Apple Music is being upgraded in a big, big way. From June, the music streaming service will support CD-quality and hi-res lossless audio as well as Dolby Atmos-powered Spatial Audio, offering subscribers much higher quality, immersive playback.
Both lossless and Spatial Audio will be available to Apple Music users at no extra cost. Apple describes these two additions as Apple Music’s “biggest advancement ever in sound quality” – which we’d have to agree with. “Excellent news. Well done, Apple!”, we thought upon hearing the news.
But here comes the (rather large) downside.
Apple’s own headphones don’t support lossless audio. None of them. That means even if you’ve spent £549 ($549, AU$899) on a pair of AirPods Max, you can’t listen to Apple Music in the highest quality. Miffed? We don’t blame you.
That’s not the whole story, though, and not the only Apple device not able to take advantage of the new Apple Music features. Let’s take a look at which devices can benefit from hi-res audio, which don’t, and why…
What is Apple Music Lossless?
Essentially, it’s Apple embracing hi-res audio. Apple’s lossless streams use ALAC (Apple Lossless Audio Codec) to offer more detail and information in a recording.
Apple offers three tiers of higher resolution audio: CD quality (16-bit/44.1kHz), Apple Music Lossless (24-bit/48kHz), and Hi-Res Lossless (up to 24-bit/192kHz). You can choose your quality through the Settings > Music > Audio Quality section of Apple Music.
As of next month, all of Apple Music’s 75-million-strong music catalogue will be available in CD quality or Apple Music Lossless. At launch, 20 million will be accessible in the highest quality Hi-Res Lossless format, with the whole catalogue following “by the end of 2021”.
Apple Music isn’t the first service to offer lossless streaming, of course. Tidal, Qobuz and Amazon Music HD all offer CD-quality and hi-res listening, while Deezer offers the former. The Spotify HiFi lossless tier is due to offer CD-quality streams later in the year too.
What is Spatial Audio?
Another new addition to Apple Music is Spatial Audio, which is an Apple technology designed to provide “multidimensional sound and clarity”; to deliver surround sound and 3D audio via your headphones.
Spatial Audio was initially launched as part of iOS 14 and iPadOS 14, and the newer Spatial Audio with Dolby Atmos feature for Apple Music is coming as part of the iOS 14.6 and iPadOS 14.6 updates that are due in June 2021.
Spatial Audio is a slightly different beast to this new Dolby Atmos-powered Spatial Audio for Apple Music in that it also utilises the sensors in Apple’s own headphones to enable head-tracking. Because the implementation for Apple Music of spatial audio is sound-only, there’s no head-tracking involved.
“Thousands” of Apple Music tracks will be available in Spatial Audio with Dolby Atmos at launch, with more being added regularly.
Which Apple devices work with Apple Music lossless?
The big news is that no model of AirPods will support lossless audio. In the case of the AirPods and AirPods Pro, that’s not exactly surprising, seeing as they’re both completely wireless and Apple only supports the AAC (rather than ALAC) codec over Bluetooth – that’s a step up from MP3, but nowhere near the quality of lossless.
The AirPods Max can be wired to an iPhone, so one might hope that that could be a way to get lossless audio. But actually they only work with analogue audio sources in wired listening mode. Which again means no lossless listening.
Its HomePod range of smart speakers also won’t support lossless – that’s the now discontinued HomePod and still-very-much-current HomePod Mini.
Apple’s iPhones (since the iPhone 7) natively support lossless – but only Apple Music Lossless, and not the highest quality Hi-Res Lossless (which delivers up to 24-bit/192kHz). If you want to listen to Apple Music tracks above 24-bit/48kHz on your iPhone, you’ll need to connect an external DAC and use a wired pair of headphones. Check out our guide for how to listen to hi-res audio on an iPhone.
The same is true of the Apple TV and iPad families, which are listed as supporting Apple Lossless, with no mention of Hi-Res Lossless.
Which Apple devices support Spatial Audio?
Apple devices are much better represented when it comes to Spatial Audio through Apple Music. Some – like the AirPods Pro and Max – already support it, after all. And it will come to the standard AirPods 2 in due course.
In fact, it will be available on all AirPods and Beats headphones with an H1 or W1 chip. (That’s the AirPods, AirPods Pro, AirPods Max, BeatsX, Beats Solo3 Wireless, Beats Studio3, Powerbeats3 Wireless, Beats Flex, Powerbeats Pro, and Beats Solo Pro.) But you don’t have to line Apple’s pockets to hear the Dolby Atmos tracks: it will also work on any headphones connected to an iPhone or iPad. You just have to enable it manually.
To do so, head to Settings on your iPhone or iPad and then to Music – once the update has landed next month, a new Dolby Atmos option will be available. This will be set to Automatic by default, which means Dolby Atmos tracks will play correctly when you’re listening via any W1- or H1-enabled pair of Apple or Beats headphones, but not when you’re using third-party headphones. However, if you switch this option to Always On, even non-Apple headphones will play back Dolby Atmos tracks in all their sonic glory.
However, this only applies to Dolby Atmos Spatial Audio tracks on Apple Music, and not Spatial Audio content from other apps like TV. (Remember, Spatial Audio in the TV app is a slightly different beast in that it also utilises the sensors in Apple’s own headphones to enable head-tracking.)
The HomePod and HomePod Mini also support Spatial Audio, so you can fill your room with virtual 3D sound from a single device. As do the iPhone 11 onwards and iPad Pro (but not iPad, iPad Mini or iPad Air).
Playing from an Apple TV 4K into a Dolby Atmos soundbar or system will work too.
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The performance of Apple’s M1 chips exceeded our expectations and made the 2020 MacBook Air the most impressive laptop we’ve used in years (it’s also done wonders for the redesigned iMac). So it’s not too surprising, as per Bloomberg News this morning, that Apple is readying a whole slate of Macs using next-gen versions of the company’s in-house chips. The details sound very promising.
The story, from reliable Apple-watcher Mark Gurman, says the company is preparing to unveil redesigned MacBook Pros in 14-inch and 16-inch screen sizes “as early as this summer.” Not only will the machines have a redesigned chassis, but they’ll also bring back the beloved magnetic MagSafe charger (though it’s not clear in what form) and previously excised inputs like the HDMI port and SD card slot.
The return of the SD slot to the MacBook Pro — originally rumored in January — will be extremely welcome for many professionals who use the port to quickly transfer videos and images from cameras’ SD cards. And though we’d seen reports that MagSafe might be making a comeback for the MacBook Air, we didn’t know that MacBook Pro might be getting it, too.
After the new MacBook Pros have been unveiled, Gurman says Apple plans to release “a revamped MacBook Air, new low-end MacBook Pro and an all-new Mac Pro workstation.” A higher-end Mac mini and larger iMac are also reportedly in the works, with all of the new machines boasting chips “that will greatly outpace the performance and capabilities of the current M1 chips,” according to Gurman’s anonymous sources.
Chips for the MacBook Pro will reportedly come in two variants, codenamed “Jade C-Chop” and “Jade C-Die.” Compared to the M1 chips — which have four high-performance cores, four energy-efficient cores, and eight graphics cores — the new designs will have eight high-performance cores, two energy-efficient cores, and either 16 or 32 graphics cores. Bloomberg also says they’ll have an updated Neural Engine for machine learning tasks and support up to 64 gigabytes of memory compared to 16 gigabytes for the current M1.
None of this is particularly shocking. We’d all expected the next generation of Apple’s in-house chips to be “the best ever” (as they always are, every year, per Apple’s marketing spiel), but it’s still good to hear that Apple is preparing such a wide-ranging overhaul of its Mac lineup. The M1 chip breathed new life into Apple’s computers, what might the M2 do next?
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This is an iMac unlike any other iMac we’ve seen before, and it all comes down to the M1 chip.
Sure, there are some other differences between this 24-inch iMac and the 21.5-inch model from 2019 that it’s replacing. There are better microphones and better speakers. There are fewer ports, and some of them have moved around. The screen is bigger and better. The keyboard now has TouchID. But the M1 is the star of the show.
It’s not just the performance increase. It’s not just the fact that you can run iOS and iPadOS apps natively on the system. It’s not just the new advanced image signal processor, which helps create better low-light images than I’ve ever seen from an integrated webcam. It’s also the groundbreaking efficiency with which this processor runs, which has enabled Apple to create a slim, sleek, and quite unique iMac chassis.
Whether you actually get every upgrade here depends on the configuration you choose. The entry-level iMac is $1,299 for 256GB of SSD storage, two Thunderbolt / USB 4 ports, 8GB of unified memory, and a seven-core GPU — but that’s only available in four colors and doesn’t come with TouchID. The model I tested bumps the storage up to 512GB and the memory up to 16GB. It has two USB-3 ports in addition to the two Thunderbolt, an eight-core GPU, Touch ID, and a gigabit Ethernet port (which is in the power brick). I also received both the Magic Mouse and the Magic Trackpad with my model. You’d need to pay a total of $2,028 to get everything Apple sent me (and which I’ll be sending back, for the record).
