inexplicably,-youtube-says-extremely-racist-steven-crowder-video-isn’t-hate-speech

Inexplicably, YouTube says extremely racist Steven Crowder video isn’t hate speech

YouTube removed an extremely racist video from conservative commentator Steven Crowder this week, citing violations of the platform’s COVID-19 misinformation policy — not its hate speech policy — as the reason for the removal. Inexplicably, though, the video did not violate the company’s hate speech policies at all, the company told OneZero, despite Crowder and his co-hosts making numerous racist comments about Black farmers.

“Our hate speech policy prohibits content promoting hatred against groups based on their race,” a YouTube spokesperson tells OneZero. “While offensive, this video from the Steven Crowder channel does not violate this policy.”

If you were curious, here is YouTube’s full hate speech policy. And if you want to hear the offensive comments from Crowder’s show, Media Matters clipped them in this tweet. I will warn you that they are awful.

This means YouTube has a ridiculously high bar for hate speech, as OneZero’s Will Oremus points out:

You’re free to mock, caricature, and belittle people based on their race, just as long as you don’t come right out and say you literally hate them.

While you could argue that YouTube’s just enforcing the policies it has, not the policies you might want, remember that YouTube has the ability to change those policies whenever it likes. That’s what it did nearly two years ago in 2019, updating its hate speech policy “by specifically prohibiting videos alleging that a group is superior in order to justify discrimination, segregation or exclusion based on qualities” including race and gender.

That should mean that hate speech doesn’t have to rise to the level of “promoting hatred” (the language YouTube used to OneZero) to result in a policy violation, or to stop promoting Crowder as a YouTube Partner.

Speaking of which, YouTube also said in that 2019 post that it would take action on hate speech that comes “right up to the line” as well, warning that “Channels that repeatedly brush up against our hate speech policies will be suspended from the YouTube Partner program.” In 2020, after Crowder’s YouTube Partner status was originally reinstated, YouTube told The Verge it would “take appropriate action” if there were more violations on his channel.

What will it take now?

facebook-is-working-on-a-version-of-instagram-for-kids-under-13

Facebook is working on a version of Instagram for kids under 13

Head of Instagram Adam Mosseri confirms that a version of the popular photo sharing app for children under 13 is in the works, BuzzFeed News reports. The Facebook-owned company knows a lot of kids want to use Instagram, Mosseri said, but there isn’t a “detailed plan yet,” according to BuzzFeed News.

“But part of the solution is to create a version of Instagram for young people or kids where parents have transparency or control,” Mosseri told BuzzFeed News. “It’s one of the things we’re exploring.” Instagram’s current policy bars children under 13 from the platform.

“Increasingly kids are asking their parents if they can join apps that help them keep up with their friends,” Joe Osborne, a Facebook spokesperson said in an email to The Verge. “Right now there aren’t many options for parents, so we’re working on building additional products — like we did with Messenger Kids — that are suitable for kids, managed by parents. We’re exploring bringing a parent-controlled experience to Instagram to help kids keep up with their friends, discover new hobbies and interests, and more.”

BuzzFeed News obtained a message from an internal messaging board where Instagram vice president of product Vishal Shah said a “youth pillar” project has been identified as a priority by the company. Its Community Product Group will focus on privacy and safety issues “to ensure the safest possible experience for teens,” Shah wrote in the post. Mosseri would oversee the project along with vice president Pavni Diwanji, who oversaw YouTube Kids while she was at Google.

Instagram published a blog post earlier this week describing its work to make the platform safe for its youngest users, but made no mention of a new version for kids under 13.

Targeting online products at children under 13 is fraught not only with concerns about privacy, but legal issues as well. In September 2019, the Federal Trade Commission fined Google $170 million for tracking the viewing histories of children to serve ads to them on YouTube, a violation of the Children’s Online Privacy Protection Act (COPPA). TikTok precursor Musical.ly was fined $5.7 million for violating COPPA in February of 2019.

Facebook launched an ad-free version of its Messenger chat platform for kids in 2017, intended for kids between the ages of 6 and 12. Children’s health advocates criticized it as harmful for kids and urged CEO Mark Zuckerberg to discontinue it. Then in 2019, a bug in Messenger Kids allowed children to join groups with strangers, leaving thousands of kids in chats with unauthorized users. Facebook quietly closed those unauthorized chats, which it said affected “a small number” of users.

twitter-is-testing-letting-you-watch-youtube-videos-right-from-a-tweet

Twitter is testing letting you watch YouTube videos right from a tweet

Twitter is testing a way to let you watch YouTube videos right from your timeline. Typically, when someone includes a YouTube link in a tweet, clicking that link sends you to YouTube, which can be frustrating if you didn’t want to leave Twitter to watch the video. This new feature, which is in testing today on iOS, means you won’t be sent away from Twitter, which will make it easier to watch a video and then keep on scrolling if you so choose.

