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#heiseshow: New copyright law – upload filter and ban on the use of snippets?

The CDU has not covered itself with fame in the negotiations of the new EU copyright law and even now the actions of the ruling party must be given a big question mark. The full-bodied promises that there would be no upload filters (in Germany) were quickly overtaken by reality. Experts had already warned that even quibbling cannot distract from the fact that less suspicious formulations ultimately result in upload filters.

The But the bill was probably also made without the host. The European Court of Justice could overturn the directive in the coming year anyway if this would make upload filters mandatory.

A bigger dispute has now broken out again about snippets – the short reproductions of works. Sometimes artists run storm against free content snippets. For example, bands view the snippets very differently than influencers.

We want to take a closer look at what artists, interest groups and government parties are discussing here. What solutions are proposed by the CDU and SPD? How should works be licensed? How are the online platforms positioned? What are interest groups asking for? Which copyright will we get?

Martin Holland (@fingolas) and Kristina Beer (@bee_k_bee) discuss these and many other questions – including those of the audience – with Julia Reda (@senficon), the former MEP the pirate and now, among other things, head of the control © project at the Society for Freedom Rights, in a new episode of the #heiseshow.

Thursdays. 12 Clock. Live. heise online speaks to guests about current technical developments and network policy. Using tweets with the hashtag #heiseshow you can join the discussion before, during and after the broadcast. The #heiseshow is there …

Alternatively the stream is also broadcast on Twitch.tv/heiseonline.

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We note down questions and comments that are not sent to us during the live broadcast us. We try to incorporate this into the current broadcast. Suggestions for topics for the next issue between the shows are always welcome.

Live every week The #heiseshow is every Thursday at 12 Watch streamed live on heise online. The moderator team consisting of Kristina Beer (@bee_k_bee), Martin Holland (@fingolas) and Jürgen Kuri (@jkuri) alternately leads the on around 30 Minute talk show in which current developments are discussed with colleagues and connected guests.

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A brief chat with xQc

Last week, the streamer Félix “xQcOW” Lengyel was temporarily banned from Twitch for cheating at a GlitchCon Twitch Rivals event. It was the third time this year he’s been suspended from Twitch, and his teammates Rabia “Nightblue3” Yazbek and Lucas “Mendo” Håkansson were banned alongside him. I got in touch with Lengyel to chat about what happened, and what he’s learned from the experience.

According to him, the stream sniping incident — when he and his teammates queued into a competitor’s lobby with the intent to derail their game — was a bit of banter that went too far, though Lengyel is careful to note that he’s not trying to justify what happened. “The atmosphere was really like funny, banter-y — we went to their Discord, they went to our Discord, you know, we’re talking shit, whatever,” he says. “And now that I’ve computed it, it’s like, holy, this is just… this is like so stupid.” After the event, Lengyel says he messaged the people involved to apologize. Even so, he says he didn’t think anything would happen on Twitch.

Lengyel’s Twitch partner manager broke the news of his ban. He’s not mad, though; competitive rulings are competitive rulings, and through his career as an esports competitor he understands why these decisions are made. “I don’t want to do wrong stuff. I want to always be better. It’s why I’m rarely upset at competitive rulings and bans and whatnot,” he says. “And I think it’s sort of healthy, for people that have my platform to know for sure that I got punished for something, they know why it happened.” Lengyel’s interested, he says, in modeling growth. That said, he’s not without controversy. Lengyel’s been temporarily banned from Twitch on multiple occasions for streaming explicit content, and he was previously suspended from esports teams for using disparaging language.

“If I can be an example of wrongdoing, I can be an example of redemption,” he says. “And I think that matters, maybe even more.” He also says you shouldn’t stream snipe in games.

Lengyel says he wants his audience to know that he’s trying to be better — to move forward. “Even though sometimes we take like, 10 steps back, as long as we create a pattern of gaining steps forward again, and getting through it again, I think that matters a lot.” (The overarching message, though, he says, is: “don’t fuck with competitive integrity.”)

To that end, Lengyel is starting something he’s calling a streamer showcase: a show of some kind that features smaller Twitch creators. It’s an idea that grew out of his Among Us games with smaller streamers earlier this summer, where he started a Discord server and invited people who replied to a tweet. “It’s been really crazy to see all these smaller streamers grow, like, out of the blue — and all of them getting partnered and getting sponsorships.” It’s an example, he says, of using his platform for good. He’s a little light on details. Personally, though, I think it’s interesting because to me it seems like he’s starting to grapple with the dynamics of online influence — with what it means to be famous on the internet.

And Lengyel’s organizational partners are behind him as well. He’s part of Luminosity Gaming, a professional esports outfit. “Being partners is more than just celebrating the good times. Felix knows he made a mistake and we’re encouraged to see how seriously he is taking his return,” wrote Corey Mandell, executive vice president of Enthusiast Gaming, Luminosity Gaming’s parent company, in an emailed statement. “We remain committed to supporting his personal journey and help realize his ambitious plans.” Lengyel is set to return to Twitch on Wednesday.

50 years of video game history in one graph

The video game industry has registered sales for 165 billions of dollars in 2020: a study by Pelham Smithers shows how the success of the sector has increased over time, even if the factors that have decreed it continue to change

by Rosario Grasso published 25 November 2020 , at 15: 51 in the Videogames channel

Commissioned by Visual Capitalist and carried out by Pelham Smithers, the market survey aims to highlight how much and how the video game market has grown i over the years, summarizing the statistics in a single graph . We can see how in the recent period it is mainly the mobile gaming that has taken over, with the PC sector which has been able to resist and renew itself by exploiting the pull of Twitch and more recently the advent of cloud gaming services .

Click to enlarge

The history of video games is also marked by technological evolution: indeed, in some ways it is a sort of clarification of the latter. If the first video game prototypes in the years’ 50 were real laboratory experiments, the beginning of the video game industry is usually identified with the arrival of Pong in 1972. Atari was the undisputed queen of that period, first launching the home version of Pong in the 1975 and then the glorious Atari 2600 in 1977.