In short, this device costs money. And it’s true that you’d get similar performance and save a few hundred bucks, if you just plugged a Mac Mini into an external display. But this iMac has almost everything that most people need in one package: processing power, sure, but also a camera, speakers, microphones, a keyboard, a mouse, a trackpad, and a display. And they’re all good. This is a computer you can plonk on your desk and never think about again. And for some of the iMac’s target audience, that’s probably worth the extra money. You’re paying for simplicity.
The M1 processor uses what’s called a “hybrid” configuration. The easiest way to conceive of this is that most competing Intel and AMD chips have a number of equally “okay” cores, where Apple’s M1 has four very fast cores and four lower-powered high-efficiency cores. This allows M1 devices to deliver arguably the best performance-per-watt in the world. It also means that they’re nearly unbeatable in single-core workloads.
That advantage bore out in our benchmark testing. This iMac model achieved a higher score on the Geekbench 5 single-core benchmark than any Mac we’ve ever seen before — even the iMac Pro. That means if you’re looking for a device for simpler everyday tasks that don’t scale to every available CPU core (and that largely seems to be the demographic that Apple is trying to sell this machine to), there has literally never been a better iMac for you to buy.
You can see the rest of our benchmarks below:
Apple iMac 24 (2021) benchmarks
Benchmark
Score
Benchmark
Score
PugetBench for Premiere Pro
372
Cinebench R23 Multi
7782
Cinebench R23 Single
1505
Geekbench Multi
7668
Geekbench Single
1739
Geekbench OpenCL
19114
These results help illuminate where this iMac fits into Apple’s all-in-one lineup, and where its limitations are. The 24-incher is a significant improvement over the 21.5-inch iMac in both single-core and multi-core workloads. And it’s very comparable in graphics tasks — which is quite impressive, given that the 21.5-inch iMac has a discrete GPU and this one relies on what’s integrated with the M1.
On the other end, these results (with the exception of single-core performance) are not close to what we’d expect from the 27-inch Intel iMac with discrete graphics. In this comparison, multi-core results are more important. They indicate that the 27-inch iMac is going to do much better on the types of tasks that owners (or prospective buyers) are likely to be doing: intense multitasking, computations, design, video work, and other more complex loads that may leverage the GPU.
There are other limitations that may put some workloads out of reach. As is the case with the MacBook Pro and Mac Mini, you can’t configure the iMac with more than 16GB of memory and 2TB of storage; we wouldn’t recommend those specs to anyone who regularly edits 4K or 8K video, for example. The memory and storage are soldered, so you can’t upgrade them after purchase. Only one external display is supported (up to 6K resolution at 60Hz). Ports are also bizarrely limited; the base model has just two Thunderbolt / USB-4 ports and a headphone jack, while more expensive models have an additional two USB-3 ports and Gigabit Ethernet. These all may be reasons Apple is pushing this iMac as a “home and family” PC, even though its processor is clearly capable of all kinds of professional work.
Another way to interpret these numbers is that I was getting effectively the same performance out of this machine as we got from the M1 MacBook Pro and the Mac Mini. That’s completely unsurprising, since these devices all use the same processor. But it’s a good proxy for gauging whether the iMac can handle your work: if you expect you could get a task done with the M1 MacBook Pro, you should be able to do it on this.
More anecdotally, I was able to use my test unit for all kinds of daily tasks, from emailing to YouTube to amateur photo and video work. I was able to hop between over 25 Chrome tabs with Cinebench looping in the background, with no stutter or slowdown whatsoever. If you’re buying the iMac for this kind of thing, I can’t imagine you’ll see too many spinning wheels.
During this testing process, I also got a sense of just how well cooled this chassis is. On thinner laptops that I test often (including the fanless MacBook Air), you’ll see performance decrease if you run heavy tasks over and over again. None of that on this iMac: I looped Cinebench R23 as well as a Premiere Pro 4K video export several times over and never saw scores go down. It took a lot to get the fans going — they were checked out during my daily office multitasking. When they did spin up, mostly while I was working in Premiere, I could barely hear them. They were quieter than the background hum of my refrigerator. That’s quite a quality-of-life improvement over prior Intel iMacs.
The M1’s advantage, after all, has never been raw power; it’s the combination of power and efficiency. We saw much better battery life in the MacBook Air and MacBook Pro than we did in their Intel predecessors. Battery life obviously isn’t a concern with the iMac, but efficiency certainly is. Chips are limited by two things: the power available and how well their systems can keep them cool. They vent almost all the energy they use as heat, and because the M1 has such incredibly high performance per watt, Apple doesn’t need a heavy-duty cooling system to keep it from frying itself. Because it doesn’t need that heavy-duty cooling system, Apple has finally been able to redesign the iMac from the ground up.
This iMac is sleek. Even though it has a 24-inch screen, it’s close in size to its 21.5-inch predecessor. Apple reduced the screen’s borders by close to 50 percent in order to squeeze the bigger screen into the compact chassis. This device is also 11.5 millimeters thick, or just under half an inch — which is quite thin as all-in-ones go. Next to the 27-inch iMac, it looks like a tablet on a stand.
Size isn’t everything; this iMac also comes in seven colors. There’s blue, green, pink, orange, purple, yellow, and the boring silver we know and love. I’m not quite convinced that the jazzier models will fit in outside of especially stylish homes and offices. But I will say: I’ve never seen so many of my friends, or so many people on TikTok, as excited about a tech product as they seem to be about the colored iMacs. The hues are a nice change, aren’t obnoxious, and are clearly a hit with certain crowds.
Some traditional iMac touches remain, of course. The bezels are still substantial compared to those of some modern monitors. You can’t raise or lower the display height — the built-in stand only allows tilt adjustments. (You can also buy it with a built-in VESA mount adapter.) And there’s still that pesky chin, though it’s no longer emblazoned with the Apple logo.
Pretty much every other notable part of the iMac has been upgraded in some way. There’s a 4.5K (4480 x 2520) Retina display, a step up from the predecessor’s 4096 x 2304 Retina display (though both have effectively the same pixel density). It has Apple’s True Tone technology, which automatically adjusts colors and intensity based on your surroundings.
But the screen is also another reminder that this iMac doesn’t have “Pro” in its name. Twenty-four inches is on the small side as screens go; most of the best external monitors are 27 inches or larger these days. Professionals on The Verge’s video team also noticed some vignetting on the sides of the screen, which caused issues with off-angle viewing — we had a similar issue with Apple’s Pro Display XDR. Of course, neither of these limitations were a problem for my untrained eye; I thought the display looked great, with sharp details and plenty of room for my Chrome tabs and apps.
Elsewhere, Apple has upgraded the camera, microphones, and speakers. The company claims that they’re the best camera, mic system, and speaker system that have ever appeared in a Mac. I’d believe it. The six-speaker sound system is easily on par with a good external speaker. I played some music in my kitchen, and it was audible all over the house. Percussion and bass were strong, and I felt very immersed in the songs. It also supports spatial audio when playing video with Dolby Atmos.
I don’t have too much to say about the three-mic array except that nobody on my Zoom calls had any trouble hearing me. But the webcam was a very pleasant surprise. The iMac has a 1080p FaceTime HD camera, which has a higher resolution than the 720p shooter that lives in the 21.5-inch iMac (as well as the MacBook Pro, MacBook Air, and many other AIOs). The M1 also lends a hand here: its built-in image signal processor and neural engines help optimize your picture in low-light settings.
I wouldn’t say I looked amazing on my Zoom calls — parts of my background were sometimes washed out, and the image looked processed in some dimmer areas. But I was visible and clear, which is better than you get from most webcams these days. And the difference between this webcam and the grainy mess the MacBook Pro has is night and day.
When I review a computer, my task is usually to figure out for whom that computer is made.
But all kinds of people use iMacs, from college students to accountants to podcast producers to retired grandparents. And this model has arguably the most widespread consumer appeal of any iMac that Apple has made in recent years. So it’s much easier to figure out for whom this iMac isn’t made.
It’s not for people who can’t handle dongles and docks; I kept a USB-C to USB-A dongle next to me on my desk while I was testing the iMac, and I used it very frequently. It’s not for people who already own a 27-inch iMac, because it would be a downgrade in display size and quality, port selection, upgradability, and raw power. And it’s not for people with serious performance needs.
It’s not for people who are looking for the very best value for their money. Most folks won’t need the specs and accessories that I tested here, but even $1,299, the base price, is certainly more than plenty of people want to spend on a computer. The base Mac Mini is $600 cheaper than the base iMac; plug that into a monitor and some speakers (you can find plenty of good ones for well under $600), and you’ll get the same M1 performance at a massive discount.
And that, right there, is the biggest reason that this iMac, despite its power, is primarily targeting the family market. Because it’s asking you to pay more in order to do less. You’re paying $600 not to have to research and budget out monitors, speakers, webcams, docks, keyboards, and mice. You’re paying not to have to arrange thousands of things on your desk. You’re paying for a device where everything, out of the box, works well. You’re paying to eliminate fuss.
Tech enthusiasts (especially those who want to pop their machines open and make their own upgrades) may see that as a waste of money. And for them, it probably is. But they’re not the target audience for this Mac — even if its specs might suit their needs.
