid service — but it’s always felt like something was missing.
When you sign up for something like Netflix, it might be because of one of the service’s big exclusive titles like The Witcher or Bridgerton. But that won’t necessarily keep you hooked. Part of what makes Netflix so compelling is everything else, from reality shows to classic sitcoms, that give you something to watch after you’re done with the big tent poles. Frequently, these aren’t traditional exclusives: think of how important Friends and The Office have become in the age of streaming TV.
Those kinds of experiences are something Apple Arcade didn’t really have before this shift. Now, though, when you’re done playing a short narrative game like, say, Creaks or Assemble With Care, there’s a lot more to keep you invested with recent additions like Good Sudoku or Threes.
Wonderbox.
Even better, while many of these games are available on other platforms or through the App Store, the Arcade versions are generally improved because they feature no form of in-app purchases or monetization. You won’t find puzzle or card games saddled with ads or have to open loot boxes in NBA 2K21. There’s even Star Trek: Legends — essentially a character-collecting gacha game — which almost feels strange to play without being prodded to spend money. (This lack of microtransactions makes Arcade a very family-friendly service.)
It’s also important to note that this change in strategy is additive. Apple has introduced two new categories to Arcade — one for older App Store hits, another for classic games like chess or solitaire — but it’s still releasing those big exclusive titles. In addition to Fantasian, last week’s update included Wonderbox (think Minecraft meets Zelda for younger players), World of Demons (the latest action game from PlatinumGames, the team behind Nier: Automata and Bayonetta), and Taiko no Tatsujin: Pop Tap Beat (a new entry in an excellent long-running rhythm game series). It’s a great and diverse lineup of experiences; sometimes scrolling through games on Arcade can feel like heading into an alternate reality version of what mobile gaming could have been if the race to free-to-play never happened.
Obviously, none of this is a guarantee of success. And if previous reports are to be believed, the shift appears to be a result of Arcade’s inability to keep subscribers hooked. While the subscription model is now dominant for the music, film, and television industries, it’s still relatively nascent for games. Outside of Xbox Game Pass, there hasn’t been a major success to date. Apple Arcade arguably faces a greater challenge being on mobile, where users have long been conditioned to expect games for free. The Netflix of games still feels inevitable, even if we’re not there yet — but Arcade feels closer than ever.
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