The history of video games: from Pong to 165 billions of dollars in sales in one year

But it was mainly the years of the coin-op arcade : beyond Pong, in fact Space Invaders, Pac-Man and Donkey Kong

arrived . However, the industry struggled to handle such disruptive growth. Especially Atari invested heavily and badly, thinking that the amount of stocks on the market could give further impetus. The cases of some blatant failures are famous, such as the videogame adaptation ET the Extra Terrestrial . The resulting market saturation caused the video game industry crisis in 1983, which led to a substantial compression of sales.

In the same years we witnessed the first merger between personal computers and video game systems, sealed by the market entry of Commodore 64 . Nintendo, on the other hand, focused on the quality of the games to regain the market and in the 1985 launched the Nintendo Entertainment System (NES) . It was followed by another Japanese giant, Sega, which in 1988 conquered important shares of market with the glorious Mega Drive , and subsequently also triumphed in the portable console segment with the Game Gear .

As everyone knows, the real revolution would come in 1994 with the first PlayStation , equipped with a CD-ROM reader and hardware capable of processing large and polygonally complex virtual worlds. The next two PlayStation still focused on the evolution of optical media, first with DVD ( PS2 ) and then with the Blu-ray ( PS3 ). Consoles that were hugely successful, especially the PS2, to the point that Sony is still the company that has sold the most video game systems today.

Meanwhile, the development effort Microsoft on graphics libraries DirectX merges into the project Xbox , whose first incarnation dates back to 2001. Xbox was the first console equipped with an ethernet port, specifically designed for online services and multiplayer gaming. Microsoft had to wait until 2006 with Xbox 360 to obtain benefits with respect to the investment made in the sector. That generation of consoles was very important in decreeing the success of consoles, especially thanks to Nintendo Wii , launched on the market in 2006 and author of a series of important records.

Video games: a mass phenomenon

Another very important moment surely corresponds to the launch of World of Warcraft , massively multiplayer game that attracted many players to the PC. At the height of its success, the Blizzard title boasted 01 millions of subscribers. Another saga that led to many sales on PC was that of The Sims , with the first chapter released in 2000.

The world of mobile gaming begins its unstoppable ride with the launch of Apple’s first iPhone in 2007. In the world of video games this translates into the success of memorable games such as Angry Birds and Candy Crush Saga , which with the business model free-to- play revolutionize the video game industry and the way of doing business.

Dal 2014 today the video game audience is much larger than in previous years. This is demonstrated by the market yields of games such as Pokemon Go , which has made more than a billion dollars in turnover. one year, or Grand Theft Auto V , with its sales record of one billion dollars in three days of marketing. The billionaire acquisitions of Oculus VR , by ) Facebook , of Mojang and of Zenimax by Microsoft, by King , ended in Activision , of Supercell , over at Tencent , and of Twitch (Amazon) , are the basis of a very solid growth in the turnover related to video games, which only in 2020 amounts to 165 billions of dollars.

Copyright reform: Artists run storm against free content snippets

A group of 576 artists appeals to politicians not to “play off copyright against us”. Music up to 20 seconds, remixes, samples – “everything should be freely usable, without a license”, the alliance railed against the draft of the Federal Ministry of Justice on copyright reform. Above all, the proposed new exceptions to the exclusive exploitation rights are “so outrageously contrary to European law” that “we can only shake our heads”.

The signatories of the heise online letter to members of the government and members of the Bundestag include the bands and ensembles AnnenMayKantereit, Antilopen Gang, Beatsteaks, the Berlin Philharmonic, the Doctors, Die Toten Hosen, Feine Sahne Fischfilet and Kraftwerk. There are also musicians, singers and DJs such as Blixa Bargeld, Herbert Grönemeyer, Joy Denalane, Leslie Mandoki, Paul van Dyk and Tim Bendzko.

“No adequate remuneration” “The Corona crisis hit us hard,” write the artists. It is all the more painful that “we are still not receiving adequate remuneration for our works in the only non-restricted market” of online platforms. The EU Parliament had the courage to shift “the unequal power imbalance” a little towards a new balance with the controversial copyright directive and the resulting tightened liability regime.

They had another concern The alliance emphasizes that EU politicians have been picked up and “the power of disposal over our artistic work has been put back into our hands: we should no longer have to fish out every bit of video in the flood of platforms ourselves, in which, for example, new rights or conspiracy theorists Make use of the awareness of our works without being asked. ”

The musicians are therefore” horrified “at how little of this intention has remained in the ministry’s project: the guideline is being watered down, the position of creative people weakened in negotiations. “Instead of a harmonized European market for licenses, we are getting a German self-service shop where our works are given away to everyone who says ‘pastiche’.”

Bagatellschranke Above all, the proposed “minor barrier”, with which snippets of content such as memes in social media are to be made license-free and subject to payment, must be dropped, the authors demand. User rights in the area of ”User Generated Content” should not be extended across the board through the back door. The tried and tested notice-and-takedown procedure for removing content should be retained.

That the legislative proposal (LB 2985648: very is controversial) $ shows, in addition to the objections from other ministries that have already become public, the high number of over 100 statements to the justice department. The spectrum of interest representatives ranges from rights holders to associations of the IT industry and initiatives such as SaveTheInternet, which have long been campaigning against upload filters, to the churches. For example, the German bishops are campaigning for the ability to continue streaming church services beyond the corona pandemic with a flat fee via the collecting society Gema.

Against upload filters Raise your voice for the first time 30 Social media greats like PietSmiet, Gronkh, Le Floyd, Rewi, Rezo and Tilo Jung, who say they have around 88 million users on YouTube, Instagram, Twitter, Twitch and Reach TikTok. They complain that the initiative “draws a line between the owners of copyrights and users of upload platforms” that “does not correspond to actual practice”. As a “content creator” they are both and have “as creatives and as a company in the cultural industry” against the article at the time 13 (now 17) protested the directive.

“We reject automated systems, Check the uploads for copyright infringement, in principle, “emphasize the makers. They could not understand the content of uploaded works and are therefore not suitable for correctly detecting copyright violations. This would actually suppress legal content. The creators expressly rate the “provided exceptions for the public reproduction of a tiny excerpt” of copyrighted works for non-commercial purposes as positive.