Could Apple have done more with this iMac? Of course. I was hoping to see a 30-inch, 6K iMac with a powerhouse 12-core workstation chip this month as much as the next person. But I have faith that we’ll get one in the future — and in the meantime, I’m glad Apple released this. It’s not earth-shattering in its design; it doesn’t redefine its category. But it’s fun. It improves upon the 21.5-inch iMac to offer a simple, attractive, and very functional device for users across all kinds of categories. It’s not the iMac to beat — but it is the iMac for most people to buy.
It’s been over a year since Google last held I/O thanks to the pandemic, but with the COVID-19 outlook slightly more positive in 2021, the company is making its triumphant return to the (virtual) stage with an entirely online Google I/O developer conference. And with a year and some change between I/O 2019 and now, there’s plenty of room for interesting announcements when everything kicks off at 10AM PT (1PM ET) today.
Android 12 is expected to make its official debut, with rumors swirling that the new update will shake up the visual style of the mobile operating system, among other improvements. We’re also hoping to hear more about a less expensive version of the Pixel Buds and maybe more information about the Pixel 5A, after both products leaked in the lead-up to the event. There’s also a good chance there’ll be improvements to Google Assistant and possibly an introduction to the custom system on a chip Whitechapel that Google is rumored to be developing to compete with Apple’s A-series chips.
To stay on top of I/O’s exciting news, we’ve got all the ways you can watch and read alongside us below.
WHAT TIME IS THE GOOGLE I/O 2021 KEYNOTE?
The live stream starts at 10AM PT / 1PMET on Tuesday May 18th or at the following times outside the US: London: 6PM / Berlin: 7PM / Moscow: 8PM / New Delhi: 10:30PM / Beijing: 1AM (May 19th) / Tokyo: 2AM (May 19th) / Melbourne: 3AM (May 19th)
Google will replay the keynote on its YouTube channel and the Google I/O website. If the last years are any indication, you’ll also be able to watch a recording of the event once it’s ended to catch anything you may have missed.
WHERE CAN I WATCH THE GOOGLE I/O 2021 KEYNOTE?
You’ll be able to watch the keynote live on YouTube and the Google I/O 2021 website. We’ll also embed the live stream at the top of the page if you want to stick around here.
Developer talks and more detailed walkthroughs of everything coming to Android, Chrome, and all of Google’s other products will also be available on the dedicated I/O 2021 site.
Follow @verge on Twitter
Read our live blog for up-to-date commentary and bad puns
Keep an eye on @verge on Instagram for live updates
Good news: Apple Music is adding lossless audio. And not only is it significantly upping the audio quality, offering high-resolution audio right up to 24-bit/192kHz, but it is also doing so at no extra cost to subscribers. Over to you, Tidal, Qobuz et al.
However, it’s not all plain sailing for those of us wanting to benefit from the very best possible sound quality using Apple products. Neither the iPhone 12, AirPods Max, AirPods Pro or either of the HomePods will play Apple Music’s ‘Hi-Res Lossless’ offering (which Apple defines as above 24-bit/48kHz, up to 24-bit/192kHz).
Apple makes that (relatively) clear itself, saying, “Due to the large file sizes and bandwidth needed for Lossless and Hi-Res Lossless Audio, subscribers will need to opt in to the experience. Hi-Res Lossless also requires external equipment, such as a USB digital-to-analog converter (DAC).”
While Apple plays its cards close to its chest over certain specs, the iPhone’s output maxes out at 24-bit/48kHz, which is fine for Apple Music ‘Lossless’ but not good enough for ‘Hi-Res Lossless’.
The AirPods Max, AirPods and HomePods, meanwhile, use the AAC Bluetooth codec, which doesn’t support the Apple Lossless Audio Codec (ALAC) that Apple Music uses for its lossless audio streams (since confirmed by Apple to T3).
AirPods Max owners might reasonably hope that their headphones could be wired to an iPhone to unlock Apple Music lossless, but this doesn’t appear to be the case either. Apple told The Verge: “When you play a 24-bit/48 kHz Apple Music lossless track from an iPhone into the AirPods Max using both the cable and Lightning dongle, the audio is converted to analog and then re-digitized to 48kHz. That re-digitization step is the reason that Apple can’t say you’re hearing pure lossless audio; it’s not an identical match to the source.”
So, what’s the solution? If you connect a compatible external DAC to your iPhone and use a wired pair of headphones, you should be able to listen to Apple Music lossless audio. Check out our guide for how to listen to hi-res audio on an iPhone. You will also be able to listen on a Mac this way.
Of course, the other big Apple Music update, spatial audio via Dolby Atmos, is much more widely available across Apple products. By default, Apple Music will automatically play Dolby Atmos tracks on all AirPods and Beats headphones with an H1 or W1 chip, as well as the built-in speakers in the latest versions of iPhone, iPad, and Mac. In fact, Apple Music Dolby Atmos will work with all headphones.
One thing’s for sure, Apple lossless audio sounds like a good excuse for Apple to upgrade its next generation of audio hardware. Might the AirPods 3 be lossless audio compatible? That would require Apple to come up with a hi-res-supporting Bluetooth codec. Or could we get an upgraded version of the AirPods Max? Is there a new HomePod HiFi in the works? We shall see.
Apple spatial audio: what is it? How do you get it?
Astell & Kern’s digital expertise comes good in this entertaining USB-C cable DAC
For
Notable improvement to audio
Clean, precise character
Nicely made
Against
No iOS device compatibility
No MQA support
For a relatively simple product, Astell & Kern’s first portable DAC has a rather convoluted moniker. ‘Astell & Kern AK USB-C Dual DAC Cable’ isn’t something you’d want to say out loud (or type) often but, to the company’s credit, it sums up the product perfectly: it’s a USB-C cable with two DACs inside.
Thankfully, the name doesn’t attempt to further explain its purpose, so let us fill in the gaps.
Features
Portable DACs – compact DACs that don’t rely on mains power – have arrived in force in recent years with the mission of conveniently improving the sound quality between your phone or computer and wired headphones. That’s because the digital-to-analogue converters and analogue output stages of these do-all devices are generally pretty poor.
Though wireless headphones connected to a device may be the portable audio preference of many nowadays, a wired set-up generally still offers the best performance-per-pound value, particularly if you want to play hi-res audio.
Astell & Kern AK USB-C Dual DAC Cable tech specs
Input USB-C
Output 3.5mm
Hi-res audio PCM 32-bit/384kHz, DSD256
Weight 27g
While there are a number of traditional box or USB stick portable DACs in existence, the AK USB-C Dual DAC Cable is one of an increasingly common group of DACs designed to enhance on-the-go or desktop sound quality in cable form. This Astell & Kern, like the Zorloo Ztella and THX Onyx, is essentially an extension of your headphones cable; the discreet middleman between them and your source device.
At one end is a 3.5mm output, and at the other is a USB-C connection for plugging into any device with that output, such as an Android phone, Windows 10 PC, tablet or MacOS computer. For the bulk of our testing, we use it with a Samsung Galaxy S21 and Apple MacBook Pro.
Some portable DACs, such as the multi-Award-winning Audioquest DragonFly Red, have a USB-A connection instead, but now that USB-C is becoming more prevalent it makes sense for a portable DAC like this one to adopt it. You can always buy a USB-C-to-USB-A adapter to cater for devices with such ports.
Portable DACs can often be used with Apple’s camera adapter to make them compatible with iPhones and iPads, but Astell & Kern says that isn’t the case here “due to the dual DAC incompatibility and power restrictions of iOS devices”. So iPhone users will have to look elsewhere.
The dual DACs (specifically, two Cirrus Logic CS43198 MasterHIFi chips) support native high-resolution audio playback of PCM files up to 32-bit/384kHz and DSD256. However, due to the AK USB-C Dual DAC Cable’s lack of MQA file support, Tidal HiFi subscribers won’t be able to benefit from the (MQA-encoded) hi-res Tidal Masters that are part of the tier’s offering. It’s also worth noting that the DAC has been built for sound output only, so it won’t work with headphones with an in-line remote.
A portable cable DAC is new territory for Astell & Kern – the company is most renowned for its portable music players but also makes headphones and desktop audio systems. But digital-to-analogue conversion technology is something the company is well versed in. And that shows.
For the AK USB-C Dual DAC Cable, Astell & Kern says it developed a circuit chip on a six-layer PCB just 14 x 41mm in size, featuring bespoke capacitors found in its music players, and optimised to prevent power fluctuations. The analogue amplifier (with a 2Vrms output level), meanwhile, is designed to drive even power-hungry and high-impedance headphones.
Sound
We use a range of headphones, from high-end Grados to more modest Beyerdynamic on-ears and Sennheiser Momentum earbuds – and the Astell & Kern doesn’t struggle to power any of them. However, we would be wary of your playback device’s volume output level when you first connect the DAC and plug in your headphones (especially if you’re using more than one pair) to avoid getting an unexpected earful. It’s something Astell & Kern advises in the manual, too.
Adding the AK USB-C Dual DAC Cable between these headphones and our source devices (which provide power to the DAC) makes the world of difference. As the likes of the Zorloo Ztella and Audioquest DragonFly Black have shown, even a modest outlay can make a significant improvement to your portable sound.