Twitter shared how the feature works in a GIF:

Starting today on iOS, we’re testing a way to watch YouTube videos directly in your Home timeline, without leaving the conversation on Twitter. pic.twitter.com/V4qzMJMEBs

— Twitter Support (@TwitterSupport) March 18, 2021

The test will be available to “a very small group of users” in Canada, the US, Japan, and Saudi Arabia, Twitter said in a statement shared with The Verge after we first published this story.

“The current test on iOS will be a four-week experiment,” a Twitter spokesperson said. We plan to take a look at the results and will scale accordingly.”

This new test arrives alongside two others announced last week for iOS and Android that are intended to improve sharing and viewing media on the social network. One test adds a “what you see is what you get” image preview in the tweet composer, meaning images appear in your timeline as they do when you’re drafting a tweet. The company is also testing ways to upload and view 4K images on mobile.

Update March 18th, 2:56PM ET: Added information from Twitter.

YouTube Shorts arrives in the US to take on TikTok, but the beta is still half-baked

YouTube Shorts, the company’s short-form answer to TikTok, is launching in beta in the United States starting today. The short video format has already been available for several months in India, but today marks its debut stateside (along with the addition of several new features).

For the beta launch, YouTube Shorts will feature all the basics of any TikTok clone: a multi-segment camera that makes it easy for creators to quickly string together clips, a wide selection of music tracks (with catalogs from “over 250 labels and publishers”), and a robust-looking captioning tool, the last of which is debuting alongside the US launch. “We really want to create a playground of creativity here where we give creators the raw materials to produce great videos,” says Todd Sherman, YouTube’s product lead for Shorts.

Like TikTok, users will be able to swipe through an endless, algorithmically generated feed of short videos, subscribe to their favorite creators, explore specific hashtags or sounds, and remix other videos’ audio tracks. Even the interface looks similar to TikTok’s player.

But instead of getting its own app, Shorts will live on a new carousel on the home tab of the mobile YouTube app. (The company is also experimenting with a dedicated Shorts tab.)

And while Shorts checks off a lot of the basics, it’s missing plenty of features that make TikTok such a unique viral hit. There’s virtually no collaborative features available in Shorts at launch — so users won’t be able to reply to other videos or join together in a version of TikTok’s popular duet or stitch features. Also missing is a way to view a more curated feed. For now, Shorts only offers its main, algorithmic feed (similar to TikTok’s “For You” page), with no option to only view videos from accounts to which you’ve subscribed.

Sherman says that the company views Shorts as a new avenue for the next generation of content creators to emerge. YouTube itself is filled with a hyper-competitive landscape of established creators who specialize in making videos that typically run 10 minutes or longer. Shorts offers creators a chance to break that mold, much like what YouTube originally offered to internet creators when it first launched in 2005.

“I think the real core of what Shorts is about is enabling that next generation of creators that maybe even found it too difficult, previously, to even consider creating on YouTube,” Sherman explains. “And if we can help fulfill our mission of giving them a voice, then I think that would make us feel like we’re continuing to grow a YouTube in a way that keeps it relevant for this next generation of creators to find a voice on this platform.”

That’s not to say that Shorts won’t offer anything to existing creators. For starters, YouTube will share subscriptions across traditional channels and Shorts. So any users that find your content in Shorts and subscribe to get more of it will also be signing up for any long-form videos, and creators with tons of subscribers already will have a built-in audience to whom they can deliver Shorts. In at least one implementation of Shorts that the company is trying, Shorts videos will appear directly in users’ subscription tabs.

According to Sherman, YouTube has some big plans for how it’ll tie Shorts into the broader YouTube ecosystem down the line — features that might help the fledgling service stand out in a crowded field that’s already dominated by TikTok and other (less established) competitors like Instagram’s Reels or Snapchat’s Spotlight.