User rights and copyrights The Federal Association of Consumer Organizations (vzbv) praises the fact that the Ministry of Justice has given the freedom to design articles 17 actively intended to use. It is clear, however, that upload filters would not be prevented by the present proposal. In this respect, the government is breaking the promise made in the coalition agreement. That is why it is crucial “that user rights are protected as best as possible”. This is not a necessary evil, but a prerequisite for being able to implement the EU requirements in accordance with fundamental rights at all.

Wikimedia Germany also calls on the government to do so to pay more attention to the needs of the users and to maintain the balance of legal permissions. Even if Wikipedia is excluded from the article : If filter algorithms are used widely, the entire process of creation suffers from free Knowledge of social media, forums and video portals is massive. The fact that automatic systems should check content in advance contradicts the tenor of the executive’s protocol declaration.

Shift of responsibility In contrast to the discussion draft, the revised paper no longer contains any “innovative solutions”, regrets Google. The justice department is now making service providers “responsible for problems within the ecosystem that are beyond their control”. The obligation to acquire licenses for typically uploaded content is impractical and incompatible with European law.

The group considers the extended ancillary copyright for press publishers to be unnecessary. It was only in October 2020 that he announced that he would be giving journalists and press publishers increased support through the “News Showcase” and paying license fees for selected high-quality articles. Snippets with up to 200 characters or 30 Words should definitely remain license-free. According to VG Media, which represents many publishers, the draft, despite corrections, “secures the business models of the providers of services that use press products intensively and extensively”.

Technical concerns about the “Pre -Flagging System “has Facebook. Comparing billions of uploads with millions of files from rights holders in real time using complex technology “is not possible in many cases”. German users could face longer and frustrating waiting times when trying to post content. This is likely to harm their right to freedom of expression.

(jk)

TechStage | PlayStation 5: the best accessories

Testing Tests overview Smartphone Realme 7 Pro in the test: OLED display and 65 – Watt loading Huawei Mate 35 Pro in the test: Great, but without Google Samsung Galaxy M 21 Test: Solid cross-country skier at a budget price Oneplus 8T: battery full in 45 minutes and 120 – Hz display Samsung Galaxy Fold 2 5G in the test: better and cheaper Pixel 5 in the test: Google just does it better Elephone U5 in the test: The cheap phone from China is so good Smartwatch Samsung Galaxy Watch 3 in the test: competition for Apple? Huawei Watch GT 2 Pro in the test: Smartwatch with cross-country battery Apple Watch: Smartwatch with contract from 15 € per month Buy Apple Watch 6: All generations in Price check Skagen Falster 3 in the test: Smartwatch with Wear OS Test Huawei Watch GT 2: Noble fitness tracker in watch form Huawei Watch GT in the test: record-breaking batteries ufzeit Multiroom Bose Portable Home Speaker in the test: battery, WLAN, Airplay 2 Sonos Move in the test: The robust all-rounder Musiccast: Multiroom from Yamaha in the test Denon Heos in the test: versatile multiroom system Flat soundbar Teufel Sounddeck Streaming in the test Teufel Raumfeld in the test: rich multiroom sound Technisat Digitradio 465 in the test: The gray all-rounder Keyfinder Tile Slim ( 2019): Key finder in credit card format Tile Pro Bluetooth key finder in the test : 122 m range! Key finder Tile Pro in the test: the range champion Orbit Bluetooth tracker in the test: looking for wallet and keys Nonda iHere 3.0: smart keyfinder in the test Chipolo Classic and Plus: Bluetooth key finder in the test Musegear finder 2: Keyfinder without registration obligation Action-Cam DJI Pocket 2 in the test: Zoom and 64 – Megapixel sensor Actioncam Insta 360 One R: 1-inch image sensor in the test Gopro Hero 8 Black in the test: Back to the Tip Insta 360 One R in the test: The modular action cam Motorola Moto G8 Plus Test: Great smartphone, but … Insta 360 Go: Micro-GoPro in the test Motorola One Action Test: Good hardware, bad camera microSD In the test: Kingston UHS-I U3 microSDXC Kit MicroSD card for smartphone: Samsung Evo Plus 2017 Test report: Lexar Professional 1800 x microSDXC Kit Test report: Intenso Premium microSDXC card with 64 GByte Android Sonos Move in the test: The robust all-rounder Honor 20: Inexpensive high-end smartphone in the test Xiaomi Mi 9: Top technology at a bargain price Doogee S 90 in the test: modular outdoor smartphone ZTE Axon 10 Pro in the test: high-end phone at a competitive price Motorola Moto G7 Power in the test: large battery, small price Sony Xperia 01: Smartphone with 21: 9 display under test Adviser Advisor overview Purchase advice Bargain: Which Fire TV Stick from 19 € is the right one? Purchase advice: What good is a leaf blower with a battery for 45 Euro? True wireless headphones: How much do you have to invest? Buying advice water cooling: High-end PCs cool better Advice: Air conditioning and fan against the heat wave Sony shows the Xperia 1: Is the predecessor XZ3 worth it now? Purchase advice: Current headphones with ANC to 360 Euro Practice Caution, money away: Kickstarter & Co. are not shops Switch off Android notifications from annoying apps This is how it works: Now install the new Android L keyboard ieren Tip: Use “Ok Google everywhere” in Germany In the test: Does the jailbreak work for iOS 7.1? Goderma and mobile medicine: The doctor apps are coming ! Instructions: Jailbreak for iOS 7 on iPhone 5S, 5, 4S and 4 Technology Import technology from China, part 2: Customs, Taxes and Tricks Drones & copters: From toys to FPV racers What does the end of an ecosystem mean? Smartphones with a flexible display: What’s in it for me? Smartphone processors at a glance: Everything Snapdragon? Evolutionary dead ends: the very worst cell phones mpass: Pay with the NFC mobile phone – or the NFC toilet roll Display calculator Calculate pixel density, number and display proportion Best list Test winner Price comparison Price comparison overview Smartphones from Android 7.0 Phablets with stylus Fitness tracker with GPS Bluetooth headphones with ANR Drones with GPS Video TechStage Adviser Playstation 5 accessories: headset, memory, controller Beginning Pulse 3D Headsets Charging station Streaming Remote control Controller Memory expansion … Storage system … Conclusion Comments by Sönke and Benedikt // 20. 11. 2020 16: 22 Clock

Close One week after the start of the Xbox Series X and S, competitor Sony in Europe sends the Playstation 5 into the next-gen race. We’ll show you which accessories make the PS5 even better.