The Samsung Galaxy S21 is by no means the worst-sounding smartphone out there, and yet the Astell & Kern makes music come through our wired headphones much clearer, cleaner and punchier than with just a standard USB-C-to-3.5mm dongle. This little DAC doesn’t just do the basics by amplifying the sound and beefing up its tone, it also goes the extra mile to open up music and let you in on more of its detail.
Considering the increasing competition in the portable DAC market, you could say it’s a necessary mile. One of our favourite portable DACs, the Audioquest DragonFly Red, proves to be a notably more insightful and rhythmically entertaining performer – but then it is significantly pricier at £169 ($200, AU$280). For this modest amount of money, the AK USB-C Dual DAC Cable is a very attractive proposition indeed.
We play Lesley by Dave ft Ruelle and the rapper’s poignant storytelling is all the more compelling for the boost in clarity and vocal insight delivered by the DAC. The melodious synth chords, which twinkle with clarity against the contrasting backdrop, are planted with precision on either side.
It’s a similar story as we plug the Astell & Kern into our MacBook Pro and settle into Big Thief’s Shoulder, the presentation pleasantly opened up and generously populated with definition aplenty around Adrianne Lenker’s pleading vocal delivery and the warm textures of the band’s hallmark folksy guitar licks.
Build
So, it sounds good. But what’s it like to live with? After all, this is an everyday device that’s likely to sit in your pocket or on your desktop during the 9 to 5. Perhaps most crucially for a device of this nature, the AK USB-C Dual DAC Cable is compact, lightweight (27g) and well made – to the extent that we feel comfortable tossing it in a bag or shoving it down trouser pockets before long.
The twisted cable between the USB-C output and main body – made up of Technora aramid fibre at its core, wrapped by copper layers and finished with shielding treatment – makes it easy to manipulate the device into a jeans pocket when connected to a phone, and feels built to last. It also helps absorb the shock of accidental knocks, unlike USB stick designs.
While we would expect a device like this to last years, in the weeks we spend in its company we feel confident of its durability. Even when we accidentally yank the device out of our playback source with the cable a number of times, it proves hardy enough to withstand it.
While made to fit nicely into a pocket, some consideration has also clearly been taken to make the AK USB-C Dual DAC Cable look nice when it’s not hidden away – when it’s on a desktop, for example.
The metal casing at the end of the cable – comparable with one of the more compact USB sticks in our collection – has a polished finish and angled surface that resonate with the aesthetic of the company’s premium music players. Design niceties on products like these are only ever going to be the small touches, but they’re here at least.
Verdict
Before Astell & Kern announced its AK USB-C Dual DAC Cable, it wouldn’t have been a stretch to imagine the company making such a product. It has been in the portable digital audio game for years and enjoyed much success.
That know-how has been put to good use in offering USB-C device owners an affordable, practical way to soup up their smartphone or desktop sound through wired headphones. It’s such an appealing option that we can almost forgive the unwieldy name.
Apple is working on a new pair of Beats true wireless earbuds, according to images found in the latest tvOS and iOS beta codes by MacRumours and 9to5Mac.
Referenced as ‘Beats Studio Buds’ in the tvOS 14.6 and iOS 14.6 codes, they will reportedly feature noise cancellation and, courtesy of an Apple chip, “Hey, Siri” voice control.
As suggested by a MacRumours mock-up image (above) and an animation of the earbuds tweeted by the publication’s Steve Moser (below), they embrace the more familiar rounded form as adopted by the likes of the Samsung Galaxy Pro Buds, Google Pixel Buds and Sennheiser Momentum True Wireless 2, without the fitness-friendly ear hooks of the Beats Powerbeats Pro. We can expect them to stick with silicone eartips and come in a choice of black, white and red finishes.
Animations of Beats Studio Buds: 🧵 pic.twitter.com/XYVvYP7ez3May 17, 2021
See more
Rumours have been circling the launch of the AirPods 3 is imminent. That may still be the case, however Apple has already dropped a bombshell this week by announcing it is adding lossless audio and Dolby Atmos-powered Spatial Audio tracks to Apple Music for free next month.
Could the Beats Studio Buds be released before the next-generation AirPods? Considering that iOS 14.6 is expected to arrive in the coming weeks alongside the new Apple Music features, we should expect the launch of the new wireless earbuds to coincide with, or shortly follow, that.
MORE:
All the AirPods 3 leaks: release date, price, design and news
The lowdown on the heavily rumoured Google Pixel Buds A-Series earbuds
Check out our pick of the best true wireless earbuds you can buy
Apple Music Dolby Atmos will work with all headphones
Today, we learned that Apple’s ultra-premium $550 AirPods Max headphones aren’t ready for the new lossless audio catalog coming to Apple Music next month — and they’re not alone. Apple confirms to The Verge that the HomePod and HomePod mini won’t support lossless audio, either. (MacRumors confirmed the same thing with sources earlier this afternoon.)
The good news is that the HomePod and HomePod mini will indeed support the company’s new spacial audio experiences, which are supposed to provide more immersive audio than a standard stereo or virtual surround mix — we were fairly intrigued trying spacial audio on the AirPods Pro, and it’s also coming to Apple Music next month in a bigger way.
And, Apple says, it’s not like any of these devices will fail to play back lossless tracks completely. They simply won’t be playing them at lossless quality.
Still, it seems like one more reason that Apple should really strongly consider having a fire sale for the original HomePod, which is somehow still available for a increasingly hard-to-justify $300 months after officially being discontinued.
We’ve gotten through the expert witnesses of Epic v. Apple, and as a reward, Phil Schiller — currently an “Apple Fellow,” whatever that is, and previously the senior vice president of worldwide marketing — took the stand like a twinkly App Store St. Nick. To hear him tell it, Apple is a wonderful partner to developers, selflessly improving dev tools and responding to their needs. At times the testimony feels like a prolonged ad for iOS.
The goal of the testimony is to paint the App Store as a part of the iPhone that can’t be removed or replaced by a competing alternative. To this end, we heard in exhaustive detail about the improvements made to the iPhone that benefit the developers in the App Store. The chips. The Retina display. The accelerometer. The wireless upgrades. It’s practically an Apple event on the stand.
Among the exhaustive list, Schiller identified Metal, one of the developer tools Apple created. (Metal is a play on “close to the metal,” or writing code that’s close to the computer’s guts.) Apple’s counsel says the lawyer version of “roll tape!” and we’re treated to a 20 second clip of Tim Sweeney on stage at WWDC, praising Metal as a wonderful tool that will allow developers like Epic Games to create the next generation of improvements. Solid burn!
The overall impression I get from the list of improvements is, essentially, that Fortnite absolutely could not have launched on the first generation of iPhones — the hardware and chips couldn’t have handled the game. That is true! Also: Fortnite didn’t exist yet, so that’s a pretty good reason it couldn’t have been on those early iPhones. But there is another reason a time-traveling Fortnite couldn’t have launched on the first iPhones in 2007: the App Store didn’t exist yet, either. This particular fact is somewhat inconvenient for Apple’s argument that the iPhone and the App Store are inseparable.
Schiller’s testimony spends some quality time back in 2007, to explain the origin of the App Store. When the iPhone launched, the only apps on it were Apple’s own; all other apps were web apps. In response, there was a spate of “jailbreaking” — essentially, hacking the iPhone so you could put your own apps on it. This was the genesis of the App Store: Apple realizing that people were going to put their own apps on the iPhone no matter what it did. If it wanted control of the process, it was going to have to create an official route.
From the jump, security was going to be a concern, Schiller said. After all, the point of the phone was that you could carry it around — which involved collecting location data. So iOS was built from the ground up with this in mind, Schiller says. (This line of testimony is a rebuttal to Epic’s argument that MacOS allows side-loading, and it is therefore anticompetitive that iOS does not.) To put a stop to the jailbreaking, Apple did something unusual: rather than showing the world a finished product, it announced it was working on something. That something was the App Store.
The Steve Jobs line that Epic has touted — ”We don’t intend to make money off the App Store” — comes from these early days. At the time of this announcement, Apple didn’t know if it would make money, Schiller testified. He also suggests that the line was not a promise that Apple would not make money. The App Store was a “huge” risk, Schiller said. “We’re taking our hot new product and putting something we’ve never done before on it, and we have no apps yet! So we have no idea how this is going to do.” This is credible. What is less convincing is Schiller’s attempt to redefine what it means to “lock customers into our ecosystem,” a phrase that comes from a Jobs email entered into evidence earlier in the trial.
Look, “locked in” has an accepted meaning, and it’s not a very friendly one: prisoners, for example, are locked in. Schiller gives this the old college try anyhow, telling the court that the idea behind “locked in” was just to make services more attractive, so that customers wouldn’t want to leave. Later in the email, Jobs talks about making the ecosystem even more “sticky,” which is less menacing, but — glue traps are sticky. So are flystrips. When was the last time that being stuck to something was positive for you?