And those features are going to be essential: YouTube is coming very late to a party that’s already ruled by TikTok, and as Reels and Spotlight have shown, its no small task to not only replicate but outdo TikTok’s seemingly magical blend of algorithmic alchemy, collaborative tools, and viral trends. Unfortunately, YouTube Shorts is already playing catch-up, and its uniquely YouTube features are still very half-baked.

Shorts does have a few clever ties into traditional YouTube videos: at launch, creators will be able to jump right to creating a Short from music videos for licensed songs, for instance. And in the future, the company plans to allow users to remix sound from any YouTube video for use in Shorts, a potential goldmine of content for creators to remix into new memes and videos. (YouTube users will be able to opt out, if they’d prefer to not have their audios used.)

But Shorts just still barely scratches the surface. For example, Shorts that use a song clip can link out to the music video on YouTube proper, but there’s no easy collection or link to find Shorts of a song from the regular video player, for instance.

While it’s starting from behind, YouTube is an unparalleled force for videos online, and the fact that creators can seamlessly transition between Shorts and long-form videos — while bringing their audiences with them — isn’t something to discount.

“As we grow Shorts, we can connect that ecosystem to the broader YouTube. And that means that if you are a short-form creator and you grow to be a long-form creator, that audience can grow with you,” Sherman says.

Being able to directly link to the original sources of content for audio — whether it be a song, a movie clip, or a snippet of an interview — is also a powerful advantage for YouTube, as is the sheer size of the site.

As Sherman explains, “One of the underpinnings that has helped so many people become creators is that you if give them high-quality inputs, they’re more likely to get to high-quality outputs by remixing other things.” And if you’re looking for videos to input, it’s hard to find a bigger source of them than Youtube.

But there are still big unanswered questions that YouTube has to figure out about Shorts — chief among them, how creators will make money. “I think the world has come to expect YouTube to support creators. And I think that’s going to extend to Shorts also,” says Sherman. “The way we think about it is: television has a different business model than movies, YouTube has a different business model than television, and short-form video is going to have a different business model than long-form YouTube.”

For now, though, YouTube isn’t making any announcements as to what monetization options will look like on Shorts.

Another big question is what — if anything — YouTube is planning to do to make sure that Shorts doesn’t end up as another place for clout-chasing content farmers to just repost popular TikToks and reap the rewards (something that Instagram Reels continues to struggle with.) Sherman says that it’s something that the Shorts team is looking into, but that they have a fine line to walk: YouTube doesn’t want to discourage creators from posting their content on multiple platforms, but it also doesn’t want people just reposting videos from other people that they just downloaded off TikTok either.

The company says that it’ll take a bit of time for Shorts to roll out, but that it should “be available to everybody in the US over the next several weeks.”

chrome-can-now-instantly-caption-audio-and-video-on-the-web

Chrome can now instantly caption audio and video on the web

Google is expanding its real-time caption feature, Live Captions, from Pixel phones to anyone using a Chrome browser, as first spotted by XDA Developers. Live Captions uses machine learning to spontaneously create captions for videos or audio where none existed before, and making the web that much more accessible for anyone who’s deaf or hard of hearing.

When enabled, Live Captions automatically appear in a small, moveable box in the bottom of your browser when you’re watching or listening to a piece of content where people are talking. Words appear after a slight delay, and for fast or stuttering speech, you might spot mistakes. But in general, the feature is just as impressive as it was when it first appeared on Pixel phones in 2019. Captions will even appear with muted audio or your volume turned down, making it a way to “read” videos or podcasts without bugging others around you.

Live Captions captioning audio from a podcast player

Chrome’s Live Captions worked on YouTube videos, Twitch streams, podcast players, and even music streaming services like SoundCloud in early tests run by a few of us here at The Verge. However, it seems that Live Captions in Chrome only work in English, which is also the case on mobile.

Live Captions can be enabled in the latest version of Chrome by going to Settings, then the “Advanced” section, and then “Accessibility.” (If you’re not seeing the feature, try manually updating and restarting your browser.) When you toggle them on, Chrome will quickly download some speech recognition files, and then captions should appear the next time your browser plays audio where people are talking.

Live Captions were first introduced in the Android Q beta, but until today, they were exclusive to some Pixel and Samsung phones. Now that they’re on Chrome, Live Captions will be available to a much wider audience.

youtube-can-now-warn-creators-about-copyright-issues-before-videos-are-posted

YouTube can now warn creators about copyright issues before videos are posted

In an effort to make the process of uploading a video and receiving ad revenue easier, YouTube is rolling out a new tool called “Checks” that tells a creator ahead of time if their video contains copyrighted material and complies with advertising guidelines.