Before we introduce headsets, charging stations, Sony’s official PS5 accessories and more in this guide, an important note: Since the PS5 – just like the Xbox Series X / S – attaches great importance to Most of the PS4 accessories also work on the PS5. Whether headset, steering wheel or arcade stick, most gadgets do their job without any problems. In terms of PS4 gamepads and external memory expansions, however, there are restrictions that we explain in more detail in the text.

The official headset: Sony Pulse 3D As with the launch of PS3 and PS4, Sony is also offering an official headset for the PS5 launch. It bears the futuristic name ” Pulse 3D Wireless Headset “, brings about 300 grams on the scales and is coupled to the Playstation 5 via the supplied USB dongle. A coupling with the PS4, Windows PCs and Mac is also possible and worked without any problems in the practical test.

The USB dongle sends on the 2.4 GHz frequency and takes care of it Distances of up to ten meters for interference-free transmission. Super: A 1, 25 Meter-long jack cable is included and allows wired operation or use with other devices with a jack plug input on request.

The Pulse 3D Wireless Headset including the supplied USB dongle. The Pulse 3D Wireless Headset scores well when it comes to wearing comfort. The main reasons for this are the elastic band underneath the headband, which hardly exerts any pressure on the head, and the pleasantly soft padded ear cups. In addition: The control buttons on the outside of the left ear cups are all very easy to reach. Be it the volume control, the mute button, the balance control between game sound and chat volume or the monitor button – after a short time you can find the controls without any problems and without looking. Keyword monitor button: It enables the user to check how their own microphone sound sounds to other players.

Let’s get to the sound quality. Be it now Astro’s Playroom , Sackboy: A Big Adventure , Demon’s Souls or Spider-Man: Miles Morales – the sound goes right into the ear and enables very precise location of noise sources for games that support Sony’s Tempest 3D AudioTech. Bass-heavy situations like explosions or collapsing buildings also come into their own.

And the microphone? Strictly speaking, there are two of them: one above and one below the left auricle. Both are embedded directly into the headphones, have noise-canceling technology and reproduce chat conversations in good quality. However, as expected, they cannot keep up with professional podcaster microphones acoustically.

Conclusion: At the price of just under 100 Euro, the Pulse 3D Wireless is a really successful headset, with good ergonomics, great sound quality and a chic design that fits perfectly with the PS5. The biggest point of criticism remains the battery: After nine to ten hours of intensive gaming, it has to be recharged using the UBS-C cable provided. Headsets from other manufacturers last much longer.

Headphones and headsets Sony’s Pulse 3D Wireless is a great all-rounder at a fair price. If you want even more comfort and features, you will also find convincing alternatives from numerous other manufacturers. We would like to briefly introduce two of them at this point. On the one hand the Stealth 700 Gen 2 from Turtle Beach. Compared to the previous model, Turtle Beach has improved in many areas and thus created a professional headset that is available at a price of approx. 150 Euro leaves little to be desired.

That starts with the supple auricles made of memory foam, the Thanks to the gel core, they hardly heat up even when worn for long periods of time, thanks to the flexible material they also fit perfectly with glasses wearers and can be easily removed for cleaning. The high level of comfort is supported by a metal-reinforced headband with very comfortable padding on the inside.

Thanks 50 mm nanoclear driver gives the stealth 700 Gen 2 acoustically decent gas, delivers powerful bass and nuanced highs. If you like, you can also use the companion app “Turtle Beach Audio Hub” to adjust the sound experience in detail, reassign certain headset buttons and – Bluetooth makes it possible – even integrate cell phone calls directly into the audio feed. The foldable microphone earns praise: it captures what is being said crystal clear and can be intuitively muted by simply flipping it up. The all-round carefree package is rounded off by terrific funk performance and a 1000 – mAh battery that is running out 20 for hours.

The look des Turtle Beach Stealth 700 Gen 2 is simple, but still chic. The Arctis 7P Wireless from Steelseries. Be it the excellent wearing comfort, the high system flexibility (PS5, PS4, PC, Android, switch) thanks to the supplied USB-C dongle, the excellent wireless connection via 2.4 GHz frequency, the convincing sound with its very well-coordinated bass and heights or the phenomenal battery life of up to 23 hours – the Arctis 7P is worth its high price of 180 Euro more than fair. On top of that, it also goes well with the new Sony console in terms of color.

If you don’t want to dig deep into your pocket after buying expensive consoles and games for a headset, you should take a look at das Head: Set 5 from Snakebyte. At a bargain price of just 17 Euro you get a soundproof headset with 40 – mm audio drivers, a 1.2 meter jack cable and some practical convenience functions. The latter include the detachable and removable microphone with pop protection, a volume control and mute button on the cable, as well as the option to fold the ear cups inwards, which makes transport noticeably easier. As a little treat, Snakebyte also includes a right-angled headset holder, which can be attached to the desk etc. with two adhesive strips.

charging station The DualSense controllers offer – depending on the intensity of the vibration effects – an average of around twelve hours of gaming. It is then charged using the USB-C cable supplied ex works or one of the numerous charging stations that appeared at the launch. The official one from Sony is called DualSense Charging Station , costs just under 35 Euro and works exactly like its predecessor for PS4. In other words: The controllers are placed in two troughs arranged one behind the other, where they can recharge their batteries using the contact surfaces next to the headset connection on the underside of the Dual Sense. Well done: Sony’s charging station takes up the typical V-design of the PS5 front and, like this one, is black and white.

Visually, it hits a very similar notch Twin: Charge 5 from Snakebyte. Here, too, up to two DualSense controllers snap into place one behind the other in a black and white docking station. The two charging indicators on the front of the Twin show whether a controller is actually being charged: Charge 5. To ensure that the charging station is securely held on smooth surfaces, Snakebyte also provides four anti-slip rubbers on the underside. Cost: 19, 95 Euro – and therefore just under 15 Euros less than the Sony variant.