But hey, Schiller’s a marketer. He was Apple’s marketing guy for actual decades! Always be closing, baby. And so if it at times seemed like he presented Apple as though it were a selfless do-gooder, responding to devs’ requests for in-app payments — which was a then-nascent business — by building capability for that into the store, well, that’s his job. Still, presenting one of the most ruthlessly efficient cash machines in tech as a helpful friend of small developers is kind of like painting a whale shark orange and calling it a goldfish who feeds other goldfish.
Despite Schiller’s friendly demeanor, some of his testimony is a stretch. For instance, he says he doesn’t see mobile as a duopoly. He lists Samsung, Microsoft, Google, and Amazon as competition. The Amazon Fire phone was discontinued in 2015, as was the Windows Phone. Perhaps they haunt his dreams, but they certainly don’t haunt the market.
But Schiller mostly does what he needs to do for Apple — as I suppose he has for 30-odd years. He’s cheerful, pleasant to listen to, and at times, very convincing. The question in this case, though, is if marketing to a judge is as easy as marketing to Apple customers.
Aside from churning out some limited edition colors, Beats has been in a bit of a quiet period since the release of the Beats Flex last October. But it seems that the Apple-owned brand is preparing to launch some new, high-end earbuds. As spotted by MacRumors, there are images of “Beats Studio Buds” in the latest beta releases of iOS and tvOS. 9to5Mac also uncovered images of the charging case and some system animations of the earbuds.
The unannounced earbuds look much different than the Powerbeats Pro, which have become a popular pick among the fitness crowd. These don’t have any ear hooks whatsoever, and they seem to have a diagonal steam that extends slightly upward.
These images being included in “release candidate” builds of Apple’s software could mean that the Beats Studio Buds are due to be announced in the near future. The Verge has reached out to Beats for comment. According to 9to5Mac, the code pertaining to the earbuds confirms they’ll have noise cancellation, which is something that all Beats earbuds currently lack.
Apple is also expected to update its main AirPods earbuds sometime this year with a revamped design featuring shortened stems and other aesthetic details borrowed from the AirPods Pro. But they’re likely to retain the hard plastic, one-size-fits-most fit. Beats, however, seems to be sticking with silicone tips for an in-ear seal.
Beats has been going through a transition period after former president Luke Wood departed Apple last year. Recently, it’s been rumored that Scott Croyle, formerly of HTC, is playing a significant role in Beats hardware design.
Best Bluetooth speakers Buying Guide: Welcome to What Hi-Fi?’s round-up of the best Bluetooth speakers you can buy in 2021.
Finding the best Bluetooth speaker for your particular needs isn’t the cake walk it might at first seem. It’s nothing to do with shortage of options – every online manufacturer from Apple to Ultimate Ears is vying for a bite of the Bluetooth cherry and by association, your hard-earned cash. The challenge is knowing which model is most worthy of your precious coin. Fret not, for that is where we come in. We’ve done the heavy lifting and rounded-up our pick of the best Bluetooth speakers across all shapes, sizes and prices to ensure you discover a product you’ll be over the moon with.
It may sound obvious, but the key thing when looking for a Bluetooth speaker is to avoid opting for the first model that takes your fancy. Yes, it might be a looker, but is it the best model for you? If you want your love for it to still be strong, after the boys of summer have gone, why not read our independent review of the product – and maybe reviews of competing products in the price category – first? You might discover a few features you didn’t know you could get for the money.
1. JBL Flip 5
No frills and fantastic sound quality – this is the Best Bluetooth speaker for value.
SPECIFICATIONS
Dimensions: HxWxD (cm): 7.4 x 18.1 x 6.9 | Power: 20W | Features: Bluetooth v4.2, PartyBoost for multiple connections to PartBoost enabled JBL speakers, IPX7 rated | Connections: USB-C charger
Reasons to Buy
Solid bass and timing
Great sense of acoustics
PartyBoost stereo pairing
Reasons to Avoid
No aux-in or microphone
Not Connect+ compatible
Basic app
A What Hi-Fi? 2020 Awards-winner. If all you want is a portable Bluetooth speaker that sounds as good as you can currently buy for around £100 ($100, AU$119), you’ll be hard-pressed to better the fantastic Flip 5. JBL’s newest offering sounds great for the price and is rugged enough to cope with a day at the pool.
The Flip 5 is waterproof to an IPX7 rating, boasts a 12 hour battery life and has a USB-C charging port, meaning it goes from flat to fully juiced in just 2.5 hours. It’s a pleasure to use and scores highly for portability, with a wrist strap that slips comfortably over our hand. There’s also a PartyBoost button that helps you pair two PartyBoost-enabled speakers to create a stereo pair, or link over 100 PartyBoost-compatible speakers in mono.
Sound is impressively weighty and agile, with a good punch of bass and a real sense of openness and texture. Assuming you don’t mind the lack of an aux-in port or inbuilt microphone (as seen in the Flip 4), you’ll almost certainly be wowed by this speaker’s sonic chops. A superb performer.
Read the full review: JBL Flip 5
2. Tribit Stormbox Micro
A fun and bubbly Bluetooth speaker that’s serious when it comes to sound
SPECIFICATIONS
Dimensions: HxWxD (cm): 9.8 x 9.8 x 3.5cm | Power: 9W | Features: water/dustproof, Bluetooth 5.0, stereo-pairing mode | Connections: 3.5 mm stereo
Reasons to Buy
Mature, musical sound
Surprisingly weighty bass
USB-C charger
It’s hard to imagine a home decor, backpack or personal taste that the Tribit Audio Stormbox Micro couldn’t merge in with happily. It’s the size of a stack of drinks coasters, it’s IP67 rated, there’s a useful rubberised strap across the back of it and you can pair two of them in stereo mode.
You’ll be pleasantly surprised by the bass clout the Tribit is able to deliver. Although a speaker of such dimensions is obviously limited in terms of bass weight, it does remarkably well; close your eyes while listening and you’ll picture a bigger product.
If your budget maxes out at £50 ($60), the Tribit is a splendid option. Similarly, if you only have a small zip compartment in the top of your backpack for a sonic travel companion, this speaker is worthy of that space. Take note, Ultimate Ears: a little-known brand called Tribit Audio just produced a budget belter of a Bluetooth speaker.
Read the full review: Tribit Audio Stormbox Micro
3. JBL Charge 5
Updated specs and subtle tweaks for JBL’s fifth-generation Charge
SPECIFICATIONS
Dimensions: HxWxD (cm): 22 x 9.6 x 9.4cm | Power: 30W + 10W tweeter | Features: waterproof, Bluetooth v5.1, power bank, voice assistant integration | Connections: USB-C, USB-A
Reasons to Buy
Clearer and more detailed sound
Wider soundstage
Updated dustproofing
The JBL Charge 5 is even more durable and better sounding than the four Charges before it. Its predecessor carried an IPX7 rating, meaning it could handle being submerged in water to a depth of 1.5m, but the IP67-rated Charge 5 builds on that durability by also being fully dustproof. Want a speaker roughly the dimensions of a bottle of wine that’ll charge your phone and sound great? You’ve found it.
Thanks in part to a new 10W tweeter and racetrack-shaped driver, the Charge 5 is currently as good a sound as you can get in a portable Bluetooth speaker design for under £200 ($200, AU$300). It boasts marginal improvements, both sonically and aesthetically, over its predecessor, the five-star Charge 4 (below).
One day JBL may produce a Charge that can be outdone by a new and plucky rival, but rest assured, that has not happened with the rather splendid Charge 5.
Read the full review: JBL Charge 5
4. Bang & Olufsen Beosound A1 (2nd Gen)
The weightiest and most refined little speaker we’ve heard in a while
SPECIFICATIONS
Dimensions: HxWxD (cm): 4.6 x 13.3 x 13.3cm | Power: 2x30W | Features: Alexa inbuilt, water/dustproof IP67, Bluetooth 5.1, stereo-pairing mode | Connections: USB-C
Reasons to Buy
Expansive sound, weighty bass
Competent Alexa integration
Stunning build and finish
Bang & Olufsen isn’t noted for following the herd. In the Danish electronics specialist’s catalogue you’ll find a wheel-shaped wireless speaker, a TV that opens up like a butterfly, and an 8200-watt monolithic speaker comprising 18 drivers. Its output could reasonably be described as “premium” and “innovative” – and the B&O Beosound A1 (2nd Gen) wireless speaker is no exception.
It boasts similar dimensions to a large floury bap, but that’s where any comparisons with baked goods end. The new A1 supports Qualcomm’s latest aptX Adaptive Bluetooth 5.1 codec, and of course, Alexa is built-in.
It works a treat, too, delivering a pleasingly comfortable yet authoritative performance that you’d be happy listening to all day. Throw in its classy, well made design, easy to use operation and the bonus of Alexa, and you’re looking at a Bluetooth speaker sequel that has very much been worth the wait.
Read the full review: Bang & Olufsen Beosound A1 (2nd Gen)
5. JBL Go 3
JBL’s newest soap-sized speaker sounds good – but the finish and battery life won’t wash with today’s class leaders
SPECIFICATIONS
Dimensions: HxWxD (cm): 8.8 x 7.5 x 4.1 | Power: 4W | Features: Water/dustproof IP67, Bluetooth 5.1 | Connections: USB-C
Reasons to Buy
Sensible treble
Fuller bass
More volume
Reasons to Avoid
Poor battery life
Not very durable finish
The diminutive, soap on a rope-styled Go 3 features Bluetooth 5.1 instead of 4.1 plus a maximum power output of 4.2W, up from 3W in the Go 2 (listed below). The one specification that hasn’t changed is the Go 3’s stamina. It takes 2.5 hours to charge fully, and you can still only get five hours of playtime from it from a single charge.