Prior to Checks, creators uploaded their videos to YouTube and hoped everything went off without a hitch. The new feature screens uploads for copyrighted content, which could lead to takedowns or copyright holders claiming ad revenue, and whether the video runs afoul of advertising guideline issues. YouTube’s goal is to effectively cut down on the amount of “yellow icons” creators see next to their video, referring to the yellow dollar signs that suggest ad revenue is being held because of copyright or guideline problems.

This new system is reliant on Content ID. If YouTube’s copyright identification system finds a violation after a video is scanned, the rights holder’s policy will be automatically applied to the video, according to the company. This could result in either the video being blocked entirely or the rights holders monetizing the video instead.

If Content ID matches content in the creator’s video to another rights holder, the YouTuber uploading said video will receive notice via Checks to find a way to remove that part of the video ahead of time. This means that videos can start earning revenue the second they’re uploaded instead of going through a claim dispute, which can impact the overall advertising revenue a creator earns.

So what happens if a copyright claim is found, but the creator doesn’t think they’re doing anything wrong? YouTube will allow creators to dispute the claim prior to publishing. Since claims take a few days to process, YouTubers can either choose to wait until the dispute is settled before publishing, or they can publish the video while waiting for the final result. If the dispute finds that the creator did not use copyrighted content, ad revenue earned during that time is paid out to said person. If the dispute finds the rights holder is correct, the ad revenue is paid out to them instead.

YouTube is simply making it easier for creators to find — and dispute — claims ahead of time. It’s part of the company’s ongoing efforts to ensure that creators can monetize their videos as quickly and effectively as possible. Other methods, including walking creators through how changes to metadata and tagging can affect revenue post-publishing, are at the center of a new Creators Insider video.

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Apple’s ‘I’m a Mac’ Guy Switches Sides in New Intel Ads

(Image credit: Intel)

Remember Justin Long, the “I’m a Mac” guy from Apple’s old Mac vs PC ad campaign from the mid-2000s? Well, now it seems he’s switched sides since he’s starring in a new series of “I’m a Justin” videos that are part of Intel’s new “Go PC” ad campaign.

Titled “Justin Gets Real,” the series opens each of its videos with Justin standing in front of the typical white background from the old Mac vs PC ads while music reminiscent of those old commercials plays. Justin then says, “I’m a…Justin, just a real person doing a real comparison between Mac and PC,” and the ad continues.

Obviously, the goal here is to bank on nostalgia, but with a new (questionable, of course) feeling of fairness, all while joking that PCs have gotten so good that the “Mac guy” has switched sides. It’s a clever gambit, but like the print ads that came before it, it falters by ignoring the real reason behind these ads.

That, of course, would be Apple’s new M1 chip. Apple’s move to its own Arm-based processors means that Intel is now synonymous with PC, but that’s not what these “Justin Gets Real” ads focus on. Instead of talking about the difference between Intel processors and Apple processors, they hype up PC-exclusive features that Intel was totally fine with Apple not supporting back when it was on Mac, too.

These include ads about the lack of Mac convertibles or the existence of unique PC laptops like the Asus Zenbook Duo. Again, innovations that have nothing to do with Intel but are now coincidentally synonymous with the brand since Intel is now only available on PCs.

But Macs have their own unique advantages as well, like long battery life or powerful fanless designs, something that Mac users have been quick to point out on other Go PC ads. 

While there’s a conversation to be had about Mac’s limited selection of devices, the selling points of specific builds have little to do with Intel specifically. Some of the PC features these ads focus on, like gaming, are simply not something much of the Mac audience is looking for. And the ads also ignore that while, yes, Mac isn’t the best platform for gaming, that was still true when Macs used Intel.

All of which flies in the face of the angle of fairness that Intel’s aiming for by presenting actor Justin Long as a newly liberated individual making real choices, as opposed to the “Mac guy.”

This probably explains why these ads all have a more than 80% dislike ratio on YouTube. Top comments are frequently bringing up the word “desperate,” as well.

What’s more, the timing for this ad campaign also eerily mirrors Apple bringing back actor John Hodgman, who played the “PC Guy” in its old ads, for its M1 Mac announcements. While Hodgman was still playing up a villain there, Intel’s new Justin Long ads make it pretty easy to imagine a strange, new (beautiful?) world where the Mac and PC guys have both swapped sides.