The front of the Snakebyte Twin: Charge 5 is oriented on the V-shaped PS5 design. Another interesting one, also about 20 Euro expensive charging solution comes from Blade . The principle here: Instead of charging the controller via the contacts near the headset connection, a so-called mini-safe plug is plugged into the USB-C port of the DualSense and then placed in the station. Advantage: The controller does not protrude as high when charging as with the first-mentioned alternative, which is useful if you want to stow the charging station in a rather low shelf compartment. Disadvantage with Blade: If you don’t keep the two mini-safe plugs provided in the compartments provided in the station, you run the risk of losing the tiny ones. Do something different again it Raptor Gaming . Here you plug the pads for charging directly into two USB-C ports that look out of the middle part of the futuristic station on the left and right. So that everything is safely stowed away, the pads are also placed on a small storage area. Charging indicators are also provided. With a price of approx. 29 Euro, however, the Raptor variant is significantly more expensive than the versions of Snakebyte and Blade.

Accessories for Twitch streamers and YouTubers In addition to the Pulse 3D Wireless Headset and the Charging Station Sony also offers other official accessories. This includes the HD camera equipped with two full HD wide-angle lenses . The pleasantly compact camera has an integrated stand and is either clamped to the top of the screen or the television or placed on the surface below. A further fine adjustment of the camera angle is then possible via two rotating hinges in the base.

On screens with a border thickness of up to The HD camera has a great hold of five centimeters. With everything beyond that, things get shaky. Once connected to a USB port on the PS5 with the two meter long cable and successfully set up in the accessories menu, the HD camera is primarily used to show the player in a small window in the video when broadcasting Twitch or YouTube live streams. The location of the display can be specified in the options menu.

If the HD camera is used in conjunction with the PS5’s own video editing program Share Factory, it is also possible to use the background from the recording to remove and replace with another. This worked best in the test with a green or red background. White room walls, on the other hand, were less suitable. It is also a shame that this function is currently not available for streaming.

At the moment, the HD camera is not compatible with PlayStation VR. The latter still only works via the PS4 camera, which in turn is connected to the PS5 with the so-called PlayStation Camera Adapter. Tip: You can request the adapter free of charge from Sony after entering the serial number of the PS VR headset.

Remote control for Film and series fans The round 30 Euro expensive Media remote control has a white and black PS5 design and is primarily aimed at all those who like their next-gen console to watch Blu-rays and as a player want to use for streaming services. It is therefore not surprising that shortcut buttons for Disney +, Netflix, Spotify and YouTube have been placed at the bottom of the remote control. However, the respective assignment and labeling cannot be changed. So if you want to reprogram a button on Amazon Prime and one on Hulu, for example, look into the tube.

The Media Remote weighs just once 85 grams and lies comfortably in the hand. Above the shortcut buttons are the standard interaction buttons (fast forward and rewind, play / pause, level back, menu) as well as a 4-way directional pad with a centrally positioned selection button. All buttons have a solid pressure point and are not only used to control media playback, but also for convenient navigation through the entire PS5 system menu.

The keys in the upper third of the Media Remote. They allow rudimentary functions such as adjusting the volume or muting the audio output on compatible TVs.

Unfortunately, the microphone button at the top of the cannot be used at the moment Middle of the media remote control. It will most likely serve a voice control function planned for the future. When Sony will add this function for the console and remote control has not yet been determined.

Controller Games developed for the PlayStation 5 must all use the DualSense Controller from Sony, especially since only this one has adaptive triggers and noticeably improved vibration functions. Conversely, this means: If you need additional gamepads for PS5 games suitable for co-op or multiplayer, you currently do not need to buy additional DualSense controllers.

Very important: Playstation-4- Controllers can be connected to the PS5, but only to play backward compatible PS4 and PS VR titles. It is not yet clear when third-party manufacturers will offer alternatives to the official DualSense controller.

Memory expansions Similar to Microsoft, Sony offers an officially certified NVMe SSD with which the internal memory can be expanded. If you want to add more fast storage to the console, you have to retrofit a compact, PCIe 4.0 compatible SSD via an M.2 interface. The slot required for this is located inside the console and is accessible if you carefully push the right side wall of the console (the one without the PS5 logo) downwards with both hands. Now remove the cover of the SSD slot and the memory expansion can be installed.

However, there is currently one crucial problem: A list of certified expansion SSDs, which anyway hl fit in the slot and are fast enough to deliver the performance of the integrated SSD is not yet available. As a result, it is currently not possible to expand the SSD storage for PS5 games. In view of the huge size of many games, it shouldn’t take too long until the corresponding memory expansions find their way onto the market.

Similar to the Xbox Series S / X but you can help yourself with USB storage devices. If you want to install PS4 games on the PS5, you can do this as usual on a external storage medium as long as this is connected via USB 3.0 and via the console has been formatted accordingly. Inexpensive models for this purpose include the My Passport hard drives from Western Digital with, for example, 4 TB or the 6 TB model of the Expansion product line from Seagate.

Storage systems Order must be! This not only applies to the home desk, but also to everything to do with gamepads, accessories and game packaging. If you have just bought a PS5 and want to neatly stow the things just mentioned in one place, you should get the Games: Tower 5 by Note snakebyte. In a kind of mini-shelf, users can store up to four controllers, ten games and smaller accessories such as the media remote control presented above in a well-organized manner.

The Games: Tower 5 ensures order on the gamer’s desk. The construction of the accessory tower is a bit cumbersome at first, as the plastic parts only snap into place with a lot of pressure. But once you have overcome this hurdle and removed the protective film on the anti-slip pads on the underside, the Games: Tower 5 does very well and is stable.

Exciting for multi-format gamers: In addition to DualSense controllers, the controller holders on the outside are also suitable for all common wireless PS4, Xbox One and switch pads. The slots for the games are so high that PS4, Xbox One and Switch titles can easily be accommodated in them.

Conclusion There are already enough exciting accessories for the Playstation 5 at the start. It’s just a shame that PS5 games can only be played with the – admittedly excellent – DualSense controller. At least for titles with locally playable co-op or multiplayer mode, Sony should make an exception. In the long term, however, it is to be expected that third-party manufacturers will also be able to offer their own pads for the PS5.