If you can live with this, there’s much to celebrate in the sound department at the level. The extra power and overhauled design have resulted in some solid sonic enhancements, and aesthetically it’s perhaps even cuter than the original. We gave this iteration five stars for sound. Will five hours get you through a day at the beach or a lazy picnic in the park though? Probably best to take a wireless charger.
Read the full review: JBL Go 3
6. JBL Charge 4
A fun and bubbly Bluetooth speaker that’s serious when it comes to sound.
SPECIFICATIONS
Dimensions: HxWxD (cm): 22 x 9.5 x 9.3 | Power: 30W | Features: waterproof, Bluetooth v4.2, power bank, voice assistant integration | Connections: 3.5 mm stereo
Reasons to Buy
Rugged and water resistant
USB port for charging
Great sound quality
Reasons to Avoid
Perhaps too subtle for some
The fact that we really like the JBL Charge 4 should come as no surprise to those who read our Charge 3 review. Not only is this one of sweetest-sounding Bluetooth speakers around at this end of the market, it serves up a whopping 20 hours of playback from a single charge. Impressive.
JBL has fine-tuned the sound in this latest iteration to please even pickier ears. Obviously there’s a limit to the bass floor in a speaker of this size, but the low-end is tasteful – and there’s plenty of punch.
You get a nice array of features for the money, too. The IPX7 water resistance means the Charge 4 can handle being submerged in water to a depth of 1.5m. And unlike the Flip 5 (above), you can also use the Charge 4 to juice up your phone – or any other device that will charge over USB from a 5V supply.
The Flip 5 (above) is cheaper and lighter, but the Charge 4’s rugged design, excellent battery life and ‘battery sharing’ make it a near-perfect speaker for camping, beach trips and home use.
Read the full review: JBL Charge 4
7. Linn Series 3
One of the best wireless speakers we’ve heard with a premium price tag.
SPECIFICATIONS
Dimensions: HxWxD (cm):25 x 29.6 x 20.6 | Power: : 2x100W | Features: Wireless integrated Linn DSM player, Exakt digital crossover | Connections: Ethernet, USB, HDMI ARC
Reasons to Buy
Wonderfully articulate
Luxury design
HDMI ARC for TV connection
Reasons to Avoid
No analogue inputs
No Tidal Masters support
Let’s address the elephant in the room: the Series 3 is one of the most expensive wireless speakers we have tested. It’s over three times the price of the B&W Formation Wedge. Can such an outlay be justified? Well, yes.
Linn’s gorgeous design aesthetic and proprietary Exakt technology certainly helps. Linn Exakt aims to reduce phase errors by intentionally delaying higher frequencies so they arrive at your ear at the same time as lower frequencies. It also keeps the music signal’s data in the digital domain for as long as possible to avoid any degradation caused by signal processing. We’ve heard Exakt do its thing in many a Linn product before, and here again it contributes to an absorbing performance packed with stunning midrange clarity and a level of insight that sets it apart from more affordable competitors.
As you’d expect, the Series 3 is packed with premium features and Linn’s well established streaming platform, which offers access to networked servers and high-quality music services Tidal and Qobuz via Linn’s app. You even get an HDMI ARC socket, which allows you to connect the speaker to a TV.
At £3000 ($3850, AU$5800), we can hardly describe the Series 3 as a bargain, but we are utterly convinced of its appeal.
Read the full review: Linn Series 3
8. Ultimate Ears Wonderboom 2
An affordable Bluetooth speaker with a weighty sound and good battery life.
SPECIFICATIONS
Connectivity: Bluetooth | Power: Battery | Battery life: 13hrs | Charge time: 2.6hrs **Dimensions (hwd):** 10.4 x 9.5 x 9.5cm | Weight: 420g
Reasons to Buy
Punchy, entertaining sound
Hefty bass
Decent battery life
Reasons to Avoid
No wi-fi or smart assistant built-in
No mic for hands-free calls
Ultimate Ears has really made a splash in the Bluetooth speaker market with a number of colourful, fun-sounding and portable models. One its most biggest hits? The impressive Wonderboom 2.
It’s waterproof, sandproof, dustproof and is also designed to float, so it should withstand the most lively of pool parties. Battery life is 13 hours and a full charge takes just under three.
Sonically, the Wonderboom 2 is an exciting listen. Bass is impressive bass given its small dimensions and there’s plenty of detail and a fine sense of attack. You also get a ‘boost’ button on the underside of the unit. When pressed, it restricts the bass frequencies, allowing the UE to play louder through the midrange, which in turn makes the sound easier to hear when the unit is used outdoors.
There’s no built-in mic or app, but the Wonderboom 2 is easily one of the best sounding Bluetooth speakers you can buy for the money – and a What Hi-Fi? 2019 Award-winner too, y’know.
Read the full review: Ultimate Ears Wonderboom 2
9. Dynaudio Music 5
A superb sonic performance from a distinctive speaker.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: 250W (mains powered) | Inputs: analogue audio jack, Toslink optical digital audio | Battery life: N/A | Dimensions (hwd): 20 x 66 x 18.5cm : | Weight: 5.4kg
Reasons to Buy
Expansive, weighty and accurate
Great for larger rooms
Top-notch build
Reasons to Avoid
No AirPlay 2
No Spotify Connect
The Dynaudio Music 5 is the second-largest one-box speaker in the company’s inaugural, four-strong Music series. And love or loathe its angular looks,we can’t help but be won over by how the Dynaudio Music 5 sounds.
It might be a powerful, but the Music 5 has the sonic nous to keeps things refined. While the Award-winning Naim (below) just edges it for both subtlety and a slightly livelier sound, there isn’t much in it – and the Dynaudio Music 5 boasts superiority in other ways. In a larger room, it boasts better weight, scale and authority. Sound is smooth, detail-rich, refined and resoundingly listenable.
Connectivity is excellent, too, with aptX Bluetooth, wi-fi and AirPlay all present. Open up the Dynaudio app and you’ll discover NoiseAdapt, a feature that helps sound cut through a noisy room – useful during loud parties.
Assuming you love its distinctive styling, the Dynaudio Music 5 is a sophisticated performer and a superb buy.
Read the full review: Dynaudio Music 5
10. Audio Pro Addon C3
Portability, multi-room skills and excellent sound quality in an impressive package.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: 3.5mm | Battery life: 15hrs | Dimensions (hwd): 11.5 x 21.5 x 13.5cm | Weight: 2.45kg
Reasons to Buy
Mature, refined sound
Impressive timing
Tight, textured bass
Reasons to Avoid
Control app could be slicker
The Audio Pro Addon C3 isn’t just the best Bluetooth speaker at this price, it’s a stylish, wi-fi connected, multi-room capable centrepiece – plus it’s a What Hi-Fi? 2019 and 2020 Award winner.
Sound is focused yet open and airy, meaning you can fill a decent sized room with immersive, weighty sound. It has an fantastic sense of refinement for such a small speaker, not to mention a rear-firing bass reflex port that delivers plenty of low-end grunt.
This model won’t charge your smartphone but it does feature an ethernet port, giving you the option to hardwire it to your home network. The battery serves up around 15 hours playback (less if you crank the volume up to the max).
The C3 supports streaming services such as Spotify, Tidal, Qobuz and Apple Music, and while there’s no built-in voice assistant, you can control the speaker via the Alexa app.
If you’re after something more rugged and portable, we’d suggest rivals such as the Ultimate Ears Megaboom or JBL Xtreme. But as a sensational-sounding multi-room proposition, this speaker gives Sonos a serious run for its money.
Read the full review: Audio Pro Addon C3
11. Naim Mu-so Qb 2nd Generation
Just a few tweaks make for a superb second version of this premium Bluetooth speaker.
SPECIFICATIONS
Dimensions: HxWxD (cm): 21 x 22 x 21 | Power: : 300W | Features: Apple AirPlay 2, Chromecast, Spotify Connect, Tidal, Roon Ready, Hi-res up to 24-bit/384kHz, remote control | Connections: 3.5mm aux, USB, optical S/PDIF, Ethernet
Reasons to Buy
Open, detailed and expressive
Loads of streaming options
Multi-room ready
At What Hi-Fi?, we know full well the value of revisions. Yet still, it was quite the surprise when first we heard about one made by Naim, with its second generation of the Mu-so Qb wireless speaker. The previous iteration was great, earning five stars when it was first reviewed. This version, however, is even better.
You can now choose between an Olive, Terracotta or Peacock grille alongside the standard black, but the best tweaks Naim has made go far deeper. Remove whatever colour grille you’ve gone for and you’ll be rewarded with upgraded and optimised midrange and bass drive units, all powered by a total of 300W of amplification.
You won’t be short of streaming options, thanks to Chromecast Built-in and Apple AirPlay 2 alongside Bluetooth for streaming from a device, as well as Spotify Connect, Roon Ready, internet radio and Tidal. You’ll also be able to access files up to 32-bit/384kHz anywhere on your home network via the updated Naim app
With punchy bass and sparkling and rich tones across the frequencies, we had no hesitation in awarding the Mu-so Qb 2nd Generation our 2020 What Hi-Fi? Award for the best home wireless speaker over £500 – for the second year running.
Read the full review: Naim Mu-so Qb 2nd Generation
12. Amazon Echo Dot (3rd generation)
One of the best and cheapest ways to introduce Alexa to your home.
SPECIFICATIONS
Dimensions: HxWxD (cm): 4.3 x 9.9 x 9.9 | Features: wi-fi, multi-room, Bluetooth V4.0, Alexa voice assistant, Spotify, TuneIn, Amazon Music | Connections: 3.5 mm stereo
Reasons to Buy
Clear, solid sound
Improved Alexa capabilities
Budget price
Reasons to Avoid
Alexa intelligence is limited
Amazon’s ever-expanding collection smart speakers dish up decent sound and a whole load of voice functionality for not a lot of money. The Echo Dot is one of the cheapest in the range – and a great little portable device that’s perfect for the kitchen or bedroom.
The fabric-covered puck features a 4cm driver that pumps out decent enough sound. Alexa sounds loud and clear and, for the money, music sounds rich and full. It’s perfectly acceptable as a background music device, plus you can always wire in other devices via the 3.5mm aux output for better sound.
You need to connect the Echo Dot to power, so it’s not as portable as some options on this list. But on the upside, the Echo Dot can be used to play music, answer questions, read the news, check the weather, set alarms and control compatible smart home devices, from TVs to home cinema amplifiers and speakers.
For the money, it’s one of the best cheap portable speakers around.
Read the full review: Amazon Echo Dot (3rd generation)
13. Audio Pro Addon T3
Bigger than some rivals, but still portable enough to give serious consideration.
SPECIFICATIONS
Dimensions: HxWxD (cm): 11.5 x 21.5 x 13.5 | Power: 2x 5W + 15W Digital class D | Features: Bluetooth V4.0 | Connections: 3.5mm stereo, USB
Reasons to Buy
Full sound
Expressive and dynamic
Faultless build
It might be one of the less portable speakers in this list, but the T3 can still be carted around thanks to the carry handle. It’s robust rather than heavy, and boasts a battery life of up to 30 hours. Like bass? You’re in luck – the solid chassis and rear-firing bass port will have you tapping your toe in no time.
There’s no wi-fi (if you want wi-fi, opt of the Addon C3), but the Bluetooth-enabled T3 features a similarly classy design with textured surfaces and a leather embossed handle .
Audio Pro tends to ignore gimmicks in favour of high-quality sound but this speaker does have the facility to charge up your smartphone or tablets via a USB port. You also get an auxiliary input for your TV/MP3 player/record player.
Sound is superb, with plenty of depth and detail throughout the frequencies. If you want something for home and in the garden, this could work nicely – maybe not the one for your carry-on luggage, though.
Read the full review: Audio Pro Addon T3
14. JBL Xtreme 2
One of the best Bluetooth speakers we’ve heard with bags of ability.
SPECIFICATIONS
Connectivity: Bluetooth | Power: Battery | Inputs: 3.5mm | Battery life: 15hrs | Dimensions (hwd): 13.6 x 28.8 x 13.2cm | Weight: 2.39kg
Reasons to Buy
Clean, clear sound
Balanced bass
Robust build
Reasons to Avoid
Hefty design
No wi-fi or multi-room smarts
The JBL Xtreme 2’s boombox design has fun and excitement written all over it. The rugged, IPX7 waterproof exterior, 15 hour battery life and ability to charge your phone from its USB port mean it’s a great option for the beach.
Wireless features have been stripped-back, though. There’s no wi-fi, so you can’t stream from Spotify. And it won’t let you talk to Alexa or Google Assistant, just set a button to activate them in the manner of an earphone’s in-line remote.
JBL Connect+ is the most unusual feature on this otherwise standard Bluetooth speaker. It lets you link up to 100 JBL speakers, to make the equivalent of a nightclub PA in your home.
There’s plenty of boom to the sound, but we’re not talking ridiculous levels. That deep powerful bass is also nicely controlled too. Mids are of a high quality and highs show more clarity than you traditionally get from such a product. For the money, the JBL Xtreme 2 is brilliantly balanced Bluetooth speaker.
Read the full review: JBL Xtreme 2
15. Ultimate Ears Blast
Energetic performance, Alexa onboard and Wi-Fi connectivity.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: N/A | Battery life: 12hrs | Dimensions (hwd): 118.8 x 6.8 x 6.8cm | Weight: 463g
Reasons to Buy
Great portable design
Exciting, dynamic sound
Good detail and punchy timing
Reasons to Avoid
Top end can get excitable at loud volumes
Alexa features not exhaustive
Ultimate Ears has a knack for making Bluetooth speakers that combine the right combination of sound, design and rugged features, and it does so again with the Blast. Its cylindrical 360-degree design means it throws sound evenly around the room, while the tough ‘IP67 waterproof’ exterior means it can can survive in 1m of water for 30 minutes.
It’s crammed with connectivity, too. You get Bluetooth, wi-fi and Alexa smart assistant voice controls, meaning you can turn up the volume or play songs through Amazon Music Unlimited without lifting a finger. Far-field voice recognition is excellent, and there’s a nifty LED strip that glows and blinks when you interact with Alexa.
The lack of 3.5mm audio input might bother some, but we found the Blast to be a real crowd-pleaser. The 360-degree sound and bass output is far better than one might expect for this kind of money; throw in Alexa smarts and you have a fun, energetic speaker that offers plenty of bang for your buck.
Read the full review: UE Blast
16. Amazon Echo Show 5
One of the best Bluetooth speakers we’ve seen with a screen.
SPECIFICATIONS
Dimensions (hwd): 8.6 x 14.8 x 7.3cm | Connectivity: Wi-fi, USB, 3.5mm line-in | Battery life: n/a | Power: 4W
Reasons to Buy
Alexa voice-control
Decent sound and video
Nicely put together
The Echo Show 5 is the latest in a long and fast-moving line of Amazon products intended to get us all invested in its virtual assistant, Alexa. Where much of the Alexa-enabled kit out there is audio based, concentrated on the Bluetooth speaker market in particular, the Echo Show 5 embraces both sound and video in its abilities to communicate. So, as well as playing music or reading out information, you can access video content on the 5.5in LCD touchscreen. There’s also a camera for video calls.
The Echo Show 5 is a diminutive device, and as such cannot possibly offer the scale of sound that some specialist wireless speakers can. But then it offers so much more ability and functionality than a run-of-the-mill Bluetooth speaker. For what it is, we find the sound perfectly acceptable. It runs fairly warm, sonically, which helps voices on radio and the like, and makes for a comfortable listening experience. There are better speakers out there but this is much more than that. It opens up the world of the digital assistant to a whole new audience for both audio and video; and if that’s what you’re after, this is about as good as you’ll get.
Read the full review: Amazon Echo Show 5
17. Dali Katch
This Dali Bluetooth speaker ticks all our boxes.
SPECIFICATIONS
Dimensions (hwd): 13.8 x 26.9 x 4.7cm | Connectivity: aptX Bluetooth, 3.5mm | Battery life: 24hr | Power: 50W
Reasons to Buy
Powerful, full-bodied sound
Great dynamics and timing
Long battery life
If you’re after a premium portable speaker, there’s every chance that the Dali Katch will blow your cashmere socks off. Dali, better known for its traditional hi-fi speakers, has managed to extract a sound that is quite simply incredible for something of the Katch’s stature.
Two tweeters and a pair of aluminium woofers, driven by a Class-D amplifier, make for a total power output of 50W – not to mention an impressive amount of detail and a nice dose of velvety low-end.
The speaker boasts buttons for power, volume and pairing, which is made easier with the option of NFC. There are also two EQ presets: one for freestanding play and one for positioning on a shelf. And let’s not forget the excellent battery life: just two hours of charge will get you around 24 hours of music playback via Bluetooth.
The Katch isn’t cheap, but you do get what you pay for – a weighty, dynamic sound that defies this speaker’s dimensions.
Read the full review: Dali Katch
18. Ultimate Ears Megablast
A lively, entertaining Bluetooth speaker with plenty going for it.
SPECIFICATIONS
Connectivity: Bluetooth and wi-fi | Power: Battery | Inputs: N/A | Battery life: 16hrs | Dimensions (hwd): 23.7 x 8.8 x 8.8cm | Weight: 1.19kg
Reasons to Buy
Dynamic, detailed sound
Enthusiastic, punchy rhythms
Precise, taut basslines
Reasons to Avoid
Presentation is slightly lean
Not fully featured just yet
The powerful UE Megablast takes the performance of a portable Bluetooth speaker at this price to a new level. If you’re looking for thumping bass, well, let’s just say you’ve come to the right place.