The current status quo is also somewhat unsatisfactory in terms of additional storage for PS5 -Games. 667 GB of free space on the system’s ultra-fast SSD is a start on But definitely not enough in the long run for most gaming enthusiasts. It is to be hoped that Sony will certify compatible SSDs as soon as possible and communicate clearly which memory expansions will ultimately allow further PS5 game installations.

If you are looking for a suitable TV, We recommend our TV purchase advice for PS5 and Xbox Series X. In our Consoles theme world, we also have further tests, for example for Xbox or various retro consoles.

Permalink: https: // techstage. de / – 4964474

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16 years of “World of Warcraft” – the fascination of role-playing games

For meanwhile years players fight their way through the virtual world of Azeroth and do different tasks for the next level, better armor, epic flying animals, new pets, recipes for making items or the next of countless successes. What motivates and inspires the players after years of “World of Warcraft” in order to have the maximum fun in the upcoming add-on To experience the game instead of “killing the millionth virtual pig with a gun”?

At the start of the new expansion of “World of Warcraft: Shadowlands “on 24. November heise spoke online with players who not only stay loyal to the game for different lengths of time, but also have completely different approaches. For some, the focus is on the interest in the story, while others want to achieve maximum profit. However, one thing connects all World of Wacraft players.

Craft 12354 – Since 13 Years active The YouTuber and Twitch streamer Craft 12354 has been playing for now 13 years “World of Warcraft” – continuously, he explains heise online in an interview. 2007 Craft entered the “World of Warcraft” with the first expansion “Burning Crusade” – his cousin brought him to the game . Craft, in turn, persuaded his father to play the game, who also financed the paid game time for them using game time cards. “Since the beginning of the year 2007 until today, there has not been a month without active playtime.” Today he finances the playing time with the gold he earned in-game – Blizzard created the opportunity 2017.

In online role-playing games, it is seldom possible without colleagues – and finding the right player is not always easy. Craft still plays with friends from the “real life” – this includes not only relatives but also former school friends who moved to different corners of the world to study or work after graduating from high school. But the circle of like-minded people is also expanding online.

What to do in World of Warcraft? According to Craft, many players take a break until the next patch with new content when they have completed their tasks and are satisfied with the equipment they have earned. During that time, Craft is dedicated to his open successes in the game. “After all, you are a collector,” says Craft.

There is plenty to collect in World of Warcraft: mounts, pets, equipment and recipes for the various secondary and main professions – with those of Character in the game can be decorated. In addition, many players play not just one character, but several, up to all classes and races on both sides (Alliance and Horde). And everyone wants to reach the maximum level – everywhere.

Mr. T and his night elf mohawk – the characters in World of Warcraf have also been the subject of television commercials. (Source: World of Warcraft) The The main reason and the motivation for Craft are the friends – new and old -, the family and the shared passion for “World of Warcraft”. “Friendships in real life can also develop from online acquaintanceships, or even partnerships,” explains Craft. “I met my girlfriend through World of Warcraft.”

software-architektur.tv, part 26: Modularization

Large systems can only be developed with modularization. Thanks to microservices in particular, there is again a discussion about this central concept. In this series of software architecture in the live stream, Eberhard Wolff looks at classic concepts for modularization, for example by Parnas. He also works out what can be learned from these approaches to architectural work on modern systems.

The broadcast will take place on Friday of this week at 12 live, the episode is then available as a recording. During the live stream, questions can be submitted via Twitch or YouTube chat, via Twitter to @ewolff or anonymously using the form on the videocast website.

software-architektur.tv is the relatively young videocast by Eberhard Wolff, blogger and podcaster on heise Developer and well-known software architect in the service of the IT consulting company INNOQ. Since June 2020 25 episodes have emerged which cover different areas of the Illuminate software architecture – sometimes with guests, sometimes Wolff solo. Starting with the episode from last Friday heise Developer binds the new episodes streamed via YouTube in the online channel so that viewers can follow the videocast from Heise Medien.

(ane)

#heiseshow: Digitization of schools – what has Corona changed now?

The corona pandemic is said to have accelerated digitization in general – but did that also happen in the education sector? During the first phase of the pandemic, schools were closed across the board. Only a few were able to offer digital lessons immediately. And later homeschooling models primarily obliged the parents to step in as auxiliary teachers. Many schools had to get creative quickly and come up with their own solutions.

Because of these rather sobering experiences, a lot has happened on the part of federal and state politics I promise – we are working on concepts that ensure safe teaching despite the pandemic even in the school year 2020 / 2021 should make possible. Funding funds were increased and some software and hardware were purchased.

But what does everyday life in schools look like? How much digitization has arrived in the classrooms? What support, further training and what equipment have teachers and students received? Has teaching become safer during the pandemic? And what can hybrid or real distance learning look like now? What is possible, what should have been possible by now?

Kristina Beer (@bee_k_bee) and c’t editor Dorothee Wiegand discuss these and many other questions – including the audience – with teacher Jako Erchinger, who also works at the Lower Saxony State Institute for School Quality Development, and the Laatzener teacher Tim Hoffmann live at – exceptionally – 13 Uhr in a new episode of #heiseshow.

How should digitization be implemented in our schools? How has it gone so far? This is what our series of articles would like to illuminate.

Thursdays. 12 Clock. Live. heise online speaks to guests about current technical developments and network policy. Tweets with the hashtag #heiseshow can be used to join the discussion before, during and after the broadcast. The #heiseshow is there …

Alternatively, the stream will also be broadcast on Twitch.tv/heiseonline.

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Questions to the moderators and guests can be asked during the broadcast in the YouTube chat, in our Twitch channel (twitch.tv/heiseonline), by email, in the heise forum, on Facebook or on Twitter (hashtag #heiseshow)

We make a note of questions and comments that are not sent to us during the live broadcast. We try to incorporate this into the current broadcast. Suggestions for topics for the next issue between the programs are always welcome.

Live every week The #heiseshow is every Thursday at 12 Watch streamed live on heise online. The moderator team consisting of Kristina Beer (@bee_k_bee), Martin Holland (@fingolas) and Jürgen Kuri (@jkuri) alternately leads the on around 30 Minutes talk show in which current developments are discussed with colleagues and other guests.

After the live broadcast, the program can also be viewed and listening available.

The episodes are available for listening or looking up in SD (360 p) or HD (360 p) ready. The links to the RSS feeds can also be found in the dossier box on the right.

(kbe)

Microsoft says Xbox Series X might be in short supply until April or beyond

The Xbox Series X and S launched last week, but if you weren’t lucky enough to have a pre-order or snag one of the few launch-day units, you might be waiting until next year — that’s when there might be enough Xbox supply to easily pick up a new console off the shelf, according to a top Xbox exec.

“I think we’ll continue to see supply shortages as we head into the post-holiday quarter, so Microsoft’s Q3, calendar Q1,” said Xbox chief financial officer Tim Stuart at the Jefferies Interactive Entertainment Virtual Conference. (You can read a transcript of Stuart’s full remarks at the conference at Seeking Alpha.)

That’s not an altogether surprising statement, as Xbox chief Phil Spencer tried to set expectations about short supply at the end of October. “We’re gonna have more demand than we do supply, and I’ll apologize in advance to people for that,” he said on the Dropped Frames podcast. “I think we’re gonna live in that world for a few months that we’re going to have a lot more demand than we do supply.”

And Spencer apologized again for the limited number of Xbox consoles at Twitch’s virtual Glitchcon event. “We’ve been building them for almost two months and trying to get as many into the stores as we can, but the demand is just so high,” he said.

The Xbox Series X and S supply situation could turn around early next year, though, according to Stuart. “When we get to Q4, all of our supply chain [is] continuing to go full speed heading into kind of the pre-summer months,” Stuart said. (Microsoft’s fiscal Q4 takes place from April through June.) “And that’s where I start to — I expect to see a little bit of the demand — the supply profile, meeting the demand profile.”

Microsoft isn’t the only company that expects shortages of its new gaming products this year. Nvidia CEO Jensen Huang said in early October that the company expects to see shortages of its RTX 3080 and 3090 graphics cards until next year. And it doesn’t seem like there are a lot of PlayStation 5 consoles to go around, either, based on my colleagues’ experiences trying to snag one last week.

Twitch is testing ‘multiplayer ads’ that creators can use to make money

Today, Twitch is rolling out something it’s calling “multiplayer ads” in closed beta. They’re ads triggered by streamers that all viewers watch. (Currently, ads shown to viewers are targeted; these are not.) After one of these ads plays, creators can run a poll for their viewers that awards the streamer bits depending on how many viewers participate.

“In true Twitch spirit – we want our creators and fans to have the opportunity to experience everything together, and support their favorite creators along the way,” wrote a Twitch spokesperson in an email.

Twitch has been tinkering with its ads a lot this year. Between September and November alone, the company has gone from testing unskippable midroll ads to breaking ad-blockers.

As a streamer myself, I think multiplayer ads are a pretty logical development because nobody is happy with the state of Twitch ads right now. They’re intrusive, and they also don’t benefit most creators. (CPMs are pretty low.) Multiplayer ads, on the other hand, will benefit creators more directly, presumably at higher rates than traditional CPMs — even if those payments are coming in the form of Twitch’s own currency. For reference, 1 bit is equal to 1 cent. The Twitch spokesperson confirmed that bit payouts on multiplayer ads are additive to traditional CPMs, so running these ads will pay out twice.

It’s nice to see Twitch experimenting with new ad formats beyond traditional, targeted video ads. Here’s hoping it gets creators paid more!

Video game streams: Twitch is in a copyright bind

The streaming platform Twitch has a copyright problem: For weeks, streamers have been showered with copyright advertisements. Countless stream recordings have to be deleted, some streamers are said to have even been banned due to repeated violations. Twitch cannot get the flood of copyright ads under control – and the mood among streamers is noticeably deteriorating.

Video games are primarily streamed on Twitch, some of which contain copyrighted music. Recently, some streamers reported that even sound effects from the game were labeled with copyright claims. The streamer “michalronin” shows a screenshot on Twitter, according to which the company Hollywood Edge is making copyright claims on wind effects from the online role-playing game “World of Warcraft”. Another streamer received a similar warning for police sirens from the game “Persona 5”. These ads do not come from the developers themselves, but from independent companies who apparently have licensed the sound effects to the developers.

Quiet streams as a silent protest The copyright claims on sound effects pose particular problems for the streamers: While the partly copyrighted soundtracks in many games can be muted without major damage, the sound effects are often an even more important aspect of the gaming experience. All the more frustrating is the helpless reaction of the Amazon subsidiary Twitch for many players: If in doubt, you simply have to turn off the entire game sound, the company wrote on Twitter.

Some players have expressed their displeasure with the situation done just that: They turned the sound off in games like Beat Saber and Resident Evil 2. The result are streams that are quite funny in their absurdity – but they are not a long-term solution.

Thousands of ads per week While the criticism of Twitch is getting louder, the streaming platform has apologized in a blog entry for the numerous copyright notices based on the Digital Millennium Copyright Act (DMCA ) feet. In particular, the company regrets the fact that streamers have barely had any tools available to date to delete targeted stream recordings. In the absence of these tools, several streamers had to delete their entire library of recorded streams at once. According to Twitch, it is currently working on better tools for managing past streams.

The main problem for Twitch is the amount of copyright claims: Until May 2020 only 50 copyright claims on music were received by streamers per year. Then the music labels apparently discovered Twitch as a lucrative market: Twitch suddenly received thousands of DMCA inquiries per week. According to Twitch, these copyright advertisements mainly concern recorded streams and clips, some of which are several years old.

The end of this frustrating situation for streamers is not in sight, writes Twitch in the blog entry: “We’re still getting a huge amount of ads and don’t expect it to decrease.”

(dahe)

PSA: Games Done Quick’s week-long all-women speedrunning event starts today

Games Done Quick’s (GDQ) all-women speedrunning community, the Frame Fatales, will be hosting the Fleet Fatales event to raise money for charity this week. It kicks off today at 4PM ET on the Games Done Quick Twitch channel.