Design-wise, the Megablast is waterproof (IP67 rated), so it will survive being dunked in the pool or exposed to a sudden downpour. Battery life is 16 hours, which is pretty respectable given that it has Alexa voice smarts built-in.
Say the wake word ‘Alexa’ and a white LED strip on top of the Megablast glows in recognition. Features include voice-controlled music playback over wi-fi, through Amazon Music Unlimited and TuneIn radio, plus support for the likes of Spotify, Deezer and Amazon Music. There’s no 3.5mm audio jack, though.
A combination of pounding bass and enthusiastic sense of rhythm make for a hugely enjoyable performance. It might not be the most pocketable speaker around, but few rivals can match the Megablast for bass quality. An absolute treat.
Read the full review: UE Megablast
19. Sonos Roam
A pleasing Bluetooth speaker with a full-bodied sound.
Want a Sonos speaker you can drop in a backpack? Meet the Sonos Roam, the multi-room titan’s first truly portable battery-powered speaker (the 2019 Sonos Move is technically portable but weighs a hefty 3kg to the Roam’s 430g).
The Roam works perfectly well as a standalone Bluetooth speaker but it’s also designed to be immersed in the company’s burgeoning multi-room ecosystem. Features includes support for AirPlay 2, voice controls and Sonos’ Trueplay tech, which uses the built-in mic to tune bass and treble to suit your surroundings.
Headed to the beach or the pool? You’ll be pleased to note the IP67 rating, which gives it complete water and dust resistance. The built-in battery offers a pretty decent 10 hours playback and support for Qi wireless charging.
Sound is confident, bold and better than you might expect from an outdoor/party speaker at this price. Other Bluetooth speakers offer a more expressive and detailed sound but if you’re invested in the world of Sonos, the Roam is a smart buy.
Read the full review: Sonos Roam
20. JBL Go 2
Impressive sound from an impressively small and portable package.
SPECIFICATIONS
Dimensions: HxWxD (cm): 7.1 x 8.6 x 3.2 | Power: 3W | Features: IPX7 waterproof, Bluetooth V4.1 | Connections: micro-USB | Finishes: 12
Reasons to Buy
Tidy design
Balanced sound
Decent bass
Reasons to Avoid
Battery life could be better
The budget JBL Go 2 might be the perfect holiday accessory. It’s a tiny speaker, no bigger than a bar of soap, which makes it small enough to slip into your pocket. There are 12 colours in the range, including the retro-fabulously pearlescent yellow model pictured above.
The Go 2 has a full waterproof IPX7 rating, so it won’t matter if you drop it in the pool by mistake. Features are thin on the ground, but you go get an aux input, plus a noise-cancelling speakerphone and built-in mic for handsfree calls. There’s no wi-fi, though, and the battery life is a little disappointing: 2.5 hours of charging returns a maximum playing time of just five hours.
Despite an output of just 3W, the Go 2 punches above its weight when it comes to sound. For the money, it’s a lively, balanced and cohesive performer. If you’re the sort of person who likes to travel light, we think this is up there with the best Bluetooth speakers of its type.
Read the full review: JBL Go 2
21. Bose SoundLink Mini II
This Bose portable speaker is a decent option for the money.
SPECIFICATIONS
Dimensions: HxWxD (cm): 5.1 x 18 x 5.8 | Features: Bluetooth V3.0 | Connections: 3.5mm stereo, micro-USB
Reasons to Buy
Full-bodied sound
Weighty bass
Portable
Reasons to Avoid
Lows lack precision and agility
If you’re after a portable speaker that doesn’t scrimp on bass weight, the SoundLink Mini II could be just the ticket. The small but hefty design pumps out a big, bassy sound that will get you dancing by the pool.
Bose has kept features to a bare minimum; there are buttons for power, pairing (you can link two devices at a time and switch between them) and volume. You also get an aux input and a USB input for charging. Battery life is 10 hours – pretty good for a speaker of this size.
The big attraction here is the sound quality. While lots of portable speakers offer fuller bass, it’s often boomy or distorted. That’s certainly not the case with the SoundLink Mini II, which sounds taut and expressive. Vocals are exceedingly rich and instruments are given space to breathe. In fact, the sound is as good as anything we’ve heard at this price and stature. Other speakers are better value for money, but this high-quality Bose speaker is still a fantastic buy.
Google is rolling out a new feature for the Google Phone app that announces who’s calling when the phone rings, according to 9to5Google. If it’s rolled out to you, you can set whether you want the app to announce caller ID every time the phone rings, only when you’re wearing a headset, or never, 9to5Google says.
iOS has had a feature like this for some time, and it seems like Google’s version for the Phone app works similarly to Apple’s implementation. On my iPhone, I find caller ID announcements to be really useful — it’s very handy to know who’s calling before I even look at my phone. Caller ID announcements are also a great accessibility feature, allowing people with visual disabilities to more easily know who is calling them.
Sadly, most of the call announcements I hear are for spam calls or numbers I don’t recognize. I really wish that Apple offered something like Google’s automatic call screening, which is available for all Pixel users in the US.
Consumers lost over $2 million in cryptocurrency to scammers impersonating Tesla and SpaceX CEO Elon Musk over the last six months, the Federal Trade Commission reported Monday.
“Promises of guaranteed huge returns or claims that your cryptocurrency will be multiplied are always scams,” the commission said in its Monday report.
For years, scammers have posed as Musk in order to fraud social media users out of cryptocurrency. They use deceptive tactics on sites like Twitter, often using the same avatar images as Musk’s own account and slightly misspelling his username. Pretending to be Musk, the scammers will ask victims to send currency to a specific wallet address in exchange for receiving a larger payment in return. The scams violate Twitter’s policy against deceptive accounts, but moderators have struggled to rein in the activity, and it remains prevalent on the platform.
The $2 million figure was revealed in a larger report on cryptocurrency published by the FTC on Monday. Since last October, consumers reported losing more than $80 million in cryptocurrency scams, increasing “more than ten-fold year-over-year,” the commission said. Consumers lose around $1,900 through these scams on average.
Musk himself was a target in one of the largest Twitter bitcoin scams last summer. In one of the largest breaches in Twitter history, attackers compromised accounts belonging to Musk, President Barack Obama, President Joe Biden, Bill Gates, and even Apple to promote a bitcoin scam. The attackers received nearly $120,000 from the scam that forced Twitter to block all verified users from posting new tweets for several hours.
A new coronavirus outbreak in Taiwan has raised concerns over TSMC’s ability to maintain production levels, DigiTimes reported today, especially as the chances of city-wide lockdowns being imposed rise alongside the number of new cases.
Taiwan handled COVID-19 better than most—The Guardian said it reported 1,000 cases and 12 deaths throughout 2020. For comparison, there were more than 2 million cases and 52,000 deaths in New York alone, per The New York Times.
Yet the number of local cases in Taiwan is rising: The Guardian reported that there were 29 on Friday, 180 on Saturday, 206 yesterday, and 333 today, which means “about 91% of Taiwan’s total local caseload has come in the past four days.”
DigiTimes reported that this resurgence had led some to worry that “potential coronavirus-induced lockdowns in Taipei and other cities may pose a threat to the local chipmaking industry supply chain, according to industry sources.”
TSMC is said to have “stepped up its already stringent precautionary measures against the coronavirus,” according to the report, even though it has only had one infected employee, and that was in the early days of the pandemic.
But it’s critical for TSMC to maintain production levels right now. The company has made significant commitments to develop new technologies and increase production, but it still expects chip shortages to last until 2023 despite those efforts.
Many products that rely on TSMC-manufactured chips are already in short supply. Any disruptions related to this resurgence of COVID-19 would make it that much harder to find the best graphics cards, the latest Apple devices, and other products.
All of this means TSMC and other Taiwanese foundries are going to face enormous pressure to maintain production levels while they contend with the possibility of new coronavirus-related restrictions, a record drought, and other obstacles besides.
Apple’s just announced that it’s adding lossless, hi-res and Spatial Audio with Dolby Atmos tracks to the Apple Music service. Not only are these benefits being added without the subscription price going up, we’ve also now discovered that you won’t even need to use Apple’s own headphones in order to listen to tracks in Dolby Atmos.
In a post-announcement briefing, Apple’s Buddy Judge explained that the new Spatial Audio with Dolby Atmos feature will work with any headphones – as long as you manually enable it.
Once the update goes live next month, if you go into Settings on your iPhone or iPad and then to Music, a new Dolby Atmos option will be available. This is set to Automatic by default, which means Dolby Atmos tracks will play correctly when you’re listening via any W1- or H1-enabled pair of Apple or Beats headphones (the AirPods Max, AirPods Pro or standard AirPods, for example), but not when you’re using third-party headphones. However, if you switch this option to Always On, even these non-Apple headphones will play back the Dolby Atmos tracks correctly.
It’s worth noting that this setting only applies to Spatial Audio Dolby Atmos tracks in Apple Music and not to Spatial Audio content in other apps such as TV. Spatial Audio in the TV app is a slightly different beast in that it also utilises the sensors in Apple’s own headphones to enable head-tracking. It seems to us that this does open the door to more simplified, non-head-tracking Spatial Audio movie support coming to third-party headphones in the future, though.
MORE:
Best wireless headphones
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