The schedule is live now, and there are some great runs to look forward to. I’m particularly interested the Hades run on Monday, the run for a game called McDonald’s Treasure Land Adventures for the Sega Genesis on Tuesday (no, I had never heard of that game until now, either, but here’s a video of it), the Donkey Kong: Jungle Beat run on Friday (Jungle Beat is the Donkey Kong platformer played with the GameCube’s bongo controller), and the The Legend of Zelda: Ocarina of Time randomizer co-op run on Saturday (I have no idea how this run will work, but it sounds awesome).

Like other recent GDQ events, the Fleet Fatales event will be virtual due to the pandemic. The event will be raising money for Malala Fund, which works to improve access to education for girls. The Frame Fatales hosted the Frost Fatales event in February, which raised more than $54,000 for Malala Fund. (You can watch replays of runs from that event on YouTube.)

Fleet Fatales begins today, and takes place from 4PM to 12AM ET each day this week. The event ends on Saturday, November 21st.

YouTube is canceling Rewind this year because 2020 has been too much

YouTube Rewind, the company’s annual end-of-year tribute to creators, trends, and moments that defined the platform, will not happen this year.

The company issued a statement acknowledging that “2020 has been different,” adding that “it doesn’t feel right to carry on as if it weren’t.” This marks the first time Rewind won’t happen since YouTube started the annual celebration in 2010. Although Rewind has become somewhat of a joke to the creator community in recent years — it became the most disliked video of all time in 2018 — it’s still a staple of YouTube’s culture, even if people are just using it to dunk on their own videos. To be fair, even CEO Susan Wojcicki admitted they’re a little cringe-inducing.

“We know that so much of the good that did happen in 2020 was created by all of you,” YouTube’s statement reads. “You’ve found ways to lift people up, help them cope, and make them laugh. You made a hard year genuinely better.”

While many people were stuck at home because of the pandemic, YouTube saw surges in usage as more people spent time streaming video online. By the end of March, views on videos that centered on “with me”-stylized content (get ready with me, work out with me, study with me) saw massive increases in viewership, according to the company. Live-streaming also picked up on YouTube as well as on other platforms like Twitch and Facebook.

YouTube did not say if Rewind will return for 2021. Like everything right now, I imagine it all depends on what the future brings. All I know is I’ll miss YouTube’s annual attempt to try to celebrate the good on its platform (especially when there’s so much bad), and the inevitable reaction videos from creators explaining in detail just how wrong YouTube got it again.

Assassin’s Creed Valhalla is breaking records for Ubisoft

Matthew Wilson
1 hour ago
Featured Tech News, Software & Gaming

Assassin’s Creed Valhalla appears to be off to a good start for Ubisoft. Today, the publisher announced that Valhalla has already broken a record, reaching a higher day-one player count compared to Assassin’s Creed Odyssey.

Assassin’s Creed Valhalla officially launched on the 10th of November and according to Ubisoft, it doubled the number of active players at launch compared to Odyssey. Beyond that, Valhalla also brought in higher “viewership and engagement on Twitch and YouTube” than any other Ubisoft game to date.

Assassin’s Creed has been rebuilding over the last few years, embarking on a transition to being an Adventure-RPG rather than a stealth/action game. This began with Assassin’s Creed Origins, with the new formula being improved in Odyssey. Valhalla is the latest to take these elements and implement new improvements.

Assassin’s Creed Valhalla is available on PC, Xbox One, Xbox Series X/S, PS4, PS5 and two cloud gaming services – Google Stadia and Amazon Luna.

KitGuru Says: Have many of you played Valhalla since launch? What do you think of the game so far?

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#heiseshow: The next attack – why we need secure encryption

It seems as safe as the annual return of autumn: Security politicians criticize strongly encrypted communication services and demand access for investigators. The latest example is a previously leaked draft for a declaration by the EU Council of Ministers. With reference to the terrorist attack in Vienna, it calls for “innovative approaches” and technical solutions for breaking encryption. This renewed demand for back doors in Whatsapp, Signal & Co. was immediately followed by massive criticism, how things will continue is not yet foreseeable. On this occasion, we want to summarize in the current #heiseshow what speaks against the weakening of encryption.

How widespread is secure encryption and what is the differences between the different forms? Why is only end-to-end encryption a real protection and where can you find it? What problem do investigators have? What is behind the concepts of a master key or a back door, what are other “innovative approaches” to breaking the protection? What risks do the attacks on encryption entail, what direct effects would their implementation have? Is there no compromise between the demands of the encryption critics and the data protectionists? Can we put the topic on file at some point?

Jürgen Kuri (@jkuri) and Martin Holland (@fingolas) from the newsroom of heise online discuss these and many other questions – also from the audience – live with our Senior Fellow Security Jürgen Schmidt (@ju 720) in a new episode of the #heiseshow.

Thursdays. 12 Clock. Live. heise online speaks to guests about current technical developments and network policy. Tweets with the hashtag #heiseshow can be used to join the discussion before, during and after the broadcast. The #heiseshow is there …

Alternatively, the stream is also broadcast on Twitch.tv/heiseonline.

=== Advertisement / sponsorship notice ===

Darktrace’s Cyber AI understands the ‘normal’ for your digital environment and detects and responds to abnormal behavior suggestive of a cyber threat. Without relying on rules and signatures, the self-learning technology fends off new and advanced attacks via email, cloud, SaaS, industrial systems and traditional networks. Cyber AI is now used by over 4 000 organizations. Information at darktrace.com/de/email

=== Advertisement / sponsorship notice end ===

Questions to the moderators and guests can be asked during the broadcast in the YouTube chat, in our Twitch channel (twitch.tv / heiseonline), by mail, in the heise forum, on Facebook or on Twitter (hashtag #heiseshow).

Questions and comments that are not sent to us during the live broadcast, let’s make a note. We try to include this in the current program. Suggestions for topics for the next issue between the programs are always welcome.

Live every week The #heiseshow is every Thursday at 12 Watch streamed live on heise online. The moderator team consisting of Kristina Beer (@bee_k_bee), Martin Holland (@fingolas) and Jürgen Kuri (@jkuri) alternately leads the on around 30 Minutes talk show in which current developments are discussed with colleagues as well as connected guests.

After the live broadcast, the broadcast can also be viewed and – listening available.

The episodes are available either to listen to or to look up in SD (360 p) or HD (720 p) ready. The links to the RSS feeds can also be found in the dossier box opposite.

(mho)

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